Tag Archives: Star Trek

March 12, 2025 · 20:57

Ringe Ringe Roses

A pocket full of poses, yes it is an old song, apparently created around 1898. It was a song about the seemingly bliss of the created song referring to the plague as said in “Since the Second World War, the rhyme has often been associated with the Great Plague of 1665 in England or with earlier outbreaks of the bubonic plague in England.” There are voices for and against that resolution. Yet in 2012 Ndemic games gave us “The game was inspired by the 2011 film Contagion and the 2008 browser game Pandemic 2”, I saw the movie, loved it and I got the game on my android in the early days. But what happens when we get some serious power?

We might think it is a joke, but there is an interesting setting between gaming and exploration, this is not some setting to make people ‘fearful’ but the setting that there are larger stages to be played, also gives us the optional settings that there are things that not everyone thinks of. I usually get the game to wipe out humanity in about 300 days, all 8 billion of them. In two cases I was unable to do that and the few people in Greenland that were not infected avoiding the stage of arthritis (read: early onset rigor mortis) and I failed the game, a mere 99.34% achieved. 

The game allows for deployment in several settings as well as the interesting setting that the game in March 2013, the game went on to win multiple categories of the Pocket Gamer Awards, including Overall Game of the Year. It has been downloaded has been downloaded over 160,000,000 times, as of May 2021. That is the prime setting they are working with. If a successful game sells over 30 million times, so what is the greed driven revenue appeal for a game with 500% of that? 

That is the setting that is out there, a game with the premise to be one of the most successful in history. When we consider the larger implication that a PC (or Playstation 5) can compute hundreds times faster and correlate thousands times faster. We know that both can give us much more on a 55” screen, but what if the larger players give Ndemic games the tools to make a groundbreaking product? What happens when the science boffins make this a new style of game? A game set on informing the people and show them that this game is to illustrate, not to create chaos. Michael Crichton did a stellar job of that when he completed The Andromeda Strain in 1969. I saw the movie in 1972, a year after it was release. I also saw the mini series of that title  (2008). So there is a larger interest, but after the 2011 version of Contagion by Steven Soderbergh the people are taking a more scientific minded thinking pattern, but according to Clarence Boddicker (played by Kurtwood Smith) tells us that good business is where you find it and 160,000,000 players is a strong message. So what happens when when the game has an easy mode and an authentic mode? What happens when the true techies add some of their magic to a game? Will that open up a larger setting of awareness? We got technology from TV series (mobile phase, kindle and a few other settings decades ahead of their design. What happens when we breed awareness though games? Not the setting of RPG’s but the spark created through games that might alert some with ideas on fighting biohazards. It is merely an idea, but what did we consider the thoughts of Gene Roddenberry to be when he created Star Trek around 1964? In the meantime that original created spinoffs and the originals is still seen as magic 60 years later. The spark of creativity has the longest reach when the right people apply it. 

We see one side of a picture, but the larger view, what does it hold? What if the game designers spark the scientific boffins to think different? What if it fuels the creativity of the next generation? 

All good questions and not all handing the required answers, but that is the field of creativity. It goes in unpredicted ways. At present we are given “Biological hazards, also known as biohazards, are organic substances that pose a threat to the health of humans and other living organisms. Generally speaking, biological hazards include pathogenic micro-organisms, viruses, toxins (from biological sources), spores, fungi and bio- active substances.” So did anyone thought that the spark of creativity might someday include “toxins (from digital sources)” we are all so driven to become part of the internet, it is only time until we get informed through the spread from digital sources. As such a smart wearable system (SWS) is an end-to-end integrated and connected system. Did anyone consider that it could be the transmitter of systems? As such the ‘old’ line of “Sensor nodes can monitor a.o. body location, motion & posture, body vital signs and local context. Actuator nodes can influence properties of the worn items, e.g. in order to protect the wearer from risks, or provide wearer with feedback/recommendations.” As we have learned (over decades) that the setting of “Actuator nodes can influence properties of the worn items, e.g. in order to protect the wearer from risks” is the first step in the setting of “worn items could influence the actuator nodes of the worn items, e.g. in order to infect the wearer towards risks”, so when will that happen? 

A setting from a game that could start creativity is the stepping stone to more. In that case the setting of influence was given to us in H+: The Digital Series (2012), A series produced by Bryan Singer and created by John Cabrera and Cosimo De Tommaso. Until the season finale on January 16, 2013. I always hoped it would be a mini series shown on the bigger screen (TV), and this is now a mere stepping stone away from realism. All this and human culling too? Well tune in next week when we hear nurse piggy say “Et toi Kermit?” It seems basic and apt to include the gen that Jim Henson gave us with The Muppet Show in 1974.

We are having a great day I say, as such you have a good one too and please enjoy The Muppet Show, The Andromeda Strain, H+ (YouTube) and Contagion this week and see where your creativity leads you.

