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Surprise, surprise!

There was an interesting surprise this morning. It was not any newspaper; it was no DVD or Blu-ray. It was a YouTube video (at https://www.youtube.com/watch?v=tu3mP0c51hE), the announcement of the Downton Abbey movie coming in September. Weirdly enough, I had not felt this happy since the initial teaser of Avengers: Endgame, a movie that is now less than $100 million away from breaking the Avatar record. It is weird how a TV series with 6 seasons have had such a profound impact on viewers and I am not the only one who is amazed and happy with the coming of the movie. Hugh Bonneville, who plays the lord (aka Mr Henry Brown in both Paddington adventures), Maggie Smith, Dowager Countess of Grantham (also famous in a very well-known hotel in India), and of course the list is not complete without Jim Carter as the undoubtable Mr. Carson and some might remember him as a Transformer too.

The list is too long to go into detail and it is important to remember that. Even as the record of I, Claudius is not broken. Downton Abbey got closer to breaking that achievement than any other series ever did. When ITV started this, they had no idea how large a behemoth this would become. The foundation was given by Julian Alexander Kitchener-Fellowes, Baron Fellowes of West Stafford. And we all know that as a member of the House of Lords he would be able to spin a fine yard under the most mundane conditions. Yet Downton Abbey is anything but mundane and that is the first requirement into making a legendary piece. I have mentioned it before, I, Claudius had all the elements in place, for the most so does Downton Abbey. The story is excellent, the cast is amazing and many fans feel linked to many of the actors and actresses to a larger degree. The writing got the start, but it was the player that embodies the script and there is not one who gave less than 110% that part clearly shows in the end result. So there will be forum upon forum that will ask and speculate on what they will get. I reckon that a fair amount will go into the speculations of Robert James-Collier (Thomas Barrow) on what he will be like in the movie, antagonistic, devious or a third still to be revealed part, and let’s face it, the man ‘grew up’ on Coronation Street (at https://www.youtube.com/watch?v=ZNV_Hh5ZWaE if you forgot the tune, which should be unlikely).

There is no way not to get enthusiastic on the series and now we will be getting the movie. I believe it to be an important work as it is truly the first work that would be close to thumping ‘I, Claudius’ of the throne of being the best drama in the history of TV. I personally believe that it did not achieve that, but only by a nose length. Perhaps it is because the Roman era allowed for more murder and intrigue, perhaps it is the view of lavish parties, but for the first time, it is not about the actors, each set of players was pretty much on par with the other set of players, which was an amazing achievement. As for the script, I believe that the quality of drama Robert Graves and Julian Fellowes are on par as well; the element remaining is the director, the visionary in all this. It is impossible to do this, comparing Herbert Wise to Michael Engler, Brian Percival, Catherine Morshead is unfair, it is work separated by decades of vision and technology. The fact that they all try to meet the Herbert Wise standard speaks for Mr Wise as he set the bar half a century ago and the fact that this bar is still there is slightly too amazing for words.

Yet the fact that no one ever stopped getting there speaks for those pursuing excellence in any way possible and that is what Downton Abbey also embodies, a view towards excellence and that too drives us to the movies and the mini silver screen (aka TV). I think that the end of the Victorian age and the age of George V as the UK was led from WW1 towards WW2 is often ignored, but more important than most would think, the sinking of the Titanic in the pilot, the start of WW1 and the impact of the end WW1 and the setting of the veterans as we saw its impact in Downton Abbey is an eye opener, a side that the previous generation onwards ignored is now directly reflected towards us and it impacts us and how we look at this all. A similar impact was seen with The Crown in season one when some saw the episode ‘Act of God‘, I was not born in the UK as such that episode hit me hard, I never expected such a view on chimneys, the smog it created and what kind of a health hazard it actually was in 1952, as such the way we view health hazards and the way politicians neglect it nowadays is a too little astounding.

