Tag Archives: movies

February 18, 2026 · 23:31

The idea that was 

There is a setting that we at times tend to forget. Disney paved the way and some will like that path and some will not. But it isn’t up to Disney and others can follow that path. Particularly a path that was set out by Don Bluth and Gary Goldman. The name of that movie was Titan AE. The setting was one that I see as a movie that was released in a bad time setting. 2000-2001 was not a great time setting for a lot of people and it was competing with MI2, Gladiator, The Perfect Storm and X-men. A non-Disney animation doesn’t really hold up a candle to that. But in this age of special effects and graphic Machine learning design (calling it AI sounds like a mass) this setting could well work in the age of Netflix/Paramount/Disney plus all competing for a larger slice of the pie. I reckon that Don Bluth has a lot more materials and that setting might help him. So what happens when this 95 minute setting becomes a mini series of 4 episodes each an hour long? I reckon that there are reasons why some of the cast members would love to get involved and when you see the average scripts that these studios accept, the complete rewrite of a decent script might hold water with these streamers. A setting where we get the good, the bad and the energetic and it all comes to blow starting in episode 3 with episode 4 as the finale. You see, some are thinking the other way round, but I reckon that Titan AE has what it takes to get into a real action movie. The stage was properly presented by Don Bluth and Gary Goldman. As such whilst some go for the ‘the movie was a failure’ some could see the open sided win that is right there for the taking and it might make for a decent mini series. As I see it, the streamers see the benefit of that equation. That being said, there is no reason why the original designers couldn’t offer this to the SBA or a player like Dubai One. The options is not seeing it, but seeing where it could hold water too and the second option might require more rewrite (making it more Arabic set) but the story doesn’t change and the makers had a decent setting to begin with. So whilst everyone is redoing the same thing (example: Harry Potter and Percy Jackson) others might seek a wider spread of a setting that was in the past a little too constricting. As such is there a setting where the new could be derived from the old, whilst not relying on a remaster?  I don’t think from animation to real life action is a remaster, but that is merely me. And when the stage is placed on the new borders, some might create an entirely new frontier. That is something worth considering (at least that is what I think).

And when you have considered that as a solution, what will some do about those not ‘in league’ with Zeus, but what happens when a simple girl enters The Eleusis Ploutonion? Did anyone consider being original and brave? The setting that someone is pushing the boundaries of the past into the future by using the known parts and throw them upside down. Because the facts that were were often whispered by the victor. So what happens when someone found tablets that were set in hidden scriptures. Hidden because the victors would never allow them to be released or to survive. But what happens when someone with the powers of a god could foresee that happening and they would have had ways to plant the fruits of their achievements in other ways?

It is just a thought, but we are always ‘pushed’ to accept the writings of the old, but what happens when there are older writings still? Where could they be hidden and how could they be ‘resurrected’? It just a thought to have, because the bulk of movies and series never go into that equation. Just like seemingly no one considered that Titan AE might become an excellent movie.

Just food for thought. Have a great day.

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February 11, 2026 · 00:31

Out of the blue

So there I was meeting up with my half brother Insomnia. When that rascal comes calling you can pretty much kiss sleep goodbye and it is my turn to be all over the field again. But then out of the blue an idea hit me. You see I have gotten into the habit of looking at (and listening to) Ambience videos. It started around Christmas with Hogwarts Legacy movies. But as I saw more movies my mind started to think. You see most of them are basically graphic DML applications. Don’t get me wrong, there are a fair view of them made by artists who go all in on 3D sculpting, but as I got to think a few things through, I saw a gap where optionally Google Dropped the ball (yet again) and as all Sony TVs have google TV, the idea started to form. 

You see DML can be awesome and in this case it is. And here is the setting:

You start with the setting, giving you space, a house, a spaceship, a space station. From there we get the specifics like Themed (think a game, TV series or a setting like Cyberpunk, Interior, weather and whether this is a light of a dark setting from there we get to the music like music style, rhythm, ambience music and volume. From there we can go back to stage one, or we can select sample so we see the low resolution sample. From there we get the final product and that is the one we safe/Download so we can watch this without using bandwidth. The stage needs optionally one addition to the Sony TV’s and that is a memory slot, optionally we can serve it via the DVD/4K player which has a memory card or your console. This setting is already with the bulk of the people, as such it is a mere adjustment. Google will be able to sell a whole lot of subscriptions (which allows for the download of 4K files, or people can optionally do this in the office (to the bosses I say, I never told your employees this and you aren’t reading this) ;-P

And it goes further, the people who actually design these settings can offer interiors that the people can buy for a few dollars and the good ones will make a decent bundle, some makers like View Escape are already putting them on YouTube, so you can just download those. A setting that allows Google to enrich their options and give more to the people (at a price) and this can be set to a much bigger stage, but the basic is already here and I reckon that the millions of big TV’s are out there (not just Sony) and soon there will be a setting where the TV is not just a screen, it will be art on display and that is something that Google could enable. 