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November 23, 2024 · 20:11

Reinvention

That is the thought of the day. We all reinvent ourselves. Shakespeare was reinvented several times through Hamlet in movies and plays. I particularly liked the version with Ethan Green Hawke. I liked the approach of an adaptation that kept the Shakespearean dialogue but presents a more modern setting, with technology such as video cameras, Polaroid cameras, and surveillance bugs. It makes for an amazing view in a new setting. I like it because someone took the trouble of reinventing the play, not merely the stage of the play, but reinventing the concept of the wheel. I like that. We can have version after version but when you make the car it drives a hovercraft it becomes something else entirely. Who would have guessed that the series I loved as a kid (Battlestar Galactica) could become the stuff of legends by Ron Moore. He pulled it off. What was just a decent dreary thing kids loved would become the version adults would revere. Lorne Greene was the version we adored when we were young and was decades later replaced by Edward James Olmos. The lieutenant that stood standing next to Don Johnson and Philip Michael Thomas became the stuff of legends as he gave greatness as William Adama (callsign “Husker”). Reinvention does that and as I see it, I gave the BlueRay a 96% rating, one of the highest rating I ever gave a TV series. As such reinvention is key to decades of entertainment. It enabled me to create the movie ‘How to Assassinate a politician’ (aka ‘Essay’). From there I started the stage of Residuam Vitam a miniseries where death is the central player and the views we have becomes altered in the hands of 8 billion, but only after people die. And the stage of Atheism becomes a new player, being it a tender one. So when we set the stage of history it becomes another matter. That let me to the beginning of us all. Erich Anton Paul von Däniken, the  Swiss author of The Gods Were Astronauts and he was not wrong. The origin of the Greek gods was just that and they came from the Sombrero galaxy (galaxy M104). I explore that in Kenos Diastima and it forms in me as a TV series (three seasons). Where it is not merely what we look like, it sets the stage of how we are set up. This rotates in another direction as Engonos the later series. Engonos translating as ‘Grandson’ where the first season was the view that he has, the second season shows us where it still is about the gods and the third season (for now) is shaped as the hidden trap the gods set for all of us and the hidden levers they set up their own system to never be held to any kind of account. So how is that seen when they are themselves their own creators?

Reinvention is key in all of this. I tried to ‘sell’ the script of ‘How to assassinate a politician’ to Dubai Media (as islam is centre in all of this) then I also tried to approach Saudi Broadcasting Authority (SBA) and I can report with saddened intonation that I was unsuccessful. This media is not my stage. I created stories and I create what could be seen as dialogue. I believed that there was an islamic market for people, especially as islamophobia becomes an overwhelming issue and I personally believe that these idiots and morons hiding behind ‘Free Palestine’ to destroy anything they can like cheap Football Hooligans and soon that setting will grow tired on too many people and we get new fields of malice and destruction. In that I felt that I was able to corner a new market and with the Dutch politician Geert Wilder (before he became Prime minister of the Netherlands) I saw a story emerge where Arabic children saw their way to wrote him to death and we see his demise five times over. The setting where a movie was played in Dammam, Amsterdam and The Hague helped as I saw that this had never been done before. No matter how you reinvent things, it helps for the stage to be new and largely unknown to the watching audience. I thought I saw an option. However Dubai media and the Saudi Broadcasting Authority seemingly did not see it that way. My view was a story that appealed to millions of Islamic viewers and they? Perhaps they saw an immature script. That part is speculative as they never gave me any feedbacks (other than we have other projects running). 

You see reinvention also sets you up for two settings. The ego of others and the ego of self. The ego of others is what it is. You can cry, you can sulk and this setting merely is. The ego of self is different. It wants to believe in self, but the truth is that it also needs criticism of self to endure and see the brighter life of what could be. This is what I see in Hamlet (2000) and Battlestar Galactica (2004) they did more then endure. They reinvented themselves in more ways and we all enjoyed what came from that. The only thing I can do is to reinvent more and more. Games, stories, movies and ideas. I particularly like to reinvent in a different format. What was a scrolling game could be an sandbox RPG, what was a book could become a movie with a difference and there are other ways too. The idea in one form could be reinvented in other forms because it attracts a new audience. Look at Star Trek it went from the original series into the next generation and now there is Strange New Worlds. Yet for the most it attracts the same audience. That can be an option. To grow from the original audience to include a larger audience. This is what was achieved with Picard and it was an amazing achievement. But it is not a trajectory I am on (and I have no starting audience). Still the boundaries of reinvention are vast and there are so many corners to see. I merely hope that I find a corner that will find appeal to an audience.

All this looks nice (and academic) but there is a hidden corner is any creator (in me too). It is the setting of the imperfect creator hypothesis. It is what it is. The only way around that is to reinvent the reinvention. I sets the value of imperfection at bay but it also creates more doubt in self. A vicious circle to say the least. But any creator loves the battle that goes on inside ones self. The stage of creation and doubt goes on an on and perhaps at some point I will see one of my creations become a reality. 

Have a great day and seek the sunlight if you can. Not really an option in Vancouver, but in Sydney it was 30 degrees today with full sun during this day.