Downton Abbey had another part shown during the episode where one hospital takes over another one, it is that part where we see the impact to the population in those years, it hits us directly as it is a real setting, not some drama, or better stated drama that doubles as reality just a little too closely. In the end you cannot have anything but the greatest respect on a part of history and how it is portrayed to us, as such the movie, even as it is about a royal visit is likely to have hidden gems that have to be seen to be enjoyed, and that is likely what the makers are hoping for. A TV series that had 11 golden globe nominees and 3 golden globes won, in 2011, Downton Abbey made the Guinness book of world records with the highest ratings for any TV show, the first time a British show got that distinction. A stage that covers 13 years of history, so as the movie is set to 1928; I wonder what we will be treated to. There is no speculation from me, I am slightly scared to be right in this case and I hope that the readers want to see the movie all the way without any spoilers, other than the ones the trailer gives us. I think that this is the biggest part of my appeal to it. On how historic events affect the characters of Downton Abbey, which historic events we will be made aware off. There were the floods of the river Thames, the Oxford English Dictionary first edition was completed, the London and North Eastern Railway’s Flying Scotsman steam-hauled express train begins to run non-stop over the 393 miles (632 km) of the East Coast Main Line from London King’s Cross to Edinburgh (on my birthday no less), the voting age for women is lowered from 30 to 21, Amsterdam hosts the Olympics and the Dangerous Drugs Act 1925 comes into effect. All events of that year and some will be mentioned; optionally we will be introduced to the discussions on it. Downton Abbey will give so many reasons to watch it and as far as I can tell (judging from the TV series) absolutely no reason not to go see it on the large silver screen (aka not the TV).

We still have 15 weeks to go before the movie makes it to the big screen, and as I see it, September 2019 can’t come soon enough.

 

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The TV as a weapon

There is an old saying and there are alternatives to it. In Australia we say:

Q: Do you know the difference between ABC and Channel 7?
A: ABC shows you how bad things are in the world, Channel 7 shows you how screwed up your TV life is.

In the Netherlands it used to be NOS versus SBS6, and every nation has its own version. So what happens, when we see the millions of smart TV’s and Apple enters the race opposing Netflix? The New Daily gives the quote: “Spielberg who appeared live, touted the revival of his Amazing Stories anthology, while Reese Witherspoon, Jennifer Aniston, and Steve Carrell then took the stage to discuss another Apple original, The Morning Show” with the added: “a range of new streaming entertainment services, as well as financial products, at a star-studded event Tuesday morning“. the message was apparently clearly brought and when we get to see: “Apple is expected to spend US$2 billion this year on original content to challenge established steaming players Netflix, Hulu, Amazon and the forthcoming Disney+ service“, we need to realise that Apple has an optional goldmine in the making. In addition we see: “Hot on the heels of the Google game streaming service, Stadia, Apple launched Apple Arcade in a bid to grab a slice of the multi-billion dollar gaming market“, which will be fun to watch as Apple has shown a keen interest in negating the need of gamers (which is not all their fault in all honesty), will they figure it out this time? At least with the established Android gaming platform size, Google does have a huge advantage for now. OK, apple does have a gaming community on IOS and I was not short selling that (yes, I was). Yet the overall view I have seen in the past gives a better light of gaming to gamers on the android, than the Apple (a mere personal view on the matter).

So here we are watching two streams being created. First is the Netflix drain by Apple and as soon as they realise that 2 billion is a mere stack of money, to get the TV series that get the people to sign up, even besides Netflix will requires series that surpass The Chilling Adventures of Sabrina, The Haunting of Hill House, Bird Box and a few other gems, Netflix has the writers, will Apple have them? We all know that Game of Thrones will enter their final season, so there are plenty of needy watchers to pick up after that conclusion, yet if Apple does not have the IP, they are not going anywhere. Even with the added Spielberg Amazing Stories anthology, which was actually quite decent when it was initially released on VHS, they will still have quite the task at hand. More important, even if they have all the ducks in a row, they will still having to deal with the market shares of Hulu, Stan, Amazon and the forthcoming Disney + service as well (and a few local others). Do they have the IP when that goes online? I can see half a dozen series that could be hits, and I am not the only one. Plenty of dedicated story tellers will have a list. Yet, does the Apple executive (whomever Tim Cook handed this hot potato to), does that person have a clue? The difference between a good presentation and an actual good idea comes with a gap that can fit the Grand Canyon and many Apple executives are a little lost when they face that gap.

