Category Archives: movies

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

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What was could be again

Lets take a step back to 1996, Geena Davis was a big hit, Renny Harlin was enjoying the fame that Die Hard 2 brought and in 1996 they brought the Long Kiss Goodnight. I loved that movie, I am wondering what caused the 95 million over a 65 million investment. I haven’t seen the movie for a while, but it is around somewhere. The story is captivating and the actions were awesome. If there was one issue, than it is the issues that all movies suffer, you can safe the world in 90 minutes, or you can sit down and create a 360-540 minute event. Places like Netflix could enjoy the longer sway that a mini series has and when you see some of the movies from the 90’s like Long Kiss Goodnight, there is a push. You see the list of movies, especially action movies where the woman has the lead are short, as such this movie has a chance to make it a lot bigger, especially as movies is an immediate investment from your pocket and with streamers you give it a chance and that would work well for some. The mini series is debated again and again, but the evidence cannot be denied. Series like the Bodyguard with Richard Madden and Keeley Hawes put the power in the piece and the pressure remains until almost the very end with the final spin that gives you a kick and rewatching it does not take the kick away. And when you do that to a piece like the Long Kiss Goodnight you could end up with the kind of result that puts you to the top of the bill for a long time. The cast was good, yet I had some issues with Craig Bierko. Not the part he played, he played it just fine. His face was the one of a person who seems more in place as an intern at the CIA mail room (enter the lobby, go past security, turn right, then first left. Walk through the corridor, take the elevator on the right and go to -1. Then head, out turn right and the second door on the right. That mail room). I think that a person like Pilou Asbæk could turn this into something truly scary. There are all kind of voices on who would be the best female person. Geena Davis did make this the cult hit it now is, as such my mind wanders towards Lena Headey or Krysten Ritter. Don’t get me wrong, a person like Scarlett Johansson could do an excellent part too. However people like her are the too obvious choices. I think that Geena Davis was never the obvious choice and she put the two women there in a way that is not easily surpassed. In that movie Craig and Geena were the fireworks and they played their parts well. I reckon that with the right cast and the right director, the Long Kiss Goodnight by Shane Black could be raking in the results. And in a mini series that has the foundation to equal if not surpass a piece like the bodyguard (not the Costner version), the question becomes how good and what kind of a killer smash that movie could be turned into.

And lets face it Hollywood will be looking for options when there is a writer strike on their doorstep. It was just a thought. Enjoy the day.

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The drifting mind

It happens to me, my mind wanders at times. It happened yesterday as I was watching a Deep Space Nine Episode called ‘Empok Nor’. You see, my mind is still trying to work out Season 4 of Kenos Diastima. It is still up for debate. You see, Kenos Diastima had an open ending at the end of season 3. I was in the mindset to keep it an open ending, but part of me was considering taking a tight turn to the far right on this and make season 4 a espionage approach. It would also require a new cast, a complete new cast (for obvious reasons which I will not mention here). The stage was set to new needs and to new considerations, but it feels a little weird. There was an additional idea to create a new series that connects to Kenos Diastima, so my mind was a little all over the place. It was at that point I started to consider a few things. You see all the star Trek series I know the original, The Next Generation, Deep Space Nine, Voyager, Enterprise, Discovery and Picard. They all have humans in the lead. But the United Federation of planets had 4 founding races. As such Empok Nor gave me an idea. What if the new series is about the Andorians. The franchise has given us a good grasp, but what happens when they are in charge, it is slightly before the UFP and they had found a damaged human freighter and they kept the engineers as they were short on engineers. This team finds an abandoned Romulan space station, but that station is already more advanced than either Andorians or Humans were used to. They start exploring the station and find all kinds of things, logs and recordings which gives us stories about Romulan life and these episodes will be part in the station and part on what the logs play out, we see as such a multitude of stories play out and it gives 4 stories. The station story, the Romulan log stories (on Romulus and so on), the Andorian stories and the human stories. So you have basically 4 steady locations (Station, Earth, Romulus and Andoria) and several other locations. 

