Tag Archives: movies

April 29, 2023 · 19:11

The price of exploitation

This time I am going in a different direction, one I know little (say: nothing) about, yet the news the BBC gives me is baffling me. I wonder if the US (and Hollywood) realise the dangers of exploitation, even more important how it could impact their economy. To start this we need to take a look at ‘How a Hollywood strike could affect your favourite TV shows’ (at https://www.bbc.co.uk/news/world-us-canada-65407703). Now to be clear strikes happen, they are almost a fact of life. You are either striking, or you get hit by the impact directly or indirectly. So here we get “The biggest issue is how writers are paid in the new streaming economy, with many reporting lower wages as digital platforms have upended traditional television and film productions, says the Writers Guild of America, the union representing television and film writers.” And then we get the ugly “Hollywood’s business model has been completely disrupted by streaming, and now writers complain of being asked to provide weeks or months of free rewrites of scripts” and that got to me. An institution that gets a billion or more per movie? That institution has to ask for rewrites under zero hours compensation? How fucked up is Hollywood? We can go in any direction, but Hollywood made $7,370,000,000 in 2022. I reckon shelling out 130-150 million for 11,500 Writers Guild member is not that big a leap, especially when you realise that “The last writers’ strike in 2007-2008 lasted 100 days and cost the California economy $2bn (£1.6bn), leading to many cancelled or delayed shows. Some have also credited it with boosting the proliferation of reality TV.” The business person in me states that losing 150 million is preferable to losing 2,000 million to a strike with the added loss of optionally successful TV series. As such I wonder where the greed driven stage of Hollywood is taking them, especially when Canada has its own production companies and they could get up to 100 days of advance house cleaning (the house names Hollywood). That is before you consider Brandon Hines who gives us “I just wrote on a show and I can’t eat, I rely on government assistance.” A series writer on government assistance? And you wonder why the writing guild is angry? Now there is another side, there are so many shows pushed out at present that I feel that something will have to give. A place like Netflix alone is allegedly spending $17,000,000,000 for content in 2024. I have no idea what the drill down is and it is likely too complex, yet I expect that writers are undervalued there as well. So what happens when the cream of the crop vacates to Canada or the UK (or Australia)? You can scream all you like, but these people seemingly have had enough and puts the pressure in other places too. All these TV hosts that suddenly cannot sound funny anymore. All these hosts that have nothing on the tele-prompter when that takes a front seat the Hollywood economy will take a dive whilst they rely on second or third class writers. So what happens to the Kingdom of the Planet of the Apes (2024) when it relies on writing students scripting the day away? What happens when an expected revenue of this movie ($1.7B) makes no more than $850M? I can tell you that the investors will take a run towards Canada and the UK, optionally Australia as well.

You tell me what the gain of greed is, because as I see it there is absolutely no positive side to that, but wait until May 8th 2023 and see shows (movies too) getting cancelled. All this was a simple application of Business Intelligence, an abacus was enough to set the parameters of this folly. The weird part is that we see “Hollywood’s business model has been completely disrupted by streaming”, they had years to correct for that and I would reckon that a revue savvy place like Hollywood would have their own regiment of BI people all over the place. So what did I see that THEY ignored, you tell me because I am at a loss.

Enjoy the weekend

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February 3, 2023 · 22:15

Blocked by greed?

It happens, good ideas fall down merely by the setting of greed. I get that some people revere greed, they pray qt the shrine of coin to get more, forever they prey to get more. Yet what happens when greed gets in the way of a good deal? For that we merely have to look at the place where boobs and smiles are as genuine as a crooked politician trying to get reelected. The forever need to drive that movie that will bring in a billion plus and some make it. Some make movies that gets the juices of desire flowing. Marvel is an excellent example. But you need a small education in reality. You see when we think directors one of the most famous and most achieved directors is Steven Spielberg, he gained revenue of $10,665,089,317 yet it took him 37 movies to get there and there are many nowhere near as good as him. So how about that $1 billion mark? When we look at franchises Harry Potter might be one of the most visible ones. In this Harry Potter and the Deathly Hallows: Part II (2011) is the only one that passed the one billion mark. Does this mean that we lower the bar? Not necessarily, yet that one billion mark is too visible, too much of an orgasm point for all the wrong people. All whilst there have been a good selection of options out there and they are overlooked. 

