Tag Archives: Guerrilla games

The Shallow sea, an idea?

It came to me yesterday, but I was uncertain what I was looking at. It was not a game, it was at best a stage, but the idea is set in the environment (sort of). We (most of us) are all about extremes when we game and I wonder why that is. As such I got the idea of ‘The Shallow sea’ the stage is set on a train depot, the water has risen and the trains are under water. A mere 3 meters under water, so when you stand on a cargo cars you are up to your shoulders in water. You would be dry on double stacked containers and there are some, but not all. So here we are in a place called the Santa Fe Freight Depot (the place I initially chose) you see, this stage could be a mere stage, but it would be a game in itself. If not for looting, then it would be to find stuff to keep your community afloat so to say. You see, these stages are nice, they are big and they have a whole range of options. But that is the nice part of Streaming games, you can make them a lot bigger than any PC or console game. This setting was done to emerge ourselves into the water life around there and as the trailers would have been there for years, finding goods is a bit of a challenge. Small sharks, barracuda’s, turtles, plant life. A place that evolves over time that you play this level (or game). You see, I was a little irritated with Far Cry 4. Far Cry 3 was awesome and they tried to replicate this. The scene is beautiful, yet well over a dozen times and hour to hear ‘eagle, eagle’ and to get that irritating budgie take another health slot and the irritating ‘heal on my screen’ ALL THE TIME was getting to me. That fictive place Kyrat has more eagles than the nation of Tibet has people. Add to that all the other ‘predators’ and you see why that game has no real setting for a long life. These parts matter, because in a place like I just described, a small shark might appear, but it is really rare. A stage where we can admire the sea life and have a story as well. And the larger setting is not whether this is a game, but what game could achieve the close to impossible when this is merely a level and that is what we forget. Gaming and RPG is not about milking and farming. It is about enjoying the sights. Bethesda and Ubisoft took that away from us and it is time to create games where the people can enjoy the sights again. Yes there should be a conflict and ‘challenge’ side to this, but it should not take away from the joy of gaming. The joy of lore and the joy of going somewhere. I believe we lost parts of that and the streamers could give that back to us. Consider The Horizon games (Zero Dawn and Forbidden west), would they not be even more fun if you can walk through these worlds (after you finish) the games? A stage where the machines are diminished by 90% after the game is completed so you can enjoy the art, the looks and the amazing graphics that the game brought? Restoration might no longer become a Elder Scrolls game, but the sentiment and the setting could be a nextgen. Whilst people game more of the same with Hammerfell/High Rock another developer could bring out a while new kind of RPG gaming and there is space for more, there really is. The new Horizons is likely to come in 2025, A new Elder scrolls with a speculated date of 2028 and that is pretty much it. There is a lot of space here and the Streamers (Amazon and Tencent Technologies) could create amazing new IP by early 2025, with Horizon 3 being to only opposition for years. That is what I tried to tell developers. And if they aren’t getting that, they will be complaining on the side roads. A few more ideas came to mind, but that is for another day. You see, the population of gamers (those who aren’t focussed on some Call of Duty clone) will change and with the tablets forcing advertisements down their throats, it is likely to change a lot and that is where the streamers came in. All paths Microsoft ignored and now there are other options and Microsoft will not be invited (the joker isn’t allowed in bridge). You think I am joking, but I am not. You see gaming for the joy of the game is a forgotten art and those shouting ‘their fragrance’ are about to learn that not listening to gamers comes at a cost and they will go where the joy is, that was why my IP had the appeal (a speculated shine). And that was why I was trying to sell it to Kingdom Holdings. A business man like Al Waleed bin Talal Al Saud would know what the power of 50 million subscriptions brought. There is every indications that Amazon and Google overlooked that part and Microsoft was not invited to that party. So there we are in the shallow sea. ?The water up to our shoulders and the question becomes. Would you nag, or would you see what beauty below the surface of the Santa Fe Freight Depot could be brought to life? I leave it up to you. 

Enjoy Sunday. 

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Chaos on the brain

Yup that was me alright this morning. It started actually pretty good, I was enjoying some tea (yes I drink that every now and then), I was enjoying being in my bonnet and behold, a thought passed me by. It was a mix of Queen, a thought of Ted (the teddy) and things started to click. You see, when I grew up (a really long time ago) I got my hands on some Flash Gordon comics and the mix started to rattle. 