It goes further, having a great idea is not enough and most visionaries have that in mind. to see that part we need to reflect on: “Apple, which became the world’s first trillion-dollar company in August last year, had been dropping cryptic hints about the launch event for weeks, sending the internet rumour-mill into overdrive“, yet since then Apple lost well over 20% of its value and the next few ‘slam bam’ misers will dent that even further. The next part is interesting as it impacts gaming and TV.

To get a great product you need at the very least (before marketing gets to have a go):

  1. A script, a story that will compel the reader to go on. Loading it with sex and graphics will only hold a small percentage for some time. A great example of a near perfect script was I Claudius by Robert Graves.
  2. A cast that works well together, each good actors, but together they become ambrosia, wine and nitro-glycerine, all at the same time. Again I Claudius became the golden standard. With Derek Jacobi, George Baker, Siân Phillips, Brian Blessed, James Faulkner, John Hurt, Patrick Steward, Ian Ogilvy, John Castle, and John Rhys-Davies we got something unheard of. They were already good actors, yet together they created greatness, they are now globally celebrities, but in 1976 that was not a given, they were iron rods and the director shaped them into high tempered steel increasing their mark close to tenfold.
  3. The director. Not merely the man implying 3, 2, 1, action! No, he is the person that becomes the visual visionary and Herbert Wise delivered. The evidence is seen in his work. As a director he has 91 marks on his career rod and when we look at it all, it is all decent work, insightful work, yet I Claudius is a 180 cm person walking in Indonesia (where the average height is 152cm), it stood out tall above all others. So, even as we accept that I Claudius could not have been done without the cast, it equally required the right director to make it work.
  4. The Producer (in this case the BBC), who had to put up the dough with a need of blind faith and no idea how much they were going to lose. These four required to be completely in sync and they were as such I Claudius is still seen as the best BBC drama ever produced, even now, 43 years later we see that new TV series merely hope to equal this achievement, thinking that it can be surpassed is mere folly (yet optionally not impossible).

This is the setting that Apple is trying to get into and throwing 2 billion at it thinking that it will be easy by presenting a few famous people is as reliable as getting rich by spending what you have on blow and hookers. It looks pretty, yet it is an absolute non-winner 100% of the time. Finding the right people will be the task for Apple and as they are all competing for the same pig through increasing the value of good scriptwriters, yet they too are starting to look critical at the offers, because they lose value with every failure and often enough, they do not get to blame the director of the production company, they get to be the scapegoat. So they will require their optional bosses to set an income and levels of freedom and commitment to a much higher degree.

As for gaming

Gaming has a similar setting. It will be about getting the gamers on board and that requires a great product, in an age where Apple has been all about marketed iteration, they are vying for innovation? In a market they do not seem to really comprehend? I am slightly puzzled.

There the director is the project director; the cast are the graphic designers and the scripters and coders. The art and stage might have similar issues, but finding these parts to intertwine and interconnect is where good coders are required. Then there is the learning curve of the game. And it gets to be worse fast when it becomes a product relying on micro transactions. Ubisoft, Bethesda too never quite worked it out and the first screw up will diminish the value of the event overnight. Apple will have to steer clear of micro transactions in the first year by a certainty of 100% and in the subsequent 2-3 years for 90%. Can they afford that game? Their essential path will be the RPG games that call the horn of attendance for gamers on a global scale, if not, than this becomes a long term project that will not end up becoming a winner. In that they have additional competition form makers like Nintendo, their Switch is still gaining momentum and the games I have seen lined up for that system shows that Nintendo is taking this momentum extremely serious. I wonder if Apple has thought this through beyond their return on investment expectations from executives who rely in spreadsheets and lack essential data skills other than identifying their ROI and bonus column. Once that goes south Apple will take a few hits in short succession and they will be painful. If it goes wrong (I am not stating or indication that this is the case), they could face the hits where their total value is a mere 50% of what it was on September 16th 2018.

Yes, Apple could rise high with streaming on TV and consoles, but in the end they require the golden eggs to get there and I am not convinced that they have what it takes to get there. For the most it is an art, I have been involved in gaming since 1984 and I still miss elements in all it. It is both science and an art, the moment you separate the two is the moment you lose. That has been an essential given for close to two decades. Ubisoft got it wrong more than once, Bethesda took massive hits with miscalculations and they are dedicated experts in that field, I doubt Apple has seen that shortfall at present.