I mentioned before that the comic book called The Trigan Empire has every option with a right director to get to the high point, optionally with a blonde John Cena in the title role. They might not make the one billion, but they could make a massive profit, an amount that goes further than merely return on investment. There are so many others. There was Franka, a modern version of Brenda Starr, but with subjects that matter today, options that make women herald this next hero. There have been so many comic books in the 70’s and 80’s, all making a good chance to rake in the revenue and most of them not from the USA.

So why does this matter?
It matters because SKollywood is becoming a thing, because more and more people are accepting movies with subtitles and South Korea is producing more and more movies that are connecting to people, perhaps not in the US, but guess what? Over 2/3 of Hollywood revenue is often international. That Harry Potter movie only made $381M in the US, the rest, almost a billion came from outside the US and Hollywood needs to change steps and up the game because Korea (south part) is bringing people the Witch and more movies that are connecting to people all over the world. A stage Hollywood never considered is now becoming a reality. Who saw the Japanese movie Audition? That was intense stuff. Other movies like Old Boy and the ring found American versions, but non-Americans look at what is. You see we all liked the Departed, but those who saw the original Hong Kong version will find it lacking. Not the actors, not the script, but the original in Hong Kong just had that little more and Korea is producing a whole fleet of movies, as are several other nations. 

All this and then we get to Netflix, Hulu, Disney Plus and a whole range of others. Hollywood gets 3500 scripts each year and 350 are being made, so what is failing, because something is, the revenues do not lie. So far this year Avatar 2 and Maverick were the only two movies I ran to a cinema for and that is over the last 20 weeks. The well is drying up and Hollywood needs to set the steps to new heights, because they cannot afford to lose more and as I see it pointing the finger at streamers is not good enough. Japan and South Korea have their share of amazing movies,  so it is not merely the materials. I personally believe that it is the process that is failing. People have the wrong mindset at present. It should not be what gets me the most, it needs to be what can I do to get enough and up the quality of movies, that is the real trick and as far as I can tell, they haven’t figured out how to go about it. My evidence? The Trigan Empire, I made mention of it well over a year ago and since then no one picked it up. Not Netflix, no other streamers and not Hollywood. But I do remember hearing all kinds of complaints that Anansi (American Gods) is too black, or something of that nature. With the quote that “Charles Eglee, thought Mr. Nancy wasn’t right ‘for black America.’” In this I think he should talk to the writer (Neil Gaiman), as we see that it is more and more becoming all about perception the natural outcome is that others will reject what is there and over 65% of the revenue comes outside of the US. 

I let you decide what you watch, it was always your choice, but do you want American gods the way it was written, or what some producer thinks it needs to look like? Perhaps some of them remember the Justice league movie and what happened in the end.

Just food for thought, in the mean time South Korea has a few new gems coming this year. I wonder how far they make it this time, so far their record is pretty impressive. 

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January 11, 2023 · 17:09

Wakey, wakey Amazon

I had an idea, it is not my IP, even though it might be possible to create an innovation patent. You see, the original idea came from Hans Breukhoven who in the Netherlands created the Free Record Store in the early 80’s (perhaps late 70’s). His idea was that you could request a CD, any CD and it would be created on the spot. It never came to anything, because data speeds were not ready for this. He had the insight when 300KB/s CD drives were regarded as high technology. The idea was good, but the timing was wrong. Today I wanted to see/get the movie StarGate, I had not seen it for a long time and even though I have it on DVD somewhere, the Blu-ray would be preferred. At that point my mind started to think. You see in the same way that Spotify is destroying the music industry. Netflix et al are doing pretty much the same to the movies (not intentionally mind you). People are stopping to care about physical formats and that is where it soon will be at. You see when congestion hits (and it will hit hard), people will rely on anything to see a movie and that is where physical formats will come into its own right again. In that same way console games are hitting new spots and even as this is not a short term track. A system that can create games, 4K movies and so on might have a real future in metropolitan areas. There will still be a need for games and movies on disc and having it in stock when it concerns new releases does make sense. But what about a movie from 2018 and before that? What about a game that is 2020 or earlier? This sets the premise of thousands of titles. Yet in this day and age shops cannot have it all, there is no space and moreover, the money becomes scarce in their pockets. So what if a store had such a machine? You can order, you can pay upfront of online and you get a voucher and the time when to pick it up and that is when you pick up YOUR request. Now it might be ordering, but soon (within 2 years) devices can burn a 4K movie in under 5 minutes and that is when the setting changes. No longer a stage of waiting for stock, just go to the store and get what you want and considering that the stage contains thousands of movies there will be a real market soon enough. I reckon that by the time we get to PS6 and whatever Microsoft has, these systems will have the burners and when you order overnight, the next morning a quality 4K movie will be waiting for you. Optionally you can keep it on an SSD so that you can watch within minutes and the disc is created overnight (home systems will not have the high speed burners that commercial places will have). 