Perhaps the idea is silly, but I do believe that there is a market for this and seeing the amount of Ambiance Video’s already on YouTube, I feel certain that this is a bigger market than anyone is considering. Have a great day, it’s Wednesday now for me.

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February 3, 2026 · 06:05

There is a problem

These are words you are unlikely to hear from tourist boards and they don’t like to give out that kind of information, because when you go on vacation, the numbers are always good. That has been the setting for almost 2 months, but today the Financial Times (at https://www.ft.com/content/5230100f-dfbd-428a-a554-f671e46ba3db) gives its readers ‘Disney warns of hit to US theme parks as foreign tourist numbers fall’, I saw the writing on that wall the moment we saw YouTube videos on how deserted the Epic Universe was. We saw the ‘negative’ views on rides and many other settings, the kind which puzzled me because that should have been addressed at the staging times and the makers of Epic Universe should have known better, but now we see “Disney said there would only be modest growth in its experiences business in the current quarter. The guidance comes after a 6 per cent drop in foreign visitors to the US last year, according to industry body the World Travel & Tourism Council, amid tensions between the Trump administration and other countries, including Mexico and Canada.” I personally believe that the damage is greater, but that might be a pure subjective thought process. There are a few thoughts that “Some investors, analysts and former company executives see D’Amaro, who is expanding the cruise fleet to 13 and overseeing the construction of a new theme park in Abu Dhabi, as the likeliest internal candidate to succeed Iger. “Investors are expecting it to be Josh D’Amaro,” said Rich Greenfield, veteran media analyst at LightShed Partners. “I don’t think anyone owns Disney [stock] for any reason other than the theme parks now.” Revenue from Disney’s streaming business, led by Walden, rose 11 per cent in the quarter. The company’s film studios had a number of hits in the holiday season, including Avatar: Fire and Ash and Zootopia 2. But marketing costs for the new releases offset the higher theatrical revenue in the quarter” evoke, but that too is subjective. As I see it, Disney lucked out by setting the Abu Dhabi stage, but there is seemingly more. We see this from “marketing costs for the new releases offset the higher theatrical revenue in the quarter” it hands the setting that I have been seeing over the last two years. It isn’t the marketing cost, it has been the turnaround from awareness to booking the outing (or vacation) and it is based on numbers and thoughts that are the foundations of a relic. You see, it comes back to the old Direct Marketing setting of the 90’s. People thought that throwing more money at it gets you the numbers, but in this instance there are two hindrances. The first is the Trump administration and the negativity that ‘America’ now brings. Add to that issues with rides and costs. A new kind of marketing is required and tourism isn’t ready for that, just like the Direct Marketeers had in the 90’s. In the marketing industry is was the step that augmented ‘engagement’, that is now the number one setting, not blatant advertising. And it comes with a hindsight issue. The numbers they are collecting now no longer suffices, but that is a lesson they will learn soon enough. So even if the negativity is dealt with, there is still the catering to engagement. I gave a few ideas in the past (in my blog) and there are further needs. As places like Disney is catering to children, that needs to come across as essential. Weirdly enough Supermarkets are doing it to engage with the children thought Disney and Harry Potter collections, I saw that as key to engagement, by catering to that side and one example I had given was to create placemats that could be used as ‘stages’ in this with the characters in this. Like Disney or Harry Potter characters that were handed out. The stage was to set the background of the event you catered to and as younger ones now had access to mobiles to create their own movies, these elements could be used to create an imaginary repartee. Get influencers to create settings that these younger targets could use to boost creativity because that is pure engagement. The job for Disney and like minded places need to create optional software (a mere example) that gives these people that creativity, and the nice part is that these solutions have no ‘use by’ data and they could be expanded through every event a year has. By tapping into that creativity you will be creating yearning and desire to be part of that story. And you know when a younger player wants it bad enough, it tends to happen, no matter that it costs the parents $209-$229 per person (less for kids 3-9 years old) and that is merely the beginning. You see food and snacks will set you back around $100 per adult per day for a mix of snacks and meals. So at $700 you are out of pocket for two adults and additional cost for the child and in this economy you need a more than mere awareness. That is the setting that Abu Dhabi seems to be avoiding, but it comes at other prices. And engagement can solve a lot of these issues right of the bat. As such operators like Miral have a steep path to go, but the fun pat is that they can use the approach of all their parks and that implies to some degree that one solution serves all, a pretty nice setting to have. But that is merely the first step, to get the younger players on board, get the right influencers to head the engagement setting all using the nearly same solution to cater to all.

