Tag Archives: God of War

July 16, 2025 · 23:22

Message to a boss

Yup, there it is. A message for Sergey Brin, big boss (aka fearless leader) of Google, aka Alphabet the leader of a firm from A to Z. And the message starts with “Wakey, wakes, its day breakey.” It is 05:53 in the morning in California now and it is Wednesday over there (I am not that early, it is 22:53 here in Sydney) even if we are on the same day, there is a difference. So I went on my merry way this morning and I forgot to charge my Google Watch 2, so I started my day with a watch on 25%. Now there is no bad ending, but it gave me an idea and this idea is meant for Sergey Brin, so he can upgrade his warez.

This is a magnet connected charge point for the Google Watch, Considering that my Google Pixel 9 Pro can share power this device could be used to charge my watch whilst having a coffee, or when sitting behind a desk. The benefit of this is that it could connect to wireless charging the phone and/or the watch using a wireless power bank, as such there are several solutions to make. There is the benefit to add it as a direct connection to a power bank, but the versatility of this as a separate device might be the better solution as this would enable the customer to choose their own power bank, or as seen as a versatile solution in other directions, even as a new third party solution. 

As such this might seem like a short story (it is for Sergey), but as I was on a roll, I decided to look at something else, basically I was stuck in season 3 and I had a hard time getting progress in the series Engines, but then I remembered the game Chains of Olympus, which I never replayed on the PSP. But a thought came to me and that was connected to the Furies and in specific Orkos, but there is a link to the Hecatonchires. As such there was a new cog in the story and I was considering the approach to start in season 2 but that is basically as far as I got, but there is a new stage added to Engonos. But more on that soon, as long as I now set aside Resituam Vitam and take a new look at Engonos and transform the stories that I had put into my blog and set the papers to create the scripts for season one and two, so I reckon that I have plenty to do in the near future. But more on that later. 

As such, my day is done, but there will be more options to consider tomorrow, so have a great day.

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January 16, 2024 · 22:33

Early days

This happens and I know it has happened to me as well. I see a path, I see a direction, but I am seeing it too early. You see, as I am learning more and more about a programs called Final Draft I see more and more potential there. Their YouTube step makes perfect sense. 66,000,000 active YouTubers and all needing direction and organisation in narration makes perfect sense and the fact that Final Draft wants to get a piece of that pie is logic. Yet for some time I have seen that Final Draft is also starting to become important in writing the narration of games. RPG especially but it is not confined to RPG. As gaming franchises evolves that connection merely strengthens. There is one problem, the numbers don’t support that move yet. As such a player like Final Draft might back off, correctly seeing the fact that it is still too early. Yet the larger station isn’t merely that they are too early, the optional station is that they are the only one available and as such the game makers need to see that Final Draft might be the only real solution.

So what is missing?
That is harder to explain. You see it isn’t merely the narration, it is keeping track of ALL the interactions that Final Draft is currently missing that becomes the centre axial in narration software. You think it is easy, but it is not. A prime example is Horizon: Zero Dawn and Horizon: Forbidden West. Now they have a new problem, the passing of Lance Reddick last year is leaving them with a gap, one that will be monumentally hard to fill. In addition Lance is one important reason that made the game great. So now they are looking at what could come net and now a program that shows all the interactions becomes a lot more important. 

This is not for all games and not for all options, but it is a strategic part that is not available anywhere. Consider A game like Assassins Creed. 2 and Brotherhood are all about Ezio, but what happens when another renaissance times game needs to come? Having the interactions would become essential. We can rely on other sources and that makes sense for now. But as franchises grow, as games make it past game 2 having clear records of these interactions become important. I reckon that there is another part I saw (optionally) missing is also applicable to gaming (but way beyond that stage). We need to see where we go next and that also implies that developers of resource materials (like Final Draft) need to see and scan a much larger stage of deployment. Gaming makes sense on several fronts, but not initially and not if the numbers don’t support it. Consider one game Hogwarts Legacy. You might think ’So what?’ What is important is that this game sold over 22,000,000 copies. They can make a second game in a different time (and that makes sense), but having the interaction stage will opt these developers to use Final Draft to keep track of all interactions and seek what would be required down the track. Yes, we can scan, we can ‘remember’ but in the end having a record is the best and that is where Final Draft could also shine. The larger stage becomes that gaming and Hollywood are more and more intertwining and as such there is a natural path for a player like Final Draft as it holds 95% of all scripting solutions. Yet this number changes when we consider that gaming crosses borders like no other and now that the Middle East and China is coming to play n this field as well gives us the light that another source of development materials is required for gaming developers and as such Final Draft is pretty much the only serious resource that needs to grow beyond what it currently has. It is natural to think that it doesn’t have to and that is fine. 

