Tag Archives: Netflix

The reality teaser

That is my name for them, it was today that I was recollecting something I thought would make a good game. Yet it is not a mainstream game, it is a niche, but it will appeal to some and from there I would hope that it would catch on. I wrote about it on July 12th 2021, the article ‘New and reinforced’ (at https://lawlordtobe.com/2021/07/12/new-and-reinforced/) was the start of the idea. A game that was for the streamers, not that the consoles could not get there, but the sheer size of the game and the intricacies that would need several patches over time made it not feasible on consoles, but streamers are a different matter. There it was possible. The Zombie survival game came from that setting. And here the issue starts. You see, several games on Android and Apple have ads, they show something that is not in the game, but adding it would be a good idea. There has been some complaints on that and Apple and Google seemingly do not care, the advertisement money is coming in. Yet the idea that the Last Fortress uses as a teaser is actually a good idea. It is not implicated in the Zombie survival game I had in mind, but the addition of a room creator is not a bad idea. Especially in a safe zone. You see, I have mentally added a whole range of artisans that add to the game and to the gameplay, but in today’s world they are often forgotten. 

  1. The Seamstress

The seamstress adds to the creation of armour, now her speciality is not better armour, but more comfortable armour. I remain a devoted follower of checks and balances. So metal armour would be +5 protection, but they have a comfort level of -2, as such weapons and movement are degraded by 2 points. So it is not the greatest solution. But here comes the seamstress. Her ability starts by adding comfort levels to EVERY piece of armour, and as she does more alteration her plus one will become plus 2. As such metal armour has no longer any setbacks. A stage games forget about, the checks and balances.

2. The watchmaker
Yes that is someone you would ignore, but the watchmaker would add the setting of clockwork traps. Together with a tinkerer they could create traps that have a longer usefulness, and also they would use less power or none at all, a corridor with traps that can reset themselves. 

These are but two of a whole range of people that are optionally in the game to be saved and added to the community. But what happens when it is not in a place you know like Los Angeles or New York? What if you had to create a safe space in a place like Palermo, or perhaps Messina? 

An island where you need to eradicate well over 93% of 5 million people? Now the idea of a watchmaker and a tinkerer does not sound so weird does it? There is no way that you will find the 5 million bullets and not everyone is turned yet, so you will need weapons, you will need to find food and you need a safe space to optionally grow food and create drinks. So even as the reality teasers give you something you cannot play, that does not mean it cannot be made and next to the survival game on the Citadel and that might still be an option later down the track, but you need to start somewhere and a zombie survival game is as good a place as any. And be honest, who considered Sicily as a starting place? 

It is merely a thought but it opens up all kinds of venues for the game, you see when the mechanics are in place, the same game could be launched in a place like Malta (525,000), Gotland (57,000) but here we can now add a dimension, Gotland will allow us to add Hyperthermia as an element, as such the seamstress suddenly becomes close to essential. Each with their own challenges and as we become more and more adept we will see places where the population is increasingly hostile (Cuba), we could add Nassau, Crete, Falklands and so on. A game that evolves and has an increasing amount of places where you need to find your way around and learn to survive and no cheating these special people will not be in the same place every time, perhaps in some games they are not even there. As such I had decided to Create 15 special people. Each with a special skill that by itself is merely useful, but combined with another special person becomes a real game changer for the game. It is my way to have checks and balances and still keep the game interesting down the track. 

And credit where credit is due, it was the reality teasers that put me on this track and if you wonder where I get my ideas from and why game makers are not on this track you would be right. Some game makers are on the right track and give us new places to dream of (Guerrilla software) and the older ones like Insomniac are also on the right track, but the larger players like Ubisoft are losing the plot. We see news like ‘Ubisoft’s Bad Luck Streak Continues With Delays, Cancelations, Cost-Cutting’ where we get to see “Guillemot reiterated that despite these issues, the company is still aiming for over $US400 ($555) million in operating profits this year”, yes because gamers are really interested in how much profit you are making, even though a game like Valhalla was released on November 10th 2020 it still shows crashing bugs almost two years later. And when we see that the game is now in shops at 1/3rd of the original price. You think gamers are interested in their profits? They want a good game and there the plot falls for too many game makers and that is a shame because good games are worth their weight in gold. Still good games are coming, but from other directions and soon that changes too, because more and more are seeing the benefit and the larger profit margins of streamers. If I can find the hidden cache of 50 million people all willing to pay $10 a month, how long until others are figuring out that small thinking only gets you so far. It is the larger dream cut in manageable pieces could bring the game everyone has been waiting for. And it is not that far ahead, some of my ideas are already possible and could be ready early 2024. And when you consider that people are gawking at games that will not appear until late 2023, I think I have set the proper foundation of larger games and where they could go. Too bad some others are not ready for that yet, but I reckon that Tencent will give them a cruel wake up call, if they get where I expect them to go. The people at Google, Amazon, Netflix and Microsoft will be either adjusting their faulty vision or they will all become inferior to Tencent, a setting we would never have believed less than a year ago. Sony is still safe for now, but they too will see the realisation that there is a much larger player in town than they bargained for. 

