Tag Archives: Paramount

December 11, 2025 · 01:11

The lighting of a stage

That is what I am wondering about. You see, first we hear that Netflix is acquiring Warner Brothers and a few connected things too. A day later we hear “US president Donald Trump says the Netflix deal ‘could be a problem’” Next thing we hear that the son in law (Jared Kushner) is spearheading this hostile takeover. Of course all the conspiracy boys are in town blowing this up to an amazing extent. I think that there might be a setting where the boundaries of ethical borders could possibly have been trespassed on, but as I don’t know the clear picture, I will refrain from voicing them. There is of course the setting we can ‘debate’ on.

As the Business Insider has a more oiled version of what has happened. The story (at https://www.businessinsider.com/paramount-wbd-saudi-arabia-qatar-abu-dhabi-elllison-hostile-billions-2025-12) which comes with the headline ‘Saudi Arabia, Qatar, and Abu Dhabi want to put billions into Paramount/WBD. Why?’ It is after all a fair question and I am a little thrown by the setting that this is Qatar AND Saudi Arabia AND the UAE are working together on this. I can figure out the why, but about that later. You see, Business Insider has an additional gem to throw our way. It is “Those three nations won’t have any say over a combined Paramount-WBD, the Ellisons say. So what will they get?” And we are given “The governments of Saudi Arabia, Qatar, and Abu Dhabi want to invest billions of dollars into a would-be mega media conglomerate made up of Paramount and Warner Bros. Discovery.” And there is a part missing, the gaming IP’s that is floating around there. But the end of the article gives us “If Saudi Arabia, Qatar, and Abu Dhabi are looking to put anything close to $24 billion into an enormously powerful media conglomerate — one with huge reach in both the US and ambitions for the rest of the world — will they be satisfied with purely financial returns? Or do they expect something else for their money?” I get that part, you see I had been working on IP doing that very same thing. There are 1.9 billion Muslims in the world and there is only so much the current studios can cater for and with this they have a firm hand towards places like Bangladesh, Pakistan and Indonesia which together with Saudi Arabia, Qatar and the UAE sets the handle to over 50% of the entire Muslim population. And as there is clear evidence to see real growth in both Saudi Arabia and the UAE for tourism and as that growth continues more is needed and with Paramount and Warner Bros. They have just that. I was fishing another angle, but that too was driven towards these 1.9 billion customers. Too bad Amazon never accepted this issue and the Saudi government (Sydney Consulate) did not accept it either, as such I was out of luck and Google had dropped their Stadia. So I was out of luck in that too. Still I considered other avenues as well. I got one Script done and offered it to Dubai Media, but they weren’t accepting any scripts at present (or my script was really bad, which is equally an option) 

But I saw these stages all over the Middle East happening and in that setting there is a growing chance. America with its valve setting is not a real option. Every script can only when the 15 middleman get a share of all that and I will much rather give it away to Canada and never get a penny. But the script was meant for a Muslim audience, so not much use in Canada. The other three optionally, but they are still being written. A have written megabytes of script, but it hasn’t been ironed out yet. I am relatively new to Final Draft. 

So am I correct? I believe so, Saudi Arabia and the UAE (I have no idea about Qatar) will need professionals that are decently up to speed and buying Paramount and Warner Bros. will do that. So, when all these professionals are directed towards new grounds with Saudi/Emirati directors and cast they can get a lot more done fast and I reckon they already have a set amount of scripts and screenings ready to get started the moment 2026 knocks on the front door. 