A setting that could be here a lot sooner than we think and a man named Hans Breukhoven paved that way 30 years ago. By the way try finding some of your favourite movies, how many are still on the market? How many does Netflix (et al) have?

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December 26, 2022 · 22:34

As conditions changed

There is a movie, it was a movie that had impact. I was never in a military academy, but I do have military training, so the movie affected me in different ways. It was a good movie (any movie with George C Scott will become one) and it had Timothy Hutton from ordinary people. Tom Cruise is in it, but he was relatively unknown at the time. It might have been one of his first movies, before Legend and Risky Business.

But the movie was good (I thought it was), and it comes to mind that in this day and age (invasion of the Karens), the shift of values as well as the squandering of morality in the US there is actually a need to make a new version of it. Especially as we see Russian values move into every basement there is, the clear stage that some man will hold onto values is not too far out of place. I reckon that a movie like this in 2023/2024 could be a new start for a new generation of actors and actresses. In addition the changes that the military have faced over the last 4 decades might be an additional reason. There is actually no need to shoot this or base this on American settings. NATO an the EU would introduce a whole range of issues. The political field has changed from the rejection of military value to the embrace of its stability. There are plenty of reasons to do this, but a few to not do this either. It is more than a remaster, it has new storylines and new challenges. In all this the additional setting of an academy in shutdown could be seen as one of the main stories, but 4 decades have shown us that there is more. The gender setting has changed over 4 decades, as such this is not merely a male and a male led environment. The one part that I missed originally was the stage of why (really why) the shutdown was ordered. It was a little in the middle and now we could rectify it, or better stated, the filmmaker that takes up the gauntlet will be able to rectify it. A stage that launched Tom Cruise and Sean Penn is not something one should overlook and they did a lot more to stand out, but it was the beginning and TAPS excelled in a few ways, too bad it was never seen that way but there is hope that the new movie might also inspire the original to get more visibility.

Just a thought, do with it what you will. In the mean time, it is back to the drawing board. I just had a new idea for a video game. Perhaps I will be able to tell a lot more about it in tomorrows episode. 

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November 19, 2022 · 15:25

Correlating the mode

A weird term to say the least, but it will soon make sense. I was watching the Patriot today (the Mel Gibson version) which I had not seen in over a decade and something came over me. I suddenly wanted to play Assassins Creed 3 again.

One called or the other. I did not think it was a bad game, it had interesting elements and for one, the intro was brilliant. Yet the game had a missing part. It was a lot less AC then the previous ones and that is not bad, the game was not bad. It was merely less great. Yet one called for the other and I needed to recognise that. As such I wondered if BOTH directions work. You see the PS5 and Streamers (soon enough) have an optional additional side. To get there you need to answer a question. Have you ever watched a YouTube with cutscenes? What if there was another mode with more? To keep in the AC line, what if there wasn’t some DNA you were filling, but film reels? Consider any game, you have a main line and side lines (in RPG’s at least). So what happens when we find all the reels, more important when we find them all a new mode opens up that we can see at the end of the game. The movie! Not merely the cutscenes but a complete movie in 4K based on cutscenes with additional footage, footage that tells part of the story, but we never played that part of the story, it merely completes the entire storyline. Now consider that we play a game like Diablo 3, the cutscenes are fabulous, but what if the acts become additions to the movie and we have a wizard edition, a necromancer edition, a barbarian edition and so on. A game, nearly any game giving us a 4K movie to watch. Streamers are better equipped for it, but I am willing to bet that any Horizons Forbidden West gamer will go nuts when they complete the game and are then treated to the HFW movie. What surprises me is that this feature was never part of any game, why not? We can argue that previous editions weren’t ready for this, but these systems (Nintendo Switch gets an exemption) are and this option could be available in the next decent RPG game. 

I wonder who will bring us the most exciting game movie next. 