I loved it, it was just different. So I was a fan before Queen, Sam J. Jones and Melody Anderson decided to have a go at Max von Sydow. I loved the music, the movie all because the comic woke something up. Even nowadays, I miss the comics, I can still enjoy the Queen album (they truly outdid themselves) and the movie was for a 1980 movie quite enjoyable. But something was missing. You see, now we have the streamers and they could transform the original comics into something dark, gritty and closer resembling the comics. Who? I have no idea, but Amazon, Hulu and Netflix should seriously consider it. No matter who wins, if they can make it truly dark and more resembling the comics, they could have a large win on their hands, merely my point of view. Nothing more. So whilst that process started chaos came knocking on my display. It was Hogwarts Legacy (at https://www.youtube.com/watch?v=2AZmuZNu5LA) and it blew me away. Not by a little either. Even now as I am still enjoying Horizon: Forbidden West, I cannot stop thinking of what Avalanche Software has set in motion. What I saw was unique and flawless.  I plays a century before the Hogwarts we know and it works out that way. Yes, we recognise parts, we see things and creatures from all kind of places, but there is so much new to be seen, so much art in nearly every screen that I believe that on view alone, it will drive millions of Harry Potter fans insane with the need to get this game. Yes, I heard about the critique, I cannot say how I feel as I avoided (intentionally or not) most of the information as it was too far from release date. So whatever goblin issue there was the clip I pasted was my first introduction to the game and it looks utterly stunning. So even as some will say, I saw that. I avoided the 2018 leaks, I see no need to get hung up on something 4 years before release, and I still believe that. I saw some teasers that were released, and now some real stuff and this game could optionally set a new bar for many game developers. First Guerrilla, now Avalanche and Ubisoft cannot release anything to that level of gaming as I personally see it. Can you not see that Ubisoft is about to become a ‘has been’, like Microsoft (just a thought). So why the link?

I believe that any new IP, could be linked. Could transgress from comic to both games and series and here the path for Amazon becomes a lot more clear, but there is nothing stopping Netflix to seek an alliance with a real hungry and futuristic software house to unite and create both using one design and art team. There really is no need to reinvent the wheel and nowadays these wheels are a lot closer alike and a lot closer together than was the case in the past. 

In this fantasy and science fiction seem to be more easily adapted to both stages than others, but that is merely a personal view. And in this, what happens when you consider what games like Horizons: Forbidden West and optionally Hogwarts Legacy allows for. So what happens when the world of Flash Gordon become a much larger RPG styled game than ever before? It goes further than this. Consider Hansel and Gretel. Not the fairy tale, but the movie that gave us a bad ass Jeremy Renner and Gemma Arterton. Now consider the environment. Take Southern Germany, a map that maps Baden-Württemberg and Bavaria in the 11th century. And the Black Forest is only a small part of Baden-Württemberg. Now consider what you need to do to become a famous witch hunter. And optionally the golden Emma Watson statue if you kill more witches than anyone else (no need to avoid humour, is there?) And consider the era, the first Crusades are in full swing, so there is an abundance of criminals and charlatans, there are corrupt officials and in that stage you will need to put your stamp. And it does not come easy. In the movie they had the weapons, but in this game you will not get far without the help and alliance of a really nice blacksmith and they only work for coins. We are so gung-ho about the kill-shot that we forgot that before we get to do that kill-shot a lot more needs to happen. Would it work? I honestly do not know, but in this day and age, the larger entertainer and the larger holder of a unique piece of IP has a much better chance than all others. Guerrilla showed that and believe it or not, I believe (from what I saw) that Hogwarts Legacy is on that same track. Avalanche did something really good and I cannot wait to find out. And if I had to choose? I honestly do not know. I would look forward to all three games and it has been a while since more than one game was on my list. At present HFW is just so fulfilling, it is almost scary. 

But that too is part of gaming, the anticipation and finding out that it was well warranted, Ubisoft used to be like that, but now it seems the new software makers are on that path whilst the old makers are exiting the stage on the left side.

Chaos is on my brain, but it comes from a weird mix of the old, the new and what might be, and in the stage of a place that now has more than 20,000 castles? I reckon that any witch would want one, so there is a reason to play this in southern Germany and there is no reason to think that the map is limited to merely there. In 5 years, no telling what systems are capable of in 2027/2028.