And with the media up and running the Saudi and Emirati media for all their venues is pretty much a given. Not just that, but the African nations are predominantly Muslim, so they can also capture the hearts of them too. Now add Egypt and Turkey and this media engine gets real global potential. Yes, the entire venue makes sense to me, but for me it was clear as I initially investigated that setting for my own IP, so I looked at the equation and I saw clarity, the fact that the price got upped makes perfect sense to me and in that setting Netflix merely loses. The west better start realising that on this planet Muslims are 1:4, 25% and that is a clear destination for the media centers of Saudi Arabia, the United Arab Emirates and Qatar, so whilst we are so involved with individuality, they merely approached every Muslim asking “Would you like this” and all muslims will very likely make an affirmative sound. We all look at the stage and wonder what was going on and others look at what lighting it needs and they cater to that hand, Now I need to wonder if my script is really bad or do I talk to another media channel. Well, that is my worry and it is for today as it is 01:00 now. Have a great day.

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October 22, 2025 · 04:30

The bubble to end all bubbles

That is what I saw mere minutes ago. It was yesterday’s piece at the Financial Review. An opinion piece by Gita Gopinath. Now normally I tend to ignore opinion pieces, but due to the fact that over time Financial Review has shown a good back on several matters and I picked up on the title ‘The crash that could torch $US35trn of wealth’ (at https://www.afr.com/wealth/investing/the-crash-that-could-torch-us35trn-of-wealth-20251016-p5n31w) gives pause for alarm. As America has its tourism issues, its economy issue and its technology issues a $35,000 billion write-off would be nothing less than a disaster in the making. I wrote about this a few times, but even I shudder to think of how large this bubble has become. The 2008 crash was half of that and the documentary Inside Job does a great way to explain this. Take this movie together with the movie Margin Call and you get a picture of what was done to the people of the world.

This is more than 100% worse and it started with the delusional setting of salespeople taking the easy road and giving the rest of the world how amazing AI was going to be. The quote “I calculate that a market correction of the same magnitude as the dotcom crash could wipe out over $US20 trillion ($30 trillion) in wealth for American households, equivalent to roughly 70 per cent of American GDP in 2024. This is several times larger than the losses incurred during the crash of the early 2000s. The implications for consumption would be grave. Consumption growth is already weaker than it was preceding the dotcom crash. A shock of this magnitude could cut it by 3.5 percentage points, translating into a 2-percentage-point hit to overall GDP growth, even before accounting for declines in investment” should stop you in your tracks. With the additional “Foreign investors could face wealth losses exceeding $US15 trillion, or about 20 per cent of the rest of the world’s GDP. For comparison, the dotcom crash resulted in foreign losses of around $US2 trillion, roughly $US4 trillion in today’s money and less than 10 per cent of rest-of-world GDP at the time. This stark increase in spillovers underscores how vulnerable global demand is to shocks originating in America” was not unknown to me, but I did not figure on the damage exceeding 10 trillion, here I see I was off by 50% (which comes due to a lack of an economic degree on my side), but data I know, in and out. I saw some of this and I tried to warn people and especially the Emirati people (at https://lawlordtobe.com/2025/10/20/the-start-of-something-bad/) in ‘The start of something bad’ only two days ago. And the reason why it would be worse is seen in the next setting of the Financial Review. We are given “Historically, the rest of the world has found some cushion in the dollar’s tendency to rise during crises. This “flight to safety” has helped mitigate the impact of lost dollar-denominated wealth on foreign consumption. The greenback’s strength has long provided global insurance, often appreciating even when the crisis originates in America, as investors seek refuge in dollar assets. There are, though, reasons to believe that this dynamic may not hold in the next crisis. Despite well-founded expectations that American tariffs and expansionary fiscal policy would bolster the dollar, it has instead fallen against most major currencies.” I kinda saw that two days ago, but not to this degree (the Financial Review writes it better) When that bubble burst it will not allow for shelter and the people involved will be hit massively. As I see it Nvidia will survive by will see its value decreased by 90%. Oracle will get hit less but it will still take a beating. Microsoft will be up for sale in the bargain basement and after builder.ai, the bubble will stick to them like gum in hair and they will not be able to shake the event. Others (Google, IBM, Amazon) will be hit, but they will get through this. As I see it, the only high standard that is maintained will be Adobe. Their “AI” options are soundly set in Deeper Machine Learning. As I see it, they will tend to be the shelter of choice if at all possible. 