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Choices and power

It is something that has been bugging me all day and part of last night. It was set in motion by a story I am working on and it reflected on my IP. You see I had hoped that Amazon or Google had bought my IP, it benefits them the most (amazon more than Google). But in this day and age there are two new players in town Netflix and Tencent. They are not on anyones radar before 2023 (second half) but that does not mean I need to ignore two potential players for my IP. Consider that my IP will allow a minimum of 50 million consoles (or subscriptions). Consider the following list

Playstation 4 – 117 million
Nintendo Switch – 107 million
Playstation 5 – 20 million
Google Stadia – 3 million
Amazon Luna – Unknown

I have no real reliable information on how the Amazon Luna is doing and Microsoft is not a consideration. Now we get Tencent and Netflix and one of them gets an option to surpass the others and end up behind Nintendo and Sony in the number three spot, the setting is a sale that is the starting setting and will get them well above 50 million subscriptions, optionally around 75 million, and that mind you is merely the beginning. They could temporarily be the number one but Sony is hardcore focussed on this market and they do have the goods. So am I empowered to set one in a fighting position and become one of the top 3 game solutions? Or is the power derived from the additional choices that entered the field? 

More important Tencent and China get the option to run and rule one more field, it would be empowering to Tencent. Yet Netflix has reasons too and they have the setting to optionally alter their subscription approach two new players added to the ones I was willing to sell to (Amazon and Google). There is the option of Elon Musk and he is considered by me as a wild card. He is not in these fields but he has the Midas touch and when he sees options he seemingly grabs them. The odd satisfaction of all the Elon Musk haters entering a new market and becoming a top three player is oddly satisfying. So I went from two consideration now to 6 considerations and I feel decently well, because that is merely one side to the first IP bundle and the other two are still available, the second is ruled by the 5G solution and that will take off in 2-3 years when 5G is fully deployed, all ahead of the largest boom I am ever to likely see in my lifetime. 

To be honest I had some sights on Netflix, but Tencent is new, until recently and until some patents came past my desk I was in the dark on the setting of Tencent, but here they are a contender for streaming information and with 50 million plus, they are looking at up to half a billion a month, not something anyone can afford to sneer at, not in these times. But the larger settings are still out of the equation, the Augmented reality solutions I came up with (see previous articles), there we have a stage where marketing could rule a new part of well over 100,000 malls on a global scale and from there I can only speculate where this goes. A stage that could benefit places like Monaco, Riyadh and Dubai in all kinds of ways. But I get ahead of myself. Is all this power through choices, or choices that come from power? You see they are not the same coin, they aren’t even the same currency. The implied word ‘choice’ has several sides and they aren’t restricted to coins, they are also part of technology and enablement. All different settings for the same word and only the shallow will see them as one and the same. Power is more restrictive but also more out there and eagerly seen by everyone for all the wrong reasons, it is an enabler but only to some degree and it reflects on the chosen partner in this on how they want to continue with the offered choice and they pretty much see power as a monetary enabler, which is their choice, but it is the second tier and the third tier that will enable them to a much larger degree. That is the long game and that is where I have been focussing on, the long game, only the greedy reflect on the next quarter and their bonus.

But that is merely my (limited) point of view.

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The other side we do not look at

My introduction to Jack the Ripper started as far as I remember in 1979, I was 17 and a few months at the most. It was the movie Murder by Decree with Christopher Plummer and James Mason. I thought it was good fun and I enjoyed the movie. The second introduction (as far as I remember) was Jack the Ripper, the mini series with Michael Caine as Abberline. His sidekick Lewis Collins (Bodie, the professionals) was his sidekick and the heartthrob Jane Seymour was there as well. This was the first introduction to the serial killer in a more serious way. And I took notice. I personally did not like From Hell, but it still matters. You see with all the less favourable stuff on TV, there is a side people forget. Michael Caine might have given it a spin, but the life of Frederick Abberline should have been made into a (mini) series long ago. 

His life has all the stuff a decent series needs and Abberline was nothing short of a police titan. We might overlook the last line as “Chief Inspector Abberline retired from the police on 8 February 1892, having received 84 commendations and awards.” Yet in today’s world people see a policeman as special when he gets a mere 10% of that (not dissing the police here). And the setting to make the series revolve not around chapters but awards and commendations has never been done before. The setting (still unverified) where we are given “was hired by the Pinkerton Detective Agency in 1904. Initially, he worked in casinos in Monte Carlo to find customers who were cheating. He then returned to England and continued working for the agency, until another retirement in 1904. He then bought a home, “Estcourt”, 195 Holdenhurst Road, Springbourne, Bournemouth.“ Should not be overlooked. It gives the series a final episode and a larger international interest. 

And in all these years Hulu, Netflix, and Apple+ never saw this staring in their faces? How come? 

A sideline not to be avoided could be that Abberline’s sidekick George Godley had his own successes over time. Two interesting characters of the London Metropolitan police and the only thing people look at was a mass murderer. But I give you this, find me any policeman who got 84 commendations and awards and you might just have a sequel in play.