There is also the basic and natural thought for Final Draft to think ‘Why should we have to?’ and I get that. Yet consider that Final Draft is also presumptively responsible for a series like The Big Bang theory (12 seasons) and so many others. Now seeing all interactions in some display starts making sense. I am not talking about the Character Navigator. I am talking about a graphical display on a character and all the characters they interact with, with the added stage of two characters and where they interact. For some characters in 12 seasons it becomes important to light that up, but in gaming it becomes important to the narration stage. What characters did Kratos (God of War) interact with over 5 games. For a lot it is limited to one game, but that is also often because there was nothing to keep proper track of things. I reckon that the future of MMO and other RPG games will see a massive shift in streaming games, it becomes important. As such it might be early in some cases, in other cases a player like Final Draft can remain the only player in town, or relinquish the field for another player to grow a market segment. Final Draft has nothing to fear from any contender for a decade to come, but what after that? Microsoft was in the same stage. One source gives us “Windows has dropped to a historic low of 57.37% market share in the U.S. desktop OS market, a far cry from its all-time high of 92.37% back in January 2009” this was march last year. In less then 15 years it lost a marketshare of 35%. Now the circumstances are very different. But what the setting is in 10-15 years is unknown to me and most others. So a developer can head of the danger, or take a chance. For Final Draft it is unknown. I am not playing some fear card. The simple truth is that for games the numbers aren’t there yet and I would agree with that. What no one knows (and what is being silenced) is that a new player like Tencent Handheld also needs to grow and it will find the tools for all the games they need. Narration is the next big thing in gaming. Look at all; the games you know and optionally love. They ALL have narration. So how many of those have become franchises? Now wonder how important narration and proper recording of narration becomes if there is a part three in the making (or more). The bigger the franchise, the more important the narration becomes, that is a simple truth and lets face it. We all want to be ready for when the game becomes a success. Hogwarts Legacy is an example. It was the first game and it sold 22,000,000 making it the most successful game of 2023. So a second game is a natural thought. Where it goes from there is up for speculation. What is important that there is a gap and Final Draft is the natural choice for anyone taking narration serious. The other part I saw missing was time lines (I will let you figure that part out yourself). I shouldn’t do it all, should I?

Enjoy your day, my midweek is about to start.

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January 15, 2024 · 21:11

It was this simple

As I wrote 22 hours ago, I had an idea. To see this idea, I need to give you one of the few images I saw.

It is an image of Olympus. The intro of the game God of War 3 gives us a little more, as does the game. Yet in the intro stage my first thought (my day one of the game) how awesome it would be to actually walk there. So no doors, no hindrances just walking around Olympus like one of the servants, that sparked the idea. 

Now we get to the ‘now’. You are a greek in the Byzantium empire. I made mention of these places yesterday. The stage is not merely that you are a person. You are shaped by your house gods and the game starts with an old woman. She is travelling and she passes near the village where you live and she sees you. She is an oracle of Dodona and she beckons you over. Then you get the questions on ho the house gods are. This decides where you end up, that field is close to that town. She hands you an old heirloom, it was always meant for you (the key to the game) and she ALWAYS tell you to go in NW direction (and it always leads to a small cavern). As you enter the cavern, there is a small alcove that opens due to the heirloom (but it could look very different game to game). And in that small opened niche leads to a small bronze mirror. With the heirloom that mirror turns into a gateway straight into Olympus.

Now this is where things changes. That mirror is always in the same place. Some atrium for servants and beyond that it is all dark and silent. You can wonder for hours (Olympus is big) and you can start to make inventory of what you see and learn. 

The heirloom will only react to one place and that is where the first god comes in, one of the house gods. Male house gods will be seen through a ring or bracelet, female house gods through a necklace, bracelet or earring. It depends on the gender of the character you are playing. 

In that room you get the first steps. The waters will always run, but the place still has some kind of protection (against intruders), the place has oil reserves (for lighting) and over time as you get a better grip of the place, you will learn about how Olympus ticks. As the first stage is completed Olympus comes alive. You will get to learn how you how to re-engage automatons and as you activate more automatons they get back to the job of repairing, cleaning and adjusting. 

In the game you will learn about EVERY god on Olympus, but due to the house gods, not all paths are available to you. There is a Zeus, a Poseidon and a Hades part of Olympus. And the gods have chosen sides. There are fewer on the side of Hades, but he also adds additional parts to the game. In the game you will ‘recover’ art, you will recover books and writings and so on. It has RPG sides and a massive learning side. I am contemplating to add the setting of adding the ability to learn Ancient Greek in the game. When you consider all the elements you can dismiss it, or consider that this has never been done before. And with that we create history. The concept of learning through games is not new, but on this scale and in this way has never been attempted before. And consider that the God of War Franchise has sold over 66,000,000 copies. I feel certain that every gamer at some point considered walking on Olympus themselves. Now consider that we have one path, but when you finally get to Heaphestus you can unlock an additional path as well as the path to the sections of Hades and the gods aligned with him. I reckon it is meant for streaming systems, but I am not writing off the PS5. A game never seen before, would it work? Haters will say no and now considered how many new IP Microsoft made. I placed 3-4 in my blog, that is the second part of the equation. The haters and the pretenders all claim and do not deliver. I have been delivering ideas and concepts non-stop. Some will work, some will not, but the spark of creativity gave you all that was. What muses could they rely on? I am not sure which muse is watching over my back, but I will share what my mind sees. It is the only way to make progress. A lesson Microsoft never learned, that is why they will lose.

Enjoy the first day of the week, my second day is less than three hours away.

