Tag Archives: Streamers

December 9, 2024 · 18:47

To box office, or not to box office

That is the question and the question is valid as the movies opened up in 2018 with a revenue of $2.6m, seems little but in the few years that passed, annual revenue went up to a quarter of a billion, as such screen daily kept an eye on the Saudi market (at https://www.screendaily.com/features/is-saudi-arabias-box-office-boom-over-or-set-to-rise-again/5199910.article) in that same setting I created the script ‘How to assassinate a politician’ about the assassination of Islamophobe Geert Wilders (the current prime minister of the Netherlands) the alternative title was ‘Essay’ (I came up with that later). I aimed it for the Arabic (Saudi Arabia/UAE) market. I contacted 2-3 player, but I never heard back from them. I thought that through streaming they could also get to the Egyptian market (as well as the Indonesian markets) The ‘bad vibe’ feelings in Indonesian markets might be well received. A Dutch politician getting the Sukarno treatment might keep Indonesian people on their couch watching the demise of the Prime Minister five times over. Anyway, those were my thoughts and it seems that they didn’t agree with me. Still the setting remains. As we get “At least one of the major exhibitor groups operating in Saudi is said to be exploring a possible sale amid high debt levels incurred during its rapid expansion. Last year, AMC Entertainment Holdings, the world’s biggest cinema chain, exited the Saudi market in the face of intense competition, selling to Saudi Entertainment Ventures (Seven), which is operated by the government’s Public Investment Fund.” The intense competition was why I tried the streamers as a possible interested party. We can think box office all we want, but in the end, the people need to be entertained at home. The last time I went to the cinema, it was $19 for the movie and popcorn and a soda set me back another tenner. That’s three months of Netflix. I reckon we need to consider the home office and for a lot of Saudi’s (as well as Indonesians, Egyptians and people in the UAE) the same setting is looming. It is not that streaming is better, it is merely more affordable. Now that Apple is getting more into Saudi Arabia, it will be soon that Apple TV is coming too (or already there). And with the setting of “Bidding wars for titles from major US sellers were common, but less so now. Minimum guarantees have dropped as a result, reflecting the reality of a market that has levelled out. “When Saudi opened up, almost any film would work. But now audiences are a lot more selective,” says the executive.” Makes me feel that there is still a chance of my script making it to the screens of people. The movie plays part in the Netherlands and part in Dammam (no real reason why I chose it) and one scene in Iran. The setting of a movie that deals with islamophobia was appealing to me, because it is something nearly any Islamic person is exposed to (especially in Europe) and as such I created an idea with my copy of Final Draft (given to me for that reason) and a stronger view is given with “One bright spot is the market for Arabic-language content, particularly from Egypt. The figures underline the executive’s point: the top five box-office films of the year so far include two Egyptian titles (action drama Sons Of Rizk 3 and romantic comedy Gawaza Toxic) and one Saudi comedy (Shabab El-Bomb). According to Comscore, Egyptian titles now account for an impressive 25% of the Saudi market, while local Saudi features have a 7% share. US films, by comparison, take 53% of box office in the country.” My movie is not in Arabic, but it was designed with the stage of an Arabic version in mind. I merely lack the language skills to make it directly in Arabic. Now I see that this setting is given with “Egyptian titles now account for an impressive 25%” gives me hope that my final curtain call is not here yet. Yes, it is hope because I had never written a script before this and as I look at the tally where beside ‘How to assassinate a politician’ I am working on ‘Kenos Diastima’ (a TV series in the making), ‘Engonos’ (TV series in the making) and ‘Residuam Vitam’ (mini series in the making). I created these series partly to keep my writing skills up and it wasn’t until ‘How to assassinate a politician’ had formed more completely in my mind that I decided to make it in a script (in Final Draft) and when I started pushing that title did I start to set the blackboard for ‘Residuam Vitam’ which is still forming. 

And as we see this we also need to take notice of Adon Quinn, CEO of Saudi exhibitor Muvi Cinemas, believes that Arabic content can help drive future growth. I am willing to agree, but that is really in my favour. You see it is nice that things go to cinema (happy to help), but I reckon that the streamers in the UAE (Dubai Media) and Saudi Arabia (Aloula) will make the larger difference. The need for Egypt and Indonesia seem clear and Indonesia with a population of 277 million potential viewers should not be underestimated. As Quinn tells us “He points out the wider Saudi box-office slowdown echoes what has happened in markets around the world this year. Its main cause, he says, is the depleted supply of content caused by Covid and last year’s Holly­wood actors and writers strikes. “The strikes had a big impact on the first half of 2024,” he observes. “We’ve seen when the right content is there, the audience is there.”” But he also exposes a problem. The depleted supply is seemingly due to Hollywood. Still tapping the Canadian, Swedish and western European markets might not be a bad idea. Especially as California is about to get a few additional issues and they are not yet polarised into tinseltown (Hollywood). 

There are definitely options for the Arabic market, but I reckon that the streamers will have a much better time they do not need a movie distribution system and they can get a lot of traction roping in a potential viewing group of well over 400,000,000 people. You can fish in a barrel, but the same barrel holding either 400 million or a mere 35 million, that is the setting as I see it and as I have noticed Dubai Media is ready to get on board with that setting (I saw it was ‘proclaimed’ by certain individuals on LinkedIn). 

The market is where you cater to it and I thought it was a good idea to cater to the Arabic markets. Have a great day.