You see, I do not know why, but for the most Paramount seemingly never considered making the alien race the dominant one, or perhaps they did and they rejected it. We also see how the Andorians ‘borrow’ (steal seems too harsh) these ideas they find and patent it to themselves, calling all kind of emotions and considerations into the frame of things. I reckon something like this might have 2-3 seasons, but that is still a nice run. I will admit that part of this is driven by my love of a game I worshipped since 1994 called System Shock. There we find stories as well, but they were short stories and most of them connected to codes and such. Origin systems had a great setting there, the fact that I still think of that series 30 years later is proof of that and the remake is supposed to come to the PS5 this year. But as another Star Trek Franchise it could work as well, but the setting needs to change and the fact that the franchise speaks over the hostilities between Vulcan and Andoria implies that the Romulan find could open other doors in storytelling as well. Optionally even a link between Romulus and Vulcan, but that is merely a simple slither towards the storyline. 

What is interesting is that all this shaped in less than an hour, the shaping of the thoughts was quicker than me typing all this. So even as it did not solve my Kenos Diastima dilemma, it might help me create the foundation of season 4, the way I think it might have the power to contribute, if not, I will not min, the end of season 3 was powerful enough to make minds baffle. And at times that is all the storyteller hopes for, a baffled mind that goes ‘Are you freaking kidding me?

I can be that simple and that mean at times. Enjoy Easter.

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Simple curiosity

It all started with one word. I was browsing the Middle East Monitor (at https://www.middleeastmonitor.com/20230322-saudi-arabia-is-retelling-the-hijrah-and-shaping-a-new-narrative-through-art/) and the word retelling. Now in media the word retelling has a negative connection, especially when the word narrative is in that sentence, as such the title ‘Saudi Arabia is retelling the Hijrah and shaping a new narrative through art’ drew my attention. Now, I had no idea what Hijrah was, so I had to look it up. Hijrah gave me “the Prophet Muhammad’s migration (622 ce) from Mecca to Yathrib (Medina) upon invitation in order to escape persecution”, as a non-Muslim I had no idea of that, as such I was interested to learn more. It must have been quite the trip as it is about 450Km. Which on camel implies about 3 days travel. But back to the article. There we are given “The exhibition “Hijrah: In the Footsteps of the Prophet” and the documentary “In the Footsteps of the Beloved” are embracing historical and scientific evidence, signalling a change in Saudi Arabia. There is a long sequence in the movie where a Saudi archaeologist, very thin and emaciated, is walking up a mountain in the desert. A black man is bravely holding an umbrella sheltering him from the sun, and going up the hill with him. It’s a long sequence, that seems almost to stress the suffering of the two men. The archaeologist in the film is actually Dr Abdullah Alkadi, a scholar who — according to a guide at the King Abdulaziz Centre for World Culture (Ithra) — travelled in the footsteps of Prophet Muhammad more than fifty times in order to retrace the Prophet’s 8-day journey from Makkah to Madinah in 622, known as the Hijrah.” Now that is a worthy side for anyone to see and as Dr Alkadi is focussing on historical evidence, aided by science and modern technology we get to see the a side of Islam that anyone would, or should be interested in seeing. And then the jackpot comes from Idries Trevathan, curator of Ithra. He gives us “bringing scientific evidence through the medium of art allowed us a bit more freedom of exploration” that is one art show I should try to visit (well, when it comes to Sydney), perhaps it never comes to Sydney and we would have to visit it in Saudi Arabia. Scientific views through art is a noble endeavour, no matter what the narrative tends to be. No matter how I see it, this is something all non-Muslims need to take notice off and I feel certain if this movie makes it to BluRay I will seek it out. With my extremely limited knowledge of Islam, I had nothing more than the movie ‘How to assassinate a politician’, I wonder what people with actual knowledge of Islam can create and the title ‘In the footsteps of the prophet’ seems a lot more worthy. Even as it is seen a more arthouse and lacking action, it gives a larger population an insight towards the prophet. Anyone who wanted to learn more about Islam should be on the first line of a place that sells the movie after its cinema release. I reckon that sales numbers will go through the roof in Bangla Dash, Egypt, Indonesia and Turkey as well. 

And I did not seek this out, one word drew me into the article and I learned a whole lot more that hour than merely something about a narrative. There are times when simple curiosity pays off in the most unexpected ways. 