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November 2, 2024 · 07:04

Strangled by greed

I saw an article in the BBC last week, I took notice as it collided with something else I saw, but I could no longer find it. The article (at https://www.bbc.com/news/articles/cj6er83ene6o) gives us ‘Hollywood’s big boom has gone bust’ It is here where we see “The actor and aerial cinematographer turned his hobby of flying drones into a profitable business in 2012 just as the streaming wars were taking off. For a decade, he was flying high above film sets, creating sleek aerial shots for movies and TV shows on Netflix, Amazon and Disney. Now he’s on the verge of becoming homeless – again. He was evicted from the Huntington Beach home he shared with his wife and two young children and now is being booted from the Las Vegas apartment they moved to because they could no longer afford to live in Southern California.” As I see it, it is a much simpler equation, even as we are given “the good times ground to a halt in May 2023, when Hollywood’s writers went on strike. The strikes lasted multiple months and marked the first time since the 1960s that both writers and actors joined forces – effectively shutting down Hollywood production.” You see, some people are blaming the strike, but the strike wasn’t the reason it is a interaction drive between cinematic analysts and greed driven studio bosses. Even as we see “with layoffs at many studios – most recently at Paramount. It had a second round of layoffs this week, as the storied movie company moves to cut 15% of its workforce ahead of a merger with the production company Skydance.” And none of it is the actual reason. Hollywood has decided to rely on mediocrity and the attached collection of yes nodders towards some numbers of utterly unreliability (as I personally see it). Lets take a step back to 1966, a new youngling in Hollywood came with an idea a science fiction tainted wild western called Star Trek. Lucille Ball from Desilu Productions was one of the driving forces on pushing the success of Star Trek. In the mean time the series is the longest and most successful series in history pushing 11 spin offs and 13 movies. At the end, the cancellation of Star Trek was proclaimed In 2011 “the ranked number four on the TV Guide Network special, 25 Biggest TV Blunders” and still Hollywood will not learn. Now we see other issues in 2005 a series named Threshold was created, it lasted for one season.

The TV series was really good (my personal view) and the actors including Carla Gugino, the youthful young sprout who played the ex of Dwayne Johnson in San Andreas, Brent Spiner who played the mad scientist in Independence Day, Charles S. Dutton known for many roles, Rudy being one of them, Peter Dinklage who shined in Death at a Funeral and the game of thrones. The TV series was drenched in achieved talent, however as the TV series didn’t get the desired ratings, the series were dropped. Star Trek wasn’t enough of a lesson for Hollywood. And this wasn’t the only lesson. Defying Gravity (2009), Firefly (2002), Doll House (2009) all series dropped for the mere reason that it wasn’t bringing in the cash from day zero. As I see it Hollywood hasn’t gone bust. The audience has stopped putting their faith in Hollywood productions. An entity that doesn’t seem to comprehend Science Fiction and Fantasy is the maker of imaginary worlds? 

We see a whole range of attached reasons, but the number one reason isn’t shown. The fact that advertisements aren’t of interest to people and that is the one thing that drives players like Netflix. TV stations are fed that advertisement is the drive of all entertainment business and to some extent this is partially true. The fact that the people after 50 years still look forward to some form of Star Trek is because it is a more surreal form of escapism and that image isn’t clear to Hollywood. I see it as a reason why Canada and Australia are growing players in this field. In Hollywood every dollar needs to be spend at least twice to become valid and all that time writers are massively underpaid. I see it as the number one reason why we will soon see an overshadowing of Hollywood by Dubai Media and the MBC group. And that is before Hollywood figures out that the people demand continuation of the story. The number one issue around Threshold, Defying Gravity, Firefly and Doll House. The are regarded as not ‘profitable’ but they are represented by millions of watchers who wonder what comes next and too many of these disappointments of cancelations are getting to them and now they look at places where there is continuation. 

My initial view is that someone needs to take a hard look at how ratings are measured, because I think that is the core of the issue. I refuse to believe that some cancelations are valid. Consider the series Lucifer, it was booted at season 3, taken over by Netflix who did 3 seasons more. Now we see “In 2021, Lucifer was the most-streamed original series in the U.S., with 18.34 billion minutes viewed”, so how is that not a success and it makes us wonder what drove the cancelation by Fox? The stream data contradicts the Fox statement that is was a “ratings-based decision”. I think that this is happening too much and as such I have doubts that there is a issue with how ratings are ‘found’ and those in that area together with some analysts are setting the stage for whatever they think that matters, but that is merely my view on the matter.

I see it that greed driven decisions by some are strangling others from fulfilling their view. Avatar (2009) made $2,923,706,026 and I get that, but is it better than Oppenheimer (2023) $975,594,978? As I see it Wall Street wannabe’s are tainting the field of artistic achievements and I get that revenue is part of the equation, but Hollywood was the place of dreams, it has now become a nightmare for many players. Why is that? 

Enjoy the weekend.