 

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June 17, 2022 · 00:13

In continuation

You thought the previous article was the end of it? Nope, it was merely the beginning. You see, we see the iterations of DVD, BluRay, 4K and we do not stand still on the larger issue. The idea of a disc is nice, it is accepted and it continues. Yet the larger station is that a DVD is a mere 5GB, a BlueRay is 50GB (double sided) and a 4K is 66GB in dual layer and 100GB on triple layer. 

The Player is in every case about the size of a CD player. A SD card is about $35 (128GB) and the CF version is (alas) a lot more expensive. Yet the setting of the SD card is still shrinking in price and the price of the MicroSD is about the same. So consider the idea that you can have the entire Marvel collection in a holder the size of a pocketbook and that need is growing. People who want to watch a movie on route, people who want the kids to watch a movie in the back, people who are left with less and less space, you can look in every direction and the need for discs is falling away, CD’s are already falling away. How long until DVD’s are a think of the past? And even now we see the stage that one (micro) SD card (or CF Card) can hold an entire season of episodes. 

Here Sony is in part to blame. I remember the issue of all region DVD’s, but Sony would not hear of it. And that was a discussion I was part of 6 months BEFORE the PlayStation 2 was released in March 2000. Over that time others also has issues, but I still see it as fear, they had their little island and it had to remain safe even though the issues of safety were blown away in 1992 and was never restored, there was a feigned time of safety with the BluRay and now with the 4K, people will find a way. There is no stopping them and as the law is merely running after the events and not solving anything, stopping evolution tends to detrimental to ones sanity (health too).

So whilst we ignore what COULD be out there and what MIGHT be possible, we merely are part of some insanity roundabout and it goes nowhere. And interestingly enough, the streamers are making this evolution clear and more profound. So whilst you ponder the latest movies on SD or CF card, consider what you have and what you might lose. Especially in light that the quality of DVD’s has faltered in the last 5 years. It might be that the players are less reliable, but they still need discs and over the last 5 years I have seen more movie discs fail than in the 20 yeas before that. Something is failing the people, failing the systems and devices and it is time we ask the questions that matter, because only in the coming year is the price of an SD card a valid excuse, but when we see that this is already no longer the case with Bluray and DVD, consider what the larger station is to stop evolution. I gave the setting for players to allow other formats to play close to half a decade ago, we merely see discs continue. Why? When was the last time you tried to get a CD of a band you liked? I honestly never saw that coming. My introduction to CD’s was somewhere in 1977, 45 years ago. I thought they were forever, but that was of course delusional. Now consider that one SD Card can hold the entire collection of David Bowie or the Beatles. At what point will we concede that technology surpassed our labels of music and soon movies too? And it is not even close to the end. New technologies will come, they will revolt and we will contemplate how to react to it. I am not telling you how to react, how ever you will react it will be highly personal. I myself still enjoy looking at the covers of an album, that will never stop, but to hold a box with an entire season of Xfile episodes, or one SD card that holds EXACTLY the same is another matter. It will open new doors, new venues and new opportunities. And there is a hidden benefit. You see the next few years will be about congestion of the network. So will you be waiting for Disney to download part of the episode so that you can watch, or will you insert an SD card and just watch, without congestion, without delay and without hassle? 

And those who claim that there is no congestion? Well Computer weekly gave us last October “Enea claims first 4G, 5G user-based congestion management solution. Telecoms software provider launches solution based on proprietary algorithms to take pre-emptive action to boost QoE for individual sessions before subscribers experience congestion” Really? If there is no congestion, this solution seems like the most useless solution in existence. The truth is not that simple. The next 5-7 years will be about managing expectations, Service Level Agreements. And these will all have the small print regarding congestion. When we realise that, why do we see elements stopping the evolution of disc entertainment? I believe that this evolution will be a lot more essential in the next 2 years than anyone realises. And that is before you realise that there are even more options available, but I will leave that to you to figure out.

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March 28, 2022 · 22:43

The stage selected

That is what I keep on seeing. Not the slap, not the presentation, not the conversations. The setting of the stage. For me the question remains why Dune was not an option for best Director. This is not the objection to who won, I never saw that movie. I am not debating the winner, not objecting to the winner, my mind is screaming at Dune becoming a non-nominee as best Director. And the competition was seemingly fierce this year. The mind screams when something happens that we cannot comprehend, or perhaps seemingly comprehend. 

