Tag Archives: IGN

October 7, 2023 · 00:35

Where is the Fata Morgana?

Yes, this is about Ubisoft’s AC Mirage. First of all, this is NOT a review or rating setting. This is about impressions. If the spin systems is about giving you impressions, I need to give you an Impression too, but it needs to be fair. 

And I cannot give you a review, because I did not play the game. Yet I believe that YouTube is filled with people who ddid not play it either. So here comes

On the plus side
It is stated by many sources that this is a return to the original AC games. I consider this a plus, no doubt about it. On the second side are the graphics and AC Mirage drips with amazing graphics. All the play throughs I saw, the graphics were amazing. The stage is set in a wonderful way. 

On the debatable side
This is my view, but the game is 78% at metacritic, the rest is giving it around 80%. That is not good. A game like this needs to be 90% or better, or at least very close to 90% and that is not a given, not from any of the sources that I find creditable. In a larger station nearly all of them have issues, bland this, bland that. It is THEIR views. What I saw is actors who gave 100%, to give the best characters. Characters like mentor Roshan, played by Shohreh Aghdashloo is more than a treat. Lee Majdoub plays Basim Ibn Ishaq and they did a great job from everything I saw online. Yet some reviewers say that this was bland, which amounts to not good enough. I feel uneasy to agree with this. The critical side on the story line is something I can support. You see, some sources give us that Assassin’s Creed Mirage is estimated to take players around 11 hours to beat the main story, 15 hours with side-missions added and just under 24 hours for a 100 per cent completion run. This is nowhere near good enough. It is less than the very first AC game. Yes, I have heard the setting that is was meant to be a DLC, I have heard that this game is only $80, but from those settings I state that this game is merely 50% of what it should be. This is an impression I have. If 24 hours is 100% and we see an introduction of around 2 hours, we see that this game is decently less than we find acceptable and Ubisoft should have done better.

On the bad side
To many reviews have issues with the game, to many media give us something is wrong here and we see too many YouTubes that give is all kind of solutions and shortcuts on the SECOND day. How weird is that? In all the parts I have looked at, this should not have happened, the fact that these video’s are out before the first weekend is out implies that Ubisoft have lost grip on the situation to a degree that is just too weird to mention. I get that these things become too openly available in week 2, but to see all this on day 2 is just unacceptable, it also gives too many people a reason to skip this title.

Verdict
I cannot say whether this game is good or not, but certain issues make this a lot less good than we would have given this. To give a frame of reference. I played the very first game on PS3 and Xbox360, I never got ALL the flags, but that was OK. I got nearly all of them and I played the game at least three times (twice on the 360). The game was above all a joyride of the first order and I believe that this part is seemingly missing in this latest edition of the game, especially with a main storyline a mere 11 hours large, and if that has a one hour introduction, the game is shallow. Too shallow. This is my view on the facts given to us and what angers me is that this IP was great, it was truly great. And the graphical side implies that the Ubisoft team hasn’t lost their touch. So why a game a mere 11 hours long? Forbes gave us ‘‘Assassin’s Creed Mirage’ Reviews Are In And Just Okay’. Really? Just okay? That implies that Ubisoft is pretty much done for, and that is the firm Microsoft is sharing cloud conditions with? You have got to be joking. Other sources tell us that the completion time is less than 24 hours. Is this true? I cannot tell, but too many less than stellar views made it important for me to set my impression on the internet too. For those who have Ubisoft plus or Game Pass it does not matter. Oh it does, it is not on Game Pass, but apparently it is on Ubisoft plus. I reckon that Game pass will get it when the price drops in the shops. When we get another list of issues and ‘features’ and the game goes the pricing of some of the other Ubisoft games, it will probably be launched on Game Pass. And that is not speculations. Yesterday I saw some articles that there are stability issues. Is that true? I cannot tell, but these all relate to the PC version. So I cannot say whether this exists on Xbox or PS5. 

But overall none of these negative sides should exist. This is as I personally see it another flaw in the Ubisoft testing side of matters. Yes, it is speculative and it is my personal view, but consider that we see articles of game freeze issues. Perhaps valid, perhaps not yet the larger issue is that this should not have happened, these issues should have been captured in alpha stage, in the alpha stage we should have seen a much better storyline (read: longer) because if Ubisoft sees a main line of 11 hours as acceptable, they truly have lost the plot in gaming. That is how I see that part. In addition to all this we see all kinds of other issues. Yet, we do not see them from credible sources. As such I am not stating that these articles are false or wrong. I merely wonder why others aren’t giving us those articles. Is it platform related? Is it a simple glitch? Your guess is as good as mine, but the fact that these articles are out there is a call for other matters and I will let you consider what the matter is. I honestly do not know.

So consider what you will do, but I do recommend that you check with the sources you consider credible (example: EuroGamer, IGN)

Enjoy the day and enjoy whatever game you really like.

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September 4, 2023 · 19:37

It’s a game Jim.

Yup, I just went there and as it is about starfield I feel correct in going there. You see, I might have given correct (or incorrect) voice to a foundational issue, or issues. Yet I am not playing that game. So I cannot say one way or the other and here IGN comes in. You see they have been a clear voice for a long time. 

Not everyone likes IGN, but together with Eurogamer they are a clear voice and there are a few thing you need to know, things given to us (at https://www.ign.com/articles/starfield-review) aptly named ‘Starfield Review’. This does not give us that the other voices of review are suddenly wrong, but this is new IP. Things will go bump in the night. One thing that stood out was “Even after about 70 hours there are major quest-lines I haven’t even touched, and others I barely began. I’m eager to go back and finish a lot of those up now that I’ve completed the main story.” Did you make that small jump? ‘Even after 70 hours’? This makes Starfield surpass Skyrim by a fair amount. There are matters of concern when you see “In typical Bethesda fashion, that main quest isn’t terribly flexible in how you resolve the situations it thrusts you into. Your options here are, for the most part, about picking whether you want to be a boy scout for whom a good deed is its own reward, a wise-cracking mercenary who asks to be rewarded after doing a good deed, or an all-business mercenary who demands to be paid up front to do the good deed.” This doesn’t make the game, bad, lousy or lacking. It is merely an approach to RPG, one that Bethesda had done for the longest of times and they have done it well. This is not an apology, but I do believe in fair play and I do not hate Bethesda, I merely hate stupid acts and Starfield is not necessarily a act of stupidity, so adjustments are required and I am making them. There are still too many technical issues reported by all manners of media and that is just a big no-no in beta stage or later, but that is a cross Bethesda and Microsoft will have to carry for some time. Such is life. 