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May 12, 2023 · 19:43

Behind the eyelids

Two dreams got to me and they both happened on the same night. The first one is weird in all kinds of ways. I cannot tell whether it is the foundation of a game, a movie or something else. In this dream it is mostly about some new MMORPG. It has a scientific side. You see the premise is that in these games most people become like herd-people. They will cluster into tasks. There will always be the ‘hero’ and goes racing into enemy hands getting himself (or herself) killed. In this my mind reached back to the original Star Trek specifically the episode ‘Shore Leave’ there we learn “The more complex the mind, the greater the need for the simplicity of play.” That quote always meant something to me. Now consider the MMORPG and now we can monitor interactions, but not draining the game. In this two bird types are addd to the game. The Albatros, a bird that flies around the shores of a nation and it has the ability to carpet the fields collecting thoughts and observing interactions to groups of people and the second bird is the Hawk. That one focusses on smaller areas and can pick up one specific character. Now you think that there is not a lot more, but consider that these two can like the character to the actual person outside of the game. Now we have a way to tag people, the undesirable and the willing. You see, the more simplistic the setting (Roman, Greek, Carthaginians, Egyptian), the more basic the weapons, the more that person will embrace his character, the character will more and more be the real person. That also means that now those behind the screens can unite the both and find the willing, the dangerous and the unknown players. Without any real intrusion to that persons ‘privacy’ the people orchestrating the game can make a mould of groups and clusters of people. That was as far as I got. There are all kinds of ‘measurements’ in real life and for the most they are all marketing based, but what happens when games take them to the next stage? It is not out of the realm of possibilities and that could make for a nice game, or movie for that matter.

The second dream took me to Slovenia (never been there myself). In the dream it was a movie (of sorts) the main roles were a spymaster of the CIA being called to the issues in Slovenia where he spend his early years and he had fond memories of it. Slovenia was overrun by the Russians and it was a power-knot of Russian forces, the FSB and the GRU. Central in the story was a fort or castle where they were housed at. The spymaster was played by Brian Cox (the true love of Helen Mirren, R.E.D.) and his student and main protagonist Ryan Gosling (aka Barbie’s Ken). The story is that taking out the heads of the FSB and GRU will throw the entire setting in turmoil and there they have an edge. A electrician and sympathiser found a door leading to a secret exit. He closed the door and sealed the door claiming it has dangerous toxic fumes. The door doesn’t lead to anything as such it was accepted. And he leads the people through the secret exit into the castle. We see him rewire lights and rewire options and the exit leads to a small room with two connecting rooms. They smuggle in hardware, they smuggle in equipment and they are ready. They have to wait three days until that sumit starts and several Russian bigwigs are in attendance.  In the meantime Brian and Ryan are around town confirming what they can and as the buildup of Russian forces are visible they seem to be on the wining side. In the meantime the Slovenian resistance has their head people in the room as well, they all want a claim towards striking such a blow to Russia. It is whilst driving Brian notices something, He grabs a baby monitor (CIA edition) and quickly states “It’s a trap, get out, get out now”, they sit in the car surrounded by Russian trucks being as small a shadow as possible. He states to Ryan “How many Russian soldiers do you know reading the bible whilst on watch?” The electrician was FSB, this was a play from the beginning to capture the Slovenian resistance. And yes, the door opens and Russian forces come pouring in. They had set up some traps with Ammonia and bleach (creating Chlorine gas) but the two dozen soldiers are all wearing masks. The resistance is all captured. Ryan has an idea to get back in and complete the mission, but he has a trump card. He studied the plans and that room links to another place. That is where he placed some boobytrapped weapons and he gets there by stealth killing the Russian soldiers and placing MRUD’s (Slovenian claymore) on the stairwell. He then goes to the place he knew about and uses some clustered RPG on the dignitaries stand who were there to watch the resistance leaders die. He escapes as quickly as possible and we do never know how the resistance people fared. He hopes that the confusion gave them an escape option. He then aids Brian as he was suckered into this deal by finding a former CIA executive, who was a Russian double all along. 

Brian walks away from his friends corpse stating “Sometimes you bite the bear, when you do make sure you bite hard” and Ryan follows him. 

One night, optional watching two movies for free. Well, they don’t exist yet, so that is my creative mind on a binge in dreamland.

Have a great Friday, only 3 days until Monday.

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April 10, 2023 · 16:40

The drifting mind

It happens to me, my mind wanders at times. It happened yesterday as I was watching a Deep Space Nine Episode called ‘Empok Nor’. You see, my mind is still trying to work out Season 4 of Kenos Diastima. It is still up for debate. You see, Kenos Diastima had an open ending at the end of season 3. I was in the mindset to keep it an open ending, but part of me was considering taking a tight turn to the far right on this and make season 4 a espionage approach. It would also require a new cast, a complete new cast (for obvious reasons which I will not mention here). The stage was set to new needs and to new considerations, but it feels a little weird. There was an additional idea to create a new series that connects to Kenos Diastima, so my mind was a little all over the place. It was at that point I started to consider a few things. You see all the star Trek series I know the original, The Next Generation, Deep Space Nine, Voyager, Enterprise, Discovery and Picard. They all have humans in the lead. But the United Federation of planets had 4 founding races. As such Empok Nor gave me an idea. What if the new series is about the Andorians. The franchise has given us a good grasp, but what happens when they are in charge, it is slightly before the UFP and they had found a damaged human freighter and they kept the engineers as they were short on engineers. This team finds an abandoned Romulan space station, but that station is already more advanced than either Andorians or Humans were used to. They start exploring the station and find all kinds of things, logs and recordings which gives us stories about Romulan life and these episodes will be part in the station and part on what the logs play out, we see as such a multitude of stories play out and it gives 4 stories. The station story, the Romulan log stories (on Romulus and so on), the Andorian stories and the human stories. So you have basically 4 steady locations (Station, Earth, Romulus and Andoria) and several other locations. 