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January 14, 2024 · 22:25

Creating new gaming IP

That happened to me today. I think it started yesterday. Yesterday I watched the walkthrough of God of War 2. I hadn’t seen that since I played the game in 2007 on the PS2. I might have replayed it in 2008. I am not certain. I do know I played the game more than once. But since then the PS3, PS4 and PS5 came and I forgot about it. I replayed the God of War 3 on PS4 (remaster) as well as the original release and watching GoW2 set something in motion and it came to fruition with GoW3. To be clear. This is not some GoW clone, or sequel setting. I believe that would be Santa Monica Studio IP and it would be theirs. I suddenly thought it through as a new IP. More of an RPG but set in ancient Greece. Set in Byzantine Greece (around 400AD) we get a shifting setting but that could benefit the story. I am not revealing too much here, as I am still working things out. But consider what we know, important is also what we do not know and we get the optional setting for a very different IP. An RPG that involves the Greek gods, Greece, history and events that are often overlooked or forgotten. A new kind of educational IP with optional slash and sneaky sneaky (I was always up for sneaky sneaky). Now consider that setting and with two options. Normal and VR play. I do not know too much on VR play as I never played it, but I reckon that if we get this right the interest might be enormous. Even now I am thinking outside the box. Making the player optionally learn ancient greek in the process. There is so much out there and so much to be included that it almost boggles the mind (almost is not always a given). Did you know that it was Aristotle who came up with the Aristotle’s Hole. A pinhole camera in 500BC. There was no film yet, but the foundation of the Camera Obscura is that old. So what happens when we twist that in another way? What happens when the journey is not slaying, but educational? What happens if the game is about repairing (or breaking and repairing)? When (apart from the movie Wreck it Ralph) did you see a game that was about fixing stuff? It doesn’t seem to appealing, but it could be. You merely need to twist the setting on what is broken and why it is broken. 

I myself have always been a huge fan or replayability. As such the RPG has a little snag. You need to create allegiance and throughout the game that allegiance is the guiding star in the game. But what happens when you replay it with another allegiance? What will you fix then, there will be overlap, there will be some similarity, but consider that one part is never seen again for each of the directions you chose. Also, we need to hit other snags. Not complications, merely the outcome of choices you make in the game. So you could replay the game several times giving you optionally other outcomes and other challenges. To this degree a game was never created because those in charge wanted 99% coverage on one game. That time has gone and passed. The impact of Skyrim is making that clear as day and the fact that some people have well over 1000 hours invested in that game is ample evidence that there is space for such a game. I would say that this is up to Santa Monica Studios, but they have their own IP (and they are busy with a new game). So this gets to go towards the non Microsoft indie developers. I still think Amazon is the best choice, but a case now could be made for Tencent and their handheld. I am not ruling out Apple with their Arcade. Yet Apple tends to ‘hide’ in niches and that is not a place where truly great games are made, good games yes, great games a lot less so. And I like my IP to grow beyond expectations. As such I am not ruling out Apple, but I am not holding my breath. That being said Ultima III (by Richard Garriott) was released on the Apple II in 1983. That game got me hooked on RPG games (I had the CBM64 version). 

The moment you think with blinkers is the moment the gaming world passes you by and that is what I did. I removed the blinkers (unintentional) and my mind created the foundation of a new game. One never done before (as far as I can tell) and it is not a small game either. Alexandria, Antioch, Mystras, Ephesus, Mesembria, Reggio Calabria and several other places. That could open a door to a whole range of other games too (not sequels). 

A stage one walkthrough opened the door to. Whilst Microsoft is making new waves (and adding things to Windows 10) whilst we see more issues, what did I do? I created something new. Whilst we get ‘FTC Demands Microsoft Unveil Plans for Ubisoft Amid Activision Blizzard Scrutiny’, I came up with a novel idea. Whilst Bethesda is still releasing patches to a game they released in September 2023. I came up with yet another gaming IP. 

The $0.02 question
You see, what I claim and what is to become can be very different. I think this will be a success (if executed properly), but that is no guarantee that it will be, I do know that. What I also see is that I have come up with several pieces of IP, all whilst Microsoft buys its way to an early grave (with not much to show for it in the end).

Am I right? Am I wrong? That is for others to decide. I know what I have and what I am placing here is a setting that is now public. Over time I will add a lot more and that is also evidence on how those larger players keep on failing. Alexander Hamilton once said “If you don’t stand for something, you’ll fall for anything”. In this, I stand for innovation, I stand for the pathways ignored. It doesn’t make me better, wiser or wealthier. But it does make me more creative and with cleaning data and gaming that is an edge you should never ignore. It cannot be bought, it could merely be borrowed for a time and the person who has it is the real gem in any crown. Feel free to disagree, but the evidence for well over 2000 years have shown that to be true. 

So here I am feeling happy with another piece of IP I need to work out (still working on a script) as such I might not be posting part 2 of this in the next few days, but it will come.

Enjoy the day, For me Monday is now 100 minutes away.

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January 13, 2024 · 01:01

Something really new

That was my thoughts at some point today. You see, I have heard the news that there would be coming a remaster of the very first three God of War games. I have no idea how true it is, but I started to think of a different setting. You see the first game scored 94% and was pure gaming heaven (or hell depending of your point of view). 

The game was excellent and checked pretty much every box on what makes a great game. As such I very much doubt whether Remake or Remaster will do the trick. I think it is time to add the Reengineer term to the equation. They should go (if possible) with the same cast. They did a magnificent job and this was on the Playstation 2. 8GB is pretty much the best you could get and that was in a system that only had 32MB at its disposal. Now the picture changes. And it goes way beyond the ‘expected’ settings. Yes to Unreal Engine 5, yes to the enhanced audio. But what more? Well, how about adding another track to the game with environmental settings by Bear McCreary? So we have one score, one basic music added to the game, but depending on where you are the Aegean Sea, Athens, the desert, the temple of Pandora, the realm of Hades. That music alters with musical instruments and perhaps some rhythm. Added, not replacing the original music, which was awesome by the way. Now we get to the story. The story was perfect, yet more could be done.