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Blocked by greed?

It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked. 

I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.

So why does this matter?
It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations. 

All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies,  so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US. 

I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.

Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive. 

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Betrayal by greed

That was what I was considering today (and part of yesterday). You see I watch a stream sometimes, but not all the time. I am old school (really old in one way). You see I like (actually love) my physical formats. Games and movies. I started my collection a long time ago with CD’s and VHS cassettes (ask your grandfather if you do not know what those are). Over time some VHS were updated to DVD and some to Blue-ray. That I where I am now, but over time the game changed and that was not what I was ready for. Studios to some extent betraying their fans, I saw some of it earlier on and I considered it a dick move. How could any studio betray their fans? Now there are two settings, the first is outright betrayal for whatever reason. Consider that in most places Stargate Universe was never available on Blue-Ray. Consider the Expanse an amazing series, but as the series is now in season 6, yet the fans can only get the first 3 seasons. Why is that? Then is a second setting. The TV series Lucifer. Now they have a rather nasty experience. They needed a new way to continue and they found one and it ended with season 6, only now can they get seasons 4, 5 and 6, however only on DVD. Only the first three seasons are on
Blue-Ray. There is some understand here because Netflix acquired the series. But why short change your fans? I understand that Netflix does get a time exclusive, they acquired that right and I do not begrudge them anything. Yet after this time, who not release them now? It has been long enough. For that Disney has another setting, I am not sure how to react there. They have their series, they have also acquired Marvel (to some degree) and even as the movies can be bought, the series on Disney plus (Mandolorian, Wandavision et al) cannot. I never saw any of them , so I feel uncertain how to respond. Those fans might have their own feelings on this. But when you make the inventory on what is there and more important what is missing, we get a very different picture, one where corporate stages are set on greed. Now this is not new or some kind of revelation, but in movies it is somewhat unusual, especially towards their fans. So what happened to American Horror Story 1984? I get that season 10 is not out yer, but the last episode was in October 2021, so that is well over a year ago. For me? Well, I do believe that within the next two years, when 5G is not yet out everywhere there will be congestion and it will hit much harder than you think, the streamers will be hit as well and as businesses are now set to exploiting the benefits of 5G, these limitations will grow larger and larger, as such congestion will have a much more relentless impact. Should it not be an idea to avoid pressures as much as possible? Now, that does not mean that the studios should bank on losses, but The expanse ended season 6 a year ago, is it not time to release those seasons? What does the maker want to avoid? I reckon that those who do not have Amazon Prime might not get it anyway, so why make revenue the obstacle? I cannot tell how many buy them, but I feel certain I am not the only one, as for some releasing them only on DVD, all whilst previous seasons were on Blue-Ray? Shame on you!

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Step by step, closer it gets

This is a weird story. It is a story, there are no facts, there is no hidden gem. It started last night. In my dream I was introduced to a lovely lady with raven hair, she is mid 30’s I would guess. Khaki shorts, stern boots and a Bordeaux sweater with an image on it. She is the vet, her love of elephants keep her there. She looks after the health of about 2 dozen Indian elephants. All signs point to this being India. I do not know where and I have never seen the lady before. There is also a man, an architect who looks a lot like William Petersen (CSI). He is trying to safe a building. The building is almost 2000 years old and is for now still functional. The building is made of large stones, some well over a ton heavy. The building has paint on the inside, and the building is starting to become too unbalanced to stay standing. The building is an impressive setting of stones, beams and large thick wooden sticks that are the separator between elephants and people. The building has supported both for millennia. The architect is trying to safe the building. He has scanned every inch of the building, every stone. He can see and look at the effect of shoring the walls, and this is done with thick oak pillars. As he investigates the stones he starts seeing patterns, the pattern becomes more and more clear as he resets the stability of two stones. As the stones are resetting to a firmer floor (concrete) some of the stones are suddenly straight lines and the architect is able to move them a little, even the heavier ones are set on stone rails from the larger stones. It takes three weeks for the two stones to be completely reset and now as he cleans the other stones and places them where they should have been, the sides normally against one another reveal texts. It is a story in time as well as a message. As ‘Grissom’ collects the scanned pictures and adds them to every stone in the 3d model on his laptop the story unfolds. More important the message seems to be connected to places and landmarks that are timeless around him. As he completes the story and looking at all the stones the message becomes clear to him, but he does not understand the message at this point. The markers lead to a well just north of the town. They investigate the well, they see nothing, so they go in, under water they find their way around only to resurface in a dark place, but that changes when lights are switched on. It is a temple to Ganesha, the statue of Ganesha is pure gold. His eyes are massive rubies and as he maps the location, they appear to be exactly below the elephant building. He also see what happened. Something gave way and one of the huge pillars sank, causing what was happening above. The statue has a small table with emerald tablets engraved with Vedic Sanskrit. The text is unknown to  me, I cannot say what way on it, but there was a lot of writing on the three tablets. 