When we see the series and the less interesting sides of Hulu, Netflix, Apple+ and every other stream provider none of them gave it a seemingly serious thought to look at London and its metropolitan police force in one of the most stirring time settings that London had in the 19th century. And in years of 35000 script submissions no one seemingly had the idea to look at the other side of the Atlantic river (at least that is what I think they didn’t do).

So what is/was stopping them?

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Realisation

This happens, at times we realise something AFTER the fact and for some reason not before. The BBC gives us (at https://www.bbc.com/news/business-62158936) ‘Netflix and Microsoft team up for cheaper plan with adverts’, apart from the setting that they decided to trust Microsoft on this, the setting of movies or TV series with advertisements is called TV, The Dutch have channels one, two and three. The Brits have the same but they call it BBC One, Two and oh, four is ITV. And so every nation has its own version of TV, so why would we want Netflix when we can get the others for free? It comes with “It lost 200,000 subscribers between January and March, compared to the 2.5 million analysts had been expecting the firm to add in the period. Netflix also now expects to lose a further two million subscribers between April and June.” And this is a surprise? How? The covid era ended, people are expected to be back in the offices and do actual work. And those who decided to quit their jobs to be at home for whatever reason will soon be in a space where they CANNOT afford Netflix. Instead of offering an 8 hour segment (when they aren’t working) for less, and as such create 3-6 timezones to capture the bandwidth pressures, they decided to compete with local TV stations at a price, whilst local TV is free. I reckon (and that I merely my view) that the people will stop subscription TV, especially as some favourite series are spread over several providers. And these people will return to Channel 7, Channel 9, ITV, RTL+, Sjuan, TMC, TFX and the list goes on for a while. I reckon that they will not be too happy with Netflix and they will demand local based sanctions against Netflix. In addition, some will demand that the bandwidth usage of Netflix users will be capped or even surcharged to avoid congestion on several levels. It is not whether it happens, it will soon be on WHEN it happens. Especially when the Amazon and Google group could stick it to Microsoft, they will be enthusiastically motivated to do just that. 

Do I care?
Not really, I sometimes get a month subscription to load up on missed things and I have to as we all have budgets. I reckon that the UK is facing a much harder time. When they get to decide on two of the items (Food, Rent and heating) Netflix will be the first to go, and after that cheaper internet deals. The cost of living bites everywhere and Netflix should have seen this coming. I think they did not, because in all my dealings with Americans, they always avoided any discussion on market saturation, it was always the fault of the bad salesperson. This time around there is no escaping it, and I saw this setting in 2020 when I was clear about saturation, and they were all in the stage of ‘We never heard that’ but the stage was clear and Covid ended as such the good times were gone and now Netflix with their desperate act decided to rely on Microsoft. Whether these two are in bed because of the Netflix game streaming is unknown to me, but it would not surprise me. And that too will backfire on them when Tencent comes out to play. Tencent could muscle in on both Amazon Luna and Google Stadia as well if these two did not adjust their way of thinking. 

These players are all realising that there is one population and they can no longer afford EVERYTHING. These people have to make choices, some of them hard and depending on what TV brings instead of Netflix comes with $10 a month savings, for a lot of people it will be a simple choice. It is this realisation that governs the global population. If EU inflation is up by 8.6% (last month), how long until people have to select what food they can afford? This is not out of consideration at present, the UK seems to be going back to the daily fish and chips. In the Netherlands some vegetables went up between 29% and 34%, that is HUGE! It is in this setting that Netflix makes a move the way they did and at some point people will realise that they get the same by watching TV, which does not cost them $10 a month, and that was the only reason keeping them on Netflix. Realisation is a dangerous and ugly thing. Yes, we can continue to watch Netflix, but how long until those prices go up? Which will drive a lot of people towards their normal local TV stations again, some already did. 

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The blind seeker

This is not a riddle, it is simple. I cannot tell what the rules are for getting a script. I created three of them and I get it, it needs to be a certain format, it needs appeal, but as a storyteller, I do not care, and that is not some short sighted look. Around 35000 stories are submitted and only 350 get made. I am not some person seeking wealth (well I am, but not in stories), and as I have stated in the past. I lived the FX slogan, ‘The Story is everything’, it has been true for the longest of time and it ill remain true decades from now. So as I recall an article I wrote in ‘The stage of a game’ (at https://lawlordtobe.com/2020/09/24/the-stage-of-a-game/) almost 2 years ago, someone in Hollywood or Netflix should have woken up.