You see, I do not know why, but for the most Paramount seemingly never considered making the alien race the dominant one, or perhaps they did and they rejected it. We also see how the Andorians ‘borrow’ (steal seems too harsh) these ideas they find and patent it to themselves, calling all kind of emotions and considerations into the frame of things. I reckon something like this might have 2-3 seasons, but that is still a nice run. I will admit that part of this is driven by my love of a game I worshipped since 1994 called System Shock. There we find stories as well, but they were short stories and most of them connected to codes and such. Origin systems had a great setting there, the fact that I still think of that series 30 years later is proof of that and the remake is supposed to come to the PS5 this year. But as another Star Trek Franchise it could work as well, but the setting needs to change and the fact that the franchise speaks over the hostilities between Vulcan and Andoria implies that the Romulan find could open other doors in storytelling as well. Optionally even a link between Romulus and Vulcan, but that is merely a simple slither towards the storyline. 

What is interesting is that all this shaped in less than an hour, the shaping of the thoughts was quicker than me typing all this. So even as it did not solve my Kenos Diastima dilemma, it might help me create the foundation of season 4, the way I think it might have the power to contribute, if not, I will not min, the end of season 3 was powerful enough to make minds baffle. And at times that is all the storyteller hopes for, a baffled mind that goes ‘Are you freaking kidding me?’

I can be that simple and that mean at times. Enjoy Easter.

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December 1, 2022 · 22:10

The games we desire

We desire games, we all do. In Star Trek we were once told “the more complex the mind, the more essential the need to play” (Star Trek, season 1, episode 15). I always embraced that. Gaming was my large escape and I have enjoyed it for decades. Yet the foundation of gaming changed after the Playstation 2 came (and all other systems). Gaming became big business, people with business degrees got involved and soon it went from art to business needs. Gaming suffered and it has suffered for quite some years now. Micro transactions is merely part of it. The larger stage was that art was taken out of the equation. This is why games like Elden Ring, God of War, Horizon Forbidden West are such successes. They embraced art and artsy sides to a much larger degree. This is the reason why places like Ubisoft went from great to below mediocre. There are the games that will always have appeal because of secondary reasons. Sport games being a clear first example.

When we look back to the days of Bullfrog, there was almost no game we did not desire, art was the driving force and it drove our needs deliciously and amazingly. Consider Populous, Flood, Populous 2, Magic Carpet (1 + 2), Dungeon Keeper and some (including me) still worship those times, those games. EA went and created some exploitation version of Dungeon Keeper. Yet they could repair the damage, and they are running out of time. They will need those who played the original to give rise to the next generation. They now require credibility. And it is not the weirdest idea. Six games that represents millions in revenue. Some can be re engineered, yet the larger setting will come from re engineering driving evolution of the game. This reminds me of another good Ubisoft game (they had a few). It was Conquest: Frontier Wars, the review gave it (for the most) 78%-88%. I would set it to around 85%, a game that makes the gamer want more. And there was another side, you could set up a battle game with two other Computer players and you had some options. What was important, you could spend hours in a new galaxy again and again, with two other races, each with intelligence settings. Now what if that concept is remade and also remade in games like a remastered Magic Carpet, Dungeon Keeper and Populous. Three games that were initially less than 1MB and could optionally keep gamers busy for years. That could spark a new wave of gamers and that is what the streaming services need, fresh blood and returning blood. And the need to play will draw them in. You still need decent games, and I just handed them 6 of them. Well, handing is a stretch, EA has the rights as far as I can tell, but consider that Yesterday I handed the option for 50 million gamers and consider that many games never get anything near that amount. I reckon that my solution with the additional games is a step into the direction of the number I predicted. That solution still needs the first phase, but without the second and third phase it will never grow to the degree required or is that desired? And there we have it, a stage we grow and a stage we create by looking backwards. The six games I mention are most likely IP protected, yet The Commodore Amiga had 2198 games, The Atari ST had a little over 1000 games, close to 10,000 games, If we rate from the highest and look at 10% we get to 219+100+1000 we end with 1319 games and that is if we merely look at the highest 10%. Now some will have protection, but not all will and there is the solution for streaming systems. Upgrade what was and get more people feeling the joy of gaming, not the challenge of some flawed Assassin’s Creed Valhalla game. Even now we get ‘The final Assassin’s Creed Valhalla update has launched a week early’, the fact that it is for some systems 13GB does not lead to questions, the fact that the game was released on November 10th 2020 is a much larger issue. It is over 2 years old and still requiring patches. It is one of the reasons that streaming systems will win over time. But a system that has good games will endure a lot longer and the games from the old systems remain superior to many of the games released today, not all, but a lot of them. It sets the need for more play, and Streaming systems will deliver there. 

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August 23, 2022 · 01:30

Crossover salad dressing

Yes, as confusing ideas go, it is a good one. I have been seeing some Harry Potter system at the supermarket. They call it Magical builders. The setting is cool, like the old children theatres. Any idea that encourages imagination is OK in my books. But the makers did not take it far enough. See the image below. 

This is one of the cards there are around 35 of them. And all the main characters are there, including a cat and owl. But you only have to look on Facebook and the crossover ideas flow from everywhere. What happens when the Enterprise meets Vaders dreadnaught? What happens when Klingons have to fight Legolas? Oh and these are the timid sides. There was one about Hermione Granger with Kylo Ren and one of Ron Weasley with Rey. I will spare you the details. 

