Tag Archives: Elder Scrolls

Project One Fiver

We all have the setting in our heads, we have an idea and we partially roll with it. It is there where we get the problem, some see problems, some do not. I am the one in category two, yet I also have flaws and they show themselves rather quickly. I am the entire opposite of those, I am one who quits as the challenge is gone. It is a basic law, it is stupid, but in 1989 there was a different stage, the BS artists were in charge, I was new, I knew nothing, but I had my 

Nantucket clipper compiler and a book on how to program and within weeks I was ahead of a lot of people.  I was asking container programs, admin programs and I loved it. But it came with an inner flaw. Someone in the cinema world asked me for a solution, I was not thinking like a consultant, because I was self trained, I rejected the offer, not because it was hard, but because it was easy. I had in my mind set the stage and developed the solution in an hour, I saw what was needed and my mind set the stage in minutes. The shows, the cinema’s the date’s, it was the simplest application of Clipper and dBase 3, as such I saw the premise that I was doing all the work and getting almost nothing for it, because people would state that it was too easy, and in those days the rent was due. I leaned a lot over time and I went in a different direction, but the ability to see solutions remained in me. 

So as I am watching the Battlestar Galactica series (again) an idea came to mind, what if the premise of the RPG is changed? What if the game is not one game, but 15? All linked into one massive game, into one large game that is in part driven by the parameters of other gamers? Not just that, but your achievements will be an added parameter for them? Over time your stage will be the overbearing one, but you are not one voice, you are one of a choir and over time you are the choir. As far as I can tell, that has never been done before and even as my idea grasps some idea’s from others, the stage of philosophical drives, the stage of a limited stage is not new. Other games programmed around it, I am considering it to be part of the game. And over that stage we see the ability where we intersect in a much larger stage. Yes, it sounds confusing, me talking about stages, about parameters and about requirements, yet games are like that and we fill in the blanks in stages, the stage of where we play, the stage of where a character is and we have the ability to set a much larger field of play in a  game that could set a new record in gaming in the next console war. 

A stage that has several planets, a stage that is set where we have a formula that creates 15 planets, and you have no idea where you are. This is not for the weak of mind, or those walking around in Minecraft, this is Elder Scrolls Oblivion on a scale that is 15 planets big and we do not set out to gain a flag or to kill a monster, we set out to create a dynasty and that is never a clear sailing premise. I see the solutions that other greats did before this, There was the Ultima series an RPG by Richard Garriott that is something that still drives me and why it was never refurbished in a new coat with new graphics still puzzles me. But they were not alone, there were others, to some perhaps forgotten, but with gems in its coding. Hopefully we will see a remade System Shock soon, yet it was not alone. Whist Ubisoft is all about triggers and respawning enemies, the stage is out there for a different kind of RPG, I believe that the PS5 will open up more options and different sets of games. The problems is not the game, the issue will become where is the IP, who owns it and how can it be staged in different ways. We see series like Westworld and we wonder how it can become a game. There was someone with the Westworld Shelter approach, I never saw it, I would have liked to have seen it, but it was removed before I could see it. This is not a random phrase, the question becomes that in the age we face, sources are limited, so how can we make a game enjoyable, repayable and original without it becoming a mesh of Minecraft and Animal Crossing? Whilst Ubisoft showed us how not to do it, w still need to do it and we need to do it right. It needs a hand that looks outside of what coders look at. We need to consider the creation of a strategy guide before there is a game, so that we can ensure the long term existence of the created game. And to be there for the long term you need to look with different eyes, to see in a different scope. I saw the option of scope when I created the foundation for Elder Scrolls VIII: Restoration, I saw the option of views when I considered Watch Dogs IV: Refugee, it also gave me the idea to set different dimensionalities (there was was an example in System Shock), yet the combining of elements is a much larger stage and it is a different stage. It is not like we go to the theatre, it is the entire block around the building that houses the theatre as well. That is the stage we work from, because when the surroundings are there, that is when we give size to the stage in that theatre. It has always been that way, yet in the past the computers could not deal with that stage, computers are finally catching on and even as the remade Pirates (Sid Meier) was betrayed into a diminished stage and labeled Assassins Creed: Black Flag, does not mean that it was so, we had no reason to give up on a time honoured classic, yet that stage was burned before it flourished. I wonder what we can get done when that is ignored in a future project, what happens, when we have a planet making program like we see in No Mans Sky and we prepare 15 codes, 15 places with enhanced detailing, 15 stages where the plant is the stage, where we are a person in a much larger field and we get to set up the stage of history, I reckon that it has never been done before, not to this degree and not to this reference of options, a stage much larger than ever before and to the degree where we at the end of 200-600 hours want to play it again, so far only Bethesda and CD Project Red have come anywhere near that stage, there is off course GTA5, no one denies that, so out of 2300 game developers, only 3 only got that near, would it not be the right challenge to be one of 10 ever to get that near? It is not a hard question to answer. 

I’ll let you simmer on the question and the questions that will be in your mind at this time.

 

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The thought counts

I am still in some level of debate on this, Alex Hearn published an article last August (at https://www.theguardian.com/games/2019/aug/20/from-cyberpunk-2077-to-the-outer-worlds-are-role-playing-games-getting-too-predictable) and I happened to re-read the story this morning. The main hitter was ‘are role-playing games getting too predictable?‘ I believe it is a valid train of thought to have, yet in this situation is it the game, or the gamer that bears the guilt? As we see the first paragraph we are confronted with: “Not only is it directed by Fallout creators Tim Cain and Leonard Boyarsky, it shares a lot of DNA with Obsidian’s Fallout: New Vegas – a spin-off with a reputation as the best in the series“, you see there are two trains of thought, the first (not the most embraced one) is that the game was designed by a ‘one pump chump‘, you see a one trick pony is too harsh here. The second is the one I embrace, it is set on two principles.

  1. Relation
  2. Online cheat guides

The relation factor is how you relate to it all, It is easy in the Elder Scrolls, or Fallout, these are plain drives concepts and for the longest time, we go along with it. Even as we are offered options, Fallout 3 and Fallout 4 still try to guide you, yet the reality is that you can go wherever you want ignoring the first stage altogether. The Elder Scrolls 4 (Oblivion) gave you a clear option after you get out of the sewers, The Elder scrolls 5 (Skyrim) did so a lot less, but left the door open to explore. In that beginning we get the option to grow and either you start staging the story, or the game leaves you a little in the dark. In a lot of cases you are a little in the dark, this is seen in Witcher 3, you can go in any direction, yet if you avoid all the missions in the first stage, your character tends to be too feeble to get around, and you die a lot. Until you grow skills you tend to be on your own, now we can see that the first village is an introduction (like the sewers of Oblivion), and yes after that you can explore and decide the way you want and that makes Witcher 3 an amazing game. In that same setting we see Horizon Zero Dawn, it is storydriven, but you can explore your heart out, merely consider that too far away, without proper upgrades your life does not tend to make it for a long time. Still, the origin story that Guerilla Games released is as awesome as any RPG that was EVER released.

It is in that stage we need to see a game like the Outer Worlds, there is a larger stage of introduction and it tends to make the gamer fumble a bit, that is the foundation of RPG, you have to feel your way into any RPG game. Yes, New Vegas was amazing and the stage is still among the very best, but there we get it, when we start exploring, we need to realise that the enemies a little further ahead can make short work of you really fast if the beginning is absent of exploring. Still, New Vegas did one thing better than all others, you have a good and a bad you and some cases can only begotten when you decide on the bad you. It gets to be even better as the third option (Caesar’s Legion) comes into play. It was an RPG founded on replayability, making it one of the very best.

The second stage is another matter, those who rely on online hint/cheat guides. They all go the same direction and it is clear that there are thousands of them (all claiming to have done the path without help), as such the foundation of ‘are role-playing games getting too predictable?‘ becomes slightly less reliable. And for the most, the story is partially that simple and partially not so simple. That part is revealed in Horizon Zero Dawn, the story is so overwhelming that it pushes you from stage to stage, it really was one hell of a trip. The cut movies over the entire game add up to almost 6 hours, almost 6 hours of story and information and some parts are not that small, the story truly is everything and it pushes the player in a direction and not on a path, Guerilla games really outdid most designers. In opposition we see Fallout 3, which had moment, not a story that pushes you and it pushes you more towards places. The article then gives you the Cyberpunk 2077 line with “But the fundamental skeleton the games are built on is so constricting that, given an hour to show off everything they could be, both developers independently converged on a near-identical script“, I personally am not convinced that this is so, in the first there was a quote “open world feature to their upcoming RPG. Players are given the freedom to explore the fictional Night City, take on the side quests that they want to, and be a part of the world that CD Projekt Red has developed“, in the second there is the option to be a Netrunner (hacker), techie (a badgetteer) or Solo (Assassin and direct action). The class you select will influence to some degree the way you play, or the way you play will push you into a class. It changes the way you overcome missions and locations and this changes the game (not the main story). As such did the game become too predictable? 

Well that is still out in the open, yet predictability is often depending on lack of choice, CD Projekt Red (Witcher series, Cyberpunk 2077) has never had that, and overall neither did Bethesda (Oblivion, Skyrim, Fallout). Yet it is the way WE play that gives the impression of lack of choice. In the Verge we are given “Obsidian Entertainment’s new role-playing shooter The Outer Worlds, I met a man miserably playing a corporate mascot, his head semi-permanently enclosed in a large, ghoulish moon mask. I spoke to him for several turns, hoping there was something I could do to help. But if there was a way to improve his life, he never suggested it, and I never found it“, as such I never met the man (or played the game) but if we consider that we can help, ignore or optionally kill him, is that a lack of the game, or a lack of the player? You see that is the foundation of RPG, the gamer decides and that is where I oppose Alex Hearn’s statement (not his point of view) ‘are role-playing games getting too predictable?

I believe that the statement is a little out in the open. The makers of New Vegas had an amazing setting (especially after Fallout 3), from one mission you decide whether you go to ‘The House Always Wins 1‘, ‘Render Unto Caesar‘, or ‘Wild Card: Change in Management‘, Obsidian created a phase where we are confronted with a level of brilliance and definitely an opposition of predictability. But Alex is not entirely incorrect, we might agree that there is a good and a bad choice (each with their options) but not much more. the Fable series tend to have them too, as did Mass Effect, but the last one is less RPG set. Yet how many genuinely found the 4th option in Mass Effect 3? I see all the people nod ‘yes’ but in the end, they learned of that options like me, in a YouTube video. Only a few actually found them by their own choices, it tends  to oppose ‘too predictable’. And then we get to a beautiful line in The Verge: “by the end of the game, you’re still one of the most important people in the world“, it shows the largest flaw in RPG, the truth of the matter is that you never mattered, that truth is often pushed out of the RPG, you are merely flock people, you either suck up to the needy as a newcomer, or you decide on what someone larger and more powerful needed and you are the fixer, you are almost never yourself, the person you want to become, the RPG left that out of the equation as it is close to impossible to program too and it does not make an RPG ‘Too Predictable’, it merely makes an RPG ‘less unpredictable’ those two are not the same, not by a long shot.

However, the words of Alex Hearn are still in me and we see that view emphasized in Forbes (at https://www.forbes.com/sites/erikkain/2019/10/23/the-outer-worlds-review-roundup-heres-what-critics-are-saying-about-obsidians-new-space-rpg/#2350c4927d34) where we see: “The Outer Worlds, we were promised the kind of RPG we know and love. And that’s exactly what we’re getting, a familiar experience in a new setting” it is the stage of ‘the kind of RPG we know and love‘, and ‘a familiar experience‘, which basically gives Alex the power of his words, an RPG might be many things, but when it is a new title, those two are the foundation of predictability, the question becomes, if that is what the gamer wants and searches, is it the game maker adjusting its view on commerce that is wrong? Is predictability a dangerous part? I believe it is, but is it any less an RPG? That part was not in debate, yet from my side, when I play a different RPG, I need a different stance. Put Elder Scrolls against Witcher and you get that, in either direction, put Elder Scrolls next to fallout and we see it less. Even as the story and the graphics change, we are not the in the stage of countering predictability, we are in a stage of gaming in a different hall, yet doing the same dance and that is where RPG’s tend to fall short (a little) and that is why I loved Horizon Zero Dawn. Even in my own design, as I drew up Elder Scrolls: Restoration and Watchdogs: Refuge, I continued on the franchise as they already had it, new elements, yes, but the setting remained in part the same, so as such am I enabling repetition and as such predictability? I believe that if we move away from “by the end of the game, you’re still one of the most important people in the world“, we can start that the premise, and predictability (to a certain extent) goes out the window. 

He also gives us “every now and again, a game comes along which shows that innovation can happen without putting people off and revives a genre in the process“, yes that is the part I can agree and align with, there were parts in Skyrim that went beyond Oblivion and id just that. Yet what is also a consideration is that both opened the field by allowing everything to be done and it took the replayability away to some extent, as such in Elder Scrolls: Restoration I went back (allegedly) to Morrowind (which I never played) and left a barricade in place, as such not all classes could be done at the same time, a student of one could not join another path. In addition, the end of the mission often would result in the loss of location and a transfer to other places. One cannot be in University all the time, you are replaced as you are merely a student in one. that path lowers predictability to certain levels, even more so as I set the stage where choices were abundant, but limits choices later on. Without going towards a Red wings match in a Blackhawks Jersey (which tends to get you killed). Yet these settings give a much larger joy towards replayability.

RPGs forgot about the stage of limitation. As we are set in a game, we want to do it all, we ourselves become predictable, not the game (although the game did allow for it).