The fact that a comic (1965-1982) with artists like Don Lawrence; Oliver Frey; Gerry Wood; Philip Corke; Ramon Sola; Ron Embleton; Miguel Quesada can still tempt the mind of the reader a generation later should have alerted them to the setting that they have a winner here. In the age when special effects and CGI are so close to the real thing that we can no longer tell the difference whether something is real or CGI should have triggered the idea that the Trigan Empire could be big bucks. The fact that this remains a hidden treasure is delighting in so many ways. The series I started to follow at the age of 5 (2 years after it was released) and still has this appeal on me and on thousands who were around when they first appeared is a wonderful feeling. It gives rise to the appeal that Flash Gordon had in the 50’s to the previous generation and this generation who is a lot on the Hogwarts stage. Every generation has its special stories and to consider that the next generation could enjoy on the screen what the previous generation loved in equal measure in comic books, is overwhelming. I wonder if it ever becomes real. Well, Valerian became a reality in 2017, 50 years after the comic book launched. Even as the movie flopped (according to the numbers), I was happy to see it and as part 2 is now ready to be filmed and a part three is on route to become a reality too, I merely hope that I live long enough to see all three parts. But the small voice in me silently hopes that the Trigan Empire will become a reality too. And there is a lot more in the comic books that never graced the American shelves. Don Lawrence gave us Storm, the Spanish artist Vicente Segrelles gave the world a comic named ‘the Mercenary’ in an age of knights, magic and dragons. 

So many awesome stories that one wonders how blind are these Hollywood seekers, these diggers for Netflix, Hulu and Apple+? A stage that is merely waiting to be found by a limelight, any limelight. Dozens, if not hundreds of comic books, all undiscovered as they never graced the American comic book shelves (a speculation of mine). Yet in the stage of what we see now and what we hear now, so many series flop. I honestly do not know why, some I have never seen, some I saw and it was not my favourite, yet it was not bad. The reason of what we see and what some things are rated as follows definitions that some might think ludicrous and mostly because we do not understand what drives the ratings. So under those rules will series like the Trigan Empire and the Mercenary make it? I cannot tell, but I hope they do, to see my childhood hero (Valerian) make it to the big screen was mesmerising, I hope to see the other two there as well.

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A gamer darkly

That is what we are at times, a dark player in a field of poppies trying to remember where we were in the first place. It is not some riddle, at times most of us (including me) are clueless on where we go, yet we know we need to get there. It drove Ubisoft to fame, and even now as Ubisoft becomes less and less relevant to the gamers of today players like Guerrilla take over with their Horizon games. What was the world of Mass Effect and Assassins Creed became the world of Elden ring, Horizon and the heroin Eloy. Tomorrow it seems to be a stage of the last Horizon part, Hogwarts Legacy and Gotham Knights. And it is important that we address ‘seems to be’. You see, I have heralded moves to the streamers and there is every indication That they did not listen and Tencent did. You see, even as some state “Chinese tech giant Tencent is apparently planning to launch its own handheld gaming console, going by a patent spotted recently. (2021)” I do not think that people have any idea what gamers are about to get. You see this looks like a handheld Switch lookalike, but it isn’t. 

Jumping to the past
In 1989 Astral Software launched Archipelago. The game was decent enough, the graphics were not the greatest but with 1000 levels there was enough fun for everyone and in the end there was. Some called it ““one of the most original games I’ve seen, both in gameplay and in original concept”, with an “odd and eerie setting that works despite an eminently forgettable scenario”” Now consider that this was a game that was less than 1MB. Now reset that game with todays graphics, make it an offline game and when you consider that this was originally a 92% game, consider that this game (and well over a dozen others) could end up being 88%+ games. Now all the other streamers have a problem. They relied on ‘has-been’ Ubisoft to cater to their needs. A player that could not keep its eyes on the price and with what we were given this week

We now have two streamers that need to adjust image, adjust course on their streamers, or they will be surpassed by Tencent. Another field here China ends up getting the mustard (my 50 million console idea is still safe, I checked). And now that the facts are slowly seeping, I wonder what Netflix will do. Microsoft is not a player in this (merely a marketing idea), and if Tencent makes at least two steps in the direction I expect, before the end of this year Google Stadia will be a forgone lost solution to a direction gamers are not interested in, that leaves the Amazon Luna, it has options, but Tencent is seemingly directed into a field to capture the heart of gamers, something the others needed to have done long ago.

Even as Google is seemingly using the media to give us quotes like “After debuting to middling reviews, it had to suffer through a slowly growing library, a limited user base and the shuttering of its first-party studios. But Stadia is still alive and kicking, and Google intends to prove it next week.” They are in more trouble than they think, they relied on Ubisoft to solve their issue, but Ubisoft only tries to solve its own issues and now the earlier article makes more sense. Techspot gives us “In a nutshell: Ubisoft will decommission the servers of 15 games in the next two months, including some of the most popular entries in the Assassin’s Creed franchise. Most of these titles are about a decade old, so there are likely not that many people still playing the multiplayer components. However, users also won’t be able to download DLCs they previously bought for these games.” Gamers hate to loose parts, including DLC’s, and for the “so there are likely not that many people still playing the multiplayer components” could be translated into a stage where the 2-3 games per server idea was cast aside. Now, in many cases I do not care about the online parts, but Ubisoft made it part of the game (to embrace people), and now when revenue is king players are pushed out. Gamers will see this as a betrayal. In a time when Tencent is looking for gamers to push its IP forward, Ubisoft plays right into their hands and if they considered what I put online, gamers will get dozens of golden oldies. They will feel catered to and that seals the fate of Ubisoft and optionally Google too. They decided not to develop games and now that decision will bite them. 