Still, the quote “There’s a storyline that felt very Boys from Brazil-inspired, as well as numerous related quests about hunting down war criminals and banned technology that pose ethical quandaries to reconcile. You can join up with the Crimson Fleet pirates and dive into a life of smuggling and general space crime, or take up the mantle of a legendary pirate hunter” is showing us the foundation of a space RPG that most are looking for and that matters, because it is about the game and the gamers, not about Bethesda perse. None of this shows the meltdown vlogger to be wrong or incorrect. I am merely looking at other parts to the degree a non Starfield gamers can. Just as I did not play Redfall. We give ourselves limits (some on principle), but we all have limits, even I have them and that combines with the need to remain fair gave me the push to write this part. So if you are an Xbox thingamajig you need to make up your mind and as such you should read the IGN review. They have always been fair on games and that counts, for me it does. IGN also had some negatives to report, but to see that you will have to red the article, you see, it might not matter to you. Some people love walking the streets of a place, just like they set the town of Chorrel to mind and we get that, any RPG fan would. So are some parts actually negatives, or merely the hassle of a gamer? Your guess is as good as mine. Even Microsoft’s own Windows Central slapped Starfield, who knew. But there will always be haters and non-accepting gamers of the RPG field and it gets weirder, for some reason any Elder Scrolls lover will often never love Fallout and now Starfield. This happens. They are not haters, but there is one universe, their RPG universe and I reckon that Fallout and Starfield will have their own love connection to THEIR game. This too is the world of RPG and we need to recognise it if we want to get along with these people. No matter how we slice it, thanks to IGN we see that there is a lot more to Starfield than the mere complaints I have seen in over a dozen sources. I believe it is only fair I show that part to you too. It is a fair play approach to often non aligned views.

Enjoy the new week. 

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May 24, 2023 · 21:37

Fair is the way

To start this off, I am a Sony guy. I have loved my PlayStation one through five and that is it. I am done with Xbox, Microsoft blew its own death march and that is that for me. Still, I do believe in fairness, Microsoft will have its own glorious days, it has had them in the past and it will have them in the future. As such its exclusive massive failure called Redfall does not help it much. Yet this is also another matter, as such when I saw ‘I regret to inform you that the Starfield review discourse has already begun’ I was somewhat offended. You see, no matter what it is a title and it does not matter who brought it, or that it is an Xbox exclusive. It should be judged fairly. 

So as I read “Speaking on the XboxEra podcast over the weekend, leaker Nick Baker suggested that “it doesn’t matter if Starfield is great – I’m already convinced that no-one wants to give Starfield high review scores.” Baker’s thesis is that ‘low’ scores ranging from 7-8.5 out of 10 would be handed down to spin up a news cycle about Xbox’s continued difficulties over recent years.” I got angry. I do not believe that real reviewers (I was one from 1986 through to 1999) would do that. There are two kinds of reviewers. The real reviewers like Eurogamer, and a few like them and there are sycophants internet wannabe influencers who think that dissing one side will bring the other side to them. The real reviewers like Eurogamer and IGN will give you the real deal, others will not. As for the other part I read “But Baker isn’t the only one already focusing on Starfield and its eventual review scores. A recent Forbes article suggests that the Metacritic scores attached to the rest of Bethesda’s catalogue (skirting awkwardly around Fallout 76’s 55%) are more than enough evidence that Starfield is on track for a similar appraisal.” I had to pause, did this  Nick Baker have a case? I for one do not know. I saw the trailer and it blew me away. I was happy for Xbox gamers as they seemingly had a winner for their system. And lets face it Xbox needs a win, especially if it is an exclusive. I haven’t seen anything since, but mostly I wasn’t looking. Why stare at a game you will never play? And the other side is that the game is not finished. It isn’t due until September, September 6th is slightly more precise. So there is well over 3 months to go, and if that date is correct the gold master will be announced in about 8 weeks. As such, how can any clear review be out there? No one gets to see a real version before the gold master as such there should not now, not be any review with a meta score. The trailer is not a reason for any review, but if there was, the trailer I saw makes this a 90% game. I had not felt these gaming butterflies since the Mass Effect 1 trailer and that was in 2006, they had another trailer for the sequel which was in March 2009 and it blew our socks off, moreover Mass Effect 2 is still up to this date one of the best tactical shooters in history, it was THAT good. 

As such I am willing to wait until the real Starfield rears its exclusive head and I will be seeing an actual gameplay on YouTube knowing I will never buy it as I will never get an Xbox, still there are over 18 million Xbox gamers around the world, and why should they not have an amazing gaming journey? I know it is merely half of the PS5 population, but that is a marketing problem for Bethesda, they need not market where they are not. What they need worry about is getting a fair shake and they are entitled to a fair shake, no matter what orchestra they blow from. I believe that above all other things.

Have a great day.

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July 30, 2022 · 22:21

Networking for game makers

It seems weird, it even might appear dorky. Yet the setting is not to be underestimated. Now I have the advantage of age, so I was there when the very first games were new. One such moment in time was Dungeon Keeper (the very first one). 

Peter Molyneux had both a slam dunk and a home run all at the same time, the world went nuts for the game and those who did still remember the game up to this day. So it was disappointing when EA trashed it in their own shortsighted ways. Now, I am not about to ‘reinvent’ the dungeon keeper game. It has been done and the original is the best. But the setting that we had where certain rooms call for certain characters, that idea has merit, it still has. Consider the Warhammer 40000 game called Warhammer 40,000: Inquisitor – Martyr. They had the right approach, it is for all intent and purposes a new for of Diablo. It has its appeal, it has a few issues, but for the most it is an appealing game with a decent storyline. Now what would happen when we come across one of those giant cathedral ships? We dock and we get into the works. Now, I am very much against a game that is too alike. But the idea of being able to activate rooms, that will call for certain characters to join you has its appeal and the larger station is not getting it all up and running, but to fix things certain order must be found. So at times you will have the high need for engineers, but the next you need electricians, and the number or engineers get in the way. There are all kinds of settings we can go, for example an electrician will not appear unless there is at least one engineer, and so on. There is a stage where we need to set out what we need, what we can get and as the ship gets to be more and more fixed wealth and parts are yours, so you can upgrade your ship which will bring its own rewards and abilities. And as we map out the cathedral ship we will be able to find more, discover more and face more challenges and dangers. The nice part is that this game would have a small ship for the tutorial, get the introduction to other characters, but the larger foundation is that on a streamer, you can always add ships over time. A mere thought that took less than an hour. Yet do not despair, it will not be that easy and the art people will need to bring their A game to make it a true original. But I feel relieved, the idea that Peter Molyneux had will live on, it will entice more people and I feel that it is important to give credit (Like the Behemoth DSS Molyneux). There is a need for gamers to network, to exchange ideas and to keep the gaming community entertained. I played another Lego Star Wars, this one (the new game) is pretty fun, it has a lot of new parts in the game. It is a larger and true better game. It is a game that brings all the boys to the console (girls too). Perhaps in 10 years someone will come up with a new way to let Lego Games shine again. I do hope so because gaming for the mere fun does not happen enough. You see, I remember seeing the very first one 17 years ago. My first thought was “Cool, a game for kids” and I played in the store and it was fun to play. That was until someone from the shop tapped me on the shoulders asking if the other ‘kids’ could have a go. I looked puzzled, but then I realised I had been playing non stop for well over half an hour, I bought the game the next day. It was around easter 2005. Now 17 years later the game still entertains and that is a tough call. So even if we do not know how long this goes on, I do hope that someone in 2035 sees that game and gives it another spin. The old games can bring more joy than anyone remember, and when you see someone go on “Oh, that is so old. Why?” Stomp him (hard) and consider that some of these games only had 38Kb to work with, now we can do more but in gaming (with a f=ew exceptions) we achieve less. Why is that? A cool game does not guarantee a good game. A good game needs a decent story, it needs decent graphics (for its time) and it needs some level of challenge, yet we need to remember that no challenge is a challenge in itself. There is a reason I made the claim that I made yesterday (look it up if you are curious). Game makers are too often looking in the wrong direction, some for valid reasons, but the new ones are all following the wrong people. There is a reason I have what I have and I keep it cleverly locked away on a system nowhere near me, and for now the number of those interested would be increasing from 2 to 4. So what happens when someone figures out what I found out? Networking gets you there (well I personally hope not before I sold my IP) but networking in game makers has become too much like ‘Look how cool we are’ and not enough of discussing good ideas. The ECTS (London 90’s) was great. Talking to Richard Garriott and Peter Molyneux. They ACTUALLY shared good ideas, that time is now mostly gone, but it also means that the quality of gaming is harder to maintain. Until the end of the year we have Gods of War:Ragnarok, Gotham Knights and Hogwarts Legacy to look forward to. And after Horizon:Forbidden west that is slim pickings. Now there are more good games, not that many great games and that is a shame. Consider that HFW scored 4.6/5 at Amazon 9/10 at IGN and 5/5 at JB HiFi. Valhalla (Assassins Creed) scored a mere 8/10 at IGN and one critic gave it a mere 65%. One thing that stood out was “It’s a lot buggier than it should be but also impressive on multiple levels.” That is a multimillion project by a firm that is (overvalued) at multibillions and has a little over 20,000 people. They could not get close to a Dutch firm with only 360 people and they have nowhere near the resources Ubisoft had. That is the state of gaming and it is not getting better, but there is hope. The streamers could open more doors and make more gaming an option. And there is also the new player (Tencent) coming soon, so the streamers need to upgrade their gameplay by a fair bit. I still think that Amazon could take the larger lead with its Luna, but I reckon that they will lose ground if they go the way they presently (as fr as I can tell). They need their own games, they need to accept different settings and they might just pull ahead, I put enough gaming IP on my blog site for them to get active on, one I did today (see the beginning of this story). Whatever they do, they have less than 2 years. After that Tencent will be in play and it will not play nice. I wonder how US Congress reacts when Tencent gets over 4% of the US market, ban it like Huawei? We will see, there is time to watch it happen.