The only part I disagree with is “Although this does not mark the end of the dollar’s dominance, it does reflect growing unease among foreign investors about the currency’s trajectory. Increasingly, they are hedging against dollar risk – a sign of waning confidence.” As I see it, the dollar comes to an end with this bubble. I do not know what people will rush to, but the dollar is no longer the place to be. As I see it there will be a flock going towards the Yuan, the Dirham and the Bitcoin, but personally I have no idea if the Bitcoin survives. You see, a $35,000 write-off will come from some currency and those hiding in Bitcoin will lose a lot, no telling how much, but it will be close to astronomical. The Financial Review gives us “Perceptions of the strength and independence of American institutions, particularly the Federal Reserve, play a crucial role in maintaining investor confidence.” That independence is close to obsolete. This administration took care of that with all the tariffs, all the tourist settings and the economy is also shaky. It might not be but someone took the trouble of not reporting the ‘goodness’ of their setting. The labour statistics are nowhere to be found and that is shaking investor confidence. All that whilst Paramount is shaking thousands of people of their employment tree, this year alone Microsoft shed 15,000 jobs, IBM is said to have fired 21,000 jobs, making Google’s 100 job losses trivial in comparison. In this setting and with the missing labor statistics the investor confidence would be in the basement and even if the Federal reserve doused that paper in the scent of Luis Vuitton it would not matter much. At present Saudi Arabia and the UAE are the best places for these investors and America knows this. They have oil to fall back on and as I see it, no matter how the AI bubble bursts, they can retrench this into service roles and data acquisition roles. That is what Europe fears, American held data used to safely drip the economy to health using IP values from everywhere. And this is not the first time I wrote about this in ‘That one flaky promise’ (at https://lawlordtobe.com/2022/01/29/that-one-flaky-promise/) where I saw the dangers of America ‘annexing’ whatever it had and that was BEFORE AI and the bubble it created. I swear that danger almost 4 years ago. That setting will implode the rest of what America thought they would have. As I see it, a strong setting of IP and storage of it could help both Saudi Arabia and the UAE (a likely preferred choice) to evade to (those who can afford it) because when this bubble goes it will wipe out whatever most of us hold for dear and those who had their patents in the US. This is mere (intense) speculation, but do you think that this American administration will not do this? It had no trouble with tariffs and the setting of THEIR ‘big beautiful America’ at the expense of everything. They even tried to make Canada and Greenland part of America. I don’t think so and as I see it, when that bubble goes America is pretty much done for. All because Americans believe that Cash is King. So their salespeople live by the dollar and will waste it at a moments notice for their personal needs. Should you doubt that please watch Inside Job and see what they did there. I reckon that Iceland is now getting back on its feet al will enjoy the view on the impact crater that Wall Street leaves behind. 

I need to end this with a word of caution. This was base on an opinion piece, so as that is wrong, so is my view. But I based it on the data I had available and the prediction that I saw in 2022, so there was no AI bubble at that time. So is my view more accurate now? That cannot be said and it is based on what desperate people do and as I see it America is about to become really desperate. So enjoy your coffee today, which I will do also and I will assist a young woman named Aloy help her defeat some machines. They were not Microsoft products, so they should work. Now lets make them a lot less functional and that Deathbringer looks like a right monster.

Have a great day and try not to get too depressed by the not so good news I am partially bringing.