Crossovers will happen. It is in our brains to set parameters outside of the series. So my mind was  contemplating other things when I remember the Disney Infinite stages. So what happens when we get these characters and we can upload the ones we have with a code (see below).

Now we have a much larger stage, we get to use these characters online and more importantly we can keep the same settings as the set we see now. But what happens when the new Rings of Power get a similar setting, what happens when the sequel (or is that prequel) to Game of Thrones is added? With stages, with all kinds of solutions. What happens when we allow the people to play such interactions and share that with friends. Consider an old program It was Adobe Director. It was ahead of its time (I think I still have the floppy version somewhere, yes it is that old). Now we get beyond the train-station, the train and the quidditch field more scenes that can be downloaded. In this the creator can move the characters like Flash objects and create dialogues. This is in programming simple and as these series grow and have more characters and scenes, we could see Ron Weasley in Rivendell asking Sauron for liquorice wand (as crazy ideas go).

This setting does need a program hat the makers could easily sell for $10-$25, and in that setting we would see the next generations create initial scenes, but it could start their imagination to create more, to create what comes next and I believe it is important to foster imagination in all ages. This idea came to me in the middle of nothing, so why did others not come up with this?

The idea is decently simple to program (a speculation from my side) and over time that can grow into something serious. All because someone considered adding a QR code to the back of a head, the back that we will not see when the figurine is completed. So what kept them from this next stage? Funds? I reckon that 100,000 times $10 makes a cool million (or $2.5M if you want to charge $25), making an app like that cost a lot less, so the funds could not have been the case. 

When will people (especially in marketing) learn to think out of the box? I came up with several ideas to propel Neom and the Line in such ways that is not seen at present, so why not? Are these marketeers (most likely in London) losing the plot of what might be? Is it like Google (optionally Amazon too) that they are asleep at the wheel? It is slightly speculative from my side, but I am not seeing any start to different places creating visibility, awareness and traction. Why not?

I leave it up to you to consider the rest of that equation.

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February 19, 2022 · 18:14

Direction of education

I have been contemplating a separate direction of optional IP. You see, the studios are all focusing on the ‘next big thing’, to seemingly achieve that they tend to go towards the big successes and hope that they have one more slug to deliver. This is not a bad plan, but there is an equal danger on that larger stage not meeting expectations. This is not some curse, it comes from expressions like ‘it rains on the just and unjust alike’, ‘dress for success’, and that list goes on. Yet when we look back, what did Star Trek look back on? What inspired ‘Dallas’, ‘MASH’ and several others? Then I remembered something, something I saw 45 years ago and it still comes up in my mind every now and then. It was a series called ‘Once Upon a time’ and it ran for a long time. It was originally called “Il était une fois…”, a French educational program created by Procidis.

It is time to dig into such a corner (not that corner). You see, we forget that those who inherit the world might not vote, but they are a powerful group and the big wigs seem to forget that THEY too were young once. Consider Marcus Aurelius, the fifth of the good emperors. He died in 180 AD, he was also a philosopher who wrote Meditations, a source for his own guidance and self-improvement. Some still call it a literary monument to a government of service and duty. I was taken aback when I read [6] “to disbelieve the professions of sorcerers and imposters about incantations and exorcism and the like” written by a person who died 1600 years before BS Puritans decided to burn 14 women at the stake in Massachusetts Bay for witchcraft (Salem). All whilst these puritans optionally were afraid of women who merely needed a good fuck (optional speculation). In the end 19 people and two dogs were burned, 1600 years an Italian told them the truth of the matter, and it is time that historic figures more in a life like setting are the stuff of inspiring on TV and not cartoon like. I have nothing against cartoons, yet it is time for the next generation learn on how inspiring, innovative and generation crossing these greeks and Italians were. Some of the Italian practices are still in use 2000 years later. Julius Caesar started encryption by coding his messages. Aurelius wrote a guide that still inspires today. And that is before we consider Homer, Aristotle and a few others. History needs to teach and the classrooms aren’t getting it done, so it is time to give them a hand and the streamers are always looking for new IP, but they seemingly forgot to what the past achieved and what could be possible. Everyone wants another Game of thrones, yet those under 14 needs to be prepared for the future and a good grasp of history is the way to go. If I can create a way to create a concept of burning down a nuclear reactor using an invention from 1900 by Mr Perzy I, what could the next generation achieve when they get a good grasp of Homer, Pythagoras, Gauss and Hilbert, how good could this world end up being? There are of course no guarantees, but considering that the Pentagon cannot be relied on to properly vet translations, people elect a person as president who seemingly is proud on ‘I grabbed her by the pussy’, we seem to ignore basic knowledge and it goes beyond mathematics, or basic philosophy. As I personally see it the media (TV) has forgotten to educate, it is all about the wow, the numbers and the profit and there is every chance at least one generation is coming up short, and we get that it is not all fun and all Game of Thrones, but we need to do more, or streamers should do more to offer a wide interesting scope of educational programs. We could rely on the Squid games to control the population but is that the way big wigs want to go at present? They need numbers for circulation, for ratings and when you decrease the population by X, those numbers would never be reached. Now an argument could be made that certain ratings are easier met when you only have 78% of the population to work with but that requires math, does it not? 