Books
To give the gamer that little bit extra. The 5 games, all get a book. As you complete the games the story remains the same, but with added findings the books get embossed with additional materials. The books in the styles of Homer, Aeschylus, Hesiod, Euripides and Herodotus could be created in game (sort of) and when the game is completed you can read it on the PS5, or export the PDF file. So if you find all the secrets and optional side missions a book is 100% complete. The book will show you how complete it is. 60% is the main story and the 40% could be added as you find all the eyes and feathers. Why? This has never been done before and to get a new stage, we need to add things, we need to give the gamer who did play the original a game that is more than mere better graphics and music. 

Items
Like in the third game there was an option to find things to make the new game plus a more rewarding event. That could be done in the other four as well. The same items from the original remains. But what happens when you find the Dolphin bracelet of Poseidon? Perhaps in water you regenerate. Just a thought. I am not telling Santa Monica how to do their job. They have shown mastery several times over. But my mind went spinning on what more could be possible.  

They are talking about the first three, but we saw the third being remastered on PS4 (and it was awesome) as such getting all 5 done (optional in two master releases called the Kratos, the Greek era) and beyond that I wonder what more is possible. The first two games were released on systems three generations old. So much more is possible now and the added icing on the cake? It is still a Sony exclusive. It Sucks to be Microsoft here. And the idea to see Cronos in unreal 5, to see so many settings in todays graphics would overwhelm gamers everywhere and having optionally two master collection as well as the new concept of reengineered games would open so many other doors too. Too many ideas are entering my mind (some actually very useless) but the idea that I can play almost 20 years of God of War again is overwhelming my senses. 

If all this becomes reality 2025 might become the greatest year of gaming for Sony lovers. I just rewatched (on YouTube) someone doing the first game in 5 hours and change. I took a lot longer and I saw coffers with items in places I had never considered looking. It was awesome to see a 2005 game pleasantly surprise me 18 years later. It made me consider that some changes would be essential. The small shiny star on things to do was all there was in the PS2 era. Now we an do so much more, as such the reengineer option becomes ever more clearly and that has the benefit of not having been done before to this degree ever. Another new stage for the PlayStation. I can only hope I am still alive when these games are released (traffic is a killer in Sydney).

Enjoy your day, it’s Saturday here now.

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December 11, 2022 · 20:33

Gaming Oscars, a chalice of achievement

I was looking for a simple list, but none of them gave it, a simple lit with the game and the amount of awards. None supplied it as far as I could tell and it is weird because the Oscars have done this for decades. The simple stage is that Elden Ring (not my choice) got the Game of the Year win. Don’t get me wrong, I believe that Elden Ring earned it, it really did, it is merely not my game. That does not make me angry, if anything it implies that gaming is bigger than me. The two games I had in that in that direction is the God of War: Ragnarok with Horizon Forbidden West as a second choice. 

So when we see GoW, we see that they won Narrative, Music, Audio design, Performance, Innovation, Action/Adventure, 6 wins in total. My second game Horizon Forbidden West didn’t get any, the competition was too fierce and too good. Elden Ring took home Game of the Year, Best game direction, Best Art direction, Best RPG, a total of 4 wins. Gran Turismo got a win too and a few others 11 wins for Sony, whilst Microsoft has 4 (Elden Ring is on both systems). 7 wins for Sony exclusives. It is a chalice of achievements and it was never in doubt. The exclusives are the system protectors and the system evangelists (if gaming was a religion). 

There we have the larger stage, the larger issue that Microsoft is spinning out of view. When it was all good, they were happy to announce it, now not so much. Even sales numbers are a combination of system S and system X. I reckon the numbers are basically that bad and they are getting worse. No amount of software house acquisition will fix that and the fact that Microsoft is spinning the numbers and hiding them is telling me more, in gaming Microsoft is done for. Not completely, they are the number one ruler in flight simulators and they earned that part, they truly do. Yet life is more than straight forward games. It is about the art and HFW and GoW clearly showed that, in 2023 Hogwarts legacy will show again that love of a subject and dedication to that love will make Hogwarts Legacy shine on any platform it appears on. I personally predict that Hogwarts Legacy will up the mark for achievements in a game by a fair bit. Yes, I saw “a Twitter user wrote: “Hogwarts Legacy got a VERY tepid reaction at The Game Awards… and also did not win.”” Yet that concern was not there for Bayonetta 3, was it? I missed out most of the Rowling debate, in the first because I do not care, in the second that people have personal views and they are entitled to them. If it offends you then crawl under your bed please. She wrote a series of books that captured the heart of two generations, in addition it inspired the creation of Hogwarts Legacy. We see all these people cluster around perfection whilst they have no idea what perfection looks like, perfection to them is anyone who agrees with them and that is the important part of the stage. Gaming is not that. This is why my view on Elden Ring matters. It is not my game, but I saw how amazing it looks and it was a clear competitor to the GOTY and they won, there is no negative thinking by me. Gaming is too big! I have shared my displeasure with Microsoft on many occasions, yet the Flight Simulator was a clear win and they won other items too and they will win more over time (until Microsoft is speculatively no more). You see the wins are not Sony, or Microsoft. These wins are made by dedicated people at Sony and Microsoft. Which Sony seemingly has more of at present. I like the reference to the Gaming Oscar’s, but there is a hidden flaw. A decade ago when Microsoft and Sony were on par, the games were better, now that is seemingly no longer the case. Microsoft games are too often makers like Ubisoft who are everywhere. Yet, we cannot discount Microsoft yet. With Fable, Starfield, The outer worlds 2 and an allegedly new Forza, there is every chance that Microsoft will win big in 2023. I like that idea, because it means that Sony will have to go full throttle in 2023 and 2024. When these two fight, the gamer wins and that is how I like it, gamers winning. So the chalice of achievement might be with Sony in 2022, but there is no assurance that they will get 2023 as well. It makes for great gaming years for all gamers, which is what I particularly like.