To illustrate that we need to look at a game called the Division 2, an Ubisoft product. Important fact, it is seen as a really good game, better than the first version and steps forward, at times leaps forward, some reviewers have stated that is sets a new bar of online gaming and that is awesome to learn. Now add the two headlines: ‘Ubisoft Patches Annoying ‘The Division 2’ Skills Bug‘, as well as ‘The Division 2 PC players report a 100% CPU usage issue, Ubisoft is investigating‘, on games this size this will always happen and the fact that it is looked at and fixed this early is really good, so this is not about pulling Division 2 down. This is what happens on games this big depending on online elements, which is besides server down times. A consequence of online gaming and in this Apple is as I expect it not ready to see gaming to the higher levels it needs to see it.

If they see these two elements as a method to use the TV as a weapon, a data weapon for additional wealth, we see a company that is about to get hit really hard. That is in the foundation of it all. I believe that they are making the same mistake that Microsoft made. Microsoft is talking a good talk, yet the people all over the world are seeing the impact, the most powerful console in the world is being surpassed by the weakest of the three. Their setting of always online, their bullying tactics, their essential inability to listen to gamers (or ignoring what they are being told) is what is dragging down Microsoft and Apple will experience that lesson in a very hard way soon enough if they walk that same silly line.

Just like Microsoft, we see a company that more likely than not does not comprehend gamers and will falter because of corporate ROI needs soon enough. They see the two as connected to grow better, but these are two separate entities (TV and Gaming) representing 6 dimensions that can go in any direction, when these executives learn that lesson the hard way and they are looking what to do next, I will offer Tim Cook my last $99 for the company (Apple, a fruit of the loom division).

Could I be massively wrong?

Absolutely, yet the Apple marketing need of the hype and their viral needs seem to be on my side, as the gaming industry as a whole tends to be as gossipy as any old tea lady, so word would have circulated into my inner core of contacts much earlier, as such I think that Apple is not ready, nowhere near ready, personally I do hope to be proven wrong. I would love to see more contenders in the gaming world, more choice, more innovation and better games is the consequence from that war, and I do love playing good games.

I will keep you all posted on what happens next.

 

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With Netflix in mind

I was getting my zone on this morning (through caffeine) and as I saw something pass by last night (way too late) I decided to try and revisit what I shoved on the side something that was regarding Netflix. It was the only bold word I remembered from the 03:12 moment, and as such I did a search. I was not successful (at present); I did get a whole range of other items. Titles like ‘Terrace House on Netflix is an antidote to a world gone insane‘, ‘Netflix’s New Mini-Seasons Steal an Old Trick from Broadcast TV‘, as well as ‘Why Ben Affleck’s ‘Triple Frontier’ is your new macho Netflix guilty pleasure‘, the title or whatever passed me by was not there. It got me to thinking about certain series. You see, in a sea of options people get to drown because they cannot decide. Most (like me) want more than just a little 42 minute hype and that got me to one of the best BBC Drama’s around in decades (besides I, Claudius that is). Waking the dead was brilliant for several reasons. Not only because of the cast Trevor Eve (Eddie Shoestring), Sue Johnston, Wil Johnson and Claire Goose (Jane Kennedy) all awesome as a team! The issue is that the story was deeply overwhelming as every case was a two episode one hour each. The series were not a collected short stage of items; it was an actual story, complete with events to connect to. The makers were brilliant in a few ways as the stories were amazing, but that 2 part one hour approach was the pusher to set the stage much higher than ever before. So when we see these Marvel series, these crime series and other elements. I am surprised that places like Stan and Netflix have not pondered a much larger bet, one that could pay off for a much longer time. Not some vanilla series with happy endings. But based on the stories like Constantine, Elektra, Moon Knight, and optionally some series in the 90’s and 80’s that flopped. Everyone is looking at a new Buffy, Buffy was a huge success, but in that drive we forget to look at series because they failed. Some failed not because they were bad (well they were in that shape), but because we were not willing to make them dark enough and people have taken a real shine to dark TV series. By making them so dark that it makes black the new vanilla, that is the path some need to be on and it should not be some 42 minute series. It should be more like Waking the Dead, 2 episodes of a full hour. You can actually give the people a real story. This is not a new idea, others have voiced it and even as Hollywood is too scared to make that leap, for places like Stan and Netflix it could be the game changer. Netflix learned that when they gave the people ‘the Chilling Adventures Of Sabrina‘, the totally vanilla (and family friendly series) with Melissa Joan Hart has been rewritten into something that people teenagers and those who passed that age limit decades earlier go bonkers over; the mention of a new teaser poster auto evolves into a new viral wave of messages on a global stage. We should be more like Leonard Cohen in You want it Darker? And as we remember “You want it darker, we kill the flame“, we see the stage that several ideas should push towards. It gives light to the 1973 movie ‘The Legend of Hell House‘ which seems to have been the inspiration at least in part for ‘The Haunting of Hill House‘, Netflix blew the roof of their maximum ability to entice an audience and they are not done, not by a long shot.