And the screams are oud within me because I am not the only one feeling this, the internet has been busy for a while on this and it is not the first time the Oscars are under debate. #OscarsTooWhite, is merely one of many objections over time. So when I see  movie that blew me away, getting 6 oscars that it shined in and is a non-competitor in another category is just a little too weird. Denis Villeneuve outdid any other director ever involved with Dune, he outdid what we expected and he outdid what we could not grasp. So I am not opposing that Jane Campion won, merely that Villeneuve according to me and many many others deserved to be a nomination. It is that simple. When we are confronted with such a blow normality goes out the window, and there is no stopping the confused mind and it is also a larger station, I cannot debate that the others did not deserve to be nominated, according to many they really did, I do not oppose that, perhaps it was as simple as number of votes, and I am willing to accept that those who became nominees just had a few more votes. Still the boggled mind stares out of the window trying to make sense of it. Yet in all this, I also recognise that 007 fans wonder why they only won one of them, it is perhaps the setting of what we think should happen, to what we think does happen. A stage that overshadows us all. In the end we are all slaves to what the mind perceives and I get that, I really do, but the mind still screams and that is hard to swallow, especially when we see a movie that blows us away. Perhaps within ourselves we nurture the populist voice, it is something that is not easily stomped and it seemingly in charge of us to some degree.

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March 6, 2022 · 12:15

More to a script

In the previous article ‘Lights, Camera, Action!’ (at https://lawlordtobe.com/2022/03/05/lights-camera-action/) I discussed a new movie idea, and now I want to add to this. You see, a concept starts nice, but we need to follow it through, drive the dagger home as it is called at times. So in the image below I added a few tracks to the movie story.

Fictive example

As you see in the charts, it is a straight line, and it needs to be. No matter how the movie is made, these tracks tend to have a ‘clear’ path. So we have two tracks added to the real path, now if we merely go through the steps, it becomes a dull exercise and one that relies on all kinds of action sequences. But what happens when we consider the green dots? These are the dots that overlap other tracks and other options, perhaps the two interact, but I try to avoid that, as I feel it becomes rather messy at that point, but I did make references in the first article. I mentioned the Youm7 News Agency, the Mobica store, and they are relatively together. All options to make the change interesting and set the starting point in a different way. As for the export license, it has been done before to implement weapons in cars, but who took the time to see how you fit an M60  (taken apart) in the spare-parts of cars the firing pins UNDER the tools of a trolley chest tool chest? There are all options and there are more and when we interact one with the other we see opportunities arise. So doe the enemy (the opposition of the movie). What if we are aware and we ignore their part and let the work FOR us? Leave them holding the bag so to speak, all whilst the RFID sticker on the potted plants now holds 512GB and the plant is the export tally for the stolen data? (see below) 

200% of real size

The sticker obfuscates view and whilst some inspect the content, the sticker with an RFID stamp is overlooked. 

There are so many more options and that is where the movie would optionally be a new unique setting, bad boys working for governments. It is not unique, but for the longest time we have not seen that kind of movie. Do not get me wrong, I loved True Lies, I love the MI series and many more, but the stage where the hero is not clean and white is ignored, it seems that Hollywood needs pure polarisation in characters, whilst the story should provide that. That is merely my view on the matter. And I did get a few more stages done. And when you think of the Russian war, consider that my articles have a nice bonus hidden, I will let you figure that one out. I need a sandwich!

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March 5, 2022 · 15:22

Lights, Camera, Action!

Well, this Saturday is getting weird in a number of ways. In the first the Dutch politician Geert Wilders is making a fuss, which works out well for me. You see the more waves that person makes, the easier my initial movie idea can be sold. Especially in the Middle East. You see he is the main event in ‘How to assassinate a politician’. I came up with the setting around the same time Charlie Hedbo got killed. I was all up about that and it was THEN that I learned that it is blasphemy to have an image of the prophet Mohammad. I reckon that a lot of people never knew that and as such the actions of Geert Wilders and his drawing event suddenly makes sense. So I designed a movie that takes care of people like him. And as I was contemplating that I came up with a new kind of secret agent movie. With in the lead the rapper 50 Cents (in Russia he is known as 4,000,000 ruble) and Tom Cruise. 

The setting is a weird one. You see 50 cents has the lead and in the movie he is not the ‘good saint’. He plays a rapper who is also a dealer of chemical delights. Coke, H, MDMA. He has it all and in that setting he travels the world. In this case a concert in Egypt. It is in the day before the concert we start seeing his other side. He is a high tech thief and data robber for the US government. In this case it is his job to get the data from a server in the Chinese Embassy in Cairo. Tom Cruise is his backup and also plays his manager, he is also not snowy white, he dabbles in black market military hardware but the combination makes them welcome in all kinds of places. So we get the story that has three circles, the drug circle, the weapons circle and the two are played so that they get access to the Chinese Embassy, where they will unload a few TB of data. 