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November 14, 2022 · 19:40

The games one yearns for

We all have that. We focus on a game and that is our push point. It is a rather large issues when it is set to exclusives. In there Sony has a massive advantage over Microsoft, but Microsoft is not out of the race yet. Delay after delay, there are now more indications that Redfall and Starfield will get to the Microsoft community in 2023. I saw a first part of Starfield today and I will immediately admit that it looks really good. I am still not getting the Xbox contraption, trust lost is trust close to never regained, I am wired weirdly that way and the BS I once got from the Microsoft Helpdesk gave me that they really do not know what they are doing. Or better said, they know what they are exploiting but they keep their customer service department in the dark. Still, that is not what it is about. Redfall will come first (as several sources state), and it is Starfield that will be taking the cake It is definitely not some Skyrim version of a space game. It is much larger and there is a lot more. Yet that also comes with issues, but I will not speculate on what could be, what might be. It will be about the game and what I saw looks impressive.

In 2023 for me there is merely Hogwarts legacy waiting. I am unsure of other titles at the moment. I tend to not look too much forward. 2022 was AWESOME. Horizons Forbidden West and God of War brought gaming for me to a new high. I am merely looking at the exclusives. Yes there was also Elden Rings and Returnal but I never played these two. We all have our preferences. I am currently on the fence for Diablo 4, some news that reached me did not make me happy, but I am keeping it to myself. I have questions on that source too and I do not want to spread something inaccurate.

You will have them too and others will love their Xbox, they made their choices and as I see it they will go nuts over Starfield. I applaud all excellence in gaming, whether I support the system or not.   I revere games, not the system. As a system I am merely disgusted with the stupidity of Microsoft, so there.

We are now 3 days away from the next Pokemon, so my Switch will get some game-time too. Nintendo has its own release list, some not exclusive but that doesn’t matter. I still enjoy the games I have there and one more is added this week. For the most I have been thinking of what we can do more. Yearning is not limited to what comes NEXT week, NEXT month and NEXT year. Yearning also looks at the past. A spectacular moment there was Golden Eye (N64) and a few others. And there is where we see some news, some news that saw delay after delay (all the way from 2020) System Shock, the remake from 1994 will come to PS5 in March 2023. The notion alone is making me happy and with the hours I played the game (three times over at least) gives me butterflies (yes, I need help). Gaming gets a new lease on life as some makers are seeing the reengineering options unfold. The first feeling was when I saw my beloved (yes, I need help) Elite from the CBM64 getting remastered. I hoped for more of the same and David Braben would not have that. What he gave us blew most our minds away and it took some a decent amount of time to get a handle on that game. It had proper teachings, but the game combined Elite, Privateer and  added 21st century graphics, in addition the game became well over ten billion times larger than the original. Now consider that concept to some other games. That is where streaming games can take us. Yes, we can wait for the next mediocre program by Ubisoft. Yet would you not want to feel actual butterflies when you hold your controller? And that I not all, this will be possible for well over a dozen games all before 2024. Is that not the real feeling we wait for as a gamer? Lets be clear I am decently anxious to get to Hogwarts legacy. The little I saw (I try to avoid as much as possible) blew me away and it is still blowing me away. Yet I want it to freshly hit my eyes in February 2023.

We all want that, the people seeking every spoiler will lose larger than they imagine and in this Starfield might give the Xbox community the game they dreamt for, for well over three years. I hope they get that feeling too, because they too are gamers, they are in a sense family.

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November 11, 2022 · 19:25

First of two issues

I had a rage attack today, it was right after some stupid set of saggy t*** decided to attack Elon Musk in a Presidential briefing. It feels like she is from Forbes. They have been pushing the Musk envelope. It is my personal belief that they are close friends with Jack Dorsey, a person they seemingly never asked any serious questions from and ‘the national security danger that is Saudi Arabia?’ Oh, I got her number and then some. But there is time for that and I have seen that death is not the worst a person can experience. It will be my delight to introduce that terror to her. But there is time for that and certain plays are not completed. But then something happened. 