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May 26, 2021 · 02:00

On the Plus side

My mind has been busy on a few levels. The first is that the new system that I name ‘Fibretech’ is currently standing still, It is partially by me, it is partially by the ned to connect two elements, it is both hardware and software, not sure how to see the solution yet, but I am in no hurry, my initial focus is now and remains the 5G parts. The three devices (one now Public Domain) is in a stage where I want to add another device, or another system. I see loads of POS (Point of Sale) advertisements, but they are all in a stage of previous tech, basically setting a stage of 30 days free and then no longer free. I am not against the capitalistic view, but it is based on what was and that no longer suffices. As I was thinking things through, I remembered that I had these thoughts before, in another stage and yes, on November 25th 2020 I wrote ‘An idea is born’ (at https://lawlordtobe.com/2020/11/25/an-idea-is-born/), the idea went in a different direction, yet the foundation was the same. What happens when we do not carry a shopping basket, but what happens when WE are the shopping basket? It is a different key system, a system that recognises what we bought in rollover settings (weekly, monthly, quarterly, bi-annual and annual), that systems has a check in a locked stage, only accessible by YOU to set a stage of creating internal awareness towards what MIGHT interest you.

As such, you get to alter and edit the list, I for one am NUTS about liquorice, especially K&H currency liquorice, not sure why, I merely am. We have all kinds of needs, cravings and interests. The problem is that most people under 4G are all about centralising knowledge, it made Facebook superrich, so what happens when we set a stage where we take it away on one end and give the people that stage? Consider that you are now directly advertised with 90% relevant advertisers, no matter how many push advertisements to everyone, it will never reach you. Is that not what you wanted all along? If Domotics is making the house smart, what if we make the user the people smart? What if your wearable, your mobile or your personal smart drive gets a filter direction from a tag on perhaps your keychain that filters? 

It might also be an evolutionary stage to limit, or at least diminish to some degree skimming. We cannot stop all events, but as the key is highly encrypted, we get a setting where the POS systems is facing two levels of encryption, more important, it might not decode one, but it can register one, the skimmer will merely try to capture the Credit Card details (its limited), and as such we will be able to see a larger stage of where and who is getting skimmed, optionally where it got skimmed too. It is a side effect, but a nice one. 

So as domotics and personal shopping identification tags evolve we see a new stage, a stage where the people ONLY (or at least mostly) get relevant advertisements, decentralisation is key there, centralisation has not worked, not for some time and the new 4G systems are merely making matters worse. Why? Because they were set up that way, iterative thinkers trying a new jacket all whilst the couture of the jacket went out of fashion half a decade ago. It is not all bad news, these POS systems are still evolving and they will also evolve in the 5G era, I am merely considering a few options to get ahead of the game. I have awareness creation of the user, recognition and awareness levels of the shops, especially in a stage where the shops is in control, so as domotics is in the frame of too many makers, the personal tag made sense. Especially in malls and larger cities. Consider the average Westfield Mall, we know that JB Hifi and EB Games sell games, but there are plenty of cases where others do too (small shops, Target, etc), the tag will create a situation where the interest in PS5 games is detected (in an encrypted way) and that tag will allow for the arrival of advertisement, even as the advertiser has no clue who they were reaching, the person would have been made aware of the other shops, more importantly a stage of special PS5 deals would be visible, if there were any. The consumer is kept informed. 

The stage of recognition and awareness creation will be key in 5G, as 4G was all about ‘Wherever I am’, 5G will push ‘Whenever I want it’ and the consumer always wants it now. The setting makes sense, but in this age, it will be more powerful in a decentralised setting, give the shopkeepers the power back, and those who do not care? They will miss out on all kinds of revenue, I believe it is time for lazy people to feel that pain. Whenever I see some shopkeeper be active 12 hours a day to get a larger chunk of the revenue pile  I see a need to cater to that whilst not stocking up on more and more work, but a workflow that makes sense and shows to be its own reward. Even as some might say that Google Lightbox Advertisements were the answer, it was, but it could go so much further and that is what I aimed for, and so far I reckon I am on the right train, yet in this I wonder will Google or Amazon make the larger steps to head the technology drive? In this there is a larger debate going on, it is no longer merely whether Google Stadia or Amazon Luna will occupy the third position in gaming, there is every chance that Netflix is pushing to become a contender too. You see, when we consider IGN with ‘Xbox Series X DRM Makes It Near Impossible to Play Games Offline’, Microsoft is till playing its games, and now it will hurt them massively. What happens when the weather is taking its toll on landlines in Australia, UK, US and parts of the EU? If you cannot be online, what then? That is the shortsighted view of Microsoft. Now, let’s face it, when that is down cloud gaming is also not an option, but in all this, there are a lot of players that would have their cloud system next to a Switch, or a Sony and that is when Microsoft falls away. It is currently losing to Sony in a 2:1 stage, I personally reckon that it is 2:2:1 (Sony, Nintendo and Microsoft), as such it will not take long for the ‘most powerful system in the world’ to become player number 5, or perhaps even 6. These pushes all matter, it is last decade thinking ‘always online’ and it is not always possible with ransomware and hackers making life hard on too many systems, there is a larger need to decentralise and those who can will be around, those who cannot will slowly perish. 