In Watch Dogs: Refuge I decided to set gender and language as barriers, the stage of pushing for time to drink and eat (in Watch Dogs one and two) I merely did weeks of actions on one fruit drink, so how is it I survived? An RPG should take that into account and make food and sleep an essential. You could try to get through a week on red bull without sleep, but you end to look like the zombies in university (in the 3 weeks before final exam). We took options away as debilitating factors, yet when you consider that Okinawa is a cuisine haven (as is most of Japan) making that a factor as overlooked. I reintroduced the option with an optional achievement or two, considering that one should never go for the stressful places loaded on Cheesecake, you get the idea that a lack of food and sleep can be a debilitating factor, we merely programmed that part away, but is an RPG not about the stage of a whole day, not merely the part you crave for (battle and mayhem)?

So why Japan? Well most gamers of Watch Dogs are non-Japanese, so pushing you into a place where you cannot read or comprehend anything sets you in a much larger stage, when we  get everything in english, we see what we need to, yet what happens when language becomes an actual hurdle? We forget that, did we not? for those who are still in the dark, try watching Passion of the Christ without subtitles. When Aramaic and Latin are your only companions, you either get smart (real fast) or you tend to forfeit your life. Italians (Romans) were really not to be too discriminating to people who did not speak their language (they were all considered slaves).

To set the stage where we counter the RPG in ways we forgot, I still wonder if that is because of the hand holding that the RPG maker is willing to make, or the side where we are just too shabby a player of RPG. I am not certain where it goes, but there are plenty of indicators that both are factors, as such we might consider that RPG games are too predictable, yet I remain in a stage where the makers became too enabling. 

It is merely a point of view and whether it is gaming limitation or predictability, it is a setting that are two faces of the same coin. I am still unwilling to say that Alex Hearn right, but he makes a fair point, even though he seemingly forgets that part of the predictability is the gamer him or her self. 

 

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It’s been that long

I got alerted to a milestone yesterday on YouTube, you see, last week was the 25th anniversary of System Shock, one of my most beloved games from the past. I still remember the two moments that set the milestones for this game. The first was the PC Format by Future plc. About a month before the release, PC format included the entire first level of the game (medical level). So you got about an hour of gameplay into that game, a month later the game arrived and of course, I had to have that game on day one! I did and that started a tour of around a week getting through the game. Someone was nice enough to stream the game (at https://www.youtube.com/watch?v=4IzNzVAxk8E) the stream starts at 10:00. Even now, hearing the intro music still gives me the good shivers. For a game to do that is so rare, it is to some degree scary. I am still awaiting the remastered edition by NightDive Studios. It will be launched a little later than planned (2020) but on all the consoles, so I might get that happy feeling again on all my consoles.

This is the foundation of better than great gaming, the story, the emersion and the control. The game offered all three to a great degree. That part is also important as System Shock 2, a game that came 5 years later had almost all the same controls, the first game was the founding father of RPG games, and control was close to that perfect. Graphics did upgrade by a lot, yet the shock (for me) in this game that the game only sold 170,000 copies, not much for a game this perfect, as such I do hope that the remaster will hand out the multimillion copy achievement sold. When we look at PC Gamer we see: “System Shock smokes. It is the most fully immersive game world I have ever experienced“, as well as “no matter what kind of game you’re looking for, you’ll find something in System Shock to delight you“. Finishing with “unquestionably raises computer gaming to a new level” (at https://web.archive.org/web/20000309153138/http://www.pcgamer.com/reviews/1024.html), I gave the game a similar review and gave it a 95% score when I reviewed it.

From that moment on, I reviewed RPG games using System Shock as the minimum bar, as you might imagine not many games got to that level. It was also the first game where ‘leaning around corners‘ became an option in shooting games. As far as you see the stream and listening to the makers of the game, you get the part how this game became a trendsetter of excellence, even if they do not mention it, it was a labour of love and passion gets to be the deciding driver in any game towards excellence.

Depending on your age, consider the game that you would play again after 10, 20 and 25 years. What titles come to mind? In my view Elite Dangerous (after 35 years), Ultima 4 (after 35 years), System Shock (after 25 years), Ultima 7 (after 25 years), System Shock 2 (after 20 years), and the list goes on, but it is not a long list, games that are dipped in excellence are rare to say the least. Yet I am a gamer, a game junkie and like all other gamers I remain hopeful that another developer gets it right to the largest degree, Ubisoft did that with Assassins Creed 2 (and Brotherhood) then stuffed up to a much larger degree until Assassins Creed Origins was released. That is why the scrutiny of 93%+ games is so essential. Most gamers will take a turn in other direction if it gives them excellence, yet when they leave their comfort zone in gaming, excellence is the only marker that they will accept to make them do so. Games like Mass Effect 2, The Witcher 3, Grand Theft Auto V, Horizon Zero Dawn, all games that relied on near perfection; it is a stage that is seldom reached. And in all this the FX Slogan was key (for me it is) ‘The story is everything‘. Horizon Zero Dawn is perhaps the strongest example. In the beginning I enjoyed the game, yet it was the storyline after the proving that set the stage for me to continue and learn more and more. The origin story of Elisabeth Sobeck and Aloy is absolutely marvellous. Yes, I have seen the rants against the game, rants like ‘Giving up Horizon Zero Dawn‘ (at https://www.youtube.com/watch?v=Qv_1DzGf_1s). His response ‘I just don’t find it interesting anymore‘. Yes, I do not agree, but it is his view, and his view is valid to him, just when we see this he is still not completing: ‘The War – Chief’s trail‘. Yet the best story parts were still coming up and the game takes it time getting into the story, it is important to show this, because you might have a different love for games, I love stealth games, games with an essential need for stealth, not everyone loves this, I get that. You have to realise that, I might not be the voice for you; I might have other loves in gaming. I was never a lover of GTA5, I admire it for its excellence, but it is not my game, it is however for millions of other gamers.

In this view it is important to find more voices until you find the reviewer that aligns with your fulfilment in gaming. It is easy to find good reviews and for many games a lot will have the same view, but in the 90%+ range you need to find the one voice that is on your level of gaming. It is easy to merely see that The Last of Us was a great game, pretty much everyone will agree, yet Dark Souls 3 and Bloodborne? I loved both games; I never got to complete them. With Bloodborne I actually stopped (after a dozen attempts), I still have the game as it shows excellence on many levels and the engine is sublime, but it is also an excellent example for ratings. I would give it 91%, yet others will give it 93%-95% and now we have the review issue. Are their reviews better? They might be, they might be better at playing this game, more important, they might highlight things I missed, because I was not great at this game. Graphics and engines are easy, the subtle parts defining Bloodborne (as well as Dark Souls 3) is another matter. And now you come into the mix thinking it was merely an 85% game as you did not like the game (which is fair enough), finding the right reviewer is important, more important, the one that aligns with your game play and this is where a game like System Shock differs. The game remained playable for a much larger audience. Now we accept that the gaming bar was not as high in 1994 as it is in 2014, yet playability had remained similar over 25 years, it is my view that Bloodborne is a great game, yet, to me, it is not as playable. That small distinction is important when you seek out buying a full priced game that totally rocks your world.

To me the story is a deciding factor, whilst play style is the most important second. That part is visible to many who remember Metroid Prime on GameCube; I still love that game as well. I never got beyond 98% completion, and I would love to play it again getting to 100%, that is because the game is extremely playable with a play style that is set to comfort. We might sneer at the graphic level (compared to the Xbox and Playstation2 in those days), yet Metroid Prime still delivered as an equal and better to anything the other two could offer. That part validates the 97% rating it received. Yet, if it is not your game, would you still regard it as high?

The question is important as System Shock did make that cut, even by those not loving the game style, they were all impressed with the game, it set a new bar of quality, Metroid Prime and Horizon Zero Dawn both did that as well.

And it is there where we see the stage for streaming games, for Apple Arcade, Google Stadia and thee we see the links. Apple Arcade shows smooth gaming, but not hi-res gaming. That is not an issue if you consider Metroid Prime, the lowest resolution of the three consoles delivered the best gaming experience of all. You can see this (at https://www.youtube.com/watch?v=q73cHEAwKVw), I found the top 10 interesting, but not overwhelming, of course the number one is like some Zelda clone, with decent graphics, but not great graphics. There are 100 games announced yet there too I wonder if people are willing to pay $5 a month, $60 a year to do this, You can argue if you can find even 3 games you really like, then the money is well spent. So it is a decent idea, the issue I have with the stage is that the solution will be years two and later. However, in a family setting the game changes massively, the cost is per family (up to 5 players) as such $1 per person per month is just too good to pass up.
More important is the fact that the games look amazing on the iPad, so there is that to consider. My larger personal issue is long term. For me it is $8 month (Australia), as such in Australia it gets down to $100 a year. It has good games and the important dig is: no ads, unlimited access to 100+ new games rolling out later this year, as well as download for off-line playing are the catchers that will make people try this. Consider the initial $100 for the entire year, seems a lot, but playing 100 games for the price of one is still a game changer. I am assuming that you can only play for as long as you are a member, but we get the same on consoles, so that should not be the issue.

The arrival of Apple Arcade and Google Stadia is still important, but not for the reason you think. System Shock was important as the game was a true innovator in gaming. These new streaming services are set on a stage where the amounts of gamers imply the revenue for the makers. Even as marketing get you in the beginning, the bulk of gamers will push for games that are TRULY innovative and I have learned and seen that true innovation pushes the envelope of games in general. System Shock, Command and Conquer, Metal Gear Solid, Wolfenstein 3D, Gran Turismo, Warcraft 3, Minecraft, Tombraider, Diablo, Zelda – Ocarina of Time, Goldeneye, Super Mario 64, Half-Life, Doom. These are on a short list of the most innovative games in history and the most important part is that most of them started on systems lacking resources. Systems like the first PlayStation, the Nintendo 64 and the PC-Pentium One. Most mobiles and tablets now surpass what was possible even in those maxed out years. As such, innovation was always about imagination and I love the idea of streaming services as it pushes the need for innovation. I go back to System Shock one and two, yet some might remember Molyneux’s titanic achievement Black and White, a god video game. A game where you influence actions and not control all actions, when you realise that innovation is creation linked to imagination, we start considering the lack of resources required, not the max of resources. In this games and gamers are about finding the right note, the right chord that makes your heart sing. System Shock still does that to me 25 years later (OK, Elite Dangerous does it as well after 35 years).

I still play Blockheads by Dave Frampton after 6 years on my very first iPad, it is basically the only reason I still use my very first iPad for anything else but reading (until I get a new one). I got the game to deal with my Minecraft addiction when I was not at home and I never regretted getting it (oh, and I found the tablet edition of Minecraft not that playable), even today (last night actually) I still play Blockheads.

We might think that innovation fades, as it would over time, but I personally learned that innovation creates a captive audience regardless of time, it is a personal observation and you might not agree, but I also believe that this is the stepping stone for both Apple Arcade and Google Stadia. Consider the re-released consoles. CBM64 mini that gives us: Boulder Dash, Paradroid, Jumpman, Temple of Apshai Trilogy, Uridium, Impossible Mission (1+2), Winter Games and Summer Games II all games that could be upgraded and give a new audience the games they love to play. The CBM 64 brought so much innovation in games with only 64KB available; these games became the foundation for better games as systems upgraded (Atari ST and CBM Amiga). In this Nintendo with their 64 was pushing the envelope even further, Super Mario 64 is just one title, Goldeneye (named after the bond movie) set the bar so high that it was still the most desired game a decade later, even as the Wii relaunched the game, it ended up being inferior to the original, that is the level of excellence we lost out on and in this resources are not the issue, these are games that could easily be streamed and offer gaming perfection.

The list goes on and it would take too long, yet when we consider sources like My Abandonware and other sources (like Amiga Emulators) we see optional chests containing hundreds of titles that are ready to be remade and a lot of it has no IP protection, as such the best programmers can take the great vision and turn it into a cash maker through streaming. I reckon that is what both Google Stadia and Apple Arcade are hoping for, I am uncertain to see a winner at present, but the games that make it will be the deciding factor and even as the games on Apple are not great, they are still off to a good start, I myself hope that the historic database will inspire game makers, and this is a field where both genders can excel, you merely need to remember the name Danielle Bunten Berry (M.U.L.E. and Seven Cities of Gold) to realise that creativity was key, not gender. As such I do hope that we see both genders remain active, even as Danielle Bunten Berry left us in 1998, her games could stay around for much longer, that is the other part of innovation, it has no expiration date; it is almost timeless. If you doubt that, consider her games as well as those by Roberta Williams (King’s quest series). That is actually another part of gaming, there the playing field for genders is almost level as creativity not ego decides on the quality of the game.

As such it might have been that long, but in the end, the timeline was not long enough, I am willing to get into streaming to some degree (Assassins Creed Odyssey might get lag issues) but there are hundreds of games that will never have that issue and the list of games that will hit the spot is a lot larger than anyone ever considered, especially when a good idea (or a great idea) gets upgraded with innovations that were not available when a certain game came out.

Consider the game Command and conquer, optionally a game like Battle for Middle Earth, or even Dungeon Keeper 2. We have gone through those games and finished all the maps; now consider the issues you face when the maps are created procedural, would your strategy still hold up? That question impacts all three games. Often the strategy was in the map design, take that away and the challenge changes by a lot. I believe that ‘It has been that long‘ is a premise that does not really exist in gaming, I truly believe that System Shock will capture the hearts of new gamers, I believe that upgrading innovation that was will give life to other games, even games that were in the 80%-90% and upgrade them by an optional 15%, and be honest, what game maker would not love to be linked to making a 90%+ game? At present Ubisoft is seemingly proud of their 70% games (so are a few other makers mind you), so we can see the essential need of excellence in gaming, the question is who will bring it and with two new players (gaming providers) entering that field, answering those question becomes a lot more important as we (gamers in general) have had our fill of mediocre games.