So how do you think the audience will react, not to some 45 minute chase, but a 2 hour hunt for some truly bad person, raw, bloody and unforgiving by someone like Elektra Natchios, not some sexy looking Jennifer Garner (there will be minimal opposition against that element), but a well-trained, decently muscled and super agile version of a comic book assassin making short work of the bodyguards. Not some 1:43 scene, but a close to a realistic invasion of a well-protected house, taking our guards, optionally avoiding staff and brutally slaughtering the target in one quick sweep, a Jane Wick without all the noise-making, to coin a phrase.

And the people will love that story; we saw that in the original Day of the Jackal with Edward Fox (not the Willis version). There are several series out there that have parts of it, but not all of it and making a double one hour episodes on that would optionally give us all, it would give a totally new appreciation of quality writing and it would show the need for actual stories, it seems that all these marvel series will soon come to a grinding halt. Too much is the same, too much are transferred idea’s from series to series. Waking the dead was never that, it was unique. The BBC writers had a golden equation. It cannot be improved upon, but it can be the mould for something entirely new. and believe me, places like Stan and Netflix are looking for new, they have billions riding on that and they cannot get it wrong, not even once, not in this day and age when they are confronted with an additional $2 billion totaling their debt presently at around $12 billion. Even as they have 139 million subscribers giving them close to $1.6 billion each month, a lot of it is infrastructure and technology. Netflix needs to find new niches to give rise to new and fresh blood that can see series and movies no one else offers and for the most others do not offer dark. Do you expect to see that happen at Disney any day soon? That is the one handicap that Marvel, now part of Disney would face, series that are slightly too vanilla for most, it gives Netflix (Stan also) an opportunity, but it is merely one window and it will not be open for too long, in the end Disney needs to find the proper valves to keep it all afloat making profit, their optional delay in making the call, that is the one brief window that places like Netflix and Stan have for now, for now that is.

They are not the only ones vying for more viewers, in that regard Season One of American Gods hit the spot right on and with the pilot of season 2 hitting just four days ago, noise is rising from so many people on needing to see it, it shows not just how right I am, it might show that what I consider dark is just not dark enough. The numbers will show soon enough if this is what will drive Amazon Prime Video faster and larger soon enough. Even as some are less positive, I believe that it is merely the story taking a moment to adjust to what comes next and that is just my personal take on it, I reckon that in 4 weeks I will be proven correct (or wrong), it is in all that we need to ask, is it about pushing the envelope, is it about something truly novel? Not unlike the Japanese movie ‘the Audition‘. I believe it to be a blend of factors; the entire 43 minute mess to write it all in is no longer holding our attention well enough. There is plenty of short, there are enough movie, but in between there is a whole range of nothing. Waking the Dead had us covered and they were pretty much the only ones. It is time to see that and adjust form something like that. My money is on series of a much darker nature, most people are truly fed up with vanilla, it there is something to be learned from Bird Box that would be pretty much it. We cannot get a decent stress in a total frame of 42 minutes, yet in a double one hour episode we can get more than one and without it interfering with the quality of the story. It is not about the scare moment, it is about binding us to the scene and get us captured for the entirety of the episode, BBC solved it in the most brilliant way possible and we need to use that wisdom to create something the audience has not seen before. Novelty gets us there and having the best quality story keeps them there. From that part I believe that there is space very deep space for a new totally awesome Star Trek Movie. People were not happy about Star Trek Beyond; I do not believe it was about the acting or the directing. It was the story and there is enough evidence that they could have a two part cash cow if they hire the right writer to head that team. The nice part that if he is willing to make that jump you will get to see 125 million star Trek fans (globally) to go utterly nuts with joy, but to get that done, J.J. Abrams and Quentin Tarantino must be willing to make quite the jump into a direction neither had taken before. If they do they end up with two movies each passing the one billion revenue mark with ease. The classics can get you there, if you know the right classical writer who can give to you what wasn’t shown before.