In that stage I see tagging systems evolve, not because we are online, but because we should not always be online. It is a failing that is getting more and more exposure and those making the claim that this is essential and it will always be, those are the one relying on 10 year old technologies trying to fuel their needs a little longer. In that stage we see the media, all dressed up and ready to make digital claims, all whilst they weren’t even relevant, Google and Amazon made sure of that, so whilst the media was chasing a path that was not realistic, I was considering a path that gave the power back to the people. And I think I am on the right track, or perhaps better stated ‘I am personally and speculatively considering a different path that might work’, will I be correct? I hope so, but I cannot vouch for that. No person can, time will prove me right (or not).

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October 18, 2020 · 22:25

Playing the stage

In light of the actual brilliant move by Microsoft to buy Bethesda, Sony has a bit of a problem, or t least they had one, so I decided to set a new stage, if Bethesda is limiting their exposure to Sony, which we get from Eurogamer, who gives us “Bethesda games don’t have to launch on PlayStation for Microsoft’s $7.5bn deal to pay off, Xbox boss insists”, in addition we see in 

IGN “When I think about where people are going to be playing and the number of devices that we had, and we have xCloud and PC and Game Pass and our console base, I don’t have to go ship those games on any other platform other than the platforms that we support in order to kind of make the deal work for us,” Spencer continued. “Whatever that means.”” With the emphasis on ‘I don’t have to go ship those games on any other platform other than the platforms that we support’, I see it as a clumsy way for Microsoft to give the news that Sony is done for from a Bethesda release point of view. I reckon that they will not make a change immediately, projects were on route, but there will be delay upon delay for others. In a stage where one out of three were Microsoft fans and two out of three were Sony fans, the purchase of Bethesda by Microsoft is definitely a genius move, but the gang fans are not without options. I am hereby offering whatever I create to be used freely for any Sony exclusive game. 

Houses of Magic

Any RPG that is set in a Middle Age stage has always been depending on magic, this is how the world we created worked, which does not have to be the case, but there it is. So in that trend, I offer the five houses, however, let’s not get ahead of ourselves, let’s start at number one.

House of Forests

This is the house where druids are created, to set a stage for druids, it implies a close knit connection to forests and fields. Yet there is more to druids, in Gaelic past they were seen as legal authorities, adjudicators, lore-keepers, medical professionals and political advisors. Instead of merely focussing on the tree and magic part, being these gives the setting where in the new game you an be an in-between between two disagreeing factions, you can advice on options to lords in castles and you also will be a healer. The lore-keeper can write magical scrolls, can wield wood into stronger bows and stronger staffs. Giving the druid the only one to create a wooden knife, a mistletoe knife. Setting the fight environment, staffs and wooden weapons are 40% stronger, the mistletoe knife 400% better, so as we look into the character, charisma is much higher, so is intelligence. A druid is a better dealer and much better healer. All healing potions are twice the strength. So this is the ability in the game, the setting of the druid requires a backstory. 

In need of a bandaid?

It started a long time go, 3500 years in facts. In a village was a young man, he was obedient and he did what he could to forward the needs of his father and their family. He was a proud man, worshipping the gods, yet he felt an unnatural pull towards Hades at times, the darkness appealed to him. Now, it is important to note that he was not evil, he felt he understood things. He was not unhappy when the old crops whitened and died. The wheat was captured, the dead leaves became straw for the cows, it made sense to him. So every year he would praise Hades ‘Thank you for taking the remaining crops, let new crops be bountiful’. He would always bring wheat and fruit as homage to Demeter, but after the harvest, after it was all done, he would also bring homage to Hades. It felt right, such as he was. As he was in the courtyard he heard a slam, like a bag of flower hitting the ground. He looked, yet he saw nothing. He walked to the edge of the farm, he looked at the waters of the Aegian, yet he saw a staff, the serpent on the staff was alive, yet the tail of the snake was part of the staff. He heard of it, yet a simple frame like him would never be shown the Staff of Aesculapius. He walked towards the staff, but kept his distance, it was then he saw the man, he walked over and helped him back to his feet. Greetings young man, I am Therapeutae of Asclepius, I tend to the need of the gods. I upset one of them and here I am. The young man offered his arm and it was at that moment when the snake was close enough and bit his leg. The man was scared for one second, then he looked around and set on the low wall surrounding the courtyard. He looked at the land, and softly whispered ‘Hades, I am done for, a snake got me’, Therapeutae looked at him and smiled. You are in a fortunate side young man, this was not intended, but it happened. The venom of the snake makes you an immortal. It is clear that you are a good man, I am back on my feet. The staff flew back into his hands. He shimmered and faded into nothingness. It was today, the man was thinking back to the day where his mortality had diminished, it had been almost 25,000 moons, yet he remembered it like it was yesterday. As he looked into the distance he saw the tavern and the corrupt bailiff and his cronies. He walked towards them, and as it was set, he was quite angry. The two cronies did not see him coming, they were taking to their boss, he hit them both with one swing, he then hit the boss, but did not hit him squarely enough. The Bailiff got up and drew his word. The druid spoke ‘That does not work on me’ and as he stood still, the Bailiff struck, the sword swiped from left to right and the Druid was struck. Then something happened that had never happened before, he felt the spilling of blood, and he looked down. The wound was closing and he focussed again on the Bailiff. He slapped him from left to right to left again and one over the skull for good measure. He looked down, he was whole again, and apart from the small scar, there was no evidence that he had ever been wounded. But what happened to his powers?

So that was the first start of an origin story and the setting of one class, I will try to set out another class perhaps the Floating house, this took me a mere hour, so I might have something more tomorrow. I have nothing against Bethesda, but they deserted Sony and their population, I need to make Microsoft understand how expensive a bill of $7.5 billion is when it misses it objective as Sony will have a somewhat delayed answer to Bethesda Elder Scrolls, and perhaps I will continue to set something to counter Fallout as well, which is a little harder, I know. Will it work? I do not know, but there is a stage where Bethesda will face not only the loss of Sony clients (which is huge), but Sony will get you an alternative, as such Bethesda will end up gaining a contender.

Perhaps Microsoft will learn, perhaps not, Whatever they decide on, it is a lesson that came with a $7,500,000,000 tag, lets see if we can teach them a little more, they seemingly part with money easily enough.

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September 21, 2020 · 01:54

Sto what? It’s the Rage that we get to see

Yup, IGN gives us ‘PS5 File Sizes Revealed for Marvel’s Spider-Man: Miles Morales and Demon’s Souls’, which is not really that much of a surprise, yet there is a part that was a surprise “Marvel’s Spider-Man: Miles Morales Launch Edition will require at least 50 GB, while the Ultimate Launch Edition will need at least 105 GB of space as it also includes a remastered version of 2018’s Marvel’s Spider-Man”, so even as IGN gives us that there is more gaming with Miles Morales, the stage that the game is that extra is a nice surprise for the PlayStation people. Yet the issue is the storage, I saw this issue coming a long time ago, basically, storage issues were on my radar since 2012, when Microsoft was a lot less eager to listen to its users. In the stage now, we see that Microsoft is finally listening, we see the stage the I foresaw in the Xbox One series X, 4K gaming requires storage and a lot of it. Now both systems will have space for an additional SSD, so there should be more than enough storage when the additional drive is installed. There is however the newness of the NVMe SSD. Even as the 2TB drives are not cheap ($368), it is the 4TB (at $1199) where the price tends to really matter. Now the are generic NVMe SSD, as the PS5 one is less generic, even faster and currently not available, the stage is coming to larger upgrades and there is no doubt that Microsoft has its own version. 