Even now we see that as we still yearn for Elder Scrolls: Oblivion as well as Skyrim; I stated to Richard Garriott (the man behind the Ultima series) a while go, if we could get the Oblivion/Skyrim engine and create Sosaria to life, we would have a winner that could entice millions of gamers. Skyrim with over 30 million sold is clear evidence of that and the tales of Sosaria were founded on great story-lines and compelling interaction of personal choices and philosophical concepts. The entire Ultima line (story 4 and later) are all about eh seven virtues (Honesty, Justice, Honour, Sacrifice, Compassion, Spirituality and Humility), it would be the foundation of 6 games, each one surpassing the previous one and to see the evolution from isometric to first person would be the game changer for anyone who loved that story-line, in addition, the Elder Scrolls never did concepts to that degree, which is not their flaw, but it could be the strength of any new Ultima IP.

It is in that part where I see System Shock one and two, it was near perfect and it is still ready for a whole new generation of players. Especially when you consider that the original System Shock on floppy (yes there was a floppy version) was a mere 15Mb, and Metroid Prime on GameCube was less than 1.5Gb, whilst Goldeneye was a mere 64Mb, so as you can see size was never the deciding factor.

I believe that 2020 will be an interesting year for games and gamers. I believe that those relying on ridiculous large games and high resource requiring games (like a Core i9-9980XE) will find that their size issue gets thumbed by true playability and innovation setting the stage for much better games after that. Innovation remains a game changer for games and I wonder how much change we get to see in 2021-2022.

 

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A gaming shift

I am watching on how Google and Apple are starting their stream service. I don’t expect to sign up (no way will I get to Apple), but there is also another side to it all and I am not sure whether we realise this.

I might be outspoken not into Apple Arcade, yet this is largely because I am an android man. I still have my very first iPad, the anonymous one, without camera’s and such and it has done its job for over 8 years. Yes, I have games on it and foremost, the one game I still play is Blockheads, even after all these years. Like Minecraft it is fun escapism playing whilst my mind works out puzzles in the background. On the iPad 1 I also still play Sudoku and a few other games, on Android my life limits me to a few games, Gems of War being the most outspoken one.

The use of problem would be the wrong word, there is no problem, and the limitation that these systems show is the stage of real gaming. The bulk of people might be happy with Candy King, or some equivalent, the bulk might like Pokémon Go, yet is it gaming or connected mini games?

The question is more important than you might think; the question becomes what is real gaming to you? For a lot it is FIFA, NFL, NBA and NHL games and that is fine, for me it will be RPG’s. I consider Minecraft to be a game that I really love playing, yet true gaming is more and we forget the elements that we loved when we go for the short term. The Nintendo Switch makes games truly mobile, yet until I played some of the streaming games to confirm this, they might be the only one that still embraces real gaming on the go. You see, it only hits you when you see (or see again) the cut scene movies of games like God of War 4 and Horizon Zero Dawn to realise the massive journey you took to get to the end. You do not comprehend the journey until you have been on it, and Guerrilla games made more than an effort, it created an origin story so titanic in size and so overwhelming in completeness that you wonder who could ever equal it. The Horizon Zero Dawn (HZD) movie journey is well over 5 hours and that is merely the cut scene and stories that are part of a hundred hours of gameplay. I reckon it can be done sooner, but you might lose out on seeing just how amazing that world was. Santa Monica Studio did the same with God of War 4, it was a story well done and when you get to the end and see the twist [no spoiler given], and you end of merely sitting back in amazement giving yourself a loud ‘What the fuck?‘ Excelling games do that, Bethesda games do not give us that to the degree the previous two did and they still make excellent games. There is a balance in place in high level gaming, there is a balance, yet it seems to be like a seesaw, what one side gets the other loses. We might have all kinds of issues with like of Ubisoft, yet their graphics and stories have always been really good. Yet it is the other side where they lost largely on gameplay. The earlier mentioned two had both right, both gameplay and story, making the seesaw a much larger version than the one Ubisoft, EA and Rockstar Games have.

Don’t think this is a negative thing; we do not always want RPG games. Even now, lacking storyline, I would not be able to resist playing MediEvil again as it comes to PS4, that game was the reason I bought the PSP when it launched in 2005, I loved the game on the first PlayStation and thoroughly enjoyed it again on the PSP. It is the rewarding feeling of gaming you get making you want to play it again, if that did not exist, we would not have 8 versions of Mario Kart, yet they are not the only one offering that game. I still miss the challenge and fun that Wacky Races on the Dreamcast gave us 19 years ago. In equal measure from that same year there was Fur Fighters, also on Dreamcast (the PS2 version was a disaster). So there is more than a storyline in play, the satisfaction of gaming goes in several directions. It is the challenge of gaming that has a few packages, for RPG story is the overwhelming one, yet without challenging gameplay the game falls flat. In shooters and platform games it is more than the challenge, the shooters offer it most often through multiplayer. For Honor is an excellent example, it is below par on single player due to the lack and often repetitive mission gameplay in single player mode, yet the multiplayer mode is an amazing almost unparalleled experience.

This is where we stand in gaming and I fear that both google and Apple will fall short of that. Even as Apple Arcade comes out in 8 days, it seems that the list of 100 games will remain hidden for those same 8 days, yet there is also the challenge, I do believe we will find games we love, but when you consider the Australian price of $8 a month, would you pay that every month just to keep one game you care for? The games are said not to be sold individually and the 100 games might sound nice, yet what happens in month 3? There lies the issue for both Apple and Google, to entice a population not to play games, but to become gamers and I wonder if they can pull it off beyond year 1, that applies to both Apple and Google. Part of it was exactly what I predicted a long time ago two years ago and Beneath a Steel Sky (a 1994 original) was good gaming and with the reduced resources needed, the game would work well on any mobile or system. My issue is not with newly released golden oldies, it is the ability to embrace those playing games and turn them into actual gamers, they are not the same goal and both Google and Apple will have to rely on the growing number of actual gamers to do better than merely survive. Even as we see that Ghost Recon: Breakpoint comes to Google Stadia, so there are larger games coming to cloud based streaming and here we get the initial issue. So far I personally have had at least one hiccup a day on Netflix, even as it was merely a second it was not an issue, yet in gaming it is a much larger issue, it becomes almost literally the death of you. How will you react then? I believe that congestion is going to be a much larger issue until 5G is truly deployed to the largest extent. One could argue that overall at present the Microsoft Game Pass is too good value for the price and at that point is becomes the break on the acceleration for streaming games.
So what is the issue?

I believe that we face a larger lag soon enough, I believe that there is a danger that the increase of high end RPG gaming will take a hit, as people embrace Google and Apple, the development of games will be towards gaming that includes both new systems; and there is where I see the negative impact. Yes, the two earlier mentioned game makers will still make their games, but a whole range of other developers will try to find a solution that includes all systems and I feel that there is a danger to the development of excelling RPG games; it will decrease and that makes me sad.

Still, the streaming world does have its own challenges and that is where we see the benefit, whenever a challenge is met and surpassed games benefit and that is the trade-off that works on our behalf, there us a whole range of games that were originals and most are now forgotten, yet streaming games could bring them back. 7 cities of gold, Sentinel returns, Fur Fighters, Wacky Races, Shadow man, System Shock 2, Millennium 2.2 and this list goes on for a while. Games that will never be forgotten and could also lead to new game innovation. Even later games like MGS4, guns of the patriot showed innovation at the very end of the PS3 life cycle. People like Richard Garriott who innovated RPG gaming via the Ultima series. People like Peter Molyneux who started with Magic Carpet and Dungeon keeper a new age of gaming, they inspired some of the game makers that followed; the past is full of game makers who inspired others. Yet, this is not the end; these games could also inspire the next phase of gaming. I believe that through limitations we see the creation of new options. If there is one lesson learned from the CBM64, then that would be the one. We embrace gaming because we get to a place we did not think would be possible, Ubisoft showed that when they created Assassins Creed 2, we embraced the first one to some degree because of originality, the second one because we never believed it possible. I believe that this is the part we forgot about when Xbox360 went to Xbox One and PS3 when to PS4. Even now as PS5 and Xbox Two are coming, we still see merely a larger version of what was. It is games like Cyberpunk 2077 that will show what would be possible, in the same way that MGS4, guns of the patriot did on PS3.

With Streaming we will see new hurdles and we will meet innovative game designers that will get past that boundary showing us something we never saw coming, that is the stage the true gamer embraces, it goes beyond we thought we could and that is also why we look with eager eyes to Santa Monica Studio who surpassed itself three times over with every God of War release, the same we hope to see with Guerrilla games and a new Eloy story (the ending game ample consideration there), yet in the end we do not merely want to see more, we want to see more and something entirely new. In that regard CD Projekt RED delivered beyond amazing in Witcher 3 and is as far as we can tell, surpassing excellence again with Cyberpunk 2077. These few makers all delivered 90%+ games, games for true gamers.

And true gamers like junkies need their 90%+ games to stay alive (to coin a phrase), it does not make other games unwanted, it does not make a game like the crew bad (well it does make it below par), yet it does make us wonder how far that game could have been taken, or perhaps what would be possible when it was upgraded to the max, or perhaps what happens when a 97% game like GTA5 is no longer merely is based in the fictional state of San Andreas, but has the ability to cover the entire USA, how many thousands if not millions more gamers would it attract? Streaming might make that possible, and as such streaming will be here to stay when it becomes a serious piece of work, yet in that when we see the wrongful (not incorrect) quote in the Guardian “Arcade, which was demonstrated during the unveiling of Apple’s latest iPhones on Tuesday, is an attempt to turn the mobile gaming industry on its head and add an extensive new revenue stream to the company’s books” (at https://www.theguardian.com/technology/2019/sep/10/apple-arcade-launch-netflix-for-games-will-cost-499-a-month) there is a danger that a lot of people forget what streaming could offer, the question becomes to what degree are either Apple and Google aware that this playground for true gamers is equally open for them to dig into?

In a lot of places we see: “Bethesda Softworks is providing a gaggle of titles for Stadia’s launch later this year: “DOOM 2016,” “Rage 2,” “The Elder Scrolls Online,” and “Wolfenstein: Youngblood.”” which is merely a new place to play games already released, yet the corner of what was not done has not been turned yet and I hope that we will see more than merely more of the same, streaming could potentially open a market and give a game that PC’s and consoles cannot offer. Yet until those are actually released, we will have to wait to see just how rewarding that platform actually is, we will know the initial in a week, but it is the second wave that decides on just how successful these platforms will be, it is where the consoles cannot go, that is when streaming services will prove their worth and their place in the gaming community.

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An Intellectual Property example, Part 2

Yesterday I gave you part of the introduction in story form, yet an RPG is far too large for story form (outside of the main quest), and when you consider that the Elder Scrolls V: Skyrim Special Edition: Prima Collector’s Guide Hardcover is well over 1100 pages, you see the impact. I wanted to double that (at the very least) not merely through missions, but by adding additional forms of gameplay.

Premise

As the game’s introduction ends, we get the call to go home, or to just wander. The nice part of an RPG is that it is up to the player. No matter which call you make, there is now an added incentive to sleep. It was not there in Skyrim to the degree Oblivion had it and I called that back. In addition, too long without sleep gives the fatigue icon, yellow means 10% orange 15% and red 20% loss on power delay to regain magic, longer to hit with strength, diminished strength, speed, become slower and so forth. Fatigue is diminished 25% per hour of sleep, allowing for small naps until you get home, and when sleeping for over 8 hours fatigue goes to -10% (instead of 0%), in addition to that, when fatigue is red fast travel deactivates (just like when you are emcumbered).

Part 1

Part one towards the main quest happens when you sleep. In the dark, the black the void, your dreamless sleep is the introduction by Sithis himself. The Daedric lords are all gone, the oblivion plane is no longer connected which is due to the followers of Stendarr. Stendarr and its hatred of Daedra and all magic were able to almost completely sever the link with Oblivion, but Sithis is not of Oblivion, Sithis is of the void and there the choices start. He still sees in Valenwood where magic has links, but the rest is dark.

Your kills made him aware of you and now he reaches out. It is your choice to let the new world be, or to restore the old connections, but to do that you must recreate all the shrines to all the Daedric princes, balance can only be maintained when they are all there and one had been missing for too long [spoiler]. To regain the first shrine a new night mother needs to be sanctified, a new dark brotherhood chapter must be opened and the power of Stendarr must be diminished.

A this junction you can ignore that quest, you will not be contacted again, it was the last offer by Sithis. You will learn more, but it is up to you.

Lay of the land

Restoration is a lot larger than ever before. To make this work I needed to look on a larger scale. The Oblivion map was close to 6 by 6 miles giving us 36 square miles. To make this work we need to change Cyrodiil. Basically I changed the parameters to be 300%, making the map 18 by 18 miles, giving us 324 sqm. This is important as the map of Skyrim needs to become twice the size. The cities change partially accordingly, the imperial city due to placement becomes 900% larger, Skingrad 400% larger, Cheydenhal, Leyawiin and Anvil 200% larger, Bravil remains a village, a mere 50% larger. The lay of the land is important for the story as the quests will besides Valenwood and Elsweijr include the previous lands. There are larger changes and smaller changes.