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September 30, 2024 · 11:48

Co inky dink

Yup, my previous article on comic films preceded a BBC article. Or perhaps better stated I saw the article after I wrote my article. As coincidences, go a nice one. The BBC article (at https://www.bbc.com/news/articles/cj6er83ene6o) gives us ‘Hollywood’s big boom has gone bust’, I have some issues here. The first is seen with “the good times ground to a halt in May 2023, when Hollywood’s writers went on strike” I resent the implied status that this was up to the writers going on strike. And as we are given both “The actor and aerial cinematographer turned his hobby of flying drones into a profitable business in 2012 just as the streaming wars were taking off. For a decade, he was flying high above film sets, creating sleek aerial shots for movies and TV shows on Netflix, Amazon and Disney” and “But rather than roaring back, in the one year since the strikes ended, production has fizzled.” This story isn’t giving us the goods. You see there are a few elements. One is saturation of business. First there was Netflix, and not we have in addition Disney plus, Hulu, Paramount, YouTube TV, Sling, Fubo and Amazon prime. Several more to follow but these are the better ones. What was one is now eight and it doesn’t end there, there are all kinds of digital boxes who keep tabs on it all. The problem is that income levels are still the same as they were in December 2019, pretty much in synch with the first Covid setting. In 5 years most incomes are either the same or ridiculously close to that and in the meantime the cost of living has gone through the roof. Housing has been raised in many places by as much as 50%, that is hundreds of dollars a week. Food has risen by about 5% per year. There is the larger set that most people can at best afford 1 digital channel (if at all), as such all eight channels competed for the same customer at the same time. As such it isn’t merely that production fizzled, or that projects were cancelled. There is a dwindling population that cannot even afford one channel. And to relate that to the present, Disney projected it would spend between $8 billion-$9 billion on content for its premiere streaming service. Now see that investment all whilst less people could afford that TV channel. This isn’t merely America, this is a global problem. Hollywood has relied on the old Roman principle “Give the people bread and games” and now the people cannot afford the games and more and more of them are falling short for buying bread and this is happening all over the world. So whilst we get “Projects have been cancelled and production was cut across the city as jobs have dried up, with layoffs at many studios – most recently at Paramount. It had a second round of layoffs this week, as the storied movie company moves to cut 15% of its workforce ahead of a merger with the production company Skydance.” We see that there is a lull in the setting of projects and the attainment that people are in the mindset of “things will go better soon” but that is not the case. America and Europe wasted at least two years on their ego all whilst the ‘customers’ who had the cash have vacated to China. I saw this happen two years ago, which is why I created a script that could entertain the Muslim population. And I was right that SBA (Saudi Broadcasting Authority) and Dubai media are growing like crazy, all whilst the American players are merging and buying each other out. I saw the same happen in the IT in the early 90’s with a Dutch company called Infotheek. On the edge of bankruptcy, they bought the smaller players and take that revenue as your own. It didn’t work then, I doubt it will work now. And in that light America has a second problem. Many players will divert to Canada as it could be an option. Many actors and actresses are Canadian, so that works for some. Vancouver is a new powerhouse in this and the more the capture the smaller the American pie becomes. As such the article is right, Hollywood big boom has gone bust, as could be the case for Hollywood fairly soon. And there lies the problem, an over bubbled industry, A premise of channels that ned to invest billions, all whilst there is doubt that the revenue in 2026 could have diminished by 20% (at least), as such who gets the money? Then in the past 300% on investment was achievable, soon it will merely be between break even and perhaps 50%, so how many investors will leap the fence to optionally Arabic channels? I made it clear in 2020 that you cannot bite the hand that feeds you, but did the American defense industry listen? Nope and now the Chinese defense industry reports a growth of 25% year-on-year. That is money that is not going to America and now the streaming channels are optionally seeing a similar move towards Arabic nations and India. So how long until the boom turns into a gap that implodes implodes? 

All things that have been out in the open, but the BBC overlooked it. It is a good story and it gives some of the goods, but it overlooked the attached factors and these are a lot more disastrous. Well, that’s it for now. It is almost lunch time for me, have a great morning wherever you are.