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November 28, 2021 · 20:37

Historic detours

We all do them, I do them a lot. On any course from A to B, I tend to take detours every day. For one, I walk a lot and I like the scenery to change, it might not make much sense if you are the avid automobile fan, yet when you walk it makes a lot of sense. It can be that one route has a cinema and I want to see what is coming. That thought makes less sense nowadays, but in the past there were windows with photo’s of movies coming and movies playing. Then thee are the detours the mind makes. Those tend to make a lot less sense, even to the wielder of that brain. The Brain wants to let you know something and it tells you in its own way. Through the dream state when you are asleep, through a day dream or even through a small jump away from what you were thinking. We all have them, we pay attention (at times), we will it away or we ignore, we tend to take different strides with any mind jump. 

This happened to me today when I was doing something meaninglessly simple, mind-numbing and the brain just took over. I was at a school, not sure which one, or where. The kids spoke English, but I did not connect to the location and I have no kids, so I am at a loss on that part. The kids were eating food and a I saw a ‘pretend it is Mexican day’ sign. The sign was troublesome in a few ways but that does not matter. It was then that I noticed the food. I thought they were all enjoying enchiladas. The rolled or is that wrapped food in a thick tortilla, it was then that I took notice of the smell, the sweetness, the stuffing and then things started to make sense. The kids all had rolled up pancakes, rolled like a tortilla and the stuffing was not that of an enchilada. It was filled with fruits. Then I saw others with some kind of chili, but it was I think cranberry mash with berries, bananas and stuff, the enchiladas had some kind of jam, dried fruits, tangerine parts and I think apricot slices. They were all having fruit dishes all shaped and imaged after Mexican food, the sign made more sense now. And it makes sense, the detours allowed me to design the 5G solution I created, this is not the same, but set to a similar premise. The mind can fill voids, but it can also label and identify things it is aware of. So what if kids see the same shape as a bowl of chili, as a enchilada yet not the same. What if the apple served can no longer hold the attention it once had? What if the premise needs change? It is not unheard of, it is not even that weird. The detour can serve as a journey marker and that is how we get to the actual stirrer of the trouble I saw. 

Two headlines needs to be shown. Once gives us ‘Amazon is ‘nearing a deal’ with EA to produce a Mass Effect show’, the second one is ‘Ex-Bioware Writer Explains His Concerns About a Mass Effect or Dragon Age TV Series’. They matter, but not the way you think. There is one clear truth that I never steered clear of. The Mass Effect series (1-3) is one of the 10 best stories to ever grace the ENTIRE video game industry. In 2007 they started something that had not ever been shown before and the universe of gamers took notice. It was a few years later that we were treated to a sequel which was nothing less than one of the best games that would ever launch on a console. Yes, Mass Effect was big and even as there were rumblings on episode three, I never joined them, the story as a whole was amazing and that story can still compete with almost anything today. They screwed it up with Andromeda, but the original was and will remain a legendary achievement. 

Soon on console and TV

So whilst I do not know if there will be concerns, if there will be issues, if there will be larger ‘fears’. Consider the first game, when we go beyond the game, the setting that we forget is that the Citadel is well over 4 times the size of Manhattan, optionally a bit bigger and that implies that there are 3-4 seasons ready to be made. 

Consider Doctor Michel, getting extorted, running supplies to a merchant in the Lower Wards in order to avoid a “secret” of hers getting out. A 5 minute mission, easily converted to a full episode, or as a sideline in larger storylines over two episodes. Now consider that the first game alone has over 60 side quests, all optional stories in their own rights. We might not care about some of them, but the truth is we were never given to goods so that we would care and that matters. Just consider that we remember the stars of a show, yet how many can give us the sidekicks in Buffy? The sidekicks in Bones? The sidekicks in Battlestar Galactics? Dexter? Now consider that Spike (from Buffy) was supposed to get killed off in the beginning. Yet he stayed around for 7 seasons. The writers had something to work with and they were handed time to show value in a character. That could happen to Mass Effect as well. The benefit (for Amazon) is that they get handed something with a proper foundation, a story that can go places. And in this we see a larger stage evolving, the games are starting to set the need for TV and movies. We knew about movies, we all saw Jolie (aka Mrs Smith) in Tombraider, but the stage is now altering, games are making a larger headway into TV and the solver screen. I wonder if this is to the well of creativity drying up, or is it that games bring optional a million plus fans to the TV screen and that startup is interesting to producers. I am not sure what the answer is, because I never really considered that setting before. Yet if that is true, then the settings for Bethesda will alter a lot over the next few years. And that too matters for gamers, because the franchise that grows tends to evolve and gamers love a game that truly evolves (not iterates like Ubisoft). In this there is no telling what Ubisoft can do with their AC franchise. 

Yet in all this, I wonder what we will be treated to next. I am not siding with the worry population, I will see and judge when it hits the TV or big screen. I have seen enough on both sides to worry up front, and we all saw our fill of ‘failed’ series. Yet plenty of those ended up being true gems (Dollhouse 2009, Firefly 2002, Rome 2005, Star Trek 1966) and it is interesting that Star Trek ended up with 9 spin offs and 10 movies. So taking the word of the critics is debatable from the start. 