So even as we need to take to heart the message that IGN gives us, we also need to consider that there is a real setback for those relying on the digital edition versions of either console. When we consider that the PS5 dic holds 100GB, and when we also consider that the games are 50GB or larger, consider the patches that you have to download, and consider the download of any new patch, and people are surprised that I am a DISC fanatic? 

You see, before 5G is completely deployed (For Sydney that is the time of now until somewhere 2022), consider the no less than 175.000 systems (Microsoft and Sony), and the setting that the bulk will need to download 50GB optionally more than once a week. Congestion is the only path that remains. Consider that normal usage during the lockdown forced YouTube and Netflix to downgrade their streams, Netflix would not show 4K movies (as I understood), so what do you think that all the downloads of games and patches will accomplish? 

And in all this, the fact that until the systems have enough storage, games might have to be downloaded more than once, we see more congestion and IGN gives us that 2 games amount to 20%, so now add Skyrim, Fallout 4, the new TES game and the new Fallout game and this list will go on for a while, so on both systems we are likely to see 99.3% filled drives, implying the until the additional drive is installed, more games need to be installed multiple times and it will add to congestion. Now consider the stage in the UK, London, where we see 6 million people and there is every chance that there will be a little over a million nextgen consoles in London (both Sony and Microsoft), so how much congestion will they face? Consider that the lockdown will continue in the UK, a console might be the only relief that a lot will see and in all this, they will be screaming congestion next to YouTube and Netflix, did no one catch on?

It is the simplest of settings and we will see congestion all over the EU, the US, and most Commonwealth nations. So when we realise that last March we got “Sony Will Throttle US Game Download Speeds to Help Ease Internet Congestion”, how do you think it all goes when two companies launches their nextgen consoles on a global scale? When we consider that the new games are at least 20% larger and millions will take the ‘cheaper’ edition that is digital only, do you have any idea the level of congestion we will face? It will go down somewhat AFTER we get the additional drive, but for some that might be a year away, and now we will see a group of people relying on the digital edition, so no drives, that sets the stage to millions with downloads only, I wonder how many people have the bandwidth to deal with the console needs, because at $10 per GB, that bill will add up really fast. 

In the end people will trivialise their digital needs, but in about 8 weeks the first groups will set the threshold on an international stage and the news will suddenly be about how gamers use all the bandwidth, they will suddenly be the bad guys. Yet the stage we see now is all about a digital shift the the business world is not ready for and the vilification of Huawei is not helping, but I reckon that we will see the impact during the holiday season of 2020, the final numbest is unknown, because the total sold systems from Sony and Microsoft will not be clear in the initial setting, they are both part of the issue, this is nothing against either, this is the future of gaming and this will be the first time when the internet not the system will be the bottleneck, it is a new situation for all of us.

 

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September 14, 2020 · 23:40

It was tempting

Yup, there it is, my option to consider another part of IP, or talking about the console war. There was temptation for a few reasons, but the console war won. In the first we look at Notebook Check, here we see “Convincing PlayStation 5 price leak and latest IGN poll all but confirm victory for Sony and the PS5 in the first battle of the next-gen console war”, which is certainly one way if losing at the situation, we could also include “if the figures are genuine then gamers planning on pre-ordering either a Blu-ray console or Digital Edition model are likely to be satisfied. Another IGN next-gen console poll shows huge popular support for Sony’s devices, regardless of the recent appearance of the Xbox Series S”, we have a start and it would b e quite the start, yet I believe them to be merely side reasons. You see, the real reason is also the reason why I dumped my Xbox One and all the games, I have no further faith in Microsoft, who is not ruled by deeds, but by marketing hypes. Microsoft through stupidity on the Xbox One, lost me at least twice over, and as I personally see it, there is no coming back from that one in the near future. Consider that I would be more hyped to get Super Mario 3D All-Stars free at $69, then whatever that new console will cost, so consider, I am more interesting to get a remade Mario game on the Nintendo Switch, then the new Microsoft console, their credibility is THAT low. 

I have written about these issues in the past and this is not a reuse issue, so lets get back to the article (at https://www.notebookcheck.net/Convincing-PlayStation-5-price-leak-and-latest-IGN-poll-all-but-confirm-victory-for-Sony-and-the-PS5-in-the-first-battle-of-the-next-gen-console-war.493457.0.html), where we see “An IGN poll asking Twitter residents the question “Now that we have more info on some next-gen console prices, which do you think you’re most likely to buy first?” has now closed, and perhaps unsurprisingly it has been a convincing win for Sony.

The PS5 attracted 55.3% of the votes, followed by the Xbox Series X on a respectable 23.5%, PS5 Digital Edition on 12.9%, and Xbox Series S on 8.4% (out of 138,045 votes)”. It is here that we see the 138 thousand people gave large support to the PS5, 55% to the full edition and 12.9 to the digital version, as such 2 out of three select Sony, the rest selected the other brand, yet I feel certain that Microsoft would be hurting a lot more if the Nintendo Switch Pro was part of the question. I personally have a little issue with the phrase ‘respectable’ but OK, I’ll let that slip. Microsoft only has itself to blame, it did NOTHING to listen to their fanbase, they hype and twist, but the two largest issues were not resolved for 8 years and nw they get to pay for that. The idea that many would select the Nintendo Switch Pro over a Microsoft console is something that they will have to deal with in 2021, but by then there is every chance that they are more nervous of Google or Apple sneaking up on them from 4th position, than the next Nintendo system, especially as Nintendo is already in sec and place in the console war. A good system does that and the fact that its users are looking forward to a $69 game a lot more than the next Microsoft console is a warning to the size of: ‘Careful what you wish for Microsoft!’, for them it doesn’t get much more painful, but they achieved it anyway. Oh and I do believe that pricing has nothing to do with it, if the PS5 would start at $699, I would still take it over whatever a Microsoft console goes for, I want a good game, not an exporting console, the lesson Microsoft never learned. 

Tom’s guide also gives us a forecast, in this it looks good but I am not sure if I could agree, even as Sony is a little lower, Microsoft will be a lot lower, all because of Nintendo and either Google or Apple (that fight is nowhere near settling). I think the consumers are forgetting that these two will influence the field. It leaves Sony optionally impacting 3-7 million systems up till 2024, Yet there is every chance that Microsoft will equally be impacted between 6-12 million systems up till 2024. It is a personal speculation, but there are plenty who take the PS5 next to a Nintendo, the rivalrous setting of Microsoft is a lot less so and the Nintendo Switch pro with 4K will impact the Microsoft a lot harder. You see, the Xbox Series S will be around $299, there will be a drive that is a lot harder that people think, instead of this, I can get a Nintendo Switch. Weirdly enough, they will have the Nintendo and a PS5 on the side (reversal of fortune), don’t ask me to explain it, I cannot, but I always felt that a Nintendo is welcome next to a Playstation, whilst Microsoft has aways about ‘Its only us’ and that ill hurt them a lot more then you think. 