Innovation is not merely seeing new, it is about the need and ability to adapt into another frame not making it merely novel, but giving a classical pressure to what still is, that is the field where all the leprechauns bury their pot of gold. There are plenty of plots to draw from; you merely need one man and a decent shovel to get you there.

 

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A rare moment in time

I have been watching the news in several places, the papers (online), newscasts and other media. I saw how we see articles with issues that I predicted over a year ago. Now, let’s be honest, that what I predicted and that what now is not one and the same. I might have been lucky, that happens, yet that gave me the impulse to take a look into my mind (with some external support) and I got a revelation (odd how that happens).

There are moments in time that are chiselled to be with us forever, that part happens, a set of circumstances so unique that it passes the stress test of time.

It was 1976, I was in high school and I saw on TV something so unique that it would remain with me for all time; it is likely I will take the images into my grave. Even then there was a need for the direct in our eyes. This series delivered! I still regard it as the best Drama ever to be made. The series was called I Claudius and the fact that it is drenched in history and filled with flexible morals is what seems to catch us. Yet, is that enough? If we see TV series like Dexter, Trueblood and a few more HBO series. They seem to have the trademark on directness, so why did they not surpass a series made 38 years ago?

I believe that this is because that there is a lot more to the achievement. I think it was more than just timing. Derek Jacobi as Claudius, Brian Blessed as Augustus, George Baker as Tiberius, Patrick Steward as Sejanus, John Hurt as Caligula, Bernard Hill as Gratus, Ian Ogilvy as Drusus and who will ever forget Siân Phillips as Livia. It is not just the group of actors, but the fact that these actors would set new boundaries; some are even today regarded as the top of drama. I think that timing brought these people together and that part caused the effect that this was not a series with one or two diamonds in the rough, but we ended up with a series holding over a dozen exquisitely cut diamonds. A TV-series, which through timing has remained close to unmatchable.

I must of course mention that the book was an amazing piece of work, yet that is one factor we have all seen before, the fact that a book had been turned into such a vision by cast and crew was and has for the most remained a unique experience in TV series. It is ‘I Claudius’ that makes me appreciate how rare such moments are and hoping on regular repetitions such achievements are a waste of time.

When we see how productions are made nowadays, we see a shift from what was insightful towards what is to be expected. Now, the second part is not necessarily a bad thing as we avoid blunders, failures and flops, yet the opposite is also true, the chance of that 99.4% rated production becomes equally impossible. So do we set ourselves up for mediocrity? That is at the heart of the question, as we see movies, games and other forms of entertainment set into a matrix of ‘certain’ non-failures, we get just that, a non-failure, yet when we do that, we will endure a level of ‘entertainment’ that is not out there, that does not shift borders and that will not leave us in awe. Yes, we will get to some extent levels of originality. Waves of TV shows, like Gotham and a few others in the new millennia of comic book representation of TV shows, and some will prove to be good, expanding and even will become successes, yet, they will not get to the level that we got when someone had a vision, found the people and ‘I Claudius’ became a reality. Even the HBO version ‘Rome’, which shows life in those days, falls short. Spartacus, which was regarded as excellent and had a strong cast, but none gave the shine like Andy Whitfield, when he was lost to family and audience because of non-Hodgkin lymphoma, we got the cold reality of how large a jewel he was in that series. Lucy Lawless and John Hannah as well as a league of others showed an amazing performance, but the absence of Andy Whitfield became just too noticeable.