We now get a new pool and the streamers (seemingly) are Amazon, Google, Microsoft, Netflix and Tencent. They will vie for a slice of the entire pie that includes Sony and Nintendo. These two will see the impact, but will not lose players, if anything these players will have a streamer on the side and that is where Tencent becomes really visible, over time they could get a much bigger slice of the $200,000,000,000 that is stated to be the pie of next year. Yes, we know that a lot of it will go to mobile games and that is exactly where Tencent will see the profit, catering to gamers, catering to online players, mobile gamers and their console can store it all, they played a beautiful hand. I personally hope that Amazon gets the push it needs, I do not care either way whether Tencent gets it, as long as Microsoft does not. There should not be any award for stupidity, should there be?

A stage I emphasised over two years ago and it is coming to fruition in the next 12 months. Although to be honest, I merely saw Microsoft as the loser and I did not see Tencent coming two years ago, now they are a much larger concern to the other players. But perhaps the Tencent console will be seen as spy equipment by the CIA, they still haven’t presented any real evidence on Huawei, so why should we expect to see any on Tencent?

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Crimes pay better

Yes, it is the old axiom again and for a long time there was an expression it was “Crime does not pay”, we saw the old remedy in this and we saw it repeated in movies, in TV. The simple given truth that crime does not pay. 

But the world evolved, capital crime left us, judges (or as some call them lobotomised lawyers) became pussies all whilst police and politicians became even less useful. So in the last 2 decades crime became massively rewarding. Not small crimes though, the bigger the crime the larger the chance of running away and for the few that did get caught places like Netflix offer large sums of money for the movie rights. You think I am kidding? Consider the BBC giving us (at https://www.bbc.com/news/technology-61966824) ‘Missing crypto queen: Is Dr Ruja Ignatova the biggest Bitcoin holder?’ There we see “The scammer disappeared in 2017 as her cryptocurrency OneCoin was at its height – attracting billions from investors. Fraud and money-laundering charges in the US have led to her becoming one of the FBI’s 10 most wanted fugitives. The Oxford-educated entrepreneur told investors she had created the “Bitcoin killer”, but the files suggest she secretly amassed billions in her rival currency before she disappeared.” With the added “Details first surfaced in 2021 in leaked documents from Dubai’s courts, posted online by a lawyer who crowned Dr Ruja – as she’s known – the “most successful criminal in history”” so what gives rise to this article? Well that is the nice part. I first crossed virtual paths with her in ‘The citizen model’ (at https://lawlordtobe.com/2021/11/03/the-citizen-model/) it was November 2021. And there I wrote “apart from the stage of Fraud and scamming, she broke no laws, she was extremely careful not to break any. Then on 25 October that year she boarded a Ryanair flight from Sofia to Athens, and vanished off the face of the Earth.” We got to the fact that a lease was signed in 2016 and we were in addition given “the lease was signed in August 2016, financial regulators in at least one European country had already issued a warning about OneCoin. A few months earlier, Dr Ruja had pleaded guilty to fraud and other charges in a German court, after bankrupting a metal factory she’d bought and leaving 150 people jobless in 2011” as such there were issues going back to 2011. And in 2022 (7 hours ago) we see she is now FBI’s top 10 people. The law required 6 years, 6 years where she lived as the queen she was labeled to be. Optionally having a high-rise floor in Dubai with views like this

As her ‘personal’ retirement place. Reading books, watching movies, drinking and having whatever she needs delivered to her floor, or the office of her personal assistant. 6 years and optionally 6 more years, or perhaps even 16 more years. Now you might want to go that way and try to become the next whatever it is you think you’ll be. Yet like quarterbacks, Nobel winners and Stanley cup holders, very few get there and those who do not will be made an example of, that is the only direction the law can go now. They need to rectify 6 years of blunders on one case alone. The UK (London) will have to adjust their secrecy policy on housing and there is a lot more that needs to happen. In the end there is no way telling where this goes, but the one criminal who got away with well over 5 billion might be the last one in generations to do so.

The simple truth is now becoming that either they make sure that the story of ‘Crime does not pay’ becomes a reality or chaos will be the next hurdle they face and as far as I can tell, there is no western government that can properly deal with any kind of chaos. They fear it more than crime. It is one of the hard lessons the UK learned last year, and a few other governments learned this lesson the hard way too. The pandemic made that crystal clear. And in a world where some freedom of movement remains, these criminals will be hard pushed to get to any place where they are not wanted, where they can hide in luxury like hermits, their houses beyond large, beyond well equipped and beyond reproach and that is where they will spend the next two decades as the world goes under through war, poverty and lack of resources. They got out in time and Dr Ruja Ignatova might be the last one to do so. In the mean time the FBI is looking for her in places where they have no jurisdiction, where they get no cooperation and they can look and state “She is not in the US”, which might have been the one mistake Ghislaine Maxwell had made. For some people crime paid better and it is still the foundation of their lavish lifestyle until 2050. After that people like Dr Ruja Ignatova will offer their life story for immunity and money to Netflix and some will treasure that approach because in a world of revenue cash is king, and most likely always will be.

