Category Archives: movies

February 3, 2025 · 22:05

The edge of imagination 

That where we are at times. We all are and some use it to fuel the idea they have. We can speculate all we want, but there are words that the Star Trek Communicator fueled the concept of the mobile phone (don’t know if it is). Then later on the Star Trek Pad (TNG) was the base for the Kindle and also the iPad. We can deny, we can be offended. But the truth of the matter is that any innovation required a group of people thinking in the same way, that is how innovation starts. When the thoughts of this are set to a base, the base grows and the concept becomes a real thing. I have always believed that to be true. So whilst we think that all inventions are in the trend of Oppenheimer that person is not completely wrong, because the imaginations comes from whomever employs it, but usually it take a nudge. The iPad and mobile phone being clear examples of that. There were some bad examples (losers trying to fraud their way through) but they get found out soon enough and now we see medical devices on the same Trent as the losers were, but these people imagined the solution though. They went the additional step.

This is the foundation, now consider that DisneyWorld has the ride Rise of the resistance and galaxy’s edge. We know Star Wars and that is fine, but these two places in the eyes of a child will boost that child’s imagination and that is where the setting changes. That child could be there seeing the life sized version of a Tie fighter and that thought will remain with the child and in 15 years the concept of something he did not realize becomes reality, true innovation. What it is? I don’t know, not my thoughts. I merely thought of Newt Scamander in the series fantastic beasts and I came up with giggle water. A drink in the movie magic based, but the drink could be real. I set that out in a blog around when that movie came out. You see we have all kinds of fuzzy drinks. So what happens when you add Nitrogen (laughing gas) to the syrup that will contain the nitrous oxide and with the added liquid (most likely water, or fruit juice) we now have giggle water. Of course as it is ‘regulated’ all over the place someone in that field would have to tinker with my idea. But can you ignore a fan fleet of millions when it comes to any new drink? Only Coca Cola started with nothing. There is a whole fleet of people now in range and in the Harry Potter field everyone is going nuts about butter beer. Can you imagine having the one good no one else has? 

Did anyone else consider this? Possibly, but they might not have heard of laughing gas, it was discontinued when better alternatives were found, but that doesn’t make the idea useless, it can be applied to other fields. Innovation is the combination of thoughts and imagination and the one solving it has a future ahead. I think I had my fair share of innovations and more are coming. To get into a field I am not even qualified is folly. To be true, I was not qualified in the field of nuclear ‘solutions’ either. But someone had to deal with Iran (and now Russia as well). As such I started a thought that could be interesting. As such I figured that as Russia has 38 reactors, when half a dozen melt down they will end up having a massive energy problem. Simple problem, simple solution and when you consider that a snow globe drove this idea, you can see that innovation can be found anywhere. 

This led me to the setting that America gave us all. The trade wars. Now America has plenty but not all in America. You see Disney is also in Europe, Universal is also win the UAE. So if all people of the commonwealth denounce their visit to America and chose these two other locations America will soon have a new problem. So what if we all disregard America as a destination for the next two years? Disney reported an annual revenue of $88.898B, they beat expectations by a mere 7%, so what if all in the commonwealth and Europe select other places and now Disney falls short for 50%? and Universal is doing equally good, that is until President Trump pulled the rug from under them. You see I like Theme parks, but if I can enjoy another one I would like it to be outside of America. I am a member of the Commonwealth and be decided to blame Canada and Mexico for their own irresponsible spending. As such The Dutch has the Efteling, Harry Potter can be found in London, Japan and soon the UAE (Warner Brothers Theme park) and several other parks are there all over the world. Saudi Arabia will soon have the alternative to Aspen and Utah, Canada has Whistler and Blue Mountains in Ontario and a such there is every chance that they could all get more Mexicans. President Trump did not really consider that, did he? In that same setting Universal (before covid) had 5.5 million tourists, so what happens when that slows down to less then 3 million, how long until Orlando has a massive budget problem? How long until businesses collapse due to a stupid idea that seemingly only President Trump likes. How long until the America economy goes below sustainable (I believe it is on the line now) measures that collapses the larger companies is slicing whatever they have?

Innovation comes in all sizes and directions. So when will we see a webpage with a connected database mapping all theme parks on the world so that people from the Commonwealth and Europe can seek alternative travel arrangements? Consider that Saudi Arabia and the UAE have done nearly all to become the better solution for tourism. Their airports are top node and their theme parks are too. Warner Brothers will still syphon some funds to America, but it is meager pickings for the yanks as their theme parks are on the edge of shutting down. 

That is the other side of innovation, making sure that America dwindles down to nothing. You see, there is a down side to Trade Wars. This is merely one side of this, there are a few others but I reckon the Canadians are already on that part.