Is this a figment?

That is the right question, but when we consider player like Cristiano Ronaldo (with 670,000,000 followers) we get ‘smaller’ influencers like Selena Gomez, Lionel Messi, MrBeast, but we aren’t vying to them, you see getting the people behind Bluey, PAW Patrol, Gabby’s Dollhouse, Numberblocks, and Sesame Street, can be much more effective and they can be found in any country and seeing where your people are coming from is a first to set up that requirement and other countries have other favourite but the same solution applies. Get these people to drive engagement and you get a new engine of engagement, because the TV is already vying for engagement, as such why invent the wheel two times over? Use that solution to create engagement. 

And as we see the stage of engagement, we can wonder what solutions will be invoked by Disney, Universal and Warner Brothers and as such places like Miral can head them all off by heading that way before the others have figured out what they need to do. A seemingly simple setting, but it comes with the hidden traps that need to be avoided, a stage all trendsetters face.

Have a great day.

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January 29, 2026 · 23:52

The sales-price is considered

Yes, that is at times a simple setting, and sometimes it is more like watching for clarity in a bowl of pea soup. Something that simply isn’t ever happening. As such I tend to stay away from these things. Here I took a dabble for the reason that this most certainly will impact Hogwarts Legacy 2 and that is a troublesome setting. There was a second setting that AOL (via the LA Times) alerted me to. It is ‘Paramount outlines plans for Warner Bros. Cuts’ which we see (at https://www.aol.com/articles/paramount-outlines-plans-warner-bros-172016776.html) I have seen several cut articles pas by my eyes and as such we are given “Many in Hollywood fear Warner Bros. Discovery’s sale will trigger steep job losses — at a time when the industry already has been ravaged by dramatic downsizing and the flight of productions from Los Angeles.” I feel I disagree, but it is a disagreement done via a lack of American business sense and the ‘insight’ that there are too many captains and too many ships. It is like the length of a project has 5 stages, each stage with its own captain, quartermaster and boatswain, whilst these ships require to be moored 5 times which comes with additional costs. It is the perception I see and perhaps I am wrong, but that is the setting that is almost never seen in Canada, the UAE, Saudi Arabia. Not sure about Australia and the United Kingdom, as such the others get a much larger slice of their revenue, hence they can focus on quality, not quantity. 

I’ll admit it is a non-professional view as I am not in that business, me writing a few scripts don’t make me in any way a professional view here. So as we are given and we see “David Ellison’s Paramount Skydance is seeking to allay some of those concerns by detailing its plans to save $6 billion, including job cuts, should Paramount succeed in its bid to buy the larger Warner Bros. Discovery.” Will it work? I honestly don’t know, but this setting is weirding me out especially as we see “Paramount previously disclosed that it would target $6 billion in synergies. And it has stressed the proposed merger would make Hollywood stronger — not weaker. The firm, however, recently acknowledged that it would shave about 10% from program spending should it succeed in combining Paramount and Warner Bros.” We see ‘cutting’, ‘a merger’, ‘shaving’ and that makes Hollywood stronger? I don’t know, but I feel a string sense of doubt. Not merely because of that, but the UK, UAE and Saudi Arabia are fine tuning their own streaming services, their production facilities and distribution channels and I haven’t even considered India in all this. The time for people who want to succeed in Hollywood is over. Hollywood has to content for resources with the UK, Canada, UAE and Saudi Arabia and several of these channels have resources, as such the pond where Hollywood is fishing is a lot smaller and whilst people are ‘cut’ from the business they had, they will look towards the other ponds to see if they can make a living there. The shine of Hollywood stopped shining about 10 years ago and people aren’t catching on. And whilst we see “Paramount said that it would become Hollywood’s biggest spender — shelling out about $30 billion a year on programming.” This setting comes with a counter setting. You see if they don’t make at least $100,000,000,000 from that, the money spenders walk away and that is where the cogs start to hamper work. And at present Paramount had 2 movies in the top 10. Primate which made $23,890,679 and the SpongeBob movie which made $23,410,013. You think this is good? It is an actual question because these two movies made 0.47% of the required revenue. Still think this is a healthy setting? I know there is a lot more, TV series and all kinds of streaming solutions and they do bring in the cash but will it be enough? There is now a lot more than Hollywood and those players are also vying for the same revenue and the people have less to spend. For me it is simple I was only able to afford 4 cinema movies and for now my 2026 budget is limited to The Odyssey and the third dune move at present. And I am not in as bad a setting as many others are and I don’t think that Hollywood is realising this (or they are hiding that ignorance), but the Analysts have another view “Some analysts have wondered whether Paramount would sell one of its most valuable assets — the historic Melrose Avenue movie lot — to raise money to pay down debt that a Warner acquisition would bring.” I have no idea, the moment I hear Melrose, my mind changes settings to Melrose place and that sitcom with Heather Locklear (I was young once) and I have no idea about Hollywood, but the idea that this is an option and still they believe that Hollywood would not become stronger, merely more diverse and that does not translate to strength, it translates to revenue moving into more and smaller buckets. I remain driven into offering my scrips to Dubai except for the NSA heart attack script, I am now working on, which is meant for Canada and optionally Matt Damon’s Artists Equity. Still working on this, but I will finish it within the next few months (two months ahead of schedule, because a rewrite will become essential). 