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Holes in the equation

That is what I have been confronted with. Looking or trying to see a solution, an IP, yet in the end I am merely looking towards a partial equation and I am trying to look towards the equation and the holes around it by covering it by part of another equation. So as I was looking at yesterday, at the setting of the SD cards (like the one below)

I was wondering how this could be utilised. Then my mind considered the GoogleChrome 2, but that is Google stuff. I was wondering if the ‘cast-bubble’ could support an SD card. Then my mind went on a sidetrack. You see, the makers of computers are less and less about optical drives. That gave me the idea, what if the Google Chrome 2 could be a transmitter connected to your 4K (or Bluray) player? What if that device could hand the images to the laptops in the house and considering I saw (a little while ago) a naked lady do Yoga in 4K (she looked really good doing that) I now know that a Mac laptop is able to show a lot more than an image of a Pokemon. But the setting holds, if the player (connected to a TV) can show the other devices too, the family will get a much larger audience from the one player in the house. We can watch the movie on our laptop, our console connected TV, our additional systems. As far as I can tell, the current Chrome-cast does not allow for that. So this setting is a freebee for Google, on the other hand if Amazon sees this and creates its own innovative patent, well that is up to the person who gets there the quickest. 

So as I went back to the beginning of what happened, the setting of M.A.A.S. Movie As A Service, a station that was once Netflix, the old Netflix and with the lines becoming ever more blurry. The idea that Marvel moves come with a voucher that allows you to see Disney+ for a few days could set the trend in other ways for Netflix, Paramount, Sony, Apple and Hulu too. I was so focussed on the application of SD/CF Cards in movies that I forgot that there are other applications too, not necessarily directly linked to these memory cards. You see, no matter how we are presented the stages, congestion is coming our way, those with a lot of money can avoid it, the rest need to find another way and that is where innovation comes in. How? Your guess is as good as mine at this time, but the larger setting is to surpass the points of congestion, so how to get around that? Gamers are (for now) too small a group. The movie, YouTube and TikTok group is the larger (if not largest) group. So if we can get them in other ways we could optionally delay or to a larger degree diminish the congestion that comes. And this is not a local problem, this is about to become a GLOBAL issue. And for now, I am in the dark on how this can be circumvented. Yet how to go about it? I learned at an early age that you start with the edges and as such set the dimensionality of the Jigsaw. From there you continue. Yet what if the Jigsaw is a kinetic one? A kinetic puzzle is a puzzle that does not show an mage, but a movie reel. When that is known the dimensions are still the first, but after that, how do you continue? That is the puzzle I am confronted with. We aren’t looking at a static event, but a dynamic one and there the brain (the useless one I have) shuts down for now.

I see part of the equation, but I see the holes too, so as I try to surround the holes I also learn that it is not the solution, because the holes are in motion. That is where I end, holes in the equation, yet the stage is one that I need to master, it will be a nice addition to the three IP bundles I have and at some stage either Amazon or Google will take a bite, because both want the billions and Microsoft is not invited. And as I consider the third player, I will set more time apart to take a look at him in my next article.

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Too cheap?

It is not a statement, it is a question. I started to ask myself this when I had a deeper conversation with one of the people I actually trust. I have mentioned it here before that I have certain IP for sale. The parties are Google, Amazon, Huawei (Tencent) and I added Elon Musk (that man can turn good ideas to gold). The initial stage was that thee was an idea that allowed Google (Stadia) and Amazon (Luna) to sell in excess of 50,000,000 consoles. Yet it was a low estimate. I believe it to be well in excess of 75,000,000 consoles. In the mean time Netflix has entered the field and even as they have nothing to really bring to the table, it seems that these three are not to serious about their streamers, but somehow Tencent seemingly is? And that started the exploration conversation that my idea was too cheap. Was it? You see the second pay cycle gets me 10% of the IP and sales value, so the second payment would be massive and the first one left me without worries, so why ask for more? I am not a teenager with the dream to have lusty gorgeous 20 year old ladies doing a balancing act on mr John Thomas every day, well not anymore that was decades ago. 

I now look towards a relaxed retirement and whatever comes with that. As such I created three IP bundles which (after some serious travel) received the automated release date on September 30th on 4Chan. An encrypted solution that was innovative and something a player like the NSA could not counter on 4Chan, not with that amount of images. As such no computer I touch will ever go near it, I merely have to wait for a clever person to figure it out and once released it all becomes public domain, a stage no one can counter, no one can make claims at present as they played their own silly games. A stage where ONE title puts the streamers on par with the larger consoles, straight in a temporary second place and that is on my numbers. If the numbers increase (which has a decent chance of happening) that console will stay in second place with an option to get pole position.  A stage Sony NEVER faced before, and this is not against Sony, I love my Playstation (yes, I need help). 