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August 17, 2023 · 17:15

Strike Two

This started earlier. It started weeks ago and I was aware, I took notice. Yet, that was about it. I mean no disrespect. I do not live in the US, I am not California and as such I am merely partially aware. I see what most outside of the US see. We see the strike, but yesterday I saw an opinion piece in the LA Times and that woke me up a little more and would you believe it, this morning I got more awake. There was an advertisement on YouTube, it was the Pilot of Lioness and it was one hell of an ad. It was 50 minutes, it was the pilot. Yup Paramount Plus took their balls and hung them up the wall. OK, this is a first that I watch a 50 minute advertisement. Yet, it was not about the ad, not about Lioness but it gave me focus, so lets begin.

The LA Times Story (at https://www.latimes.com/opinion/story/2023-08-15/netflix-antitrust-anticompetitive-labor) gives us ‘Hollywood strikes prove Netflix and other streamers have grown too powerful. Time to break them up’ here we are given “Many have called the stalemate an existential crisis because it concerns new issues such as residuals from streaming services and rules for the use of artificial intelligence. These go beyond the usual labor issues such as wages and benefits and cut to the heart of an industry in which streamers such as Netflix can dominate all aspects of the business.” It is one side that I had not seen before. ‘Entertainment’ has become an end-to-end business over ALL verticals. I had not considered that merely because I am not part of this industry, I never was. Yet here we are given “Antitrust laws need to be invoked — as they were in the 1940s in U.S. vs. Paramount — to break up streaming services that both produce content and distribute it. This vertical integration has deeply changed the longstanding entertainment industry ecosystem, which allowed employees to survive and studios to prosper.” Which gets us to “In 1948, the Supreme Court ruled against the studios, requiring them to divest themselves of their movie theatres if they wanted to continue in the production business. Shortly thereafter, theatrical films began to be aired on television with no additional compensation for creative talent. This led to the strike by both the Writers Guild of America and the Screen Actors Guild in 1960, the last time the two struck simultaneously.”

With finally “If Netflix and its streaming peers like Apple+, Amazon Prime, Disney+ and Max can maintain their vertical control, it will be next to impossible to settle the Hollywood strikes in ways that could preserve the ability of creators and technicians to earn a decent living and protect creative diversity. The old vertical studio system was broken up by the Justice Department. It may be time to do the same with these 21st century behemoths.” And that was the wake up call I needed. The Paramount ‘advertisement’ was apt and consider that Lioness is new stellar series. Kidman, Saldana and several others are making a bundle. They earned it, their work is first rate, as is the director and the director of photography. They all did a stellar job, but it would not have been possible without the writer, without the writer there would be no script, nothing for the director to work from. So how much is he making? 

We see the accusations that the top person, which in the case of Disney is Bob Iger, in 2022 he made well over $14,000,000. This amounts to well over a million a month. Now lets take a look at the image below.

So a series that streamed over 3,000,000,000 minutes, making it one of the most profitable and most successful series even, the writers were collectively paid $3,000. Please explain to me in what universe 3 billion streamed minutes gives us a combined pay check of $3,000? You see those three billion minutes amount to 138,121.5 years. Does it make sense now? The writers are beyond underpaid. They are the legal slaves of America and they deserve their right coin. But American history is seeded with injustice and exploitation and to be honest until the LA Times piece I did not see it, so who else was unaware? We are given snapshots, yet until you see the entire vertical of exploitation it makes little sense and now with that streaming vertical exposed you can see just how unfair it is and one series, the series suits, showed us just how much the writers are fed up with being ignored what should be rightfully theirs.

Enjoy the day.