A tweet brought Me back to my senses. This lady is totally nuts about Elden Ring. I get that drive, that devotion, optionally that obsession. I do not agree with her, but that I her right. I did not play Elden ring. I could never finish BloodBorne. I still have it as it is one of the most beautiful games I have, next to Dark Souls 3, a game I equally never finished. Both utterly sublime, but in my lifetime I doubt I will ever finish that. Yet it was about her feeling. I thought I had the same with Horizons: Forbidden West. But then God of War: Ragnarok came. I am taking me time as every corner, every sight is a feast for the eyes. I lost a few lives, but that is OK. The game delivers again and again and the story is magnificent, as is the music. I do not believe that Guerrilla software has anything to fear. There is space to love control of both Kratos and Aloy. Two amazing pieces of faming IP, this was a good gaming year and I am not forgetting Gotham Knights. Three Amazing journeys. Yet at present I am knee deep in Asgardian folklore and epic myths and Santa Monica Studios deliver in ways you cannot believe (unless you are playing the game) it is good that in the twilight of my life I can still be amazed by games. I started gaming in 1984 and I never stopped. I might not have the drive I once had (like playing 167 levels of Loderunner on the CBM64 in one sitting). I did take a sickie for that event. It was a time when you could pause a game, but you could not save a game. Still, 38 years later and that gam is still part of me. Games evolved from CBM64 we got the CBM Amiga, then PC, then the PlayStation range one through five and gaming never disappointed. I might not like everything, but that is not required. There is space for the yearners of Elden Ring, the obsession with Quake, Halo and Bethesda games. It is an inclusive group, the more the merrier. 

There is no hindsight, not a new piece of IP (other than the ones I already have). Many forget that gaming is not a business (to some it is), it is the ones that see games as art, those are the games that get the 90%+ reviews and Sony has a basket full of those, no matter how many ‘opponents’ troll rating into the basement. The gamers know what is what and they are driven to success. To achieve the end of the story. Anyone finishing Horizons Zero Dark can tell you about that. There is a need to finish the story and God of War: Ragnarok is no different. Do not worry, no spoilers here. 

Passing that line yourself is so fulfilling it gives value to a game and you will cherish EVERY dollar you spend on it. Today was a great day for gaming. I wonder if that is why I became angry at Forbes with its BS sense towards an owner and a partner who owns a mere 4% of Twitter. Which is interesting as the China hatred in the US does not give rise to the partnership that Microsoft and Tencent have, not even from Forbes, where is their national security interest there?

I am contemplating words I once got from Frank Herbert “He who can destroy a thing, can control a thing”, he published it in 1965, 57 years ago. Words to live by and I am feeling rebellious and frisky, a dangerous combination in someone with my mindset, but Forbes will soon learn that lesson. I’ll give fair warning a day after I have completed the exercise. Only fair, not?

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May 24, 2022 · 23:03

The edge of what could be

I thought about this and it intersects with stories over the last week. You see there is a change coming, but one that is openly ignored by some people. Not by the normal people. They ignore it all and so they should. But some want their life to continue as it is, to hang on to easy revenues a little longer at the expense of everything else. There is no real good here. The mistake was made by Sony in 2011 and again when the PS4pro came and now with the PS5 they still make the same mistake. I am uncertain whether Sony can (at present) correct for that mistake. They had the option to gain a huge advantage in 2012, but they decided to play the appeasement game with Facebook, now the game changes. Nintendo was not up to speed for a few understandable reasons and Microsoft only cares for self at the expense of others, so they would never go there. Now in the new setting the streamers are about to get to the same setting. I designed a few parts of it, I set the stage in my first IP bundle and it could apply to Amazon and Google in near equal matters. But that is one setting, the stage could now benefit Netflix in more than one way. Yet who does it fit better? I cannot say, yes a few items fit Amazon better and the idea of the Luna charging ahead sounds good, but the Google Stadia could face the same benefits and none of these parts are part of the additional 50 million consoles. There is the other shoe. I cannot tell how fair it would fit Netflix, but under similar settings all three could compete for that. But it is not about that part. It is about the other parts. 

You see as the game of gaming changes, the makers could adhere to the system, or they can adhere to the gamers and users. It is the second side that will push them forward. The system is clinging to the group of an ageing population, but when that falls away the game itself will be pushed into a new realm. Those not ready will fall behind really fast. In that new stage we have Amazon, Google, Netflix, Sony, Nintendo and Tencent. Yes, we see the claims that Tencent is not coming along, but a stage where hundreds of billions is part of the game and that is not including gambling is not a stage anyone ignores, no matter what they say. Whether it is merely Tencent, or a union with Huawei will be sought is not something I am aware off. But there is no way that Tencent will not be part of this. The part I cannot tell is how far along they will go. Will they be a console, a streamer, or a hybrid facilitating both? You see, I do not know any industrial willing to let go of a slice of $275,000,000,000. As such Tencent is a player, I feel certain of that. 