So whilst I am in no way savvy in the workings of Hollywood, I am well versed in Business Intelligence and the settings I am seeing do not add up (to me at least). It is not entirely without doubt that this might be a setting that these studios are setting themselves up for a non-administration time and therefor much more abled to be hiding certain matters. Because stronger and the diminishing parts we see don’t add up. It only makes sense if certain players aren’t making the numbers they are supposed to be making. But perhaps I am the eternal sarcasm driven entity in this. 

And beyond what we see now with “Paramount also has filed proxy materials to ask Warner shareholders to reject the Netflix deal at an upcoming stockholder meeting. Earlier this month, Netflix amended its bid, converting its $27.75-a-share offer to all-cash to defuse some of Paramount’s arguments that it had a stronger bid. Should Paramount win Warner Bros., it would need to line up $94.65 billion in debt and equity.” The numbers might be adding up, but I have some doubts here, but it is Hollywood, who do I know about that place (answer: zilch)

Have a great day you all, its almost Thursday now, merely 300 seconds remaining.

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December 21, 2025 · 02:58

The faltering critique

There was a story I saw a few days ago and I have an issue with it. The story (at https://www.bbc.com/culture/article/20251212-10-biggest-film-flops-of-2025) gives us ‘Snow White to The Smashing Machine: 10 of the biggest film flops of 2025’ I wondered about that and while I was not a great fan of this Snow White (I am still drawn to the 1937 version, it was the most beautiful trip any youngling could make in his preteens), it wasn’t bad, it just wan’t my cup of tea. So the story comes with a line “From a controversial recreation of a Disney cartoon to an awards-tipped sports biopic starring The Rock, why did so many high-profile Hollywood films fail at the box office this year?” This is the real reason behind this. The economy. Consider that a ticket is roughly $15, popcorn $8 and a soda $5, so that puts you back $28 and that is merely for one person. At this point I reserve my cinema money for the really good experiences (like the Odyssey and Dune 3) and consider that $28 will get you Netflix for 2 months, the equation is simple. Thunderbolts, Mickey17 and M3GAN 2.0. All movies you can watch on the TV and some will require the purchase of a BlueRay $30, and you can watch it whenever you want again and again. These movies should not be seen as flops, they are merely the victims of a horrendous economy. 

That is not on them or on us, it merely is and you can tell me how awesome the Dwayne Johnson movie is, but I am not in to fight games and that might be on me, but at present I can only afford to see 2-3 movies a year, so I have to be massively selective in new movies. Hence the two movies I have (at present) preselected. So as we are given “There were plenty of hit films this year, but there was a raft of high-profile releases that fared far worse than expected. So where did they all go wrong? Below are 10 of the most infamous of 2025’s box-office duds – and they all help to explain in different ways why Hollywood is struggling to get people out of their homes and into cinemas.” At no point does the BBC raise the issue of the economy, I am in a bad place, but not as much as some others, I reckon that if they can afford merely 1 movie, they would be in a stellar mood and that is before you see the equation when it is 2 or more people. The BBC leaves this on the floor and blames the movie, but the world is a little more complex than that and Whilst I wasn’t a Snow White fan, I did get the Blu-ray of Mickey 17 and I loved it. The trailer was awesome and that is why I got it, it wasn’t the great trip I hoped for, but it was a nice ride and as such I am happy I got the Blu-ray. 