You see, a movie like this has not been made before. The hero’s are always squeaky clean, the opposition is always so dark that black seems like a snowflake white, yet the grey mix is not usually see. Life in this world is expensive and you need an alternative income to pay for the bills at The Smokery Heliopolis and the Four Seasons Hotel Cairo at Nile Plaza. The US government allows for it because as data thieves they are unsurpassed and as they have no affiliation the government (CIA) has deniability. 

The nice part is that the VFS China visa center is in actuality right next to Youm7 News Agency, so there are all kinds of options opening up.

There are still a few (read several) issues to deal with. I want to avoid that it is all action and shooting. There should be a chase (optionally from Mobica) but they need to remain ‘invisible’ to the outside world. It is about the suspense of the data theft and that would also allow for a twist or two (doesn’t it always?) And the funny part is that this all took me less than an hour. I know more needs to be done, but it seems that I have put more ideas and scripts online in my blog than most writers for Netflix have ever cleared, so I feel pretty good now. I reckon I earned my bowl of orange jello (with whipped cream). 

And for tonight? Cheese baguettes with Irish stew. Perhaps another idea, depends whether my brain will allow me to get some sleep and recharge the figments of delusional imagination.

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January 27, 2022 · 22:39

When you see the other fellow

That is the setting isn’t it? We do things, we create things and we create concepts and we all think that we are in control of the right one, we all do that. I am no different, yet when I saw the BBC news, I decided to reconsider my point of view. For me it all started in 2020, I set the setting to an article called ‘The stage moves on’ (at https://lawlordtobe.com/2021/02/23/the-stage-moves-on/) I wrote it on February 23rd 2021. And when the BBC gave us ‘Netflix: First Arabic movie sparks morality row’ (at https://www.bbc.co.uk/news/world-middle-east-60091590) I saw the article somewhere this afternoon, and my mind went on a trip. The concept was initially for Amazon (as I have other elements they might want) yet the article gave me “well-known TV journalist Mustafa Bakry said he had complained to the speaker of the Egyptian parliament about the filmmakers. Mr Bakry urged the country’s authorities to halt co-operation with Netflix “since this is not its first movie that targets the values and traditions of the Egyptian and Arab societies”” I see the offence it might give and I do not think that my concept does that, and other than the alleged assassination of Dutch PVV politician Geert Wilders no one got killed, and as far as I can tell, that man is not really accepted in the Netherlands either. With the housing shortage in the Netherlands, one person less, who will notice?

Anyway, the idea that my (aka western) values would collide with Middle Eastern morality and optional Middle Eastern laws did concern me. The idea was a movie that fought and opposed islamophobia was the setup and it had a nice twist at the end (as any decent movie does), I needed the setting so that people might realise that the stage in the middle east was a lot bigger than we think it is, it is not merely about morality and the dangers, it is also about some people want certain other people to hold the bag, if anything Yemen made that clear, and this idea to create something that made it clear to all was my goal in this. The idea that I create something that could be in part filmed and created in Saudi Arabia was also appealing. The rest would be filmed in the Netherlands. There was the small consideration that creating anything that appeals to a large group of 100 million Egyptians, 35 million Saudi’s and 85 millions Turks could be a success story. The idea that a decent chunk of 220,000,000 people might like my concept is off course a really nice idea, I would take any group up to 50%, only the delusional person aims for 100% covering. There would be no chance of that and that is me not considering the 275 million Indonesians, with over 85% Muslim, the numbers would become interesting to say the least. 

So there I was with an idea, but it is merely one of several that could appeal to Amazon, and any chunk of half a billion people could optionally translate to a nice pay day and that is merely one of the IP’s I had up for negotiating. Yet still doubt is still a part of me. Like anyone, I relish the chance to go into early retirement and take up skiing 4 months a year, just to keep busy, yet not at the cost of inciting protest that I would be attacking another persons morality, my goal was completely the opposite. So for me the BBC article was a wake up call and a loud one. Still the ideas go through my head designing more and more IP. Should I stop? I personally do not think so, but like any other person I have flaws, I have weaknesses and I do relish the chance for success, wouldn’t you?

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