So where will it all go? There are several indictors that marketing and granularity will change. Meta is one factor, 5G is the other factor and it will all come to blows as Neom is completed. Neom will be the first step to clearly show the changes to marketing, advertisements and a few other matters. I saw this coming and as such I created the 5G IP I have. When the other parts are completed the companies that are still clearly in the dark will wake up and a rush will come. All racing for the same destination and not all will make it and now there are two sides that come to blow. Three if you reconsider the stage. In the first stage there is Meta, meta will be ready and adhering to whatever stage is played, it will be that flexible and I am not certain how or where it will go. Only the inner insiders of Meta know this. The second stage is seen by gamers and more importantly the streamers. The streamers are important fr a few reasons. They can become new clusters. Clusters where gamers and users are in charge, they will decide what they are exposed to and even as some will try to dissuade the consoles and streamers. The one successfully resisting will win that race. You see, the people have had enough and corporations are so used to the bully push that they will continue. Just to get their hands ‘in the game’ but that move will push them out of the game, there is no other solution for them and by the time they learn that lesson the hard way. The users and gamers will have had enough. They will of course cry like Chihuahua’s, making all kind of claims but at the end of the aged population they will be denied access, the people will have had enough. And on the third side is the explosion of marketing and advertising. Neom city might show the way, but they are not alone and that signal will show that there is a larger change coming it will evolve nearly everywhere, but mostly in metropolitan areas. And until recently I never considered that my IP would cover two of the three sides of that evolution. Which is also a larger weird part. Where will Amazon go, where will Google go and how far will Netflix get with their game streaming. All sides that give rise to questions, ones that I cannot answer yet, but I feel it is a temporary setting for me and after that I will consider whether I make it new IP, or make it public domain. In one part I like the public domain side, I have enough IP to last me a lifetime, some of the IP become public domain on June 30th if I do not reset the clock and I will watch from a distance how stupid industrials make claims and demand a seat on some negotiating table they have no business being at. They squandered it in greed and in the belief of their own ego, as such they should be allowed to die (go bankrupt) for that shortsightedness. A stage that has some repetition and a stage that is coming for a few too many of them, especially when they are no longer of what comes next. Yet it also is cause for worry. When these people are denied ‘their’ seat near edge of what could be they tend to become bullish, childish and they will resort to be the selfish people they always were, just a little bit more out in the open now, and still those around them will not act. This is why I like my public domain routine. It leaves the IP FOR EVERYONE and they can do nothing, well almost nothing. The only strength on my side is that I have is the willingness to lose it all, to make it public. 

It is the only thing I can do to protect the realm of gaming, when a company cannot own it, the larger base of players win, that has always been the case. The problem is that not everyone can see that. I do not blame them, I for one did not see it for a long time. I was never one for ‘free games’ and it all should be free or hacked. I believe that game makers are entitled their revenue and their profit. I never opposed that, but in the 80’s and 90’s games were more than entertainment it was a stage where the gamer was enabled. I feel that around 2005-2010 the gamer became a point of exploitation for the system and any digital revenue. I opposed that, there is no clear guilty party. Ubisoft might have some sides, but their need was revenue. I do not consider them guilty. Sony and Nintendo to some degree too. They are all guilty of adhering to a changing stage, but that does not make them guilty. There was a second layer, or at least it was my believe that the second layer was some mash of elements that pushed for a larger layer of exploitation. This continued until now, yet there is a new horizon, the streamers and there they have less power and when the power is pushed onto the gamers and users their options vanish,  that is my belief. There is a lot more and streamers can bring it to the front, the consoles had that option but they decided not to do that, for whatever reason they did not do this.

And now the edge of what could be changes, it alters in a way I cannot tell at present. Yet I still believe that the streamers will be at the core of gaming in the future. I will still play on a playstation as well at whatever number they are when that happens. Yet when I see what could be there is no chance that there will not be a streaming system next to it, as is most likely the Nintendo. Where gaming goes I cannot tell beyond a certain point. That is how things tend to be. I  reckon that it started when I created the foundation of what could have been The Elder Scrolls: Restoration in 2013. Over the years I upped the stage and set it to a much larger foundation. Then it fell away as Microsoft bought the place. So these ideas are now getting incorporated in another game, because the ideas were sound, they were merely precise. As a storyteller I can reshape them to fit another game with reasonable ease. Will these stories be part of the next edge of gaming? Perhaps yes, perhaps no. At times I wonder if pushing the edge of gaming is a good idea. But the edge of gaming was pushed by the CBM 64 (Loderunner), Atari ST (Dungeon Master), CBM Amiga (Dune 2), N64 (Goldeneye), PS1 (TombRaider), PS2 (Kingdom Hearts), Xbox360 (Mass Effect), PS3 (The last of Us), PS4 (God of War) and PS5 (TBA), now it is time for the streamers to do more than be the next copy of a game we see everywhere, now they can shape the edge of gaming that is not here yet. Only under these circumstances will gaming continue, evolve and inspire. Consider the old games and see where the new systems could take us. That is where we will be able to see the edge of what might be.

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June 23, 2021 · 21:46

Thought for imagination

Consider the next setting, I am in the Harrods foodcourt, I feel the meat-pie as my right hand caresses the side pf the pie, I see two small basins of ketchup, I grab the knife in my left hand as I slowly use the sharp knife to cut a part of the left side of the pie. I cut through the pastry and the what I think is minced meat. It looks a little dry, but the overwhelming scent of fresh and warm meat enters my nostrils. I add a small bit of ketchup to the pie. The slice is cut in half and I slowly eat the part on my fork. My senses overwhelm with the spices in the meat, the pastry and it does not taste dry, it is an amazing experience and this is merely the first bite.

All what you saw before is true, all came from my imagination. You see I have had meat pie in the past and I envision what might be the perfect meat pie. I have been to harrods twice, but I never set foot in the food courts. Not for any particulate reason, I just never got around to it. I hope to do so in the future, but that will be part of the future that I see, or it might never happen. This is life. So what was this about?