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May 3, 2023 · 09:23

The empty wall

That happens, the writings is not always on the wall and now with the writers strike in the US, that wall may be empty for some days. Before I go into the now, lets consider what happened 15 years ago when the writers had their fill of exploitation. They went on strike for 100 days and the cost to the California economy was a thumping 2 billion dollars. That setting just now after covid would buckle many players all at one, making the US economy take a turn down in a stage it cannot afford it. There are other elements as well, but they do not matter at present. I was thrown by stories last week about writers that were living on US support. The people that are the foundation for billions in profit are not given a fair shake. How is that for greed and exploitation. They are not asking for the moon, they merely want a fair shake, a decent income. And I cannot see why not. I write stories, I created the foundation of movies and TV series. As such I identify with their needs. Not because of the income or the work I am in. I write for fun and to keep my skills honed. Yet the power of creation is strong and I can identify and side with anyone who made that their life’s ambition. 

As such when the BBC (at https://www.bbc.co.uk/news/entertainment-arts-65447046) gave me ‘Hollywood strike: Late night comedy shows to go dark as writers’ walkout begins’ I took notice. It wasn’t merely “A Writers Guild of America (WGA) strike, the first in 15 years, saw more than 11,000 writers – 98% of voting members – walk out from midnight. Tuesday’s late-night shows are expected to shut down first, while forthcoming shows and films could face delays.” This wasn’t merely a majority rules setting. 98 percent agreed, that is more than strong. It shows that the greed driven parties have taken things too far. I know it is not that simple, but that is the feeling it gives us. In. Place like the US where most people cannot agree one way or the other, 98% agreed and that number needs to sink in with many of us. We see the late night show references, but the larger stage is that this is not about one employer, one show or one movie. This is about the bulk of all and that matters, especially when a person like me throws the terms ‘greed’ and ‘exploitation’ into the mix, because that is how I feel about it. When I see stories about creators of successful series being on government support, something does not add up and these two term come to mind. 

And there is a larger stage with “This time around, writers are clashing with the Alliance of Motion Picture and Television Producers (AMPTP) – which represents the major studios, including Amazon, Disney, Netflix and Paramount – in demand of higher pay and a greater share of the profits from the modern streaming boom” the BBC gives us part, but I believe that there is more. You see when we see ‘a greater share of the profits’ we think it is the writing, but what we forget that streaming profit streams in ‘ad infinitum’ and even if that were true, that is not what the writers get, nowhere near what the writers get. To give a simplistic version, if that setting was completely true. A person like Dorothy Catherine Fontana could (due to her involvement in Star Trek The Next Generation) buy David Hasselhoff out of his $51 million mansion and take it for herself. Even if she got a mere $0.05 per episode, Star Trek TNG has been running in syndication since it aired in 1987 and it is still running at full speed on Netflix, even today. Not all series get there and not all do that well, but there is a time gap, there is a larger stage. Consider that a radio station has to register every record they play, because the composer gets a royalty fee, this has been going on for decades. So why is there no setting for streaming? Now, I am over simplifying this and I am setting a slightly inaccurate example but the premise stays the writers want a fair shake and when we see that industry make billions, why not? The stage is that streaming is a new media that is not completely understood. Some see it as a temporary stage, some see it as the next iteration in media and there is a reason that studios are jumping on that train, it is where the consumers are and during that jump some thought it was a sweet deal in a few ways, yet the people creating those series are largely forgotten, that is how the Writers Guild of America (WGA) and its members feel about it and when you have to make ends meet that feeling of happiness sour in seconds and that is what I believe we see now. 

And when we see “Key issues in the talks have been how writers get paid for shows which often remain on streaming platforms for years, as well as the future impact of artificial intelligence on writing.” And here again we see two different settings. You see AI does not exist, whatever comes from these solutions isn’t created from the mind, it comes from data, data that these writers contributed. See it as an IT solution to cloning the writers mind, based on data the IT solution never created in the first place. So how long until they are made obsolete? And when I see “The AMPTP said it had offered a “comprehensive package proposal” including higher pay for writers.