In darkness we prevail

The Dark Brotherhood has a lot of quests, the story is that the brotherhood was no more when the night mother was destroyed, Sithis will give signs to find the knowledge to create a new one. Yet before that can be done, you need to find people. The first quest is the ring of souls, a person can only wear two rings and a necklace, which is important as magic is directly linked to imbued magical objects in the game and the danger of having no magic at all, is a disadvantage (or a challenge) on a few levels. People are more susceptible to magic (until more oblivion links return), and you are more protected against magic, yet you can still be killed. The ring of souls resides with Olava the Feeble in Whiterun (your first trip to Skyrim), the ring needs to be retrieved from her grave in Falkreath. It will also give rise to visit the old brotherhood sanctum where a dark brotherhood outfit awaits (her grave gives the information). With the ring of souls we can see the darkness of a person and only the true dark will help us find those people. In this case the people are randomly distributed (8 in total), because of population the best option is the imperial city to find at least one, but that is the new stage, I want to prevent people of merely making a run to completion, not everything is set in stone making the fun to replay the game again interesting. It also opens up more venues to track down.

When a person is contacted and found, the ring will trigger the conversation that person has seen it in his dreams and we see the first connection. The dark brotherhood needs a new home and none of the places will be available, the sanctum in Falkreath collapses when you leave and the others are no longer there. Your new disciple had always been a mason in the past, and can turn a house into the entrance to a sanctum, providing the right house is owned.

[Venture part] The venture part is there to do other things (essential to progress in a few ways).

Once we have enough serfs, enough cash and a place the serfs will start creating the sanctum with the mason.

The sanctum once, properly sanctified in blood (I had to go there) will open the new chapter, recreating a night mother Ocheeva (from Oblivion) will become the new Night Mother to serve Sithis again. The body needs to be found (a Blackwood mission) and that is merely the beginning.

Locations

The game is set in many locations and the stage is that if you choose the Daedric restoration path, you will learn that the guilds need to return to keep balance, there is also another part. Cyrodiil can have two guilds, the other places only one, and the mages guild will ALWAYS be in the Imperial city, the other guilds however are open to choice, One in Skyrim, One in Valenwood, one in Elsweijr and another one in Cyrodiil. The fact that you decide where also influences the games economy system. So we have the Mages, the Thieves Guild, the Dark Brotherhood, the Fighters Guild and the Guild of Necromancy (destroyed by Arch Mage Traven before Oblivion) [has spoiler links].

Each area has at least three options and more important, the stage of creating a den also has options (see later in this story). I set that stage so that people could find joy in playing this game again and again. As the games progress you will also learn that you have choices towards where a Daedric shrine is placed, there are however exceptions, the shrine of Azure is ALWAYS in Skyrim (it was a lovely statue), the shrine to Nocturnal is always underground and in the same area as the Thieves guild. Some shrines must be above ground, some underground and some are uip to the player. The stage is that 17 shrines need to be created/completed: Azura, Boethiah, Clavicus Vile, Hermaeus Mora, Hircine, Malacath, Mehrunes Dagon, Mephala, Meridia, Molag Bal, Namira, Nocturnal, Peryite, Sanguine, Sheogorath/Jyggalag, Vaermina and Mannimarco.

Mannimarco was not a Daedric Prince, but he gets ascended to the Oblivion plane in the Necromancer quest, the former actual prince was destroyed by Traven, and the Colossal Black Soul Gem contains both souls, but can only function with one. Another choice whether you want to clean Mannimarco and destroy the Necromancers, or clean Traven and create the Guild of Necromancy. The stage is also tiled in another direction. There are connections that do not work, for example you cannot be in the Mages guild and the Guild of Necromancy, or the Thieves guild. A dark Brotherhood member will not be accepted by the Thieves guild or the Mages guild, the fighters guild will not allow thieves either. It created the stage where you at best can be in three guilds at one time; it also sets a stage where some guilds are created much later, so the opponents you face will be stronger (optionally much stronger). At the end you are removed as a member and like Oleeva you become a revered elder or a similar title in any of the guilds you complete with an added bonus and in some cases a new place to live.

Home is where you can afford a mason

As you progress you can again buy places, but there is also a small hitch [unrevealed spoiler], so be careful of the choices you make, some houses can connect to a guild, some guilds are on their own and some places can be vacated. More importantly depending on the mason you have (there are 8-12) and the upgrade books you find you will be able to add look to a place you upgrade. And this is where the large red quest starts, it is like a red line through the game and even as you are only involved at the very beginning, you will be introduced to the term serfs. Serfs or slaves are a bounty in this game, as you complete quests you are optionally rewarded a servant. A servant is also a financial responsibility, so you can only get it when you have a bank mark, some can be made house servants, most are workers, some can become an assistant mason (roll of the dice) and masons in your service can become Grand Maesters. That requires upgrade books. The large quest is the creation of New Kvatch and you need to lay the foundation for the gate with your bare hands (and pick and shovel). The creation of that place will take up to 600 days and cannot be started until you have 10 work serfs. The mission is offered through the commerce chapter, or if you walk to where Kvatch was, there is a notice that preambles the quest.

Upgrade books are like skill books, but the text is in another colour and has images. There are several, one is always with the Kvatch gate (Iron portcullis and stone wall), there are the gates, Iron and Steel portcullis, Iron gates, reinforced wood gates, Steel gates, Dwemer gates, Elven gates Moonstone/Silver, Silver/steel portcullis, Malachite Silver gate and the Ultra Rare Aylied gate. They are required to complete works and get a much nicer and more imposing city, two books are required to create a Grand Maester and becomes unavailable for the rest of the game unless you find another mason to head your workforce (or train one that has a minimum skill level).

The books are dispersed in places, whilst the easier ones could end up in a book store, the higher ones are in heavy boss chests, or in undefined locations with a 1% chance. The impact is that as you get a different gate, New Kvatch will also look different, more importantly its economic value will increase by a lot, when the gate is completed there can be no change, so the choice is almost final, you can change your mind if the gate has not been completed, however change also means a restart of the gate and all used resources are lost.

As the economic stage of time played and money earned impacts you get a more stretched value of the game and there will be rewards too, in New Kvatch you always get a house and a statue, there are optionally additional rewards [unrevealed spoilers].

The Powers that be (in you)

There was a liking in Skyrim, but also a linear flaw and I tried to address this. Your power needs to be retained in new ways and additional ways (like in Oblivion), Strength is in Melee, in travelling (not fast travel) and mining. Mining is a new skill, as we need a lot of resources and this you get to do in your own time (literally so), to get stone you need to bash proper rock 20 times, when you increase a skill it will be 19 and so on. whenever you level up, you have the option to put a point into Mining, Mining will go from 20-19, yet you also get a Strength point, you can gain in total 20 points this way, which also translates to 200 health as well, whilst normally you merely gain 5 health. In addition, a serf needs twice the time of your skill, so as you upgrade they all upgrade as well.

Physical

Block, Heavy Armor, One-handed, Mining, Smithing, Two-handed improve Strength, only 20 points and only if at least four skills have one skill increase, except Mining and Smithing, which always results in a strength point of two skill levels were gained, endurance will auto level by one if Block or Smithing increased by +2 in total (one each suffices) and no more than one point.

Magical

The beginning has a lack of Magic and optionally the gamer is almost without magic. Yet here too we see: Alteration, Conjuration, Destruction, Enchanting, Illusion, and Restoration. Magica always increases as Destruction or Conjuration increases, or 4 others do. Magica is linked to Intelligence; however illusion and alteration will increase willpower +2 in will be required to get +1 willpower (automatic)

Stealth

Stealth gives us Archery, Alchemy, Light Armour, Lock picking, Pickpocket, Sneak, Speech. Here we increase both Stamina and Agility Light armour and Archery leads to Stamina, auto upgrades are Agility and Speed (Archery, lock picking, pickpocket and Sneak +5). Here too is a little snag, Agility and Speed, Archery is for both, lock picking and sneak only add to Agility and pickpocket is only towards Speed. You must have +4 in either one to get one, and +6 in both to get one additional point in both.

Generic

Stamina auto upgrades through walking, swimming, Archery and Light armour, it is harder to increase Stamina, yet the influence is stronger at is adds a truckload of options to Endurance

Speech is the only one that influences personality and is linked to successful conversations, in addition if at least three auto upgrades are a fact (from either: Endurance, Willpower, Agility, and Speed) luck goes up by one as well, still with a limit of +30 in total over the game.

This means that he gameplay results in a much more fluid person. You can try to manage the perfect person, but as levelling up becomes harder, the auto levelling also becomes more challenging.

This change was essential as I saw that over time the Skyrim increases became slightly less rewarding. This keeps the chase towards excelling skills much more intact.

I made no changes to the skills as such, merely added Mining with the added option that when your mining skills are above level 10, you can teach (for a price) the skills to your staff members (read: servants) and as such more resources are gained, and the rule from half speed is overcome to some degree. So as your skill is plus 10, serves will be at plus 5 and in addition any additional skill you bought them, additional new serfs down the game will still start at level 0, however whenever you add a skill, they add 2 per level until they are at par with all the other serfs.

New locations

To facilitate to the new set, another location is needed, there are Stone and ore quarries. The mining for gold, silver, moonstone malachite and so on still exists, but they are more rare to find and every location will yield a lot more (up to 2500 per location). Buying a quarry will be very expensive, findin one and not acquiring it (with guards) imply that it will be taken over and the bosses there tend to have a much higher threat and skill level.

Main Quest

There is little on the main quest, I do not want to hand out too much information. Yet the beginning is a given, there is only magic remaining in Valenwood, and the system also differs from the beginning, magic people are distrusted (speech -40, with 10 as minimum value) anywhere but in Valenwood and non-magical characters get -40 speech in Valenwood, again with 10 as a minimum value. The correction is that you need to resolve the mistrust and solve the actual main puzzle and as you progress in the game, each mission will remove one distrust point per complete quest. The mistrust also mean that guards and others watch you more closely (sneak skills gets reduced) and any wrongful action is punished more strongly, discounts fall away and so on. As certain situations are resolved, you will be regarded better and travel becomes easier, also there is a chance to increase in one way and decrease in another. Serving Stendarr will get you less trusted in Valenwood and additionally trusted everywhere else. There is a need to find balance which also influences gameplay, going all out being good or bad has benefits, but also gets punished in other places.

All this was devised in mere hours, it took 500% more time to type it all out and create tables and so on. I wanted to give a much larger option to halls (artisan halls) so that not going into the Daedric restoration would still have a much larger impact on gaming and give you a real truckload of challenges. That choice would not affect the New Kvatch or a range of other choices. The fact that the larger story is designed to be independent of other choices grants a player with much more exploration. Even though all the locations (cities) are there, the game was designed not to have EVERY location in place. For example there would only be 10 of each Ayleid Ruin (Cyrodiil and Valenwood only), Cave, Fort, Mine and so on and via the Season pass there would be a truckload more in Skyrim and Oblivion, it also would enable to get more created matter to be acquired (or offered). I also considered that Battlehorn Castle comes back with the added option that every guild completion also adds a bonus to that place as well as the option to overhaul the castle in other ways. So as you find enough better rated bows, the defending archers would be more powerful, swords and shields for guards and so on. As you gain more in one way, you also lose in other ways; less money means more hunting for goods to afford the workers. A system that includes more checks and balances makes the entire RPG game more rewarding as well as more challenging.

The Intellectual Property example

The example is not merely about how I devised IP; the power of real IP is a stage where you are able to give the reigns of your mind to your imagination. All the BS you read on discipline and excel based bullet points sound nice when you work for someone else, but your IP comes from the stage where they never had a clue to let creativity reign. When I gave my bosses in the late 90’s the idea of a website server where people can get their space and talk to one another with us in the middle was laughed away as it had no business function and it was not part of the mission statement. Interesting how Facebook did exactly THAT 4 years later (and more). Your imagination can get you the rewards you wished for as long as you are willing to let that part of you take control of you when you can guide it (usually out of office hours). It is that part that too many people lost, or never gained and that stops innovation a lot more than you realise. It is not a coincidence that I came up with close to a dozen markers on new IP, I merely learned not to trust those around me to give me a fair deal, most often by those with a ‘what if’ setting. Those people are merely selling what they have or acquiring at zero cost (a lesson I learned too late twice over).

 

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an Intellectual Property example, Part 1

There have been some messages regarding my claim to IP, fair enough! So let’s take a look at a few parts (it’s not all in one part) on creating IP. First off, this is no longer my IP, I gave it to Bethesda, yet as a creator I still get to work with it, especially as I never received any acknowledgement. That is fine; I do not blame them, as they are always busy. Anyway, I created this after the initial Skyrim release on 11/11/11, it came to me after I had completed the game twice, this was created late 2012 and it took me less than 2 hours to think through and several hours to type it all (around 10,000 words). I will spread it over two blogs and it not all the IP I sent to them will be there, but it will have a fair bit.

Introduction

It was a nice evening; the sun was starting to set on a farm that was on the border with Valenwood, half way between Verkant Hills and Ein Meirvale. The boy looked out over the garden, he saw that the crops needed a little more watering, yet there was no rain in sight. His parents would be away for another two days and he knew that he was supposed to water the garden. He got up from his chair to walk to the well and started to lower the bucket and fill the bucket, as he felt the weight of the water added to the bucket as it sank he started to turn the lever to get the bucket back, it took a minute when the bucket was back at the top. He grasped the bucket to put it on the ledge and suddenly his foot gave way a little, still holding the bucket he lost his balance and down he went, straight into the well, as he hit the water the cold water revived him and then he hit something hard and he lost conscience.