As I see it, the stupid side of this world can be found between Canada and Mexico. And they are finding out that there is a cost to electing the wrong president (not sure if the other party had a real contender)

So have a nice day and consider the chance that you yourself have an idea that could be innovative, there is 100% certainty that I am not the only one and innovations can be found in any field, it merely needs fuel and imagination is the best fuel.

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January 21, 2025 · 02:38

Openings to your fortune

That was the thought I had. Well, it was part of this. You see last week I saw news in the Financial Review (at https://www.afr.com/companies/media-and-marketing/saudi-arabia-nears-deal-to-take-big-stake-in-foxtel-s-new-owner-dazn-20250115-p5l4gr) and people will think “You and how many more?” And that is a fair view. But think of this “When you are competing with an increasing amount of contenders and when that levy comes crashing down, do you care?” When we see the fires in California, can you afford to be coy or emotionally vested in the needs of others? Good business is where you find it, an old expressions that the crime lord Clarence Boddicker (Kurtwood Smith) threw in our faces in the movie Robocop (1987), but what you mis is that there is a lot of truth in that. When you are trying to make ends meet, does it matter how you got into a place? Does it yield more favor with anyone when the front door seems close and there are people waiting in line, is it that important to ‘join’ them when there is an open patio door to the same location? An entrance is an entrance. So as we see “Saudi Arabia’s sovereign wealth fund is in discussions to take a stake of up to 10 per cent in global streaming business DAZN, a deal that would hand the Persian Gulf kingdom an influential voice in Australian broadcaster Foxtel.” With the added “DAZN, which specialises in sports streaming, is controlled by British businessman Len Blavatnik and last month agreed to buy Foxtel from News Corp and Telstra in a deal it said valued the local group at $3.4 billion.” Now I can be certain that Len Blavatnik might not be interested in my script, but he knows people and the small herring you throw in the pool might get the attention of the big fish you want to come to your side, either as a supporting player, or even in opposition. The price? Optionally a lousy payday for the first script. But if that gives a decent guarantee that scripts 2,3, and 4 come with a (hopefully) decent payday. And now as California is a cinderblock, it also stands to reason that the pool of scripts suddenly falls (close to) dry. Bares thinking doesn’t it? Because as you are trying to make up your mind Canadians in movies are seeing their option clear to now harvest whatever can be harvested.

So why this path? 
Well for me there is a clear option, but there is more you see, as Foxtel changes hands to British businessman Len Blavatnik, we see more than a mere change, we also see opportunity. As Saudi Arabia is setting their hands to the sport section of Foxtel, there will be people who will look at whatever is there?

And now more eyes will be hopefully looking at my script ‘How to assassinate a politician’ (aka Essay), which was written for an Islamic population and now we are off to the races. How many Islamic laced scripts has Hollywood ever delivered? And now that Hollywood s partially out of business, we can hold our heads high and allow the opportunity to make a few coins.

Is it a guarantee? 
Of course it’s not, but until this happened there were little options outside of Dubai Media and Al Saudiya for me and now there is another doorway, hence the patio door will have to do for me (at present). The simplest setting that Kurtwood Smith was offering us, becomes a doorway where the optional coins reside for us. We found business by going via the side door and it might not work. Yet I feel certain that hungry revenue people will get to see it and that is exactly the door I needed. I might have to sacrifice one script for little to get the visibility to offer the other scripts for a nice fee. And the fun part is that Saudi Arabia has its media channels, but with Hollywood (partially) out of commission, they too needs their channels to produce and now they are handed another option to look at, will it work? Does it match the quality they need? Those are questions for tomorrow. Today we (or I) at least got my way onto the premises. And that was the direction of business I needed. 

And with the quote “DAZN has been expanded aggressively, not only agreeing to acquire Foxtel – along with its streaming platforms Binge and Kayo – but also paying $US1 billion to broadcast FIFA’s inaugural Club World Cup competition.” This is not my field, but they will need to fill up spaces and that will be done with reduced options and a cheap script will be exactly what they need, especially as they will need to fill time gaps for Al Saudiya. And if you think that the last paragraph was a negative one, you would be wrong. The article gives us “But Brian Han, an analyst at Morningstar, said he was not optimistic about Foxtel’s prospects. In a note to his clients last month, he said the broadcaster was “burdened with expensive sports rights and mired in the ever-competitive streaming space against the global digital behemoths”.” You see, he has a point if you think of the way everything has worked all this time. It might have BEEN about “expensive sports rights” but Saudi Arabia has between now and 2030 a massive caliber of options, and that is all Saudi terrain. Trojena will have its own ski slopes, skating rings and so much more, all Saudi. Then there is Sindalah for the water sports. And I cannot even begin to fill the idea of The Line and all will have thousands of people who need to be entertained. I think that a lot of people haven’t even begun to consider how big the transition to Saudi Arabia will be. As such getting in there first has an enormous amount of options for the eager person seeking transition. And for the ones who missed it, when you get access to one it should open up to both (via Saudi Arabia). And that is before you consider that Bangladesh has 150.36 million muslims. That is 4 times the size of the Saudi population. Do you think that Saudi Arabia isn’t looking to service their shows in Bengali? I saw that option years ago, now it is time to seek if it has options for me as well.