Interesting dream. It could set the tone to a new script. There were a few loose thoughts on baby elephants getting stolen, but it seems to erratic to focus on that. What matters is that I was able to think of new IP in an area I never considered thinking, so perhaps this is the making of a new game, or movie or mini series (I was always partial to mini series). 

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Creating a nightmare

Yes, we do that at times. I use different ways, but the nightmare that formed in my mind is one that I wasn’t ready for and it shaped in one dream. You see, in intelligence there is a saying. If you want to sell a lie, cover it in truth. This is true for them and it is also true for story writers. Getting the audience invested in the story requires a stage where they can relate to and whatever truths they are given, the ones they an verify will work a lot quicker for the story.

So it started with the second thing I heard, but to each its place. The first thing I saw, source not recalled, mainly because I did not give it any value was “The US and UK are supporting Ukraine to stay in the war, but not enough to win” I cannot say who or why and I do not think it is true, but it stayed in the back of my mind. It was the second part that gave it a swing. The statement comes from a Dutchman named Rob de Wijk. He is the founder of The Hague Centre for Strategic Studies (HCSS). He stated “Hopefully unfounded wishful thinking about Ukraine’s chances will give way to more realism. This is necessary because the West faces a tremendous dilemma: the worse Ukraine gets, the greater the chance that NATO countries will become increasingly involved in the war. The risk of a direct confrontation with NATO is also increasing. The heavy weapons that the NATO countries will then need limit the possibilities of supplying them to Ukraine now. It is now forcing Western leaders to consider how to end this war quickly.” That started the rollercoaster. You see Russia and its Kremlin people have a new stage. With the oligarchs mostly gone and loads of their fortunes now confiscated, the sugar daddies of the Kremlin are falling away. It leaves these people with whatever they have and that is not much, or it is massively below what they are used to. Their defence is still falling short, their military aren’t hacking it and local problems are increasing. 

So there we have greed driven Kremlinski’s and their need for more money, so how long until some of them strike a much larger deal with the Russian Mafia? The Russian mafia gets all kinds of support, in exchange for money and creation of Chaos all over the America’s and Europe. I reckon we can wait for that ghost to hit the brains of too many people. Now that is not enough, you see we need a plan to strike back and there I remembered a book by John Gardner called Golgotha, it was also released as the last trump around 1980. I believe that is where the scriptwriters from the New Avengers (Steed, Gambit and Purdey) with the second episode being House of Cards. That and Golgotha gives a new approach to sleepers. Added are within the team a seminole, the comm members are seminole. They are mostly outside of the team and their Mikasuki members are un-hackable. Not unlike the Navajo’s in WW2. But the larger setting is that these are 6 teams. One in the US, one in Canada, one in the UK and the other three all over Europe. They are facing Russians who are blackmailing all kinds of industry giants and governmental officials. Housing scams, grifting the rich and connected and blackmailing them in the process. 

A setting where we have a counter, a Cheyenne approach to hit and run, something the Russian mafia has never faced and their orders are simple. Kill all Russians and destroy everything they have. A new lever of John Wick, but a little more realistic and within their actions we see Russian death and mayhem. I reckon that the first studio picking up this idea will have a nice sweet advantage. Anyway there is a little more but not much. I got all these elements in mere hours (whilst I was snoring like a sawmill). 