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The game you hope for

This comes one sleep away from the game Horizon’s forbidden west (PS5), the sequel from Horizon Zero Dawn. It was a great game, a great journey and as I see it, this game put the Dutch firm Guerrilla Games on the map as a top tier developer. The game was new, original and the story was close to amazing. The first game was a good journey into awesome IP and of course the people who got hooked on the first game want to jump into game two (that includes me). Yet it also reminded me of others, what had been. You see, I remember a game called Steep, as 

I was getting into winter sports, this game had appeal, which fell to zero almost at the point of arrival. You see beyond the claims is the engine, and the engine was made for people who like ‘turbo’, so there is no stage where someone just enjoys training downhill, it has to accelerate (all the time) and the game shows this, the moment you go down, the acceleration is off the wall, and in real live it never is like that. In the end one (of several) views were “Simply put, Steep is average at best” and that is a shame because that 71% game could have been an easy 85% if the makers did the numbers and especially did not charge another $20 for extra game modes. You see it matters and Horizon Zero Dawn gave us the whole enchilada and that was quite the trip. Now, comparing these two games to each other is like comparing coconuts and pineapples. So I am not comparing games, I am comparing effort and as I personally see it Guerrilla Games has it, Ubisoft does not, or had it and lost it is perhaps more precise. But there is another side too. It has been my experience that too many YouTubers are trying to appeal to the software houses too much. There are of course the ranters, but they will always be there. That being said watching a review and then a ranter tends to show a few settings you might not have considered. And in the end it is about finding the right game, especially as a budget is getting more and more towards one game every other month at best. It is at that point that Microsoft shows its Game Pass and the deal you have. But consider this one view gave us “Yet, currently totally free with Xbox Game Pass, Steep is still worth a quick backflip or two. Find out all there is to know about one of Ubisoft’s worst” and hidden there it shows the problem. A pass that allows us to be happy with a 70% game, why is that? The game pass needs to show us that you can play 12 90% games in 2022, but that is not really the case is it? We want to play Ratchet and Clank, Ghosts of Tsushima, Horizon Zero Dawn, Horizon Forbidden west and 8 others, but the Game Pass cannot give us that, can it? Although, it will give you the flight simulator and that is truly a 90% game. 

We hope for that next 95% or better game and my hopes are with Horizon Forbidden West. 2022 will bring at least 5 more games to PS5 and we all hope for the best, we have good hope on what came before but there will always be a sliver of doubt until the game arrives, it is in our nature and in this I am no different, we have all seen decent games, decent games that could have been 90%+ games if only a little more effort was taken. We want to blame Ubisoft and they are a clear example, but they aren’t the only one. The problem is that the game pass has the ability to make the choice field smaller and soon it will be just Ubisoft for some consoles. It is one of the strongest reasons to see Streaming consoles (Amazon Luna) grow faster and stronger. It will soon be the best path to the games we hope for, we want to embrace Sony and Nintendo, yet the clarity is that it will not be enough, we need a new generation of game makers, the list looks impressive, but these are games that were coming for some time. You see the games you never saw coming (like Ghostwire) are coming less and less, gaming is moving from the wild west into corporate west and that leaves us with dwindling choice, have you not noticed that?

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A repetitive bashing

Yup, I will admit this upfront, that what I am writing is a little repetitive, yet when I stated it initially we were before the Bafta nominations and we were before the actual winners, now that they are out, the repetition sets in. 

So as we took notice of those who made it and those who did not, let’s be sure that being nominated is already a huge step forward, yet there can only be one winner, or in this case two. 

So when we see Nintendo with its switch and we see the wins that Hades and Animal Crossing New Horizons, we see groundbreaking moments in more than one way, Hades where dying is part of life and part of the game, which is a first, then there is the addictive Animal Crossing (I know, as I am as hooked to this just like the other 19,999,999 players), two games taking home multiple awards, yet that was not enough, Sony was there too, taking trophies for the Last of Us part 2, Ghost of Tsushima, Sackboy and Spiderman: Miles Morales. All great games, all getting awarded and in some cases Nintendo and Sony were vying for the same title, the moral of this story, Microsoft might buy all the talent (that $8.5B invoice) but in the end the story and originality are everything and the games that the two houses brought did just that. Microsoft (Rare Studios actually) had one win with Sea of Thieves and Ubisoft was absent, my predictions are in part seen in the Bafta’s as they are massively absent, it is the consequences of not comprehending your audience. My advice to Ubisoft? If you try to make a game that should appeal to all, you end up with a game that pleases none. It is a flaw they have shown again and again, yet I must also allow for a part that is not of my liking, it is Rainbow Six, it is not my cup of tea, but for those who do like it, they are raving, as such I was expecting to see them show up, because fair is fair, they have poured a lot of talent into a game that is showing appeal to millions, as such I was a little surprised. 