So whilst the rest of the world is seeking to unwind their hatred for President Trump, I’ll be seeking the options I can see for good business.

Have a sunny and wonderful day.

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December 9, 2024 · 18:47

To box office, or not to box office

That is the question and the question is valid as the movies opened up in 2018 with a revenue of $2.6m, seems little but in the few years that passed, annual revenue went up to a quarter of a billion, as such screen daily kept an eye on the Saudi market (at https://www.screendaily.com/features/is-saudi-arabias-box-office-boom-over-or-set-to-rise-again/5199910.article) in that same setting I created the script ‘How to assassinate a politician’ about the assassination of Islamophobe Geert Wilders (the current prime minister of the Netherlands) the alternative title was ‘Essay’ (I came up with that later). I aimed it for the Arabic (Saudi Arabia/UAE) market. I contacted 2-3 player, but I never heard back from them. I thought that through streaming they could also get to the Egyptian market (as well as the Indonesian markets) The ‘bad vibe’ feelings in Indonesian markets might be well received. A Dutch politician getting the Sukarno treatment might keep Indonesian people on their couch watching the demise of the Prime Minister five times over. Anyway, those were my thoughts and it seems that they didn’t agree with me. Still the setting remains. As we get “At least one of the major exhibitor groups operating in Saudi is said to be exploring a possible sale amid high debt levels incurred during its rapid expansion. Last year, AMC Entertainment Holdings, the world’s biggest cinema chain, exited the Saudi market in the face of intense competition, selling to Saudi Entertainment Ventures (Seven), which is operated by the government’s Public Investment Fund.” The intense competition was why I tried the streamers as a possible interested party. We can think box office all we want, but in the end, the people need to be entertained at home. The last time I went to the cinema, it was $19 for the movie and popcorn and a soda set me back another tenner. That’s three months of Netflix. I reckon we need to consider the home office and for a lot of Saudi’s (as well as Indonesians, Egyptians and people in the UAE) the same setting is looming. It is not that streaming is better, it is merely more affordable. Now that Apple is getting more into Saudi Arabia, it will be soon that Apple TV is coming too (or already there). And with the setting of “Bidding wars for titles from major US sellers were common, but less so now. Minimum guarantees have dropped as a result, reflecting the reality of a market that has levelled out. “When Saudi opened up, almost any film would work. But now audiences are a lot more selective,” says the executive.” Makes me feel that there is still a chance of my script making it to the screens of people. The movie plays part in the Netherlands and part in Dammam (no real reason why I chose it) and one scene in Iran. The setting of a movie that deals with islamophobia was appealing to me, because it is something nearly any Islamic person is exposed to (especially in Europe) and as such I created an idea with my copy of Final Draft (given to me for that reason) and a stronger view is given with “One bright spot is the market for Arabic-language content, particularly from Egypt. The figures underline the executive’s point: the top five box-office films of the year so far include two Egyptian titles (action drama Sons Of Rizk 3 and romantic comedy Gawaza Toxic) and one Saudi comedy (Shabab El-Bomb). According to Comscore, Egyptian titles now account for an impressive 25% of the Saudi market, while local Saudi features have a 7% share. US films, by comparison, take 53% of box office in the country.” My movie is not in Arabic, but it was designed with the stage of an Arabic version in mind. I merely lack the language skills to make it directly in Arabic. Now I see that this setting is given with “Egyptian titles now account for an impressive 25%” gives me hope that my final curtain call is not here yet. Yes, it is hope because I had never written a script before this and as I look at the tally where beside ‘How to assassinate a politician’ I am working on ‘Kenos Diastima’ (a TV series in the making), ‘Engonos’ (TV series in the making) and ‘Residuam Vitam’ (mini series in the making). I created these series partly to keep my writing skills up and it wasn’t until ‘How to assassinate a politician’ had formed more completely in my mind that I decided to make it in a script (in Final Draft) and when I started pushing that title did I start to set the blackboard for ‘Residuam Vitam’ which is still forming. 

And as we see this we also need to take notice of Adon Quinn, CEO of Saudi exhibitor Muvi Cinemas, believes that Arabic content can help drive future growth. I am willing to agree, but that is really in my favour. You see it is nice that things go to cinema (happy to help), but I reckon that the streamers in the UAE (Dubai Media) and Saudi Arabia (Aloula) will make the larger difference. The need for Egypt and Indonesia seem clear and Indonesia with a population of 277 million potential viewers should not be underestimated. As Quinn tells us “He points out the wider Saudi box-office slowdown echoes what has happened in markets around the world this year. Its main cause, he says, is the depleted supply of content caused by Covid and last year’s Holly­wood actors and writers strikes. “The strikes had a big impact on the first half of 2024,” he observes. “We’ve seen when the right content is there, the audience is there.”” But he also exposes a problem. The depleted supply is seemingly due to Hollywood. Still tapping the Canadian, Swedish and western European markets might not be a bad idea. Especially as California is about to get a few additional issues and they are not yet polarised into tinseltown (Hollywood). 