The link is the rarity, when we see series holding the New Zealand Actor Kevin Smith (as Ares in Hercules and Xena) and Andy Whitfield, we see that these rare treasures of charisma have a lasting effect on a series, losing them will hurt whatever series they are working on, which makes the overwhelming list of ‘I Claudius’ even more rare then we consider possible.

But is this just about casting? No, I think that the vision of the director is too often downplayed, as is the work the writers put into place. Should you doubt the latter, consider the massive success the West Wing was and the strength that the Newsroom and House of Cards are showing. In the name of the director, the scriptwriter and the players that are, we announce this series {insert fictive name here} to be a non-failure. It sounds almost deceptively mundane. You see, many of these series are ‘powered’ by what America considers and regards, so slow sales will get a series cancelled too fast. Star Trek, the original series is one of the strongest pieces of evidence, what was regarded as failure (and therefor cancelled), is still regarded as one of the strongest visions of originality ever to grace the TV screens. In that light we see similar issues regarding Firefly, what could have become a game changer was dropped before its time. Here too the trinity is almost a given. Joss Whedon is shown to be the new Steven Spielberg (a shared place with JJ Abrams) and he had a strong support cast. Nathan Fillion might be the number one player, yet the support Alan Tudyk, Gina Torres, Morena Baccarin and Jewel Staite are undeniable. A series shut down before its time to shine. It is not the only time that this happened. The same reception was given to Doll House, what is at the foundation a mind shifting cyberpunk story was again cut short by that what the American audience did not understand.

Here is where we see the failure: yes it is true that America, catered to Americans, yet at present it seems that these deciders are forgetting that the European population is twice the size of America, the EEC alone is 50% larger than the USA, now consider that The Commonwealth consists of a few more nations all looking at these American series. This is taken into another direction as we see that HBO seems to address those needs almost perfectly and they are gaining strength, whilst British drama is actually a little on the decline. It seems that these deciders need to take new looks at how series are continued or dropped. Doll House is less than 4 years ago.

So where is this going?

It seems to me that the deciders of ‘where to leave the coins’ are looking at prognoses and not at the places where real visionaries come from. This has always been true, yet most true and very much most visible in the entertainment industry. It is shown as we see the game Test Drive a year late, yet, the verdict is a mere mediocre (at http://www.gamespot.com/reviews/driveclub-review/1900-6415900/). Is it a fair verdict? Hard to say, I am not much of a racing fan, but I consider the rating of Forza (an XBox one game) at 88% well deserved, a game that was very playable and looked extremely good. So as we see more PS4 games end up with mediocre ratings, the question now becomes will it affect the console war? Sony seems strong here, but in the end, consoles will not survive without really good games, and at present exclusive games on the XB1 are (I am sorry to report) better than the exclusive PS4 games, and at present Microsoft has a few more exclusive releases upcoming. Yet it does not end there, we see new levels of mediocrity by Ubisoft as they locked Assassins Creed both at 900p, so 20% below the PS4 maximum. I wonder what will happen when the gamers are treated to a failing AI in 6 weeks. Is that a given? No! It is not, yet the quote “because we thought that this was going to be a tenfold improvement over everything AI-wise, and we realised it was going to be pretty hard. It’s not the number of polygons that affect the framerate. We could be running at 100fps if it was just graphics, but because of AI, we’re still limited to 30 frames per second” (source: eurogamer.net), yet when we see (if this happens) another AC game with iterated glitches as we have seen since AC2, then what will the audience cry? This will be at the heart of what will come next. We will know in a few weeks, yet the questions are rising all over the internet by gamers of all size and creed. They expect that a game will show the game at the maximum of possibilities of the console they chose, not what we at present regard to be some excuse of ‘parity’, time will tell how it is received.

I have accused Ubisoft before on the lack of vision, it is not all deserved as Watchdogs, even though not as great as expected did open new doors, not unlike the very first Assassins Creed and it must be said a few more are expected to come, showing that Ubisoft has vision, but these titles are yet to be released.

True vision, it is a rare moment in time when we face it, yet in this age of need, why do we not see more of it?

 

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