So whilst some people at the BBC want to say how the movie was depressing and and no one goes to see a film starring The Rock because they want to be depressed. No, it is a setting that people cannot afford to go to the cinema and that is why no one turns up to these events. I am already saving up to see the Odyssey and by march I should have enough to get the ticket for the IMAX. A simple setting that the BBC is massively overlooking and I wonder why. The economy is less than flat, it is turning onto itself and hiding that fact away isn’t helping anyone. 

Have a great day today and consider what movies you want to see, because the big screen is still magical, it is merely out of reach for many people. 

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December 15, 2025 · 15:55

The lie without lying

That is the conundrum we face on a daily basis. And in the marketing realm I was pleasantly surprised yesterday. I saw an engagement advertisement apparently in the Boston Globe. It was an image of a man known in his role of Mickey17 (the first 16 were better) flogging himself to the girlfriend of Tom Holland, yes I am talking about Zendaya. With the engagement story to give a glimpse of a movie.

I actually didn’t have a clue or any interest in that movie, but now, I might actually got to the cinema to watch it (A cinema is a great room with loads of chairs facing a big screen), I thought I’d mention this to the Netflix population as they might not know what it is.

It hit me by surprise as marketing has gone globally bland, the only exception is that crazy marketeer named Ryan Reynolds (Blake Lively’s husband) his advertisements of Mint Mobile and American Gin are pretty out there, so to see a second marketeer stretching his (or her) legs into the creative pool of goofy alliances is pretty neat so say the least. And I reckon that Square Peg who is the distributor needs to give whomever got the idea of this marketing campaign a raise. 

And in this world a marketing population of one is not a real deal, so I am happy to see that there is a contender for the role of the craziest marketeer on the planet. You see in marketing we have Awareness and Perception are like concentric circles, we first come aware of something and then we get to Perception of the matter, which at times is a reflection of the subject on self. In this Focus, Process and Objectivity are matters of something liked and sometimes not linked matters that inflict the awareness and perception of the matter. It sounds overly academic and it needs to be. We come aware of a movie and when we become more aware we start to get the perception of that movie. How do I relate to that movie and most often it is a mere setting of entertainment. Will I like this? Is it what I want to spend my time on? The second question is the banger for Netflix. If that movie is not your cup of tea, you switch it off or you select another movie to watch. Especially In America where your time is seemingly more precious (and travel comes with its own set of challenges) Netflix is largely the only one that gives the least impact on your timeline. So Cinema’s are down (a lot) and as such marketeers need to be more and more alert to what could drive a person from aware to a deeper a focussed set of perception. That is what drives people optionally to the cinema. Still cinema’s need to address their settings too (really $8 for a popcorn?) And it is a hard setting, space is expensive now and over the last 20 years that setting switched for doable to no longer affordable. Cinema started in 1895 and from 125 years of a good setting we see in the last 20 years that this stage has largely become unaffordable. So a good campaign is more and more important to a dying stage of entertainment. In this, whomever set that stage to The Drama (April 2026) with Robert Pattinson and Zendaya set terrific campaign and applause for whomever did.

As I see it, they perpetrated a lie without actually lying, a rare feat to say the least.

Have a great day and for those in Canada, still enjoying Sunday have a great day too.

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October 30, 2025 · 19:21

Operation Hoodwink

Yes, the setting is virtual and imaginary and consider the name of the title, there is the chance that deception is part of this setting. So as my slumber ideas gave grip to this setting. Let me reveal part of the plot. 