Another prediction I made was the fact that indie developers would become more and more important and Supergiant Games showed that, it took home 4 bafta’s, a company with 20 people took the limelight away from a multi billion company named Ubisoft, that has got to hurt. And as the media is all about the impact of lockdowns, they better realise that these games were there, lockdown or not, the games were about fun and in that regards both delivered, it seems essential that some of the players start to realise that small lesson, the fact that I (over a few articles) set the stage of a unique RPG game should tell these people that their time is up, they tried and failed (and now these software houses are dying), it matters because I never wanted Ubisoft to go under, I needed them to make gams better, because good games is what we all want, yet last week we were given ‘Ubisoft removes some new Assassin’s Creed Valhalla quests and decorations to address crashing issues’, we are till seeing these things all whilst the game was released on 10 November 2020, a week early because they were ready, well we know how that is ending, do we not? And as we contemplate “Based on the latest financial disclosure, UBISOFT ENTERTAIN has a Probability Of Bankruptcy of 36.0%, significantly higher than that of the Electronic Gaming & Multimedia industry” (source: microaxis.com), as such a software house that was nowhere near collapse is now regarded as a lace where their downfall is almost one in three, a stage that they did themselves, but I am not happy, like any other junk I hope for another AC Origins, another Far Cry 3 and I loved Watchdogs: Legion. But I also warned all last year that their next two products better be beyond good and Watchdogs: Legion was, the other (AC game) was not, so as we are treated to ‘Try Ubisoft+ for a week for free’ might be the last attempt by their marketing to stop the flow going somewhere else, but I think it might be too late, if they had a massive great announcement during the Bafta’s, there was a small chance, but when we see special forces comment on Breakpoint on Youtube to the degree I saw, they better realise that the gig is up. They had good game and then they got lazy (optionally Rainbow Six and For Honor excluding), not my kind of games, but I want to make sure that the truth as I see it is given to you as complete as possible. And as we see that subscription services are getting more and more sides, we might realise that Ubisoft is one of many and they are not in a good place at present. 

A stage they could have prevented years ago, if only they had listened to their gamers, things would be different, very very different. Together with Microsoft they are pushing gamers somewhere else and that I still important, You see, Sony is now great, but they became great because the competition was fierce and Microsoft forced them to become good, the gap between Sony and Nintendo is too large making me worry about the PS6 (a extreme future view), in addition, Ubisoft forced both to keep their game high and indie developers are less likely to do this as they often are set to a specific system (example Naughty Dog, Sucker Punch Productions, Guerrilla games, Santa Monica Studio), and I do not mind, but when there is no competition, the high enders tend to get lazy as well, not the software houses, they are competing with each other. 

I still fear a lull in Sony because Microsoft consoles might fall away in 2022/2023, that part is seen as they are more and more promoting streaming gaming on your mobile, it seems that they are trying to get their streaming solution on PC, Android, iOS and other places (not on my system they will), and in all this other sources give me an implied state that sales of Xbox to PS5 is 1:2 moving towards 1:2.5, so I have reasons to doubt the existence of a Microsoft console in 2023, all because (my personal speculation) because the makers were asleep at the wheel from 2012 onwards, all the pushy games they played with their always online whilst that adjustment should have been fixed no later than 2014, that is now 7 years ago. They lost the field and I am actually not that happy, because it optionally takes the fire away from Sony in the longer run. Yet for now, all we can do is be happy for the Bafta Winners and enjoy the games they made, I am still missing Sackboy, but I have all the rest, so I am good for now and as I am replaying God of War in easy mode, so I can focus on exploration and the story this time around, that is besides the amazing views the game gives and lets not forget that this game is almost 3 years old. As such, I end this article hoping you all have a great day and I hope you will enjoy a game or two on whatever system you prefer. 

Have a great weekend!

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