The train of thoughts started a little while ago and that train entered the station again when I stumbled upon same article today ‘Netflix reportedly plans push into video games market’ by the Guardian (at https://www.theguardian.com/media/2021/jun/02/netflix-reportedly-plans-push-video-games-market). The thing that got to me was “Streaming company said to have approached game industry executives with project at early stage”, one could argue that they kill their own project by approaching Ubisoft, Ubisoft has another setting of needs and their product is what I personally would call ‘faulty at best’. Yet it is not all bad news “Netflix has been approaching senior game industry executives about joining it to lead the creation of a subscription games service, according to reports from the tech news site the Information and Reuters”, is the right sentiment, but as I see it, the safest route is to take the route Apple is seemingly taking. Games absent of in app purchases and absent of advertisements. These two elements will spell a much larger stage of doom on the industry than you know. Places like Android and iOS are now filled with phrases like “These ads are driving me insane, every level again”, and it will not be long until people have had enough. Then there is the stage of deceptive conduct in advertisements, a decently new approach to getting people to install your software. But these two elements will have a disastrous impact on gaming soon enough, and it will hit Apple as much as it will hit Google. Then there is the competition, Amazon did a lot better than I expected it would. I (personally minded) thought that it would be an easy win for Google, a tech maker if ever these was one. And it is ahead of Amazon, but I never expected Amazon to be this close to Google in the first place, as such the Amazon Luna remains in the race and there is an element that might not make Google the winner in the end. Google’s approach to exclusive games is not that impressive (as far as I can tell, they have none), Amazon Luna has acquired the knowledge it needs to make that difference. And the article repeats my thoughts towards gaming, with “However, the new offering is at a very early stage, with executives focusing on Apple Arcade as the potential competition. Users of that service, exclusive to Apple’s iPhones, iPads, Macs and AppleTV, pay a flat monthly fee of £4.99 for access to a library of downloadable games, spanning genres and target audiences. Apple sets strict rules on developers, banning them from monetising their games through in-app purchases or advertising, in order to try to keep Arcade a premium service” is the right move, but they made one mistake, a big one, there is no mention of the Amazon Luna and the Luna is in a primed spot to become the number three system behind Sony and Nintendo (yes, I have written off Microsoft to remain a competitor), so even as Netflix has the advantage of a subscription group that makes the head spin of all streaming gaming solutions, good games is where it is at, innovators and makers of original creators that is the winning combo and Netflix (might or might not) move into a field where it is not certain it will become the third position player, or what they classify in the Tour de France, the polka dot player. On the plus side (from my point of view) it will soon thereafter reduce Microsoft to the 6th position, behind Sony, Nintendo, Amazon, Netflix and Google. So as I see it, their investment $7,500,000,000 investment in Bethesda goes tits up and Bethesda is not to blame, the board of directors at Microsoft is. 

I remain a Sony person, hence my Playstation remains on its pedestal, I would say right next of the shrine of Panigale, a Ducati shrine where the executives of Ferrari, Lamborghini and Maserati come to pray for inspiration, OK, there is no Panigale there, because I could never afford one and I am not a racer, but engineering perfection can be recognised by plenty of people, so there! Yet the stage is given, inspiration comes from excellence in creativity and that is what a good gaming provider offers. I wonder if Netflix is considering what they need to do to get there. Microsoft merely bought the IP out there hoping it would thrust them there, but they had too much against them, like the most powerful console in the world that has nothing to offer (at present). They might in the future, but with all the bad decisions haunting them, all whilst Amazon is already on the run towards an upcoming third position, they might not be in time to make a real difference anymore. All this whilst they are trying to bash xCloud streaming everywhere. They become their own worst enemy and when it happens, the people will not trust Microsoft, I see elements of that everywhere and they, what I personal regard as a push towards whatever influencer they can muster is more than a bad call. 

Microsoft (as I personally see it) forgot that good games come from the mix of imagination and creation, they used to know that, yet it seems that they forgot, I have no idea why, the wrong board member, the sentiment of revenue over substance, it could be a boatload of things, but there you have it. And Netflix? 

Well the article gives us the important stage “One key decision that has not yet been finalised is whether a game subscription service would also require Netflix to develop games itself. Apple Arcade is filled entirely by third-party developers, but other gaming subscriptions rely on first-party exclusives to drive signups.” They are hitting the nail on the head, it is the exclusives, Microsoft forgot, Google never embraced and that is the stage why Amazon Luna is in a good place, Netflix could be too. One of these two needs to get these 2-3 exclusives that no one thought about that they are locked into third position and in an industry that is about to have a relevance of 90.7 billion, with a stage that has an annual increase of 24%, it matters, the difference between third and fourth position implies the stage representing several billions, when you consider that good AAA games cost (according to some) $500,000,000 to make, but that result in a God of War with a 97% rating, it is the price of an original masterpiece and it sold over 10,000,000 copies, implying that the game close to a billion. In streaming land, that setting will be a nail driver, 2-3 games like that and people will jump on that bandwagon a lot faster than you think. So as Microsoft gave us (via sources) that they will build native games for the cloud, why would anyone buy one of those overly stated powerful Xbox’s? And in that stage, would you trust a provider who dropped the ball three times in a row to provide you with original games, all whilst they bought the talents and are trying to grow through that premise? So far Netflix might make it, but as far as I can tell, Amazon Luna is most likely primed to get there at present.

And that too will set the indie developers off into a direction, where they end up I cannot tell (it will be their choice), but there are a few indicators that it will not be in a direction Microsoft will like. As I see it, outsourcing gets you a labour force, hiring creation and imagination grants you a universe of opportunity. I will let you work out the rest.

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