When the boy woke the first thing he realised was that it was not dark, the light that went down the well showed the water, but in the well he saw that the well was a lot larger. There was a walkway around the well, more important, some of the stones in the wall were luminescent, lighting up the room ever so slightly. He looked around and saw 4 doors. He relaxed for a moment and tried to get his bearings. As he walked in the shallow part of the well he looked up and was able to se the top of one tree, he realised that the tree was to the north, so the four doors each was in one direction. He decided to explore and saw that only one of the 4 doors did not have a lock, he entered. The room was relatively small with a table with a lock in the table; on the table was a book, and there was a piece of metal. He opened the book and saw the text. The book was about locks and it explained that he was looking at an iron lock pick. it told him that the lock pick could be used to open simple locks, as the lock was made from the same metal the pick would only damage to the smallest degree if he did something wrong and not be hurt if he did things right. He looked around and saw hat thee were much more light giving stones in this room, he could see decent details. The room was filled with symbols that he did not recognise, and there was the lock. The book showed several locks and made reference to steel, Dwemer metal, orsinium steel, Elven silver steel and Oblivion picks, more important on how some picks can only be used on some locks with the exception of magical locks that required arcane glass picks. He tried to apply the knowledge and on the second attempt and the lock it opened and he heard a sound, he looked on the floor and there was a steel pick on the floor. He looked around and saw nothing else. He left to return back to the well. He looked up and there was a lot less light coming down now. He looked at the room and noticed that as he stayed close to the wall that the room was more visible. He looked around and inspected the 3 doors, all showing the same lock. He opened the second door on the first attempt, it opened, yet he saw that the iron pick showed marks, he pocketed the iron pick and kept the steel pick ready. In the next room was merely a chest, a locked one and the steel pick had no issue opening it. in the chest was an outfit, the outfit was meant for a woman, so he left it, what was interesting were the bright green colours and the weave was really pretty, he had never seen a dress this pretty, not on his mum or one anyone, so rethought his action and pocketed the dress for his mum. There was also a chain, a necklace. He pocketed that one as well. The next room was the same, but now the outfit was for a man, It looked really nice and it also looked brand new, which was odd as they lived on the farm with their grandparents, they never had anything like this before. There was also a small knife which was not iron or steel, it was more orange and really sharp, he attached the knife to his belt and left the room. The last door was the same but the room was different. It was more like a long corridor. He walked through the room whilst observing it, at the end was a trapdoor. The trapdoor had a text “you will fall twice your height and you cannot return, it is the only exit“, he considered a few seconds and decided to take that fall, waiting two days in a place without food was not a nice idea. He landed on stones and the fall was not hard as he knew what had been coming. In this room there were all kind of weapons, there were swords, maces, axes and bows. There were quivers with arrows and on the table was a small box and there was a note, the box only had a ring and when he touched the ring he felt weird, he felt more, and more important he sensed a level of confidence. He read the note.

Honoured reader,

This is the ring of Mana, the ring still has magical properties even as magic has seemingly waned for the longest time. I remember my life in the Imperial city where magic was common, yet over time as I grew older the magi all lost their powers, magic fell away. I was a mere merchant, yet I was never treated wrongly by those with magic. I once held in pawn this ring who was owned by an altmer named Faelian. There was a rumour that he died, but the ticket is still out, and the ticket if paid the total of 150 coins must be honoured. He was once a nice man falling on hard times. I remain a man of honour. The ring instils a person with magic, now that there is no magic left and the fact that this ring still works makes it very powerful and very expensive. Do what you please; if you are here in this room, it is yours.

I took the ring and the moment I put it on I suddenly noticed a book, it was weird as I did not remember the book to be there. I read the book and as I read it I felt my hand growing warm, I did as the book instructed and from my hand came a long flame, it merely hit the wall but I was amazed, I was able to send flames flying. I looked around and as I noticed the door, I also noticed that there was a plank locking the door in place. I removed the plank and entered the next door, it was no longer a room, it seemed to be a grotto and there was very little light, there were torches by the door. I grabbed a few and moved on. I remembered how to sneak, but I did not know whether I was doing it correctly. I moved on slowly. There was the odd rat down here, they were a lot larger, but the sword was really good at dispersing them. I could see decent with a torch, but it gave away my position. I walked on slowly trying to use my ears as much as possible. It took an hour, the grotto was winding yet always in one direction. I came to the end with no option, yet in the corner of the end wall was a hole. I looked down and saw nothing; I dropped a torch and saw that it was almost the same distance as the initial drop. I listened and dropped down the hole. This was larger, but still going in a direction. It was close to 5 minutes down the new grotto when I heard talking. There was light up front and I dropped my torch losing the flames. It was hard to see anything, but I moved forward. As the voices grew louder I started to make things out. There was a tent with two men, one was wearing a uniform. They were talking about proceeds. There were coins on the table and a dead woman on the floor. They were stripping her of all her goods. The men were laughing and separating valuables. a few coins and a jewel went on the table, the rest was discarded. Then the men separated, they were bad man, one walked to the entrance of the grotto, the other one went into the tent, he was lying down, going to sleep. I sneaked slowly making sure not to make any sound. I also went to the entrance slowly, I had switched to the bow, it felt comfortable and I kept an arrow ready. I moved slowly and then I head the man at the entrance say “You were right there was someone else. Kill him!” I suddenly heard commotion in the tent as the man got up fast. I released the arrow and the man looked really surprised as the arrow went into his skull, I turned around to deal with the other man and he had already thrown an axe. I missed me but made short work of my bow. As he was closing in fast I acted in instinct, raised my hand and let flames rip, he screamed in agony as he was set ablaze. When he was dead I looted what I could and as I inspected the tent, I saw and opened the book the Firmament.

This is where we enter the final parts of the character.

Where we are

Welcome to Elder Scrolls Restoration, in this game you get the option to make change to Tamriel. The world has changed, several generations after magic left us, even more after the age of the returned dragons we are in a world where almost all are equal. The magi are not above us, the imperial city is no longer ruled by the mages guild. There is apparently still magic in Valenwood, but non magic people do not venture there, the rumours are just too awful. We were all given equality by Stendarr, Stendarr be praised, we can all become merchants, artisans and artists. The guards of Stendarr keep the street clean, the brethren of Stendarr kept the people healthy, the give medicine and they feed the poor who cannot care for themselves. It is a lovely world and we can do whatever we want to do.

It is here where you take your first steps and the first option where you can decide what to do next. You just have to go home and get some sleep and tell your parents in the morning.

Unless there is breaking news that is really important, part two tomorrow, where you learn more about how things started.

 

 

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Electronic Entertainment Expo 2019

After last year there were issues, several on all fronts, and as Sony announced not to attend, we see the larger question, is there a need for E3? From my personal point of view, Microsoft will not be trustworthy (after their choices between the Xbox 360 and now), making it a Nintendo & Indie show, now, I am all for that and it could be awesome, but that is no longer an actual E3. Also, we will see the front carried by a few titles, yet they did so too last year and the blip verts show many images of what we saw last year too.

So as I use GamesRadar (at https://www.youtube.com/watch?v=xNCFmrkqQuY) as a handhold, let’s take a look at what we could optionally consider not watching in person there.

  1. Cyberpunk 2077. Yes, we saw a lot, we saw a lot before and for the most, we have blind trust in CD Project Red, they gave us the goods from the very start ‘You’ll see it when it is ready’ and with the Witcher III as evidence, we have all the confidence that it will be a smash winner when it is finished, the problem is that everyone is speculating or giving ‘I know a guy and it comes at …….‘, but the truth is CD Project RED has not giving a final date, if there is one, it will most likely be given at the E3 2019.
  2. Gears of War 5, it seems to be more of the same, it was never my cup of tea and as such, I hope people will love it, I truly do, but I see it as too much of the same, just like the next HALO which has number 3 and even as 4 player part might be nice, yet after Anthem, and every version connected to it (exception of Fortnite and Overwatch) I have seen enough to last me a lifetime, so the orchestra part was definitely overkill
  3. Another Star Wars game? Likely an absolute must for every Star Wars fan, I am not judging here, merely awaiting to see real game play.
  4. Session, a skateboarding game. It comes from Microsoft, so we will have to await the actual game footage and YouTube video to see what the actuality of that game is, personally I am kind of over all the Microsoft marketing, and we will likely see more on Crackdown 3, the game that was announced in 2014, coming in 2016, and has had delay after delay and is still not out. A game that is years too late, supposed to be AAA and gets a mere 57% from Metacritic, I think it was PC Gamer that gave us “It’s an OK game that could’ve been exciting a decade ago“, so as we were given presentation after presentation on the of Cloudgine for cloud computing support, we see the entire part blown out of the water. This now interacts with my article ‘At the end of a journey‘ (at https://lawlordtobe.com/2019/04/14/at-the-end-of-a-journey/) where we see the issue of Tim Stuart, Microsoft CFO giving us: “Xbox CFO on Google Stadia: “Cloud Won’t Match Local Experience”“, yes we said that for decades, making Crackdown 3 a joke at the very least and the years of delay a questionable side in what Microsoft regards as game design.

There are a few more games, some definitely interesting of checking out and a few to race for to the release date shop. Bethesda will be present with another Doom, for the lovers of that type of game a decent must. Ubisoft will try to wet the appetite with more ‘Beyond good and evil 2‘ yet there is no indication that there will be anything playable and GamesRadar as well as a few others have been whispering NextGen, so this might be a PS5 and whatever Microsoft puts on the market with an expected optional ‘always online‘ push by badly facilitating, and lets not forget the massive amount of space reserved for advertisement on your Xbox screen.

Nintendo will be killing the show, the next Pokémon is already making waves at present, so the impact will only increase, and that is merely the beginning, there will be an animal crossing, an exclusive Marvel Ultimate Alliance for Nintendo Switch, which must anger all the other consoles, as the previous two had quite the impact on gaming. And no matter how others slice it, the Nintendo Store with Switch version of CBM-64 golden games is only increasing the desire to own a Nintendo Switch, the idea to replay the Epyx great ‘Impossible Mission’ is just too fantastic to ignore.

We will get another call to Dying Light 2, yet at present no actual reliable release date as well as third installments of Luigi’s mansion and Borderland, both a reason to watch, both have a following and both have creatively emphasized on fun. There are more and more titles that are looking good (also on the Xbox), the makers of Fallout New Vegas and now part of Microsoft will be bringing the Outer Worlds. For those who remember Fallout New Vegas, consider an RPG, a lot larger, with more options, more challenges and more choices, there is zero chance that this game is not on the wish list of anyone who loves RPG’s, which is fair enough, Microsoft can’t get everything wrong. For Ubisoft it will be an important moment, Watchdogs 3 is on the list and according to rumours it will now be based in London. It is important because the first game became a massive letdown, yet Watchdogs repaired it to a decent degree in number two, not in the least because of the cast of Ruffin Prentiss who did an amazing job. So for Ubisoft the stakes are nothing short of monumental, they cannot afford to mess this one up. As I personally see it the Quality department better have their marbles in a row on this one. Ubisoft will have more if some of the leaks are to be believed. So their show, as well as the Bethesda one are the shows to be in the top ones both seasoned with the anticipation from viewers and gaming fanatics alike.

Gaming is more and more true mainstream, but it is also splintering gamers to a larger degree, in part we can blame people like Fortnite. It is not really their fault, they made genuine innovations, and more and more people nowadays expect that the system is no longer an issue when you are playing with your friends, which is actually no longer a given. With newbies Apple and Google, the interaction of games across platforms becomes a larger issue and no longer a given. Yet the audience is pushing and setting for a stage that remains debatable. Is it fair to expect PC’s and next generation consoles to group play?

The option that Microsoft consoles will interact with PC’s is to be expected, but is that stage equal for PS5 other solutions (Mac systems)? I am not claiming a yes or no, merely asking the question. If anything happens in the 5G stage, it will be that those interactions will find a larger footing, whether it will happen gets a TBA (to be announced) flag for now.

As I said Ubisoft has Watchdogs 3 nearly on ready is a large issue, on the plus side, if they pull it off, the value of the Watchdogs Franchise will skyrocket, mainly because the second in San Francisco was a large step forward from the first. The idea of London is appealing to many in other ways, the American population that needs to adjust to driving on the left lane is going to set the stage of many hilarious moments and the open world of London could be breathtaking. They gave us a great experience in San Francisco, so I expect nothing less than spectacular. It also implies that my idea for Watchdogs 3 could be an optional Watchdogs 4, so let’s just hope that game 3 knocks it out of the park. The only larger question will be Bethesda, they have confirmed that there will be no Elder Scrolls 6 or Starfield, which is nice to know, but Bethesda has a lot more IP so there is likely to be plenty to watch, and to be honest after all the slicing and dicing of Fallout 76, they need a win, a big win would be better.

In all this we see more of the same, the IP has stagnated to some degree, Minecraft (2009), Skyrim (2011), Grand Theft Auto V (2013), Elite Dangerous (2014), Witcher III (2015), No Mans Sky (2016), Fortnite (2017), all great moments of IP. I now distinguish between IP and a great game; they often go hand in hand, but not always. I believe that sandbox games, RPG games and tactical games will overlap more and more and will for the growing population of new gamers to be more and more important as well. We saw what could have been possible to some degree in Ghost Recon Wildlands, but not to the degree that could have been achieved. I believe that this is the IP that Google Stadia can build on.

Say What?

To see this, we need to look at the two stages of gaming. For the most, the games have a combined approach (the image is an analogy), so there are parts in the game that are used and in the core of the game, accessed when it is applicable. Yet another way is to take the Covert Action (an old Microprose game) approach, but now a next generation version. In this version in any sandbox, as we add a new element, the world would actually become bigger, or there would be more to do in that same world.