And I am giving you this a day before Sony unleashes internet hell with their presentation, I believe that there are a few surprises for all of us, yet I do not care, I have made my decision, I made my bed and I will snore like a sawmill. I believe there is a lot more to come early 2021, but it depends on how competitive Apple and Google will get, if they decide to unite Microsoft will be done for, if it becomes a fight between the to (most likely) I feel that on personal grounds Google will win, but that is NOT a given, more of an expected vibe. In this either has a chance to push to third leaving Microsoft on 4th position and basically in the dirt, it will be the harshest lesson they ever received in 15 years. And that is merely the opening setting, there I more, but the waters are fluid and it involves Ubisoft, I wanted to go all out here, yet after reading some of the CNN stuff, I get the feeling that Ubisoft is not getting a fair shake, and that offends me a little, do not get me wrong, I’ll happily make fun of Yves Guillemot at the drop of a hat (any hat), but I have always been fair and based on things I myself can corroborate, not on expected whims lacking evidence, that is merely a no-go for me (it sucks having principles). 

Still, Ubisoft is important here, if Microsoft loses out (which is a lot more likely than you think) it will hurt Ubisoft as well, they are on all platforms, but now we get to the quote I had two days ago. With “What if we use the power of Sony and for example Google Stadia to the max what that system can give? Will the gamer not end up with a much better experience? If you doubt that, consider Metroid Prime 1 and 2 on GameCube, a game that is still mostly unsurpassed on Xbox One and PS4 11 years later, an entire generation later”, there was method to my madness and as Microsoft loses foothold, players like Ubisoft will lose massive foothold too. Their position can only be held if the systems are on equal footing and that has not been the case of at least 5 years and as one system slips behind Nintendo, the fault line becomes at least unnerving. 

So as we see Sony’s intent this week we muster the coins we have, because preordering early is massively needed. And in 2021? Well, I merely wonder how many will choose the Nintendo Switch Pro over a Microsoft console, because that too will happen more and more. And if the docking slot with an extra game slot is true, I will be on board as soon as I can. It is just too tempting.

 

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August 13, 2020 · 22:20

The silent reason

We (all of us) are mostly driven by offered choices, so it took me a few seconds to consider “Here is every action adventure game on PS Now that scored 9+” a little movie by IGN. I have a lot of these games, not all, but a lot. When you consider that every games is a mere 2 seconds in view and the movie lasts 1:25, you know that you are about to get a long list of reasons to move to the PlayStation 5. I am definitely taking that road, and for those embracing the Xbox, do not fear, it is your right, you still have faith in Microsoft, I do not share your view, but you are entitled to yours. There is one side giving us ‘Xbox Series X neutralizes PS5 assault with console war-winning counter-attack’, I personally see this as the ‘promoted’ choice certain makers are making a view that suits their needs. Even as we are given “Microsoft has been very vocal about the fact that gamers won’t even have to buy an Xbox Series X to enjoy the console’s new titles, and that games can even be enjoyed on mobile devices starting next month as part of Xbox Game Pass”, so if the console is not needed, why bother the war anyway? The article gives more, but I see nothing that can be seen as reliable, especially when I see mentions like ‘Microsoft are ready to lowball Sony’, ‘apparently the game runs perfectly on Xbox X’, and ‘gamers won’t even have to buy an Xbox Series X to enjoy the console’s new titles’, just consider a console war where you do not have to buy the console, how is that? In opposition GamesRadar gives us something valuable. With ‘Xbox Game Pass is the next generation of Microsoft gaming, not Xbox Series X’ we see a Microsoft Ace, Game Pass was and is a really good idea. There is no denying this, but consider that Sony Plus decides to offers their 60 games with a 90% plus rating, the playing field becomes an equal one really fast. They also give us “from all the messaging we’ve had since the Xbox Series X was announced, it’s becoming increasingly clear that Microsoft isn’t viewing this as a new console generation. Instead, it is shifting its focus to a more malleable model, one that has far more in common with the annual release cycles so commonly associated with graphics cards and smartphones. And Xbox Game Pass is at the centre of it all”, it makes sense, yet my negativity filter gives us that those with a Microsoft console could be left out in the cold, so optionally the gamer that comes in from the cold will have to choose either Sony or Nintendo and that is given some visibility, and I am willing to concede here that I optionally might be wrong, yet the evidence is out there, I will let you decide.

I have personally seen too many events and a tick record of 8 years of Microsoft selling its gamers short, as such, I lost my faith in them. So whilst we see “Microsoft’s monthly gaming subscription service is as close to the industry’s coveted “Netflix of Gaming” moniker we’ve seen so far”, it makes sense, it also makes sense on how they are crying like little bitches because Apple will not let them near to their hardware. And the failure we see at present gives rise to the setting of the console war, when Microsoft does not care about consoles, but about the Game Pass, we see the stage. What happens when Game Pass takes off on mobiles and PC’s, how long until the issues creep into the flaws of the console? Let’s not forget that they did not fix the current console for almost 8 years, a stage that has been clearly visible since the Xbox X was released. So even as some see this as the silent reason, I do not.

I have seen the stage where Sony took 180 degrees on decisions when it angered gamers (no second hand issues) and also when the gamers loudly complained on ‘always online’ Sony adjusted, Microsoft did not and that is only the beginning, the 90% plus games is the silent reason, over time the console embraced gamers and continued it course, it continued embracing the needs of the gamers, that is why Sony will win and Microsoft will hided behind new terms equalling ‘the most powerful console’ whilst Nintendo surpassed it with the weakest console. And in the end, it seems that the next stage of Microsoft might be “gamers won’t even have to buy an Xbox Series X”, so why would any gamer invest in a console that is not an essential buy? With today’s news giving us ‘Microsoft Surface Duo phone goes on sale starting at $1950’, it might be the starting signal to a different console war, it might be about console gaming on mobiles, so in that trendy stage, where will the Xbox fit? I am not certain but it seems that Game Pass was a better idea, so I wonder when they will drop the console hardware, it might not be today or tomorrow, but by the time it is 2022 I can not be certain on when it will be, as I see it, I feel that the Sony PS5 is a much better and safer investment in my days of happiness whilst I game the games I love and Sony has so far never disappointed my needs. 

 

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September 11, 2018 · 14:00

Taught by the past

There will always be one TV channel that remains in my heart. It does not matter how they go, what series they have and whether they stop existing. They had one thing right, the one thing above it all was their slogan ‘the story is everything‘, it still reverberates in my heart, and for years (when I had cable) they proved that they understood their own premise. The story was indeed everything and they stood by it. It should be the cornerstone in entertainment, but it is not (for some). Some have a setting that is nowhere near there. It does not matter how they go that journey, how they pass the time in their product, they forgot that one truth that makes all the difference.