So here I was trying to convince my friend the simple setting that enough is enough. Why go greed driven for numbers that are too weird to my universe? And of course that station is rejected because if everyone else is greed driven, I have to be greed driven too. Yet when greed overwhelms you, you forget the sight of things. I created 8 parts of IP, I got there by looking around, not by looking after greed and that was merely the starting stage. I understood but never accepted ‘Greed is good’ (Wall Street, the movie), although that sentiment lives strongly on Wall Street as well. Yet in my setting what have they missed so far? Over the last year I have shown all kinds of IP (some open and public), but these ideas should have been in the hands of BigTech. At least one of them at least a decade, but greed is limiting their view and I am showing others this again and again. Yet, for some reason they are not catching on. So whilst they slap each other on the back billions elude them. There is now a chance that the third IP bundle is gaining mass and therefor value, I still thought that 2.6 billion was a little high, and there are risks that I cannot foresee, but looking deeper some might state that my estimate is too low. Is it? If I end up with 5% of 2 billion I will not complain, but the IP is now estimated at 2.6 billion and will optionally be higher. So is the estimate too cheap, am I delusionally too cheap or is the truth of the matter somewhere else. The issue almost came to blow as I looked at the Twitter issues (yesterday) where some are ignoring what is out in the open, what else are they missing? It becomes a much larger station when players like Forbes give us ‘Local News Losing Billions In Revenue Each Year From Digital Media Giants’ (at https://www.forbes.com/sites/bradadgate/2021/05/17/local-news-losing-billions-in-revenue-each-year-from-digital-media/) where we see “Local TV news continues to be a trustworthy and primary source to millions of viewers. This connection with the community and trust has been important, never more so than during the pandemic when local TV news reported strong ratings growth (although with the economic slowdown ad revenue was sluggish).” It is the added “A recent research analysis from BIA Advisory Services and commissioned by the National Association of Broadcasters (NAB), entitled Economic Impact of Big Tech Platforms on the Viability of Local Broadcast News, reported that local TV newscasts lose an estimated $1.873 billion each year from Google Search and Facebook News Feeds.” It gave me the the following parts.

  1. What is local news? Honestly, the news tends to be Fox, CNN, BBC and a few others and they are global. More important they ALL trivialised the Twitter numbers.
  2. This gets us to number two. Trustworthy is merely an 11 letter word that has less and less value in media and in filtered information (news that is approved by media shareholders and stakeholders). 
  3. So who places news on Facebook? I placed images from several sources, they are not news items, they are deceptively placed forms of advertisers placed BY the media themselves. 

A setting that goes on and on, so what numbers if Forbes bitching about and more important. When we look at some research instigated by the National Association of Broadcasters (NAB) I feel certain that I will find a whole range of issues. Painting the street in the colour of preference has consequences, yet Forbes is not too hassled on that are they?

As such where we are given “Whereas, ad dollars for local television are projected to be flat in the years ahead, digital media are forecast for year-over-year percent double-digit gains in ad spend.” It was a greed driven setting where local advertise systems ruined the market on greed, and when Google launched a true fair system the people en mass moved there. After decades to be given a real number was overwhelmingly interesting to advertisers, and now they all cry foul, all destroyed by their own greed and the Twitter setting merely echoes that. So why would I join those losers? I might not end with anything, it might just become public domain, but if I won’t get it, the greed driven will not either and when it comes out in months and they all come with “I could have gotten you soooo much” I can reply, so why didn’t you? It is the defeating move to the greed driven, to see them end with nothing, the sweetest victory of all. 

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The edge of what could be

I thought about this and it intersects with stories over the last week. You see there is a change coming, but one that is openly ignored by some people. Not by the normal people. They ignore it all and so they should. But some want their life to continue as it is, to hang on to easy revenues a little longer at the expense of everything else. There is no real good here. The mistake was made by Sony in 2011 and again when the PS4pro came and now with the PS5 they still make the same mistake. I am uncertain whether Sony can (at present) correct for that mistake. They had the option to gain a huge advantage in 2012, but they decided to play the appeasement game with Facebook, now the game changes. Nintendo was not up to speed for a few understandable reasons and Microsoft only cares for self at the expense of others, so they would never go there. Now in the new setting the streamers are about to get to the same setting. I designed a few parts of it, I set the stage in my first IP bundle and it could apply to Amazon and Google in near equal matters. But that is one setting, the stage could now benefit Netflix in more than one way. Yet who does it fit better? I cannot say, yes a few items fit Amazon better and the idea of the Luna charging ahead sounds good, but the Google Stadia could face the same benefits and none of these parts are part of the additional 50 million consoles. There is the other shoe. I cannot tell how fair it would fit Netflix, but under similar settings all three could compete for that. But it is not about that part. It is about the other parts. 

You see as the game of gaming changes, the makers could adhere to the system, or they can adhere to the gamers and users. It is the second side that will push them forward. The system is clinging to the group of an ageing population, but when that falls away the game itself will be pushed into a new realm. Those not ready will fall behind really fast. In that new stage we have Amazon, Google, Netflix, Sony, Nintendo and Tencent. Yes, we see the claims that Tencent is not coming along, but a stage where hundreds of billions is part of the game and that is not including gambling is not a stage anyone ignores, no matter what they say. Whether it is merely Tencent, or a union with Huawei will be sought is not something I am aware off. But there is no way that Tencent will not be part of this. The part I cannot tell is how far along they will go. Will they be a console, a streamer, or a hybrid facilitating both? You see, I do not know any industrial willing to let go of a slice of $275,000,000,000. As such Tencent is a player, I feel certain of that. 