But it was unwilling to improve that offer further “because of the magnitude of other proposals still on the table that the Guild continues to insist upon.”” I do not see a solution or a proposal, I see a stalling tactic, a way to keep more and hand out less to a people who created the success in the first place. In this Jimmy Fallon (the comedian) gives us “Arriving at the Met Gala, Fallon said he hoped the strike would not go ahead, but at the same time wanted to see “a fair deal” agreed for writers. “I need my writers real bad, I got no show without my writers”” which I think is the true part and with ‘a fair deal’ he hits the WGA nail on the head, I wonder how long it will take the AMPTP to take a serious stand and not true to negotiate part by part and with a ‘win’ on every segment. You see,100 days is enough for some streamers to find whatever they can in Canada, the United Kingdom and Australia, not to overlook Korea, Japan and India. All players that will have time and with 100 perhaps even longer to find players to go for THEIR solutions. They have been in the dark a lot longer and they are hungry for desperate streamers. How much damage will that bring. I reckon it will be more than the $2,000,000,000 the industry had the last time and when that happens, who will win? I feel certain that at that point the AMPTP will not feel like a winner. You see, a player like Netflix relies on its 230 million subscribers, especially outside of the US, their subscribers will look for other solutions when Netflix does not deliver. All this whilst the WGA and its members merely seek a fair deal? This could end up being a mopping exercise whilst the tap remains running. A lot of energy going nowhere and the spectators can clearly see that tap running. The empty wall is not merely the lack of creativity, it will be the result by not decently rewarding creativity. But it is early days, it is merely week 1 of the setting, the writers are adamant. How strong is the AMPTP deal? I honestly do not know because I have not seen any of these documents, but writers that take hunger over food whilst being underpaid is not a good setting, greed never wins over desperation, history taught us that lesson the hard way a few times over.

Enjoy this marvellous day past Sunday.

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April 10, 2023 · 16:40

The drifting mind

It happens to me, my mind wanders at times. It happened yesterday as I was watching a Deep Space Nine Episode called ‘Empok Nor’. You see, my mind is still trying to work out Season 4 of Kenos Diastima. It is still up for debate. You see, Kenos Diastima had an open ending at the end of season 3. I was in the mindset to keep it an open ending, but part of me was considering taking a tight turn to the far right on this and make season 4 a espionage approach. It would also require a new cast, a complete new cast (for obvious reasons which I will not mention here). The stage was set to new needs and to new considerations, but it feels a little weird. There was an additional idea to create a new series that connects to Kenos Diastima, so my mind was a little all over the place. It was at that point I started to consider a few things. You see all the star Trek series I know the original, The Next Generation, Deep Space Nine, Voyager, Enterprise, Discovery and Picard. They all have humans in the lead. But the United Federation of planets had 4 founding races. As such Empok Nor gave me an idea. What if the new series is about the Andorians. The franchise has given us a good grasp, but what happens when they are in charge, it is slightly before the UFP and they had found a damaged human freighter and they kept the engineers as they were short on engineers. This team finds an abandoned Romulan space station, but that station is already more advanced than either Andorians or Humans were used to. They start exploring the station and find all kinds of things, logs and recordings which gives us stories about Romulan life and these episodes will be part in the station and part on what the logs play out, we see as such a multitude of stories play out and it gives 4 stories. The station story, the Romulan log stories (on Romulus and so on), the Andorian stories and the human stories. So you have basically 4 steady locations (Station, Earth, Romulus and Andoria) and several other locations. 

You see, I do not know why, but for the most Paramount seemingly never considered making the alien race the dominant one, or perhaps they did and they rejected it. We also see how the Andorians ‘borrow’ (steal seems too harsh) these ideas they find and patent it to themselves, calling all kind of emotions and considerations into the frame of things. I reckon something like this might have 2-3 seasons, but that is still a nice run. I will admit that part of this is driven by my love of a game I worshipped since 1994 called System Shock. There we find stories as well, but they were short stories and most of them connected to codes and such. Origin systems had a great setting there, the fact that I still think of that series 30 years later is proof of that and the remake is supposed to come to the PS5 this year. But as another Star Trek Franchise it could work as well, but the setting needs to change and the fact that the franchise speaks over the hostilities between Vulcan and Andoria implies that the Romulan find could open other doors in storytelling as well. Optionally even a link between Romulus and Vulcan, but that is merely a simple slither towards the storyline. 