There are definitely options for the Arabic market, but I reckon that the streamers will have a much better time they do not need a movie distribution system and they can get a lot of traction roping in a potential viewing group of well over 400,000,000 people. You can fish in a barrel, but the same barrel holding either 400 million or a mere 35 million, that is the setting as I see it and as I have noticed Dubai Media is ready to get on board with that setting (I saw it was ‘proclaimed’ by certain individuals on LinkedIn). 

The market is where you cater to it and I thought it was a good idea to cater to the Arabic markets. Have a great day.

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November 23, 2024 · 20:11

Reinvention

That is the thought of the day. We all reinvent ourselves. Shakespeare was reinvented several times through Hamlet in movies and plays. I particularly liked the version with Ethan Green Hawke. I liked the approach of an adaptation that kept the Shakespearean dialogue but presents a more modern setting, with technology such as video cameras, Polaroid cameras, and surveillance bugs. It makes for an amazing view in a new setting. I like it because someone took the trouble of reinventing the play, not merely the stage of the play, but reinventing the concept of the wheel. I like that. We can have version after version but when you make the car it drives a hovercraft it becomes something else entirely. Who would have guessed that the series I loved as a kid (Battlestar Galactica) could become the stuff of legends by Ron Moore. He pulled it off. What was just a decent dreary thing kids loved would become the version adults would revere. Lorne Greene was the version we adored when we were young and was decades later replaced by Edward James Olmos. The lieutenant that stood standing next to Don Johnson and Philip Michael Thomas became the stuff of legends as he gave greatness as William Adama (callsign “Husker”). Reinvention does that and as I see it, I gave the BlueRay a 96% rating, one of the highest rating I ever gave a TV series. As such reinvention is key to decades of entertainment. It enabled me to create the movie ‘How to Assassinate a politician’ (aka ‘Essay’). From there I started the stage of Residuam Vitam a miniseries where death is the central player and the views we have becomes altered in the hands of 8 billion, but only after people die. And the stage of Atheism becomes a new player, being it a tender one. So when we set the stage of history it becomes another matter. That let me to the beginning of us all. Erich Anton Paul von Däniken, the  Swiss author of The Gods Were Astronauts and he was not wrong. The origin of the Greek gods was just that and they came from the Sombrero galaxy (galaxy M104). I explore that in Kenos Diastima and it forms in me as a TV series (three seasons). Where it is not merely what we look like, it sets the stage of how we are set up. This rotates in another direction as Engonos the later series. Engonos translating as ‘Grandson’ where the first season was the view that he has, the second season shows us where it still is about the gods and the third season (for now) is shaped as the hidden trap the gods set for all of us and the hidden levers they set up their own system to never be held to any kind of account. So how is that seen when they are themselves their own creators?

Reinvention is key in all of this. I tried to ‘sell’ the script of ‘How to assassinate a politician’ to Dubai Media (as islam is centre in all of this) then I also tried to approach Saudi Broadcasting Authority (SBA) and I can report with saddened intonation that I was unsuccessful. This media is not my stage. I created stories and I create what could be seen as dialogue. I believed that there was an islamic market for people, especially as islamophobia becomes an overwhelming issue and I personally believe that these idiots and morons hiding behind ‘Free Palestine’ to destroy anything they can like cheap Football Hooligans and soon that setting will grow tired on too many people and we get new fields of malice and destruction. In that I felt that I was able to corner a new market and with the Dutch politician Geert Wilder (before he became Prime minister of the Netherlands) I saw a story emerge where Arabic children saw their way to wrote him to death and we see his demise five times over. The setting where a movie was played in Dammam, Amsterdam and The Hague helped as I saw that this had never been done before. No matter how you reinvent things, it helps for the stage to be new and largely unknown to the watching audience. I thought I saw an option. However Dubai media and the Saudi Broadcasting Authority seemingly did not see it that way. My view was a story that appealed to millions of Islamic viewers and they? Perhaps they saw an immature script. That part is speculative as they never gave me any feedbacks (other than we have other projects running). 