It was the foundation when I started the design of a game called: ‘Equilibrium, nature versus the machine‘. The biggest elements were finding a large enough play field (in my case Amsterdam), and set the stage where replayability would be more fun, so the stage required a very different approach, so that people could not chase from one point to the other to get a quickest time finale. In addition, I needed to set a stage where it would not merely be some kind of a ‘seek’ game (which is too much of a given when you finish the game more than once). In addition, there is the eye candy bit, so making sure it looks appealing and not repetitive was equally a challenge. For the most Amsterdam filled that bill. Yet, as I was contemplating the foundations for Elder Scrolls 7 and Watchdogs 4 I knew that they all had their hang-ups (not in a bad way), in every case it was what the player (in my case me) relied on, I wanted to change that concept, and in all honesty after hundreds of hours of Diablo 3 it felt an essential first to solve.

No man’s sky gave me additional idea’s. We look at it as some kind of failure, but the game is an achievement in many ways. If we accept that the worlds were set to a formula, what happens if we change this world into a formula and let the NoManSky IP recreate that world again and again? Then I considered what could one day be another Watchdog game, in this I wanted to push the envelope in another way. Hence I considered the stage where Kyoto was completely set to the game map, and I mean EVERY street. The game would now be large enough to keep a person busy for hundreds of hours and in the gender setting the game would have 4 versions two for each gender and each gender could get through the game as a criminal or a non-criminal, so the city had a light and a dark side. The interesting part about Japan is the lack of guns (and super strict gun laws) forcing stealth and forcing unarmed combat. As the monkey fist was a brilliant choice in the second Watchdogs, there was the option to keep it in, but also to make other weapons, weapons not to bleed, but to knock out. The nice part is that Japan has about 4 centuries of weapons in their history, so plenty of options. Technology (read: applied technology) is also more advanced (in many cases), so letting the game revolve not merely on the smartphone, but also Google glasses and the fact that in the hard setting there will be no English, gives light to a much bigger challenge. Having to rely on you wearing Google glasses (in the game that is) to read signs and to read instructions in the game to get your local language was appealing for a few reasons. It makes the game a much larger part of you. Adding weather and time constraints adds to the challenge and excitement. We forgot that the ‘you’ in your character was neglected more and more is also a consideration, having to eat and sleep on a regular basis could translate into a larger experience.

Finally the part where the elements come to shine; as we look at the coloured balls, we can see that mixing blue and red would create purple and between blue and dark yellow we would get a moss green. Now consider replacing the colour for a level, in normal mode hacking is one version, yet when we tweak that it is not pressing a button, we could replace the button with code segments that need to be found (and chosen), drastically increasing the challenge of the game, so what is a joy and still a challenge as well as an achievement on normal could be a mind boggling experience on hard and higher. So the smartphone could be upgraded, other versions of the (in game) app, also gives more options and buying an up scaled phone (more expensive) would give the player more destinations where he/she could strike it rich. Yet giving merely more and more is not enticing either, the added plus needs to be balanced with the drag in the negative.

It is what I envisioned in a new Elder Scrolls, adding the old limits. For example a person could not be fighter guild and mercenary (Blackwood company), a Mages Guild member could not be a member of the Thieves Guild and so on, so that at the most 3 guilds could be joined and until one guild had been completed some guilds could not be started. In this setting the game becomes more fulfilling, even in replay, as you start the second game with the Mages guild or the guild of Necromancy would impact your character to a much larger degree. To keep it appealing the setting of what used to be called the red wire challenge, a challenge that is not part of any main quest and happens over the entire stage of the game, so I came up with another challenge, to get there you needed masons, as well as special books (to be found) you could influence the look of the outcome with an Elvish, a Dwemer, the Imperial and the Ayleid version, all having distinct different looks and as the books are to be found in a different locations in every game, the hunt could be on for quite a while. With the introduction of new elements, reverting to an applied extra from Oblivion, So in the game there would be the option for Strength, Intelligence, Willpower, Agility, Speed, Endurance, Personality and Luck to be increased in other ways. Mining would result in additional strength, trading gives additional Personality, and Luck would grow with trade deals, finding mythic loot and so on, so even as the Skyrim approach of Illusion, Conjuration, Restoration, Alteration, Enchanting, Smithing and so on remains, with certain levels of Smithing and/or Mining surpassed the player would also gain additional strength, which gives added value to the carry and stamina numbers, whilst sickness and wounds have a much stronger negative impact. So a stealth master remains with attributes in the same area, any stealth master would have much higher agility giving the player an additional bonus. In addition, the stage of the game as I considered it had additional choices making for a much higher desire to replay the game in other ways and options. And as I went through it, it was the idea of changing the map in another way, As Oblivion was stated to be 40 KM2, Skyrim was stated to be 37 KM2 (this is clearly a: I thought it was bigger moment) ESVII (Restoration) would be no less than 780 KM2, adding to the game in a massive way, yet that also gave the stage where the current approach to a game map would no longer work (assumption on my side), so another approach would be essential. Optionally a two disc solution where the first disc is the install and map disc, the second one would be the actual game disc, yet in that stage the game would require a reserved space of no less than 150 GB (very loose estimate), as such the game would require other checks and balances as well. Whether it ever happens or not does not matter, the entire part is important in another way. When we consider the images I gave where the play world grows with the added segments, that approach would work very well for Google Stadia, so it opens up a new area we have almost never seen before, true open source gaming, a collective of gamers that could add to the game (with permission from the maker) not unlike some kind of a creation club, but in the foundation (the small balls), as a new enhancement is accepted by the game owner, we see that the entire gaming map and experience would grow as well, so over time, we get a largely enhanced game. Consider the merging of Elite Dangerous and No Man’s Sky, so not only do you play Elite Dangerous and travel from planet to planet, each planet could end up having an algorithm that allows to planetary exploration on every planet for the size of the planet, it would make it a game that takes a lifetime to play even in part. Yet what happens when someone created the module to add your own space station in an unexplored location? Consider the option for the gamer to have their own small station, grow it so that the station itself becomes an economic mark on the game as a larger whole. The nice part is that Google Stadia is in a much better position to bring that reality in gaming in the short term, so as the elements of IP are created and offered, we see the optional short term reality that Google Stadia could take sandbox gaming to an entirely new level and that would create the interest of millions of casual and recreational gamers overnight. That is not all, the stated lack of latency and the larger balance (implied) between latency and quality (much higher quality with less latency) only rises the level of opportunity for the Google players in the immediate future. I am not certain how active Google will be at the next E3, yet I believe that every eye will be on what Google can deliver, at that point the game changes for players on a global scale, so when I stated “we do hope that Sony is not stupid enough to follow the short-sighted path that Microsoft is on, they are now merely console number three and optionally before 2021 number 4 out of 5“, in ‘Lifting the Veil‘ (at https://lawlordtobe.com/2019/04/17/lifting-the-veil/) I did know what I was talking about and I knew what could optionally happen. Microsoft forgot what the power of true dreamers was (and optionally clueless on what they can still do), that is why Google could be the number 3 choice for a global gaming community soon thereafter, how far they rise depends on how innovative they continue to be, they are up against two titans that actively shaped the world of gaming for well over 5 console generations. So when these new technologies come, we will see a much more driven need for these players to be the best innovator in gaming, at that point it does not matter who leads, the gamer wins and that is just fine by me.

 

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We test da game

It is time to talk about Bethesda. It is having a rough week and not wrongfully so. Yet the application of exposure is something we do need to talk about. We see headlines like ‘Publishers like Bethesda Should Accompany Sony in Skipping E3 2019’; it is time to do a little more than merely disagree. Another review, the one from Eurogamer made a real effort to keep it clean and academically and that should be appreciated. With: “Bethesda’s attempt at Fallout multiplayer is, like so many of the series’ vaults, a failed experiment.” Those who played the Fallout games will know that this is a jab at Vaultec and that is fine. You see, the short and sweet of it is that we can look at Bethesda and think Nintendo; we can consider that Vault 76 is the Bethesda version of the WiiU and guess what? Out of those ashes the Nintendo Switch was born and it is a massive success, as such Bethesda can do the same, get a similar solution. Now, that does not stop the immediate, and it might not be immediately fixed, is that so bad? The fact is that Bethesda has never been a real ‘more of the same‘ company and we have applauded them for it and this time, we get to wait a little longer. Guess what, Ubisoft made us wait 9 months for Watchdogs (2012/2013) and the end result was still flimsy, Bethesda can outdo that achievement (effortlessly) whilst sleeping. Even as we see articles like ‘9 Ways Bethesda Can Fix Fallout 76‘, we see the impact of some people that have an axe to grind, merely because their expectations were smashed and that is fine. You should have seen me rant in the direction of France (specifically Yves Guillemot for screwing up the AC Franchise to the extent that they had done), we all have axes to grind and it comes with the field of gaming, emotions will run high. It is all linked to the complex mind and the necessity to play. We value that downtime like the hall passes we get on powernaps in the office on Monday morning, isn’t that what the Monday morning is for? When I looked at the list of 9 (at WhatCulture) there were parts we can optionally agree with and some we might not. You see, fast travel is a nice way to exploit glitches and the soul of Vault 76 might be the survival of you, as such the option “There’s not really any reason for the game to charge for fast travel, so it’s simply an unnecessary annoyance. It can be easily patched out of the game without upsetting its balance, and so it should be done” might be rejected, and focus on another stage. I very much felt like agreeing to ‘Add an Offline Mode‘, as this has been the core of everyone, to play offline, or online in solo, singular and lonely mode, optionally merely with the additional path to invite friends.

There I would go with ‘United we Stand, Lonely we Quest‘. I have friends (merely a few mind you) and I got unnerved way too much as they got into my line of fire. You see a marksman needs a clear field and when you get in my way you will get a bullet in the back of your head to remind the others not to get in my fucking way (I apologise for my applied use of French here). In a stage where an opponent needs to cross the 800-400 meter range so he/she can effectively open fire on me, my friends better not screw up my stats, I fought hard to have a decent accuracy rating, so one idiot getting in my way in whichever way is not my choice of acceptance, and people catch on quick, they kept out of my way and whichever enemy got too close was made permanently redundant (and they went down with satisfying graphics) . This is why I never cared for the Olympics, I absolutely love that the winner is heralded, yet why are the others allowed to live? (Sorry, I do have a weird sense of humour)

So back to that list as the previous part was linked to this. You see, I disagree with: “With the inclusion of an offline mode, though, Bethesda could also add in accessibility options for players to toggle the punishment factor of the survival elements“, I disagree here, if Vault 76 is about survival, having an impact and penalty is important, it also prepares you to not run into situations as most gung-ho players tend to do, survival is something else, it is cautious and tends to be slow. There is no greater sense of achievement as wiping out all life in a village and until the last person remains alive, these NPC’s had no idea what he was up against, which is a little wink at the Oblivion ‘Whodunit?‘ mission. In his list of 9 I failed to see a true link for greatness. There are valid points in there and some should be considered fast. Yet the bigger picture I miss is not what I saw, it is what I missed. In my view (apart from the bug fixing) which will take time and Bethesda is on it, I want to give a few points of my own.

  1. A built site needs a much bigger budget; in addition, the cost of defences should be down by at least 50%. Optionally build sites should be expanded on, so when the building budget is full, optionally expand it (for a price, or expansion mission add what would be up to 3 satellite mobile builders (one for each time a maximum budget had been reached), giving you the option to gain well over 100% of space, to optionally create an actual outpost, or perhaps link to a building, an official or community building, so that you can build something lasting. Not sure if that would be possible (software architecturally speaking), yet consider Fallout 3, who had not considered making the US Capitol their own personal space? Perhaps it is too large an example, yet that impact, like a subway station might be an awesome idea to build your own ‘town’. That was my hope when I was introduced to the intro of Vault 76, we understand why another vault is not an option, yet a failed vault (one that was not ready in time) is still an idea. Whether that idea is added as a DLC will not matter. It can even become a quest line in the game.
  2. Quests, there is (seemingly mind you) a lot missing here, as I mainly gathered from loads of reviews. My immediate idea was to add quests like ‘the Greenhouse effect‘. A mission that sets a stage where we need food to survive, aiding an NPC in setting up a greenhouse, growing vegetables and setting the stage to sell groceries to other settlers (a wink to fallout 4 Greygardens), not merely getting the entire structure up, but creating robots so that the work can be long term and automated.
    A similar quest could be created for clean water ‘the shape of aqua‘, and should not be repetitive in shape and challenges like the previously mentioned one. With these two in place, the game can give perks for outposts created. Another part for general goods stores ‘Crazy Goods‘ (a Crazy People wink). The trick is to make the challenges very different and testing, giving not merely a stage of improvement, but one with different sided challenges. It is one thing I partially missed in the past, there is a sneak preference in me, yet having a mission that is dependent on a technical skill, and perhaps one on heavy weapons/explosives and one on sneak gives a new view to how we ourselves, play that game, it is merely a thought. And it important to see that this is merely partial criticism on all this, I have not played the full game, not played to any large extent (merely a few hours at a friend’s place, as he has 4K and I do not). Even as it all looks impressive and even as it is buggy, it is still new, as well as in a new direction and that is what I love about Bethesda. I was never a rage fan, I never went beyond the first ‘the Evil within‘, yet they never stopped surprising me and they are willing to take leaps. They prove that their games are not for everyone and that is fine, the ones that do like their games tend to be extremely committed, you merely have to look at the Rage population for that part of the equation.
  1. Diversify! There are too many ‘password for terminal‘ moments in all this (I was given awareness of this, I have not tested this part). I get it that this is the operational stage of the Fallout series, yet the alternative to download terminals so that your Pip-boy can hack it (over time) gives us the need to find empty Holotapes and perhaps add the write capability to the Pip-boy (for the downloaded terminal), was that considered? How come that we cling to the ‘caps’ part, if this is the beginning, is there not a real needs for goods? Making the water, food and goods part more important and optionally also making those missions more rewarding? Then there is the option of ‘RandomWare‘. Spawn unique pieces in solo mode whenever a new game is created. So you cannot run to a place, you have to genuinely find it. For example a power armour helmet with sneak abilities (converting that item to sneak perks card perhaps), or a level 4 Rifleman card (+25% damage). This could be done for different sets and in different ways giving much more challenge and reward to the game. For example, adding 2 special parts for every S.P.E.C.I.A.L. skill might give the people true incentive to find every location and if those 14 parts are scattered randomly over 200 locations, the cheat guides will take a step back requiring people to become better players, it is merely a thought to consider. Consider that you have a game where you need to get lucky. That feeling that you get with Diablo 3, when after finishing the game 10 times, you still get a legendary item you never had before, in a trait that really gives you an edge; it is a real Adrenalin rush when that happens.