There is a young man walking the street of X (near a racecourse) he is having a grand day, he will see his girlfriend soon. So as he is walking , he cannot believe his eyes. Is that Vin Diesel? And Vin gestures him over. “Hi, what is your name?” The man is in disbelieve and answers “Mario”. Vin answers “Great Mario, he have a little problem here, we need a few extra man here Can you help us out? It takes about 2-3 hours and you don’t have to do any acting. Merely jump away from a car speeding at you from in that shop. Can you do that?” There is a C-note in it for you and time on the big screen. In the mean time the coffee kart is there” he points at a barista kart. “Whatever you are having they should have it and you can drink as much as you like. There are even some pastries there. You game?” Mario frantically nodded his head in a yes gesture. He went to the coffee kart ordered an espresso. The Barista asked if he wanted normal, 3 shots or 5. He grinned at the idea of 5 espresso’s. “Five please, oh can I have one of these cannoli’s?” The barrister complied and two minutes later he was sitting in a cast chair with a large espresso and a cannoli. He was drinking his espresso feline mighty fine. About 10 minutes later Vin came back in the picture. “OK, we are running late, so you have 10 minutes. In 5 minutes we take you to the shop and we rehearse a few things, we need to get this right as we only have one take for this.” Mario nodded “OK, whatever you want Mr. Diesel” Vin replied “Vin please, Mr. Diesel is my father. So drink your espresso and eat your cannoli. Ill be back.” And Vin Diesel walked away. He came back 5 minutes later. “OK, lets go over this. It’s a little psychedelic as it is part of that movie. So in we go” and they walked into the shop. He then walked into the door in the back and it was a completely white room filled with rows of White plastic foam domino stones, 4 rows all having their own color. “So you will be standing here. And we will be filming you from that corner, where the little window is. You jump up to that bar, pointing to a bar in the wall. Can you make that jump?” Mario tried, it was easy. “If you can pull yourself up, that is fine, make it look good. That is all you have to do. The car will come through the wall so stand against that wall the bar is above you. Stand there for a moment.” Vin talked in his earpiece. “What? OK.” He signaled Mario. “Can you take one step forward?” Mario stepped forward half a step, looking upwards to the bar. “Are we good?” He gave a thumb upwards to Mario. “Hold on” Vin said. “Mario, try to jump to the bar now” It was easy. And Vin talked into his earpiece again “Did you get that? What? OK? Mario, can you do this jump a few more times so we have actual footage and if you miss the point later, we have something to work with.” Mario jumped half a dozen times more. And Vin Diesel looked pleased. “So now we check the light” they tested the light a few more times. It was OK. “So now the hard part. When you hear a noise, it will be a car going through the front window, at that point you have a mere 2 seconds to jump to the bar. You good?” Mario nodded. He never considered that he would be a Hollywood extra some day. “OK, I am going towards the front and get things rolling, m do you have any questions?” Mario shook his head in a no, it seemed clear as water to him. “OK! Excellent. The take starts in a few minutes and it should be over 30 seconds later. Don’t touch these domino’s stay there and focus on the light, when it goes green it starts and 3 seconds later I go through the shop. After that you have a mere 2 seconds, so do not hesitate to jump. Just focus on the light.” Mario nodded “Im ready” “I’m sure you are, your doing great” and with that Vin walked away closing the door behind him. Sure enough 2 minutes later the green light lit up and Mario got ready and three seconds later as stated he heard the car and he jumped. The car came through the wall, Mario was safely hanging on the bar. The car went through the room and the dominos went everywhere and Mario dropped to the floor. He saw the hole in the wall and he looked at where the car went. It went though the second wall and he was looking some kind of drone repair shop. The foam dominos were melting away and the bar had retracted into the wall. In seconds security jumped on him telling him to go to the floor. And Mario was more confused then ever before.

The stage is set and the story continues. Vin Diesel was a lookalike, the film crew had vanished and the car had no driver. Mario was in deep shit. It was a setting where the family of Mario had to entertain favors and the politicians were eager to help. It was a hoodwink to flush out the crooked politicians and to show where the FBI and CIA could see where the problem lies. Not all settings are domestic and Operation Hoodwink was called to figure out which politician and optionally which judge was on the records of Organized Crime. And as America was bleeding funds they decided to do something about it. 

A simple setting and as I am flooded with 3 projects any Canadian film maker that sees light in this. Feel free to use this idea. Have a great day and it is time for me to look deeper at at my next project (working on it) and as it mostly plays in New Orleans, I need to rely on Google Maps (I have never been to New Orleans). Anyway, that is it for me for today.

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September 30, 2025 · 12:09

Former Tinseltown

Well, they just picketed for a better situation, then there is a fire and now President Trump walks in and makes a ‘proclamation’.

Now, we all have those rolling eyes moment, but I reckon this is the first time it will cost Los Angeles (read: Hollywood) will they have to pay an additional few billions and they weren’t going great to begin with (to no fault of their own).