You see reinvention also sets you up for two settings. The ego of others and the ego of self. The ego of others is what it is. You can cry, you can sulk and this setting merely is. The ego of self is different. It wants to believe in self, but the truth is that it also needs criticism of self to endure and see the brighter life of what could be. This is what I see in Hamlet (2000) and Battlestar Galactica (2004) they did more then endure. They reinvented themselves in more ways and we all enjoyed what came from that. The only thing I can do is to reinvent more and more. Games, stories, movies and ideas. I particularly like to reinvent in a different format. What was a scrolling game could be an sandbox RPG, what was a book could become a movie with a difference and there are other ways too. The idea in one form could be reinvented in other forms because it attracts a new audience. Look at Star Trek it went from the original series into the next generation and now there is Strange New Worlds. Yet for the most it attracts the same audience. That can be an option. To grow from the original audience to include a larger audience. This is what was achieved with Picard and it was an amazing achievement. But it is not a trajectory I am on (and I have no starting audience). Still the boundaries of reinvention are vast and there are so many corners to see. I merely hope that I find a corner that will find appeal to an audience.

All this looks nice (and academic) but there is a hidden corner is any creator (in me too). It is the setting of the imperfect creator hypothesis. It is what it is. The only way around that is to reinvent the reinvention. I sets the value of imperfection at bay but it also creates more doubt in self. A vicious circle to say the least. But any creator loves the battle that goes on inside ones self. The stage of creation and doubt goes on an on and perhaps at some point I will see one of my creations become a reality. 

Have a great day and seek the sunlight if you can. Not really an option in Vancouver, but in Sydney it was 30 degrees today with full sun during this day.

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October 23, 2024 · 23:11

Out of the blue

That is what happened. I had a stream of ideas out of the blue. I do not know what fuelled this. Was it reading about the failures of Ubisoft? Was it another setting? My mind went racing and I went back to 1995 and Tia Carrere. In that year she was part of The Daedalus Encounter. It was a fun game and I had fun laying it. But then a thought came to me. That game in 2024 could open other doors. Doors opened through machine learning and deeper machine learning (AI does not yet exist). The track my mind went through was interesting. You see, the movie world made rules for (what they call) AI. But this setting might not completely apply to games. 

Now consider the first stage of creating these kind of games using the technology complemented with Unreal Engine 5. We can make new versions of Rama, Infocom games, but now not as text games. More like Zork nemesis, with actors and actresses. Infocom created more than 20 games and they could now entice a much larger following. As the games develop new technology would also develop in creating games. The larger fun of this is that many more developers will get a handle on this form of game development. 

That brought me to the next level. In 1984 The Dallas Quest was developed. As such Datasoft created “one of the best games out on the CBM 64” and it held sway over pretty much the entire gaming community, even those who didn’t follow Dallas (example: me). We now have the technology for streaming systems to hold the sway of all who love this level of games. That wasn’t the only setting. You see players like Netflix could optionally create a new level of games using these technologies. The setting of of these new options could set in motion a new form of gaming. Consider what was. And now take another direction. Creation of these kind of games using TV series. Grimm, Babylon 5, Charmed, Buffy, Doll House and several other series that have been discontinued. Now consider the implementation of ChatGPT, and with a library for every character of that series. Now we get a new technology. A game where the player can be any character in that series and the interactions will shape the ‘episode’ of that game. That trend could be pushed forward. Now consider another venue of these games. Egyptian Musalsalat: A Social Construction of Reality has strength all over the Arabic world. Now take these elements and build the new template. An interactive game where the player decides on the route of the episode. In The Dallas Quest we needed to make choice, like finding the football tickets in the lobby, if not you get stuck in the game. Now machine learning will be able to avoid getting stuck. And the game can evolve even further. Consider the setting that Grimm has, millions of fans still love this series. Now they can continue their TV fling in this new direction. Consider the streaming solution and consider that I gave the option of 200 million consoles with the directions before I came up with this. Now it could become a whole new dimension of gaming. 

Oh, and whilst you contemplate how Ubisoft blew game after game and delay after delay I came up with this new idea (within two hours). Don’t get me wrong, this will be a complex undertaking and the idea to use the Infocom and the Dallas Quest first enables this technology to grow and to adapt to some sandbox approach. I believe this could entice millions more to the gaming population and it has options over time. There is even the idea that former adventures could be evolved into new versions on a new template in a new shape with new possibilities. What a difference a few hours make.

Have a great day.