This takes us to Eidos. I had a good connection there for the longest time, so when I got an early copy in the summer of 1996 to take a look at some game called Tomb Raider I had no idea what I was in for. I loved it, apart from the part that the hero was a woman, the game was new, it was different and we all wanted more, that would be delivered a little over a year alter and for the most we were all hooked, not merely because of Lara, little Lara, but the setting from the first to the second became a much larger leap. Even as the story for both was not the greatest, the levels, the design and the challenges made up for that. Over time we saw that the story become much more important and as we went through the stages, on PlayStation, PC, PlayStation 2, Dreamcast, PlayStation 3, PlayStation 4 and Xbox One the story evolved and it became to some degree a real story. In all this there was an evolution (to some degree). Now we are confronted with ‘Tomb Raider – makes Lara Croft look boring‘. The Guardian gives us (at https://www.theguardian.com/games/2018/sep/10/shadow-of-the-tomb-raider-review-lara-croft) “This game revels in its own beauty, but the plot collapses under the slightest scrutiny“, now first the important part. I did not play it myself, but I saw a large amount of videos. First the bad part, a few games back. When the definitive version on PS4 was launched, I became very upset. Not only was the game shallow, too easy (on hard) and way too small. It became the first game I ever returned to the shop. I had finished the game in hard mode under 10 hours. It was perhaps one of the most upsetting acts I ever did, mainly because my gaming experience with Lara Croft over 4 systems had been so good. When we look deeper into that game we see something that was perfectly placed on an island, the setting could have propelled in many direction and the graphics were amazing, even now I look back (in my mind) to that level when you arrive near the ocean and you see that large tugboat in the sea, I need to acknowledge that graphically it was an amazing feat, so when we see the setting where we could have had at least 20 hours of additional play, but the makers overlooked or ignored that opportunity. In a gaming sidestep, I realised the same with Assassins Creed Rogue, the remastered edition. What could have been nice story to side missions ended up being merely the setting of running to a marker and press the dig button or simply violently resolve it. All opportunities missed (in that case) by Ubisoft. So back to Lara, after that disappointing episode, I decided to give the second game a miss, something I partially regret now, because the third game (for hat I saw was a pretty amazing result). The graphics were still really good, yet the story is, as I saw it better and they took effort with the stealth part. A much better game overall (comparing to the first relaunched PS4 game). I liked Lucy O’Brien’s review in IGN giving us the parts that count (at https://www.youtube.com/watch?v=tdEfROL2Wx8). If there is one part that I personally do not like is the use of ‘scripted moments‘. I get it that it essentially needs to be there (especially in the introduction), but in the end, the best game does not require scripted events, or requires them to be minimised to the biggest possible degree. Even as the stories are better, we need to address the Guardian verdict. We see the first quote “Shadow of the Tomb Raider nails the former, with sumptuous South American locations to climb, dive and rappel around, ranging from ancient Inca cities and missionary crypts to modern-day Peruvian jungles and towns. But it does Lara a disservice, turning her into a deadly mud-camouflaged jungle warrior without much interesting to say, pushed along by a plot that’s more concerned with prophecies and supernatural artefacts than with its main character“, so was that not always the case? I personally like the entire stealth upgrade, but is that just me? It might be, I was merely in that setting of trying to figure parts out. Yet I saw too many references towards Uncharted and Far Cry 5, which makes sense and it is not a bad thing, yet when we look back at what was and what should be, going through the other titles is not what I hoped for. Still Tomb Raider for all I saw remains Tomb Raider, so why did the Guardian give me that jump?

There were two parts in that. The first was: “Shadow of the Tomb Raider’s series of amazing places is held together by a plot that collapses under the slightest scrutiny. The narrative is an incoherent mess that goes well beyond the usual action movie/video game suspension of disbelief” and “when Lara shows up in an undisturbed native settlement filled with people who have somehow avoided the outside world for hundreds of years, is she instantly welcomed into their midst and put to work resolving their disputes? How does she communicate fluently with them? At first, Shadow of the Tomb Raider’s narrative inconsistencies are ignorable, but with every new convenient riddle or magical artefact, pointless revelation or paper-thin character, my tolerance for nonsense wore thinner“. Now, I need to tell you that I do not always agree with the assessment of the reviewer Keza MacDonald, yet that level of disagreement is more about our preference for gaming. Keza is a good reviewer, hence her view matters to me, and I have absolutely no issue accepting her view on the Tomb Raider game. I like her two issues as I saw a similar setting as an optional solution towards Watch Dogs 3. Just like I designed what might optionally become Elder Scrolls VII (6 is being made now). My setting for my version of a new Elder scrolls would have been three times the size of Skyrim with optional story lines worth 150-200 hours of gameplay. In addition, if possible I could pull it off with Watch Dogs 3 as well. This is where the FX part comes in, the story is indeed everything!

So if I can add 100% to the first PS4 Tomb Raider, which merely took me an hour or so to come up with, why can some designers not do a much better job? In case of the new Tomb Raider, we see the optional shortage, but we also see that all the Far Cry games (3 and later) gave us similar parts and so did Far Cry Primal, and the less said on the story failings of Assassins Creed (except for Origin and optionally Odyssee) the better.

The setting is extremely important, as the current Shadow of the Tomb Raider could have been 90% instead of the 81% that Metacritic gives it now, and if we translate that to the three stars Keza rating, it would translate to an optional 70% at best. This gets us back to the story is everything, when we see that this translates to an optional 15%-25% more, ignoring that element is just too weird. It is to some extent the one element that Games and movies have in common. So if we translate that to the now, we see that the right story makes the larger impact. Merely see Dev Patel in Hotel Mumbai, rated by IMDB at 93% to see how the right story makes for the impact. This translates to games as well, the better the story, the better the game. It is visible on nearly every level. Yet, that is not the only part in Tomb Raider and We see the goods on the negative side of the game as Keza gives it to us with: “Salvaged outfits for Lara offer meaningless bonuses (“gain more experience for assault kills”), crafting materials are so plentiful that they are not an exciting reward, and new skills or weapons are seldom used. Oddly, items such as lockpicks that open up new treasure-hunting possibilities are sold by merchants, not earned through exploration. It is very weird that so much of this optional content is incorporated so badly“, as well as “The places Lara visits and the things that she does, especially when she doesn’t have a gun in her hands, are beautiful and entertaining. But it lacks a coherent plot or creative vision to hold it all together, and the opportunity to make an interesting character out of Lara Croft is squandered“, that does grasp the heart in a not so good way and it matters a parts could have been dealt with in a better story setting and parts would never have been better. That negative part is exactly the impact that Ubisoft missed with AC Rogue. There we run for Viking swords, crosses on the map, opening bars with thugs, merely points to run to, yet the ‘rescuing’ of a bar from thugs could have been the start of a side quest line and in all this, much more could have been reached, when one leads to the other, instead of running over the island, from chest to chest, glitch to glitch and sometimes doing a Prince of Persia for some pirate shanty, meaningless actions that could have been a dimension all by itself in the game, all options lost and even as both franchises have amazing graphics, we see that this alone does not hold a game. I wonder how many developers are revisiting the current setting of their game that is in development, because if they are not then it does not matter to anyone how many games are being released between now and December 2019. If they do not up the ante for their own game, they will merely release something that is good, not great and it sits on the shelf until the game retail store has a large sale and the game is up for grabs at 50% or less, or people merely wait for one of the producers to add it to the ‘for free’ subscription monthly download bonus, what a waste! Merely because the simplest of all lessons was ignored by too many; It all starts with a good story, not with ‘Lara needs to look cool (or different) in the jungle, how can we do that?‘, or ‘Where is the next Assassins Creed story? When have we not yet been?‘

 

That is the part given to us in complete contrast when we realise that with the end of God of War we were treated to: [CENSORED TEXT REDACTING SPOILERS]. When I saw that unfold on my screen, my jaw dropped on the floor. It was not merely some twist, it was the setting for at least two more games in a way I never saw coming and I do remember my Nordic mythology. It was brilliant, indeed the story was everything and Santa Monica Studio’s treated us to the perfect meal (listening to Bear McCreary was an added desert that is just too surreal).