These are merely three elements that could add heaps to the challenge, prestige and rewarding sensation that is currently temporary lacking in Vault 76. I use the word temporary as I have complete faith that in the end Bethesda will come through for its players, so far it has never failed them and that must be said too. With about 5000 hours in the Elder Scrolls (not online) and Fallout, I feel that I know what I am talking about, besides the part where I have been connected to games going all the way back to 1982 (CBM Vic-20).

Is there more? Yes, there is always more but is that not the main concern with every Monday morning quarterback? So far Bethesda has not disappointed me and they will get past this, or perhaps not and the next gem we truly end up desiring is the one that comes after. It is always a side we have to accept, merely because games and gaming is not science, it is an art and art will always be personal, we either embrace it, or we do not. Yet in the end, like junkies we hope that the next Rembrandt is another Nightwatch, yet the next one might be merely ‘An Old Woman Reading‘, which is still a Rembrandt mind you. So when you realise that both him and me are both from the ‘van Rijn’ family branch, yet did that branch matter? It absolutely does not and I am not related to him at all, we are two separate trees completely (implying it at times, especially in New York was heaps fun, seeing the shock in the other person alone is worth the entertaining act), giving us another form of artistic entertainment.

When we realise that art is the foundation of any game you should start to realise how insane the Ubisoft claim ‘another Assassins Creed game every year‘ was. As I stated in a different blog before, it took me no more than 8 hours to create the foundation of Elder Scrolls 6 (not the one being made now), yet it is not merely the story, it is the art, the graphics (a part Ubisoft has truly mastered in all their AC games). It is the science of ‘AI’ so that the NPC’s are acting natural in the game and that part is still not perfect (in any game), there are so many parts and they all need to interact (making the Ubisoft claim much worse), because it all takes time and time will never ever bargain. It will never state that it will decrease itself in speed by 10%, it is the one constant we all face (until we die that is), making game testing crucial to success and taking into consideration that a game is finished whenever that is (the perfect CD Project Red) response to its fans. We can design and conceptionally spring the game in moments, yet it still needs to be done in the end and the visionary programmer will be worth gold at that point, yet the interactions with other parts of the game makers (graphics and sound) are still part of it all and that requires time. Bethesda’s approach to use golden oldies songs (in the fallout series) was a master move, we all (most of us at least) want those soundtracks with those old songs and they also give life to the consideration of classics, two home runs for the price of one. All parts that can be used to add to the game even more. The question becomes how to give proper positive impact to the gamer? It is a question no one can honestly state, not even the best marketeer. We can merely hope that the impact is appreciated, perhaps even loved by the gamer exposed to it. So far Bethesda has done really well and even as I was not playing them from the beginning (I started in 2001), I have so far never really been disappointed. Is that because I await the game, or perhaps I refuse to adhere to my own expectations? The second one is extremely dangerous. The moment that you start to live by your own expectations you will miss out, as I did ignoring Far Cry 3 for too long. It is an important moment even as I have raised my fist against Ubisoft for the longest of times, they got that one really right (4 and 5 a lot less so). If there is one impact for Bethesda is that they will face (deservingly) the issue that their launch day following will decline, yet I believe that they will overcome and any really great game will restore faith in the brand. Ubisoft faced that upbeat when we were introduced to AC Origin (still a true gem).

EA could face that same upbeat if they remaster (still a big if) the Mass Effect trilogy, they would have an option to fix the Andromeda parts if they are willing to go all out, but in the end, will they find the cash? It is important to look at this now; you see, most gamers cling to the old successes and so far plenty of people have seen the positive impact of a remaster, so the noise for the Mass Effect series is increasing again (and again, and again). Yet, is that enough? There is an option to set the stage for a fifth Mass Effect game, if the makers can learn to ignore the shouts for early release (aka muzzle their entire marketing division) and focus on quality, if the errors (seen in the first hour) are addressed and looked at as a challenge to make a better product, we see and we get to live through a new challenge that is a true new Mass Effect, but it implies that EA Games needs to be willing to put it all on the table and so far, they have not shown to be testicularly ready (aka they lack the balls), so why mention it? I am a gamer like all the other gamers and Mass Effect 2 is still one of the most perfect games I ever played; like everyone else I do want more of that and it is within EA to find that solution (there are millions of gamers wanting that) implying that if they get it right, it will come with millions of copies sold. Consider that Andromeda might not get that, yet link it with Mass Effect Hegemony (fictive future title) it becomes another matter altogether, especially if they are willing to change the focal point. I merely have to point at movies like: The Day the Earth Stood Still, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Earth 2, where the humans are basically not the good guys to create a stage that is invigorating, creates moral ambiguity and gives consideration to other venues. A game like that would be a game changer, especially in the Mass Effect range. That same path should be considered with Bethesda. What happens if we up the game, what happens when there are real setback to the choice of becoming Railroad, Brotherhood of Steel or Institute minded? Just like we saw in New Vegas, where a direction impair another one, when direction offers options as well as impairment, we see a need to replay the gamer and that replay is actually just as exciting, providing that the missions are different and new, not merely a palate of sense (replace goods with slaves), it is a path less trodden because of the effort needed, yet the impact also implies that the game is valued up to 200% more that way.

We are all protective on what we desire and love, especially the games we embrace, it is natural to do so, yet we must be willing to be honestly critical when it does not meet our realistic expectations. As long as our expectations were realistic we will be able to do that, as such I feel no reason to joining the AOC (Active Oxhorn Critics). Here we see (via Reddit) “Seems like people hate the game despite it being good or not“, as the operative part is: “Oxhorn gets hate for actually liking Fallout 76“, it does not matter whether the expectations of Oxhorn were really low, or that he is like me, in Bethesda he trusts, all others pay cash up front. His dime, his choice. People are entitled to that part, plain and simple.

Faith is strange and fickle that way. I believe that the entire setting of the stage is not the one or the other, it is the appreciation of art, especially art that remains in transit and is still being upgraded, when the final product is a good one. We got the value for our bucks. Even if that is not the case, the price of art is what we are willing to pay for it. I have always been willing to pay $20 for any Rembrandt, yet that is the limit of my budget for an oil painting. Others pay $1200 for a pre-released No Man’s Sky, it is merely what we are willing to shell out at that moment and it is up to us to learn that we accept the choices we make. So even as some feel really bad of getting a launch day copy of Vault 76, we merely need to learn to look at the right sources informing us on what is and what is likely to be. Granted that this is difficult when a game is as large as Bethesda, or Project Red RPG’s, yet in this the success versus fail rate with these two players is so far massively in favour of the ‘I trust my maker‘ that we tend to go with the launch day part.

We win some, we lose some.

So get over it, especially as Bethesda is openly and loudly committed to fix the product, which in the end is still the biggest part we need to accept and I did mention the result after 9 months of waiting for Watchdogs 1, did I not? So let’s give them time to do the Sir Fixalot routine and await the upgraded result.

 

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The Elephant Room

It started a few days ago and I talked about it in my previous few blogs. I was wondering how to set the stage, because setting the stage to a conversation or an explanation is important. Whenever I taught data technology and data cleaning solutions I always relied on my ability to give the students something to relate to, it is easier than you think, it merely takes a little imagination. Just like my mind envisioned two new video games, it takes little effort. Now, if I was a crack programmer, I could make those games a reality, but that is where the shoe does not fit. I can script data in any form, but programming a video game is not my forte, just like drawing is not my forte either. I am a crack photographer, I can edit the pictures with the greatest of ease, yet drawing is not for me. Even if I can see what I want to draw, my hands fail me when it comes to drawing. Knowing my limitations was never a problem for me and hiding them is a waste of energy. If I add the vision of Elder Scrolls 6 (now optionally Elder Scrolls 7), I have come up with close to half a dozen games, including an out of the box far-fetched version of Watch Dogs 4. My mind is never ever sitting still, it is always crunching data. Whether it is a new weapon that could optionally sink the USS Zumwalt (anything smaller was not a challenge), an optional never explored novel idea to let any Iranian nuclear reactor (or any other reactor) self-destruct on itself (OK, It is an idea, but an untested one), the creative mind can be pushed in every direction you want to push it to, if you are willing to let your mind go there.

Whether it is a simple fantasy story, or a new movie, the setting is simple, let your mind go free, that is all that is required. Yet, the brain needs nourishment, in my case it is music, I found out that different scores, will set my mind in different directions and it is not set in the style of music, Whilst one album gave me the brain jump to get me to find the Zumwalt pounder (initially merely a solution to take down the Iranian navy), it was David Bowie, and his album ‘the Next day’ that pushed me to make an initial design of the Elder Scrolls X (formerly known as ES6). I never figured out why it happened, merely that it does.

So in all this, we get to Far Cry 4, In that game (which I recently started to replay (and it still irritates me that the programmers pushed for assumption is pissing me off), anyway, the DJ in that game mentions on the car radio: “Let’s talk about the Elephant in the room, let’s talk about Pagan Min“, the mere ‘Let’s talk about the Elephant in the room‘ got me to today’s part. It starts with the Guardian (at https://www.theguardian.com/world/2018/oct/22/erdogan-to-reveal-naked-truth-about-khashoggis-death). There we see: ‘Erdogan to reveal ‘naked truth’ about Khashoggi’s death‘, which is nice if he reveals stuff, yet it is all covered in loads of insinuations, is it not? So we see: “A Turkish intelligence source told Reuters that at one point Qahtani told his men to dispose of Khashoggi. “Bring me the head of the dog,” he said“, “it is possible that the president instead sees the episode as a chance to engineer a recasting of the political dynamic across the Middle East, chiefly by weakening the crown prince’s authority“, as well as “It is understood that Erdogan has not shared the recording with the US“. This is all partial game play, a game of innuendo, Turkey, as the mere assisting tool for Iran is playing the media.

The Evening Standard is playing that same game with: “Mr al-Otaibi is said to have been recorded in a seven-minute audio clip during the alleged torture of Mr Khashoggi, saying: “Do this outside; you’re going to get me in trouble.”” and not just them, yet the people are still to hear that recording, that piece (at https://www.standard.co.uk/news/world/sevenminute-audio-captures-screams-of-dismembered-dissident-journalist-jamal-khashoggi-a3964306.html) 4 days ago, gives light to all kinds of innuendo, whilst the recording has not been shared, has it? So how stupid can a journalist become? And whilst we again see (in several publications) “The audio recording allegedly captures the Washington Post columnist’s screams as he was dismembered“, no one ends up having heard that recording that is now seen as ‘not being shared‘. In this the media has been a much larger failure. In all settings, Turkey as a mere knave of Iran is not shown to be in alliance with Iran as it continues its proxy war on Saudi Arabia, is that not weird either, merely because it is part of all this.

Then we get to another part, one that involves Lolwah R M Al-Khater, the foreign policy spokeswoman of Qatar. When she stated: “She had faith in the Turkish justice system“. I would really like to demand that Lolwah R M Al-Khater calls the editors and chief editors of the 214 journalists that were jailed, it includes the 22 convicted, and 4 detained at present. I would really like the recordings of those (chief) editors to be played for the news, and I think that if she truly believes in ‘Turkish justice‘ she has no problem with that, does she? It is not like she is optionally busy, is she?

So even as we see dozens of articles on the continuing saga of Khashoggi innuendo, there was one who gave us a mere 17 minutes ago: “400,000 severely acutely malnourished children“, merely a part of the 8.4 million Yemeni’s in that position, a position that Iran and Hezbollah are bolstering. So whilst we see certain parts, we need to take another step towards CNN, in light of certain parts they played. In this case it is an opinion piece. The article (at https://edition.cnn.com/2018/10/22/middleeast/jamal-khashoggi-murder-cynics-analysis-intl/index.html), gives us ‘Jamal Khashoggi’s murder shows that the cynics have won‘. There we see at the very end: “Khashoggi’s horrifying death has not brought the best out of (most of) the international community. It has given way to cynical, transactional calculation. And as Oscar Wilde said, “A cynic is a man who knows the price of everything and the value of nothing.”“, the writer Tim Lister gives us the goods and he is from my point of view merely partially correct. You see, I agree with the setting as my personal thoughts are (in all honesty): ‘Khashoggi was optionally a nice guy. I did not know him and I do not care about his life or death, he was a journalist!‘ You see, if the newspapers had given us a much better view, not relying on all that innuendo, we might have cared, yet that was not the case, the overall stage of journalism has lost its value to us because of the actions taken, because of the allegedly, unnamed sources and almost never ending amount of innuendo, the media is being used as a tool for people like Erdogan to take centre stage and almost nowhere did we see any recollection to those jailed journalists in Turkey, did we? We also did not see any mention of the Turkey-Iran alliance and the fact that Iran is in a proxy war with Saudi Arabia (and has been for the longest of times) and the bulk of the Yemeni population is feeling the impact of that.