So where will it all go? There are several indictors that marketing and granularity will change. Meta is one factor, 5G is the other factor and it will all come to blows as Neom is completed. Neom will be the first step to clearly show the changes to marketing, advertisements and a few other matters. I saw this coming and as such I created the 5G IP I have. When the other parts are completed the companies that are still clearly in the dark will wake up and a rush will come. All racing for the same destination and not all will make it and now there are two sides that come to blow. Three if you reconsider the stage. In the first stage there is Meta, meta will be ready and adhering to whatever stage is played, it will be that flexible and I am not certain how or where it will go. Only the inner insiders of Meta know this. The second stage is seen by gamers and more importantly the streamers. The streamers are important fr a few reasons. They can become new clusters. Clusters where gamers and users are in charge, they will decide what they are exposed to and even as some will try to dissuade the consoles and streamers. The one successfully resisting will win that race. You see, the people have had enough and corporations are so used to the bully push that they will continue. Just to get their hands ‘in the game’ but that move will push them out of the game, there is no other solution for them and by the time they learn that lesson the hard way. The users and gamers will have had enough. They will of course cry like Chihuahua’s, making all kind of claims but at the end of the aged population they will be denied access, the people will have had enough. And on the third side is the explosion of marketing and advertising. Neom city might show the way, but they are not alone and that signal will show that there is a larger change coming it will evolve nearly everywhere, but mostly in metropolitan areas. And until recently I never considered that my IP would cover two of the three sides of that evolution. Which is also a larger weird part. Where will Amazon go, where will Google go and how far will Netflix get with their game streaming. All sides that give rise to questions, ones that I cannot answer yet, but I feel it is a temporary setting for me and after that I will consider whether I make it new IP, or make it public domain. In one part I like the public domain side, I have enough IP to last me a lifetime, some of the IP become public domain on June 30th if I do not reset the clock and I will watch from a distance how stupid industrials make claims and demand a seat on some negotiating table they have no business being at. They squandered it in greed and in the belief of their own ego, as such they should be allowed to die (go bankrupt) for that shortsightedness. A stage that has some repetition and a stage that is coming for a few too many of them, especially when they are no longer of what comes next. Yet it also is cause for worry. When these people are denied ‘their’ seat near edge of what could be they tend to become bullish, childish and they will resort to be the selfish people they always were, just a little bit more out in the open now, and still those around them will not act. This is why I like my public domain routine. It leaves the IP FOR EVERYONE and they can do nothing, well almost nothing. The only strength on my side is that I have is the willingness to lose it all, to make it public. 

It is the only thing I can do to protect the realm of gaming, when a company cannot own it, the larger base of players win, that has always been the case. The problem is that not everyone can see that. I do not blame them, I for one did not see it for a long time. I was never one for ‘free games’ and it all should be free or hacked. I believe that game makers are entitled their revenue and their profit. I never opposed that, but in the 80’s and 90’s games were more than entertainment it was a stage where the gamer was enabled. I feel that around 2005-2010 the gamer became a point of exploitation for the system and any digital revenue. I opposed that, there is no clear guilty party. Ubisoft might have some sides, but their need was revenue. I do not consider them guilty. Sony and Nintendo to some degree too. They are all guilty of adhering to a changing stage, but that does not make them guilty. There was a second layer, or at least it was my believe that the second layer was some mash of elements that pushed for a larger layer of exploitation. This continued until now, yet there is a new horizon, the streamers and there they have less power and when the power is pushed onto the gamers and users their options vanish,  that is my belief. There is a lot more and streamers can bring it to the front, the consoles had that option but they decided not to do that, for whatever reason they did not do this.

And now the edge of what could be changes, it alters in a way I cannot tell at present. Yet I still believe that the streamers will be at the core of gaming in the future. I will still play on a playstation as well at whatever number they are when that happens. Yet when I see what could be there is no chance that there will not be a streaming system next to it, as is most likely the Nintendo. Where gaming goes I cannot tell beyond a certain point. That is how things tend to be. I  reckon that it started when I created the foundation of what could have been The Elder Scrolls: Restoration in 2013. Over the years I upped the stage and set it to a much larger foundation. Then it fell away as Microsoft bought the place. So these ideas are now getting incorporated in another game, because the ideas were sound, they were merely precise. As a storyteller I can reshape them to fit another game with reasonable ease. Will these stories be part of the next edge of gaming? Perhaps yes, perhaps no. At times I wonder if pushing the edge of gaming is a good idea. But the edge of gaming was pushed by the CBM 64 (Loderunner), Atari ST (Dungeon Master), CBM Amiga (Dune 2), N64 (Goldeneye), PS1 (TombRaider), PS2 (Kingdom Hearts), Xbox360 (Mass Effect), PS3 (The last of Us), PS4 (God of War) and PS5 (TBA), now it is time for the streamers to do more than be the next copy of a game we see everywhere, now they can shape the edge of gaming that is not here yet. Only under these circumstances will gaming continue, evolve and inspire. Consider the old games and see where the new systems could take us. That is where we will be able to see the edge of what might be.

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