What is interesting is that all this shaped in less than an hour, the shaping of the thoughts was quicker than me typing all this. So even as it did not solve my Kenos Diastima dilemma, it might help me create the foundation of season 4, the way I think it might have the power to contribute, if not, I will not min, the end of season 3 was powerful enough to make minds baffle. And at times that is all the storyteller hopes for, a baffled mind that goes ‘Are you freaking kidding me?’

I can be that simple and that mean at times. Enjoy Easter.

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June 17, 2022 · 21:07

Holes in the equation

That is what I have been confronted with. Looking or trying to see a solution, an IP, yet in the end I am merely looking towards a partial equation and I am trying to look towards the equation and the holes around it by covering it by part of another equation. So as I was looking at yesterday, at the setting of the SD cards (like the one below)

I was wondering how this could be utilised. Then my mind considered the GoogleChrome 2, but that is Google stuff. I was wondering if the ‘cast-bubble’ could support an SD card. Then my mind went on a sidetrack. You see, the makers of computers are less and less about optical drives. That gave me the idea, what if the Google Chrome 2 could be a transmitter connected to your 4K (or Bluray) player? What if that device could hand the images to the laptops in the house and considering I saw (a little while ago) a naked lady do Yoga in 4K (she looked really good doing that) I now know that a Mac laptop is able to show a lot more than an image of a Pokemon. But the setting holds, if the player (connected to a TV) can show the other devices too, the family will get a much larger audience from the one player in the house. We can watch the movie on our laptop, our console connected TV, our additional systems. As far as I can tell, the current Chrome-cast does not allow for that. So this setting is a freebee for Google, on the other hand if Amazon sees this and creates its own innovative patent, well that is up to the person who gets there the quickest. 

So as I went back to the beginning of what happened, the setting of M.A.A.S. Movie As A Service, a station that was once Netflix, the old Netflix and with the lines becoming ever more blurry. The idea that Marvel moves come with a voucher that allows you to see Disney+ for a few days could set the trend in other ways for Netflix, Paramount, Sony, Apple and Hulu too. I was so focussed on the application of SD/CF Cards in movies that I forgot that there are other applications too, not necessarily directly linked to these memory cards. You see, no matter how we are presented the stages, congestion is coming our way, those with a lot of money can avoid it, the rest need to find another way and that is where innovation comes in. How? Your guess is as good as mine at this time, but the larger setting is to surpass the points of congestion, so how to get around that? Gamers are (for now) too small a group. The movie, YouTube and TikTok group is the larger (if not largest) group. So if we can get them in other ways we could optionally delay or to a larger degree diminish the congestion that comes. And this is not a local problem, this is about to become a GLOBAL issue. And for now, I am in the dark on how this can be circumvented. Yet how to go about it? I learned at an early age that you start with the edges and as such set the dimensionality of the Jigsaw. From there you continue. Yet what if the Jigsaw is a kinetic one? A kinetic puzzle is a puzzle that does not show an mage, but a movie reel. When that is known the dimensions are still the first, but after that, how do you continue? That is the puzzle I am confronted with. We aren’t looking at a static event, but a dynamic one and there the brain (the useless one I have) shuts down for now.

I see part of the equation, but I see the holes too, so as I try to surround the holes I also learn that it is not the solution, because the holes are in motion. That is where I end, holes in the equation, yet the stage is one that I need to master, it will be a nice addition to the three IP bundles I have and at some stage either Amazon or Google will take a bite, because both want the billions and Microsoft is not invited. And as I consider the third player, I will set more time apart to take a look at him in my next article.

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