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September 30, 2024 · 11:48

Co inky dink

Yup, my previous article on comic films preceded a BBC article. Or perhaps better stated I saw the article after I wrote my article. As coincidences, go a nice one. The BBC article (at https://www.bbc.com/news/articles/cj6er83ene6o) gives us ‘Hollywood’s big boom has gone bust’, I have some issues here. The first is seen with “the good times ground to a halt in May 2023, when Hollywood’s writers went on strike” I resent the implied status that this was up to the writers going on strike. And as we are given both “The actor and aerial cinematographer turned his hobby of flying drones into a profitable business in 2012 just as the streaming wars were taking off. For a decade, he was flying high above film sets, creating sleek aerial shots for movies and TV shows on Netflix, Amazon and Disney” and “But rather than roaring back, in the one year since the strikes ended, production has fizzled.” This story isn’t giving us the goods. You see there are a few elements. One is saturation of business. First there was Netflix, and not we have in addition Disney plus, Hulu, Paramount, YouTube TV, Sling, Fubo and Amazon prime. Several more to follow but these are the better ones. What was one is now eight and it doesn’t end there, there are all kinds of digital boxes who keep tabs on it all. The problem is that income levels are still the same as they were in December 2019, pretty much in synch with the first Covid setting. In 5 years most incomes are either the same or ridiculously close to that and in the meantime the cost of living has gone through the roof. Housing has been raised in many places by as much as 50%, that is hundreds of dollars a week. Food has risen by about 5% per year. There is the larger set that most people can at best afford 1 digital channel (if at all), as such all eight channels competed for the same customer at the same time. As such it isn’t merely that production fizzled, or that projects were cancelled. There is a dwindling population that cannot even afford one channel. And to relate that to the present, Disney projected it would spend between $8 billion-$9 billion on content for its premiere streaming service. Now see that investment all whilst less people could afford that TV channel. This isn’t merely America, this is a global problem. Hollywood has relied on the old Roman principle “Give the people bread and games” and now the people cannot afford the games and more and more of them are falling short for buying bread and this is happening all over the world. So whilst we get “Projects have been cancelled and production was cut across the city as jobs have dried up, with layoffs at many studios – most recently at Paramount. It had a second round of layoffs this week, as the storied movie company moves to cut 15% of its workforce ahead of a merger with the production company Skydance.” We see that there is a lull in the setting of projects and the attainment that people are in the mindset of “things will go better soon” but that is not the case. America and Europe wasted at least two years on their ego all whilst the ‘customers’ who had the cash have vacated to China. I saw this happen two years ago, which is why I created a script that could entertain the Muslim population. And I was right that SBA (Saudi Broadcasting Authority) and Dubai media are growing like crazy, all whilst the American players are merging and buying each other out. I saw the same happen in the IT in the early 90’s with a Dutch company called Infotheek. On the edge of bankruptcy, they bought the smaller players and take that revenue as your own. It didn’t work then, I doubt it will work now. And in that light America has a second problem. Many players will divert to Canada as it could be an option. Many actors and actresses are Canadian, so that works for some. Vancouver is a new powerhouse in this and the more the capture the smaller the American pie becomes. As such the article is right, Hollywood big boom has gone bust, as could be the case for Hollywood fairly soon. And there lies the problem, an over bubbled industry, A premise of channels that ned to invest billions, all whilst there is doubt that the revenue in 2026 could have diminished by 20% (at least), as such who gets the money? Then in the past 300% on investment was achievable, soon it will merely be between break even and perhaps 50%, so how many investors will leap the fence to optionally Arabic channels? I made it clear in 2020 that you cannot bite the hand that feeds you, but did the American defense industry listen? Nope and now the Chinese defense industry reports a growth of 25% year-on-year. That is money that is not going to America and now the streaming channels are optionally seeing a similar move towards Arabic nations and India. So how long until the boom turns into a gap that implodes implodes? 

All things that have been out in the open, but the BBC overlooked it. It is a good story and it gives some of the goods, but it overlooked the attached factors and these are a lot more disastrous. Well, that’s it for now. It is almost lunch time for me, have a great morning wherever you are.

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September 29, 2024 · 22:58

For desert we have this

The second part is lighter, a lot lighter. I saw a video on YouTube a mere hour ago, it is an abandoned movie, namely the Jetsons.

I remember the comic books and I loved the Jetsons. Now I see that a Panasonic version was abandoned. Why? And that is when the thought occurred that in the age of Unreal Engine 5 and what some call AI, this movie (or series) could be done without actors. All set in a ‘futuristic’ stage.

And as we realise that these abandoned projects could be given life in new ways and that could be done for a whole range of comic books and old cartoons. Considering that the streamers need all kind of projects and they are running more and more quickly out of ideas. I am amazed that this hasn’t been handed a larger thought by all kind of streamers. 

And with the three simple ideas above, there are hundreds of comic books that could optionally be done in the same way. Some of them were never turned into a cartoon and as such it could offer the graphic designers a new age of creativity, not to mention those works who lost their makers as well as a host of IP rights. I wonder why no one gave that any serious thought. You see, the cartoon world is so much larger then Marvel and DC Comics. For the first 20 years I saw almost no Marvel and in the DC world only Batman (from 1967). As such, I tend to wonder why a player like Netflix let that option slip by. 

So graphic designers. What are you waiting for. There is a whole pool of options out in the open. Spread your wings and seek your fortune.

Have a great day.