Consider that nightmare whilst you leave your house untended for the day.

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Wakey, wakey Amazon

I had an idea, it is not my IP, even though it might be possible to create an innovation patent. You see, the original idea came from Hans Breukhoven who in the Netherlands created the Free Record Store in the early 80’s (perhaps late 70’s). His idea was that you could request a CD, any CD and it would be created on the spot. It never came to anything, because data speeds were not ready for this. He had the insight when 300KB/s CD drives were regarded as high technology. The idea was good, but the timing was wrong. Today I wanted to see/get the movie StarGate, I had not seen it for a long time and even though I have it on DVD somewhere, the Blu-ray would be preferred. At that point my mind started to think. You see in the same way that Spotify is destroying the music industry. Netflix et al are doing pretty much the same to the movies (not intentionally mind you). People are stopping to care about physical formats and that is where it soon will be at. You see when congestion hits (and it will hit hard), people will rely on anything to see a movie and that is where physical formats will come into its own right again. In that same way console games are hitting new spots and even as this is not a short term track. A system that can create games, 4K movies and so on might have a real future in metropolitan areas. There will still be a need for games and movies on disc and having it in stock when it concerns new releases does make sense. But what about a movie from 2018 and before that? What about a game that is 2020 or earlier? This sets the premise of thousands of titles. Yet in this day and age shops cannot have it all, there is no space and moreover, the money becomes scarce in their pockets. So what if a store had such a machine? You can order, you can pay upfront of online and you get a voucher and the time when to pick it up and that is when you pick up YOUR request. Now it might be ordering, but soon (within 2 years) devices can burn a 4K movie in under 5 minutes and that is when the setting changes. No longer a stage of waiting for stock, just go to the store and get what you want and considering that the stage contains thousands of movies there will be a real market soon enough. I reckon that by the time we get to PS6 and whatever Microsoft has, these systems will have the burners and when you order overnight, the next morning a quality 4K movie will be waiting for you. Optionally you can keep it on an SSD so that you can watch within minutes and the disc is created overnight (home systems will not have the high speed burners that commercial places will have). 

A setting that could be here a lot sooner than we think and a man named Hans Breukhoven paved that way 30 years ago. By the way try finding some of your favourite movies, how many are still on the market? How many does Netflix (et al) have?

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As conditions changed

There is a movie, it was a movie that had impact. I was never in a military academy, but I do have military training, so the movie affected me in different ways. It was a good movie (any movie with George C Scott will become one) and it had Timothy Hutton from ordinary people. Tom Cruise is in it, but he was relatively unknown at the time. It might have been one of his first movies, before Legend and Risky Business.

But the movie was good (I thought it was), and it comes to mind that in this day and age (invasion of the Karens), the shift of values as well as the squandering of morality in the US there is actually a need to make a new version of it. Especially as we see Russian values move into every basement there is, the clear stage that some man will hold onto values is not too far out of place. I reckon that a movie like this in 2023/2024 could be a new start for a new generation of actors and actresses. In addition the changes that the military have faced over the last 4 decades might be an additional reason. There is actually no need to shoot this or base this on American settings. NATO an the EU would introduce a whole range of issues. The political field has changed from the rejection of military value to the embrace of its stability. There are plenty of reasons to do this, but a few to not do this either. It is more than a remaster, it has new storylines and new challenges. In all this the additional setting of an academy in shutdown could be seen as one of the main stories, but 4 decades have shown us that there is more. The gender setting has changed over 4 decades, as such this is not merely a male and a male led environment. The one part that I missed originally was the stage of why (really why) the shutdown was ordered. It was a little in the middle and now we could rectify it, or better stated, the filmmaker that takes up the gauntlet will be able to rectify it. A stage that launched Tom Cruise and Sean Penn is not something one should overlook and they did a lot more to stand out, but it was the beginning and TAPS excelled in a few ways, too bad it was never seen that way but there is hope that the new movie might also inspire the original to get more visibility.

Just a thought, do with it what you will. In the mean time, it is back to the drawing board. I just had a new idea for a video game. Perhaps I will be able to tell a lot more about it in tomorrows episode. 

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