I hope that Mass Effect will get the proper audience and get the right stage for people to care about a good story, because the story is everything, especially in TV. 

So why this detour?
You see, what we see and what we perceive is not the same. What we see is what we are offered to see and what we perceive tends to be based on the presentation of others and the ‘critics’ as well as ‘critics’ who have other venues to promote are the fake news bringers, especially in this day and age. Some of these ‘critics’ know that people have one purse, they can only spend money ONCE, so they are getting more and more careful on what they spend money on and Amazon Prime knows that (its a Netflix issue), so they need to get the larger population on board sooner, and some ‘critics’ have friends at Netflix and other places too, so they are eager to promote one and push down the other for whatever reason they hand us and they have a larger digital market to push their view, their need and the need of their friends. That is the stakeholder game and it is hitting TV series as well, yet only now will the push be more pronounced then ever before. But that is merely my view on the matter. 

Will Mass Effect succeed? I cannot tell, I will not give my answer one way or the other, but take notice. It comes from one of the truly great stories in gaming and that matters. I reckon we will see something real in 2023-2024. 

Have a great Sunday.

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November 26, 2020 · 20:59

Alternative income

It seems that I hate Bethesda, I do not, I am not happy that they are part of Microsoft now, but that was their right. It is Microsoft I do not trust. So as I was playing (yet again) Fallout Shelter, we need to see how close to perfect that game is and it is a free game. The optionally dropped the ball on two issues, maybe three if they played their cards right, but that was their choice, gamer ended up with a near perfect version of gaming and that is what we all wanted (even though I would have paid $5-$15 for the game). Yet the game is not new, it is innovative adjusted, the origins of this setting goes back to Dungeon Keeper (1997), we tend to forget these little details. And when I say ‘innovate’ Bethesda truly did that to the game and their game rocks. 

It did however made me consider the stage and how it could be adapted. There was a Westworld edition, I had only heard about it, I never played it. The game was too much of a copy. Yet the setting of Dungeon keeper is one I tend to circle back to. It is the origin of that game that drives my thoughts. There is no advantage setting this to a larger Bethesda stage, Bethesda already owns it, but perhaps there are options in the Ultima stage (Richard Garriott), there could be a drive  through Battlestar Galactica, Babylon 5, there are plenty of options, but it is the drive of creation, with a little grasp of pragmatism (perhaps 1-3 optional micro transactions) that would make it work. The first thing is not the game, it is understanding the drive of the gamer, from that point we can move on to see what optional franchise has the larger cluster. We can chose any game, but if it has only 20 fans, the drive to a population large enough to make it work is one that we have to surpass and greed driven people always want revenue now (not me though). There are the protected franchises (Star Trek, Star Wars, Lord of the Rings) that had its own barriers. There are less known franchises (Ultima) that has dedicated protectors, so we can align ourselves with a protector, or find IP that is no longer protected (which tends to take time). I stated it before and will do so again, on the Amiga Millennium 2.2 had close to all we need, so how to make that a success? To do that you need to understand the mechanics of the game. We can work with clocks, the free game only allows a clock speed of 4 and 5 skip days per day, when you buy anything, even once you get the option of clock speed 8 and that can be avoided by a one time payment of $4 giving you direct access to 16 times the speed and unlimited skips, considering that it takes up 235 days to fly to Uranus (I had to allow for that pun), we see a game that could show us optional revenue. Then there is the stage of the arcade, change your mobile into an arcade machine, play the old games for $0.99 and it will keep a track of up to 3 games, for $4 you can add 10 slots and every month another game is released, another of the classic games that can be played, the amounts of fathers that spend a fortune in quarters can now play their favourite game (optionally) for a mere $0.99, how is that not a guaranteed drive? And the nice part is that dozens of these games were never IP protected, it was not an issue in those days. 

There is a whole world out there ready for the visionary programmer to dig into, covid be damned. 

And when we see that some older games are almost forgotten (Paradroid, Boulder Dash, Spy vs Spy,  Joust, and not to forget Theme Hospital), we tend to think as what is old is useless, but there are real diamonds there. I still believe that a proper set Magic Carpet could do really well on consoles (no micro transactions), optionally mobiles could people forget their destinations when they get sucked into Populous, as such I wonder why the people at Electronic Arts are not awake. Another larger player used to be Epyx, and I cannot fathom why a game like Chip-bits, never was rereleased when the systems grew up, there are other players like Laser Squad, that might have gotten right what a legendary game like X-Com missed when they relaunched. And when the Rock (Dwayne Johnson) relaunched the game as a movie, no one considered that Arcade classic was fun to play and relaunching it might have been an option? I am not sure if there were IP’s in place and who owned it, but it seems that the owners did not move on the IP, as such I merely wonder why. 

As for the number one question you all have, why am I not doing it? The answer is simple. I am not a programmer and I am ready with my IP, but those with the $$$ (or £££) haven’t reacted yet, but that does not stop my mind of remaining creative and if it is a win for the gamers, it is a win for all of us. Life at times is that simple. I know my strengths, I also know my weaknesses and limitations, the latter two you tend to avoid for obvious reasons. Well, it is time to fee the inner person with a shepherds pie, I am feeling peckish!

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