There is the elephant in the room, the part that the media avoids!

So, now on the Saudi Arabian side of the events, we agree things have been done really really badly, actually the only one doing allegedly a worse job is GRU director Igor Korobov with the operations in Salisbury and the Netherlands (OPCW), that part is still on the minds of many as well. If this required a creative mind, then there would have been no issue. You see, taking care of Sergei Skripal could have been done with a mere illegal weapon acquired in Ilford (Redbridge, UK), take him out with the right donkey punch, make it look like a robbery and problem would have been solved. No OPCW operation required. The same could have been said for Khashoggi if that was the true operation. Merely give him his papers, super fast and courteous, wait for that next trip and fulfill the mission, no involvement of any official grounds, the divorce papers puts the embassy in the clear, a person like Khashoggi will get around and the right place will open solutions of several kinds. So, you see, the creative mind can be kind, can be joyous and it can also be horrible, and when its training has been to solve puzzles and data equations, cleaning a data set is like a simple targeted killing, it is merely a puzzle to solve. It only needs the variables and the proper environment to stage the solution. Unlike the media that merely solves its own problems through innuendo and it is seemingly treating some events like it is the elephant in the room, giving the readers less and less to trust. So there is the part where I disagree with Tim Lister, we became more cynical and today’s press largely made it so.

Oh, and to end the stage of creativity, let’s look at the Iranian nuclear meltdown solution, I will merely give you two hints, the first is 1:3:9, the second is the image you see here; that is how I got to the optional solution, it also gave me the idea to designed a wasp valve and a piranha valve to ‘introduce’ the meltdown (deployment was a separate puzzle to solve). Now, I cannot vouch that it will work, but if it does, it should work on many reactors, so never underestimate the creative mind willing to really jump outside the box, an ability that is seemingly lost on many people. A person with Business Intelligence and no creativity is nothing more than an excel user going through the numbers trying to tell a story that people with lack of vision will be willing to swallow.

 

 

 

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Holding pattern

It feels like the world is in a holding pattern, it is awaiting events and there is no news on a few fronts. The first is on gaming; a little over two weeks remain until the E3 starts, which is when the actual (official) news is given. Part of me is sad, because there have been so many leaks that I fear we already know what is coming to the larger extent. In this I got confronted with more issues surrounding the Xbox One, and even as they proclaim it is going good, I am of the mind that good just is not it, it will not even be close to it. If the Business Insider is to be believed, there will be a lot more bad news coming to the Xbox One owners, the article (at https://www.businessinsider.com.au/playstation-4-vs-xbox-one-e3-2018-5) gives us “‘Crackdown 3’ is an exclusive Xbox One game, meaning it will work on the One X and One S“, implying that this is the first game that no longer supports the Xbox One. Pushing people into upgrading to new hardware? I see that as one more nail in the coffin called Xbox. The information (at https://www.xbox.com/en-AU/games/crackdown) is equally sketchy, yet that game cover does not have the HDR part, implying that there might be two editions, one for the Xbox One X and one for the normal Xbox, which would be very acceptable, implying that they are soft pushing people to upgrade their console which is a fair and acceptable business practice. I wanted to be certain and no misinform you, so far there is no real mention on it, yet there seems to be a version on HDR (implying Xbox One S and Xbox One X only), in addition one source had another box art, yet Amazon did not, neither did a few other shops, so this could become a very large issue close to Christmas as the latest (unconfirmed) issue is that release is planned for later this year.

The PlayStation has similar holding patters, we know the four larger titles and that is it on the exclusive front, implying that both will be a little more dependent on the makers like Bethesda, Ubisoft and EA to hold the candles for unexpected news. I am particularly interested in what Ubisoft brings. I think it was 2 years ago, when they truly hit a home run at the E3, in that time we all got overwhelmed by Ubisoft that had cleaned up its act. AC Origin exceeded everyone’s expectations (including mine) and playing on a much higher level the second time around had been fulfilling in a way I never expected. In addition, even as I kept a distance from Far Cry 5, it shows, that for those who wanted more of the same, it did satisfy, in addition its first actual setting towards open gameplay was a true evolution, so those who wanted ‘more of the same‘ got a lot more than they bargained for and that is a good thing. So we have no real idea what Ubisoft is bringing and that is good, knowing all the things that matter beforehand is not good, it takes away the WOW factor in announcements and I think the French know that. In that same setting we also look forward to Bethesda, who apart from last year tends to make homeruns, they focused on the VR setting last year and when you are not into that you tend to feel left out a little. So here’s hoping for this year. Most are hoping for a new Elder Scrolls (non-online) game announcement, which is a stretch and unlikely. I am still proud of having made an initial setting for Elder Scrolls VI: Restoration, but it seems that Bethesda had other ideas. Fair enough, it is their IP. Yet we recognise that Skyrim was 7 years ago from initial launch, we should give the cautious setting that it is time to WOW us with a new one, especially after 7 years. Fallout 4 is getting towards its 3rd anniversary, yet with the season pass giving us so much, we still feel decently satisfied for now. I personally feel that a Fallout 5 is at least 2 years away from a clear announcement and for those overwhelmed Fallout shelter can keep your blood flowing on mobile and a few other devices, the fact that it is free and no real purchase is needed just makes it an amazing extra. And that is all for the games section at present.

Rocket Men

There is a man, a Rocket Man, it is not the man in the song, not the quote from the movie; no, as we see (at https://home.treasury.gov/news/press-releases/sm0392), we are given the US Treasury setting: “the U.S. Department of the Treasury’s Office of Foreign Assets Control (OFAC) designated five Iranian individuals who have provided ballistic missile-related technical expertise to Yemen’s Huthis, and who have transferred weapons not seen in Yemen prior to the current conflict“, the issue I have voiced for a while, again I have been proven correct, and even as the media at large was all about calling Saudi Arabia names and just blindly staring at the victims (which is not entirely wrong), we are treated to “Treasury is targeting five Iranian officials who are associated with the IRGC-QF and Iran’s ballistic missile programs. Their actions have enabled the Huthis to launch missiles at Saudi cities and oil infrastructure. They have also disrupted humanitarian aid efforts in Yemen, and threatened freedom of navigation in key regional waterways“. I agree to some extent with Treasury Secretary Steven T. Mnuchin, I do not think that he is entirely correct. To give understanding to my statement, we need to look at the 5 names.

Mahmud Bagheri Kazemabad and Mohammad Agha Ja’fari who were acting for or on behalf of the IRGC Aerospace Forces Al- Ghadir Missile Command. Javad Bordbar Shir Amin and Mehdi Azarpisheh who are members of a special forces unit of Iran’s Revolutionary Guards responsible for their extraterritorial operations, they report directly to the Supreme Leader of Iran, Ali Khamenei. In addition there is Sayyed Mohammad Ali Haddadnezhad Tehrani, who is allegedly providing, financial, material, technological or other support for, or goods or services in support of, the IRGC Research and Self-Sufficiency Jehad Organization. I use allegedly because without the clearance levels I cannot vet the final part of data there. I believe that Sayyed Mohammad Ali Haddadnezhad Tehrani has at least partially and most likely fully deployed Chinese walls to isolate him away from that, yet there are at least three names missing, these people are part of the training and deployment side of the missiles. It is my personal opinion that Javad Bordbar Shir Amin and Mehdi Azarpisheh could not have arranged that by themselves, they are without doubt involved, but on that level they had higher level help, not merely the smuggling of the missiles, the deployment, training and smuggling of the missiles is specific knowledge, it is very specialist knowledge and in that (at least) three names are missing. That mess is actually growing. It is seem in the first part in Bloomberg (at https://www.bloomberg.com/news/articles/2018-05-23/doubts-emerge-at-eu-steps-to-counter-u-s-iran-sanctions-threat), in all this we see at the end “The commission is also looking at creating special purpose vehicles to allow transactions with Iran, the people said. The effectiveness may also depend on whether the U.S. treats them as a circumventing tool, one of the people said. “If in the end jobs will be lost in Germany, one has to ask whether this is the right thing to do,” German Economy Minister Peter Altmaier said in a TV interview last week“, it is an issue! It is an issue, because mere open source intelligence and common sense gave me the inside view that have been proven correctly, the entire Iranian mess as we see now, whilst the people in the Bloomberg article are all about acting or is that not acting) because jobs are lost, whilst the entire missiles on the attacks on the Saudi civilian population is just ignored as well as the plight to the Yemeni civilian population because of the acting of Iran, the EU has a much bigger problem and it is time that the people start thinking this through. From my (an admitted optional flawed view) is that the Iranian mess started with Sayyid Ruhollah Mūsavi Khomeini and never stopped being an issue, which amounts to January 1st 1980 being the setting for the mess we are in now. I am willing to admit that if the US and UK had left Iran alone in the actions of 1953, we might not be in this mess, but that is too much water under the bridge, what is the setting is that the BBC (at http://www.bbc.com/news/world-middle-east-44230983) gives us Ayatollah Khamenei’s main conditions.

  • European powers should protect Iranian oil sales from the US sanctions and continue buying Iranian crude.
  • European banks should safeguard trade with Iran.
  • The UK, France and Germany should pledge not to seek negotiations on Iran’s ballistic missile programme and regional activities, both demanded by Washington.

The supreme leader said that if the three counties were unable to meet these demands, Iran would resume its enrichment of uranium. this translates to ‘do not interfere in Yemen‘, which is a regional activity, the fact that EU politics seems to be very willing to do that makes for more concern, in addition, when we look at the newspapers in the EU, we are left in the dark on several issues, which is also a concern. They are all focused on the Saudi attacks, the Yemen events, but not on the Iranian support setting for firing missiles into Saudi Arabia, that seems to be off limits and that is a massive issue as I personally see it.

So here to is the beginning of a holding pattern, an issue that is stretched over time, allowing for non-activity to rule the setting. Now, there is a twofold part, one is positive, because there is a partial setting where waiting the next move makes perfect sense, yet the numbers give us that thousands are getting exposed to Cholera and famine, not a combination you want to see, because at that stage, even with medical hep, the chances for surviving are not that great to begin with. Even as the people on Facebook are hiding behind “Stop the Saudi-led war on Yemen that kills civilians and destroys the country infrastructure“, the bulk of everyone remains in denial of Iran’s part in all this and the fact that Yemen is used as a stage to attack Saudi Arabia whilst Iran relies on ‘I know nothing‘ is a setting that is much worse because those are the people who the EU are trying to keep their business alive within a nuclear setting, whilst there have been clear indication that Uranium enrichment is an event that will be happening in Iran. Yes, that makes all the sense in the world (implies sarcasm).

The holding patterns cannot be fought, because acting is not always the best thing to do, yet the entire Yemeni situation started in March 2015, well over three years ago, so I think it is time for the EU to actually actively respond to the actions of Iran, they have had enough time and intelligence to act. Their non-actions at present should be regarded as beyond cowardice, cowardice to facilitate to those who need a deal, who need financial blessing (read: greed). To illustrate this, WikiLeaks gave us in 2007,

In any case, France is prepared to “go beyond” multilateral Iran sanctions. A/S O’Brien suggested that the GOF make public statements about the risks of doing business with Iran and the recent decisions of major European financial institutions to cut off Iranian business. France is currently developing new legislation to criminalize arms proliferation and proliferation finance, above and beyond its criminal penalties for violations of UNSCR 1737 and 1747. O’Brien passed GOF officials two Treasury non-papers on Iranian state-owned Bank Melli’s proliferation-related activities and the Islamic Revolutionary Guard Corps (IRGC) and IRGC-Qods Force’s extensive use of the Iranian state-owned banking network. Regarding private sector outreach, A/S O’Brien met with senior officials at Paris-based Banque Natixis to discuss the risks of doing business with Iran“, for the forgetful, that was when Mahmoud Ahmadinejad was in office, so there had been a massive drive to get more ‘revenue’ for the Natixis board of directors. I guarantee you that it goes downhill from there, the settings we see are not great, it never was, yet the need for the EU to do something and not as a 27 nation block keep on sitting on their ignoranus was not what the people were signing up for. That evidence is seen at the UN (at https://www.un.org/press/en/2018/sc13225.doc.htm), in here we see “attacks against civilian targets in Saudi Arabia were unacceptable and raised concern over the Panel’s findings that Iran had provided short‑range missiles and unmanned aerial vehicles, in breach of paragraph 14 of resolution 2216 (2015).  Urging the Council to stand firm against such violations, he said that while the United Kingdom had sought to ensure a balanced and impartial text, it also had not shied away from calling out those who had violated international agreements“, in that, Russia hid behind “The Russian Federation’s representative, also speaking before the votes, said he could not support the United Kingdom‑sponsored draft, as he did not agree with its inclusion of unverified information. Assessing the Panel of Experts’ work in the manner mentioned in that draft was misguided“, so whenever a Russian firm approaches Saudi Arabia for a Neom or Vision 2030 project, we should make sure that the Saudi officials are reminded of the SC/13225 meeting on 26th February 2018. I should see if I can get an opportunity there too, my bank balance is really really low at present. So in the end we all act on economic needs, the only difference is that I am doing it upfront (making it no longer a reality), but if I can stay honest, why not the elected officials that make well over 3000% of what I end up with?

Is that not an interesting question too?

Have a great day!

 

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