You see, if we take a ‘few’ examples. We see:

Jurassic World: Rebirth$867,114,68260.8%
F1: The Movie$626,214,58669.7%
Smurfs$89,700,00074.3%
Inside Out 2$1,698,863,81661.6%
Godzilla x Kong: The New Empire$572,050,01665.7%

Now these aren’t the big hitters, but the impact is easily seen. The total global revenue is seen and how much INTERNATIONALLY was brought it, so as such I reckon it is easy to hit those numbers with a tariff as well, the president said it was 100%? OK, that is what we will do, hit a tariff over (30%) it and I reckon that Hollywood will be screaming like a little bitch (or like a scream queen) for all that lost revenue. 

When will this president learn that gracing everything with a tariff does not get him anything, only handing the option for European Markets and Asian Markets to do exactly the same? 

And it is not the the world has alternatives, WE can get our movies from Canada, UK, Europe, and in streaming there is more then Disney Plus and Netflix. We can get movies from Shahid, ADTV (Abu Dhabi TV), Viki and others too and several offer free options. As such this was a really bad move as the people all over the planet need cheaper options and you just gave a dozen channels to branch out to Europe and the Commonwealth. So as interest in the ‘Americanized’ channels recede their advertisement money will decrease as well. So how was this a clever move?

And as I see it, Canada is happy to branch out, but so are the movie makers in Saudi Arabia and the UAE, that is the one move they hoped would come and soon there will be an influx of Arabic content in Europe and the Commonwealth. 

So in short, there will be a decrease in revenue to America due to tariffs, Advertisement money will go down and interest in American materials will also decrease. And as I see it, the others will also claim “Thank you for your attention to this matter” mister President.

A lovely day it is, I reckon I might get a few minutes of Schitt’s Creek, Dubai Bling or Qalb Al Adala into my daily watch scheme. Oh and these 5 examples might cost Hollywood a simple 735,798,409.28 (if we charge Hollywood 30% over our ‘brought’ income, so what do you think the other 360 annual movies will give to us? This tariff joke works both ways.

I reckon this might be the sillies move the American administration has brought to its own shores. Hollywood was already fighting an uphill battle, but this might be the traffic threshold set just before the top of the hill that will stop whatever they had going for them.

I reckon there will be a few rounds of Champagne for everyone in the Vancouver Film Studios tonight.

Have a great day and for the desperate American Actors/Actresses, please take note at (https://adtv.ae/en/about-us)., they might be looking for you, there is now too much competition in Hollywood. Oh and all this wasn’t a great intelligent academic work. Anyone with an abacus could have numbered this whilst having a coffee. 

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September 28, 2025 · 17:58

A few days ago 

A few days ago we had the impact of the ban of Jimmy Kimmel and that impact it had. Disney need to raise all awareness flags because like the little weasels they seemingly are, the subscriptions were cut. According to some sources almost $4 billion in subscriptions were lost. Some will howl with laughter, but the impact is a little bigger. You see, soon after that (at https://www.cbc.ca/news/business/disney-subscription-increase-1.7641020) we are given by CBC that ‘Disney+ is raising subscription prices for the 4th year in a row’, one could say this is exactly why I prefer physical media, but Disney wants people to ‘embrace’ Disney plus forever. That Will never do for me. So as the CBC is giving us “Starting Oct. 21, the ad-supported Disney+ plan will increase by $2 US to $11.99 US per month, while the ad-free premium tier will rise $3 US to $18.99 US a month. Annual premium subscriptions will jump $30 US to $189.99 US. Bundled packages combining Disney+ with Hulu and ESPN+ will also see price hikes, according to the company’s website.” This makes them more expensive than Netflix. We see all the iterations and the settings that others bring, but the short and sweet stuff is that there is a case to be made for owning physical media. You see, what these streamers seem to forget is that the subscription will have two sides. The subscription and the price of internet streaming. Some providers have ‘a tentacle’ setting that those bytes are disregarded from your internet subscription. Yet as I see it, when the going gets tough, those ‘arrangements’ will fall flat and the prices really will add to the equation. And as we are given “The price increase also appears to apply to Canadians. An email sent to a Disney+ subscriber and reviewed by CBC News shows that the cost of a premium subscription will jump from $119.99 to $159.99 on Oct. 28, though it’s unclear if there are other Canadian price increases” we see this setting (optional) in “it’s unclear if there are other Canadian price increases” but we need to reconsider some streaming solutions and weirdly enough. I raised that very topic in ‘Choice, can you choose?’ which I brought to you on January 9th 2021 (at https://lawlordtobe.com/2021/01/09/choice-can-you-choose/) and there we see the setting evolve and I was only 4 years ahead of the rest. I also (not there) raise the setting that someone brings is a collective of these channels, because there is the setting that people are willing to pay $20 a month for both Disney+ and Netflix, optionally a little more for others to be included. So when you have Netflix $18 + Disney Plus $19. Would it be an idea to get BOTH for $25? (I personally would prefer $20), but that is where the setting is set. At present the setting does not allow BOTH to be included and in this time where (especially the Americans) will have to live on the Roman setting of Bread and Games which was opted be the Roman Poet Decimus Junius Juvenalis and as I see the setting where “Roman government used free food and public entertainment to pacify the populace and prevent revolts, a practice now used to describe any form of mass distraction that diverts attention from societal grievances” is pretty much what the American government needs at present (my speculated view). And as we see the settings of Army deployments in America, ICE dressing up like bank robbers and a whole range of other settings gives rise to my point of view. 