In the end, I know that I am a goof, I am creative and I can weave a tale like no one in my mind at the speed of the Deep Blue Super Mainframe, but overall, I cannot fathom why the game makers are not better at this, I never got that, because until lately I never thought I was on their level, yet recently I was shown (confirmed by a few sources) that I am on their level and even higher, but I am not a programmer. So when I see the lack of a storyline, I merely get sad, when opportunities are missed I get frustrated and when too much scripted issues show up, I tend to get angry. I do get the fact that some part requires scripted events. A certain boss fight, the introduction to one is the setting that cannot remains unscripted, yet at times it is too scripted deflating the tense moments it had been built to and the first PS4 Lara Croft had that flaw too much (as well as the shortness of the game).

So how can they do it better? Well this is seen in several clips in Shadow of the Tomb Raider and you might have missed them. Consider an optional reality, a reality we missed in the Far Cry, Assassins Creed and other games. You pick them off one at a time, I get that part. What I do not get is that when you are on a patrol and You are in a team, when one falls away their nerves are up (like in the Arkham games), yet in the earlier games, often enough they relax and go to their old ‘relaxed’ setting. In reality, my nerves would be in the stratosphere, so there will be no lapse and even as you can get the drop on others, only the first one is ‘free’, the others need to be close to perfect or all hell breaks loose. That part was never learned correctly, not in one decade of stealth gaming, weird is it not? OK, Far Cry did get that part right (to some degree). And even as the setting evolves over an act, a larger level or a chapter in the storyline, we see that some opponents are harder, yet the overall setting no longer gets to be more complex, which is also weird. It seems to me that only Far Cry 3 got that part better the most other games and here too Lara had her lesson to learn, or better stated her opponents. So even as we see her take out the enemy, in most cases when other vanished nerves did not get that much bothered, a missed opportunity.

Even if this is the optional end of Lara Croft, we see that there was a lot more to be had and it was missed. Will that lesson not be learned? The story is everything, but how to set the story properly in the frame of it all. That part will remain a challenge and solving it, or finding some level of a better solution will aid the game makers as well as the player, a win-win for all. In this, the loss is already there, but not setting the in-game bar higher, we see what looks really well is merely a 70% game, yet with the insight that should have been there, it could have been a 90% game which makes me sad. Yet I do acknowledge is that this game is a good game, everything shows that there is positive growth in several places and in many ways (especially the underwater parts, they were awesome), yet I feel that it is steps short of being a great game, whilst it could have been a great game. It is hard to put my finger on it without playing the game through until the end, but all reviews do support my view, the story could have been better making it overall better, and this game is not the only one that had that ‘flaw’.

So, as we agree that the past is a good tutor we see that partially the past is used to make this game better, that is good, some of the levels and the natural view that these levels seem to give is always good and this game got to be better at it and that matters too. In the end, on everything I faced, I regard this to be a 80%-85% game, whilst I feel that the setting and upgrade of the game would have made it a 90% game at least, and they should have done better than I would have been able to be and that makes me sad, especially as it might be the end of the Tomb Raider games for now. It will not ever be the death of the Franchise; it is in comparison very much a better game than that first relaunched game and several other Lara titles, which is a good thing. In my personal views, after seeing the play parts, seeing the reviews and watching the cut scenes, I get to the end conclusion that this is not the game to buy on day one, especially with Spiderman PS4 available, yet on special, Christmas sales and at discount sales? Yes! At that point it will definitely be my game of choice.

What a difference a stronger story makes.

I wonder if the makers will catch up to that part down the line, because higher ratings turns that, down the track to buy outright and in the end, that is still the name of the game in gaming, and not merely gaming. There is in my view every indication that the entire Chris Pine mess (OK, mess is a perhaps too strong a word), is not entirely about the money (what some sources indicated), I believe that the story is part of that too. Do you think that some starts would have given any ‘eff’ (censored) on money if they had the chance of becoming a main player in The Usual Suspects, or Silence of the Lambs? You have got to be kidding!

Yes, you want some decent remuneration. When you are a lead player in MI-Fallout, costing $178M to make, whilst the return at present is $726,386,554, one would hope that their income is slightly better than $73,559 for their part. If you are an extra, then you need to shut up, when you carry the family name Cruise, Cavill, or Pegg the amount should be larger (I have no idea what they are making, and I personally do not care either). Yet if the story would have been a legendary one, would you care? That is the part that matters in the long run, because over time, we will forget the MI titles, however we will forever remember titles like Ghandi and The Usual Suspects and that can drive a career (especially in the beginning as well). Star Trek showed in the Movie Star Trek Beyond that it did not consider that part too strong (even as I enjoyed watching it, and it had fresh looks), it did fall short of Star Trek Into Darkness and that was a shame. I have no illusions, getting to the Wrath of Khan levels is not to be expected, yet the relaunch in 2009 did pull it off (based on Rotten Tomatoes), so in that it had options and started to fall flat after that, I believe that this is also part of the decision for some actors to feel worried, Star Trek (2009) opened door, yet I personally believe that Beyond started to close doors, even with Idris Elba upping the ante by a decent amount, also in my personal view largely the reason it got an 85% rating and not an 80% rating. So when the actor is the pillar and not the story, we see a much larger flaw in all this and even as I do have idea’s to fix it, they will need a specific person to fix that for them over two movies (as I see it) and get the rating back to 94%, the number that the 2009 movie pulled off. The question is can they afford him and more important, are they willing to stick their necks out? In my personal view they have the option of doubling the 2009 box office revenue twice over and with two movies the overall cost goes down as well making it even more appealing, but in the end, their saviour will not be special effects or merely a good cast, it will be the story, it will be everything. Are people like JJ Abrams and Damon Lindelof willing to make that $250M splurge? In the end it remains an actual risk whether that $250M becomes $1.3B (hopefully better), and it the one factor is the one writer who can pull it off. It has never been done in any Sci-Fi ever, making it not merely novel, if it does work, will it be the game changer that brings 1,635% of cost (Jurassic Park), or an Iron Man 2 giving a mere 312%? Yet, what if we consider that it is like Gravity, ‘only’ 716%, yet regarded as the 4# best Science fiction movies of all time, would you still not do it?

How strong is the story in all that? I personally remain with the faith that the story will forever be everything, yet when it is all about the box office and $1 billion versus $600 million, what path would you take? In this games and movies are more alike than not; making it a fascinating setting, but also a very personal, and set on one’s own perspective. It is the ultimate objective versus subjective view and I am not sure what the best path is for either game or movie, making the setting for a movie of gaming score harder, not correct or incorrect, merely harder.

 

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