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August 15, 2024 · 17:40

Streamers wake up

Yup that is pretty much the setting. They are all trying to reinvent the wheel and there is nothing wrong with that, in some cases the new wheel is more up to date and a good show, or movie. As I saw the second iteration of The Andromeda Strain, this time produced by Ridley the alien Scott we see a new version that is ‘up to date’ with the technology settings, the story makes sense and it is a great story to watch in two parts. So as I was brooding on different matters, I was reminded to a good movie from 1987 with the one and only Jon Cryer. The movie was called 

Hiding Out. Now this is no Oscar winning material, still the movie was thoroughly entertaining and I think it deserves a remake. 

The main reason for the remake is that with all the digital currency scams, a remake is nearly essential and Netflix better wake up, or someone else will get to it. So in comes the actress of choice (Anna Taylor Joy). 

She has something in common with an actor like Tom Cruise. You see she could appear like a teenager until she turns 50 and in light of the setting of Hiding out, especially in a high school, this matters. 

The story (roughly) goes that she fell in love with a bitcoin broker and the setting is that he is the guilty foe and a lot of bitcoins go missing, more than enough that he gets himself killed. The last thing he does to ‘save’ his hide he lays blame on the actress of choice and as such she suddenly gets chased and she does not know why. Het only escape is to hide in a place where no one would seem to know her. As she loved her summers with her aunt in Nova Scotia. Her aunt is now dead, but she remembers the place and she is off to Nova Scotia and as such she hides as an international Uruguayan student in the St. Francis Xavier University. She enters as student in journalism and communication. 

In the meantime they are still hunting her but no one knows where to look for her. We get an appearance make over in the beginning when she gets to Nova Scotia (also the one link how they find her). So as the new student she lies low and tries to figure things out. In the meantime her office becomes aware of the $2,000,000,000 loss through theft (TV item) and the death of her lover. Now we get the FBI involved. The story goes that the FBI through digital CCTV traces get a possible handle on her (the train station where she vanished) and someone at the FBI blabs that to the criminals. Her tracks are lost in Saint-Lambert. She took the bus to Antigonish. The bus ride gets us some moments of her past life. 

She is relatively safe for now. And as she ‘embraces’ her anonymity and the new life she is making for herself she (of course) falls in love with one of the teachers and as she focusses on journalism she gains new skills in finding things out, more importantly she finds evidence that the bitcoin company seemingly have been white washing currency. In the meantime, she interns at a newspaper and one of the photographers takes a liking to her. When he takes a snapshot for a column where she is placed in the paper as the new intern, the links are found and the FBI goes after her, as well as the criminals. We now get that the FBI is after her, with criminals close on her too. I still need to think of a few sidelines where she has had positive influence through journalism, like a blue tuna fishing boat (water scenes) or something like that. 

In the end we see that her locket (an heirloom from her mother) contained an SD card with the currency encryption which is still in an account that no one could find or reach because it was encrypted. The SD card was the key to unlocking it. At the end the FBI catches the mole, retrieves the mob money and find the evidence that clearly identifies her previous boyfriend as the guilty party, the movie ends with her changing her life to Antigonish with her teacher. Now, wouldn’t it be nice to give Doug Al-Maini (professor of philosophy at said university) that role? I am a corruptor of the young and innocent (so sue me). And it might make a nice setting for Antigonish. 

It’s all I thought of in less than 2 hours. Netflix eat your heart out. Anyway use this idea as you see fit, I think it would also be nice to give Jon Cryer a nice small role here, to link the old to the new.

Have a great day and try the Nova Scoria Tuna today.

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July 28, 2024 · 11:24

As the idea erupted

This happens, we do one thing and suddenly an idea erupts. In this case I was thinking of the second script that I am generating in Final Draft.

It was a setting that made me think for a moment. And this setting came from the days of the Commodore Amiga. I even was working an reset emulated version of the game in Macromedia Flash, just 1-2 weeks before I suddenly was made redundant. I suddenly had to relocate from Stockholm to Gorinchem when I got screwed over by my previous boss. But the thought got to me and I thought “Wouldn’t this make a great small budget movie?” An ‘almost’ one person movie with its own narration. Most of the movie in a sort of CGI and an interaction with computers and a sort of deserted place. It might not be the Hollywood stage of stories and not really for the big screen, but an idea that a streaming company might like or consider. In a stage where they have to pump billion into material, a low budget might have a much better chance. They can test an actor or actress as well as the director and director of filming in a cheaper setting. As such 3-5 people straight out of film school. I reckon that Pedro Pascal, Tom Hanks, Natalie Portman, Scarlett Johansson and Steven Spielberg would be too expensive. But there are over 50,000 actors many of them do not have a place in Bel Air, not to mention of the amount of Directors in the field. New players have a hard time getting through. So, here the speculated number race through my head and now there is a viable setting. The stage of using low budget films to create a talent pool of newbies. You know people like Pedro Pascal had a lucky break. Considering he was the man behind Napoleon Dynamite (vote for Pedro), I know I can be quirky (read: funny) at times. Still the premise remains, luck isn’t always available so what then? I believe that low budget movies are part of that key and places like Dubai Media are likely to break through their own confinements and start breaking through into the West European streaming markets. There is an upside to that. When the current borders by Netflix and Disney plus start pushing their own limitations others could be there taking up the slack. You see one source is stating ‘The US will need 22,700 film directors over the next 10 years’, I cannot vouch for the accuracy there. Yet this implies that ever upper level University will need to fight off job offers with a stick for 100% of their art students. I nice setting, but not realistic. Adding a talent pool becomes essential and not merely for these people, they will all need scripts. There are plenty of them around, but how good are they?