So will Disney evolve? Will we see the Blu-ray version of the Mandalorian? Or will we see the settings of accumulated streaming? Tune in next week when you will hear nurse Piggy say “Oh doctor, he is not 5G compatible” we look back and see how relaxing and entertaining the Muppet Show really was and we still remember that after 50 years these 5 seasons are still on the minds and in the hearts of millions of people. Well done Jim Hanson and Frank Oz.

Timeless humor is truly timeless. Have a great day and don’t get your coffee from the Swedish chef. I ordered it with the music of the Beatles and got a handful of those critters in his cup of Covfefe.

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September 7, 2025 · 03:50

Declining time

Not sure where this is coming from. I have been having a weird dream, not the dream where I come up for more ideas, perhaps that might be the case, but I cannot see it yet. The theme is Salems Lot, by Stephen King. I have been re dreaming parts of it, the part where the kid and the writer go after the people in Salems Lot. But not what happened in the movies. The settings are disjointed, it is like the setting has been changed, the led characters are on the run and time is running out. It seemingly is about declining times. But there were a few upsides, but those elude me now. 

There was something else, it came to me and it will come to me again. My memory blows at time. The setting that I do see, is that there is a remake upon remake on a movie that already is good enough and that cannot be the setting, after that we get that the book is not my favourite one that Stephen King has given us ad he has given us a lot. The version that played in my mind was the one with David Soul and Lance Kerwin, but the scenes were never filmed, or not in a way I saw it. They were wearing silver glasses and the glasses were projecting crosses in front of them. That never happened in either the book or the movies (both of them). Like glasses with led, projecting light in front of them, the crosses are mere icons to light the way. But then I got to think, as we have a more set version of horror, the Arabic lands do not. So where are there versions of horror? Where are their portrayal of the Jinn? We never saw them in the west, but that doesn’t mean none were made. What happens when we unite modern knowledge with folk tale? What happens when western scientists happen to stumble upon early writings and wake up this chapter of evil? That might be the declining timeline I am seeing. The fact that this hasn’t happened yet and someone has to become the first. The islamic population is globally around 2 billion. What happens when someone is the first? What happens when we create a new type of horror? Set on the foundations of writers who have distinguished themselves? Consider the impact that a series like American Horror Story had, now take that approach into a new area, the scientific one and cross it with Arabic legends from the past? 

That might be the line of inquisition. You see, we see the forward notion that Saudi Arabia and the UAE have, but that increase will need entertainment and as I see it players like Abu Dhabi Media Network and others could use an upgrade. They are getting more and more viewers. I think that they could up their game in the horror setting. I reckon there s only so much drama and fake reality TV any audience will accept and horror is as good a place as any. Science fiction and other settings will evolve in their own time and partly it is fueled what America and Canada bring, but the setting of Horror is out in the open. Horror is based on what we fear or what brings us anxiety and I reckon that most Arabs will how with laughter on what the stories of the Nun brings them, but take that into a new realm and give them a setting of what western excavation brings (together with Arabian scientists) and they unearth a book on the life of Al-Malik al-Aswad as they unearth a never before seen version of Kitāb al-Bulhān and from there the pages unfold a reality brought forth by a jinn and it affects the world. I reckon that will get the Arabic population lose a few nights of sleep. And would you know it, 2 billion viewers could be talking day (and night) about what could happen next. Not a bad audience to cater to.

Mission accomplished. Have a great day, it is 04:00 on Sunday, I still have hours to go until my breakfast.

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