These elements put the larger streamers on the spot and those ready to grow could enter new fields. This puts Dubai Media in a nice place and lets not forget iQiyi and Tencent Media either. America might hate all that is Chinese, but I reckon that Europe is more open to this stage. As the mindset goes that in the first century Decimus Junius Juvenalis stated “Give them bread and games and they will never revolt” It was around the age of Emperor Trajan. What strikes me was that no-one considered owning the bakers. It might be merely a coin per bread, however the Colosseum had 50-80 thousand spectators and that makes for a nice penny. And there were more places over the empire of Rome where these places had crowds. Being the admiral of baker makes perfect sense to me. Even today ‘give them bread and games’ applies but in this setting nowadays growing the streaming services makes a lot more sense. And there to centrality of content becomes a new focal point. Everyone is looking towards Hollywood, but there is a problem there. California is losing their focus, they are saturated, so new borders are required. The Middle East and Asia make sense and when Europe finds out that the American prices are getting too high the aforementioned three players as well as other other streamers will see their markets erupt. Not to mention countries like Indonesia and Bangladesh that over these two countries have a little over half a billion citizens, we see a disrupted market. All looking at California and Hollywood to hand them materials, but the ongoing mass emigration of residents and businesses from California to other U.S. states (Texas) or countries is about to leave California is a near desperate state and the desperate need to pay a lot more. That opens the doors for the Middle East and Asia to make their mark. It is almost the proverbial butterfingered aide putting all egg in one basket. 

All that came to me in a near instant (in less than on hour) whilst was contemplating a low budget movie. I have no idea yet how to do that (I have three other projects in my brains) but it is something to keep in mind. Considering that this setting will take time to implode (before 2026) I still have time and until the end of the year I need to focus on the next two projects but Residuam Vitam comes first. 

Enjoy this Sunday 

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July 25, 2024 · 03:03

Baby steps, one at a time

This is a momentous occasion for me. I completed my first film script. The movie is called ‘How to assassinate a politician’ (the alternative title is ‘Essay’) and I think I completed a version between a draft and a final version. I have no movie scripting experience. Initially I did part of the story on my blog (this one) and last year October I got myself Final Draft version 13. I have no illusion what will happen, but this is a baby step to get to a point to create a script that might be accepted. The second step I just completed. I send my script to Dubai Media. 

Now that this part is completed I will learn more about Final Draft, especially the Beat Board which I haven’t used yet. The second ‘script’ is likely to be Residuam Vitam which is supposed to become a mini-series (I reckon 8 episodes) or 4 episodes set to 90 minutes. It will take a lot more then my first attempt and most of it is in my head. Some parts were blogged but  lot is in me head. That story plays largely in New Orleans, A place I have only seen on TV and on Google maps. So I will face a whole range of other ‘frustrations’ also as my story is in a totally different direction it will open questions on scripting as well. From there I need to think what comes next. First there is Keno Diastima, a complete story in 3 seasons and as I see it the story end there. This story will get me to think deeper about storylines. You see in blogging and in my mind stories are like books that play in my mind. For TV series that linear way of thinking is what some call bad TV and I get that, but this is how my mind works and as such I need to reset how I think. Final Draft will help me with that. Also a secondary setting is that I keep my mind busy in new ways and script writing is certainly new for me. 

After that point (far future) is the TV series Engonos, which my mind has constructed to around season 3 (optionally season 2). This comes down to the top sirloin of the Angus. It is a path I set myself to and to show certain others that I will not be tied down to their degenerative standards. In the end it is merely an exercise in creativity. On one day I design a novel way to melt down a nuclear reactor, on another day I design a new stealth weapon and now I write scripts. The funny part is that I can used the previous two stages in new scripts as well. As I stated in a Previous blog Blogger versus DARPA 5-0. If you gotta dream big, make sure that you have the intention to make big players your underling (the use of the word bitch is so harsh). 

Still no matter how things turn out. In the end I learned another non-Microsoft product and I remained creative at the same time. As some would say its a win-win. I cannot tell at present, but as I stated, this is about baby steps and the first hurdle (correct or not) is that I ‘completed’ my first script. Hollywood eat your heart out.

Bye for now, 4 hours until my Thursday breakfast.

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