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April 15, 2023 · 00:41

What was could be again

Lets take a step back to 1996, Geena Davis was a big hit, Renny Harlin was enjoying the fame that Die Hard 2 brought and in 1996 they brought the Long Kiss Goodnight. I loved that movie, I am wondering what caused the 95 million over a 65 million investment. I haven’t seen the movie for a while, but it is around somewhere. The story is captivating and the actions were awesome. If there was one issue, than it is the issues that all movies suffer, you can safe the world in 90 minutes, or you can sit down and create a 360-540 minute event. Places like Netflix could enjoy the longer sway that a mini series has and when you see some of the movies from the 90’s like Long Kiss Goodnight, there is a push. You see the list of movies, especially action movies where the woman has the lead are short, as such this movie has a chance to make it a lot bigger, especially as movies is an immediate investment from your pocket and with streamers you give it a chance and that would work well for some. The mini series is debated again and again, but the evidence cannot be denied. Series like the Bodyguard with Richard Madden and Keeley Hawes put the power in the piece and the pressure remains until almost the very end with the final spin that gives you a kick and rewatching it does not take the kick away. And when you do that to a piece like the Long Kiss Goodnight you could end up with the kind of result that puts you to the top of the bill for a long time. The cast was good, yet I had some issues with Craig Bierko. Not the part he played, he played it just fine. His face was the one of a person who seems more in place as an intern at the CIA mail room (enter the lobby, go past security, turn right, then first left. Walk through the corridor, take the elevator on the right and go to -1. Then head, out turn right and the second door on the right. That mail room). I think that a person like Pilou Asbæk could turn this into something truly scary. There are all kind of voices on who would be the best female person. Geena Davis did make this the cult hit it now is, as such my mind wanders towards Lena Headey or Krysten Ritter. Don’t get me wrong, a person like Scarlett Johansson could do an excellent part too. However people like her are the too obvious choices. I think that Geena Davis was never the obvious choice and she put the two women there in a way that is not easily surpassed. In that movie Craig and Geena were the fireworks and they played their parts well. I reckon that with the right cast and the right director, the Long Kiss Goodnight by Shane Black could be raking in the results. And in a mini series that has the foundation to equal if not surpass a piece like the bodyguard (not the Costner version), the question becomes how good and what kind of a killer smash that movie could be turned into.

And lets face it Hollywood will be looking for options when there is a writer strike on their doorstep. It was just a thought. Enjoy the day.

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December 14, 2022 · 10:42

The stressed mind

We all have that at times, and I am no different. Stress gets to me like anyone else and it hinders my creativity, which is mostly why I hate it. Now this story started yesterday with ‘Scuttle the ship’ (at https://lawlordtobe.com/2022/12/13/scuttle-the-ship/) where I offered an opponent to Epic Games and now it is time to give you the goods. This IP is one with a difference. It is a freebee fr anyone who EXCLUSIVELY creates games for the Amazon Luna, no one else. Not even Sony. It is time to bring the pain to Epic Games and even as this might not be enough, it could be a decent start and the maker could end up with millions in royalty. 

The stage
The stage is one that required thought. You can have your randomness of events and that is fine. But to create a setting that entices players you need something more. As such I created stages of war, where the stage could be NPC driven, or it could be multiplayer driven. Than that drive needs to set the stage of weapons, but here I wanted to take a different turn. So I went back to the stage. And my mind came up with several stages. These stages are part of a lager whole, not unlike the multiplayer levels in ME3 (which was a huge inspiration) so there is space to manouver, but there is also limitation to how far you can move. This was the first instance and it gave me the following options. 

Battle of Rorke’s Drift, 1879 (Zulu, 1964)
Battle of the Somme, 1917
Ludendorff Bridge attack, 1945 (The Bridge at Remagen, 1969)
First Battle of Seoul, 1950
Battle of Ia Drang, 1965

These are merely starting points, but with 5 scenarios the game could start. In battle of Rorke’s drift we are in that same farm that we saw in the movie. There we need to survive for an amount of time and kill well over a certain amount of numbers. It is imperative that it is more accurate. It is the start and it starts in different ways.

You see, when the numbers are achieved portals open, and they take you to a new event, the problem here is that the event is random, moreover when you play with your friends they are likely to end up in different areas and there is a reason for that (explanation later). You see we see the event a one whole and that is true, but I am splitting it up the stage where we fight and the weapons we fight with. 

The weapons
In Rorke’s Drift that would have been the Martini-Henry. And the game will benefit with historically accurate weapons. That is the weapon everyone will get in the game and when they get the Lee–Metford and after that the Pattern 1913 Enfield. Yet that gun will not become the gun you carry in Rorke’s drift. It will unlock that weapon for the Battle of the Somme. They also have the .303in Short Magazine Lee Enfield (SMLE) but you get the idea. Through loot boxes (which you earn through gameplay) the Martini-Henry is upgraded to MK2, MK3 and MK4 making it more efficient every time, so the score will be higher and the kill count will go up. The stage is however that you get an upgrade card and it is YOU that decides which weapon to upgrade. Thee are cosmetic upgrades (uniforms) and there are support upgrades (health boosts and support boosts). Support upgrades are for one battle only, cosmetic and weapons upgrades are permanent. And as we go from these wars we can add more and more stages to the game. As you get into different stages and unlock more boxes you will learn that there is a weapon card which is NEVER for the current stage, but goes randomly to a stage and if you get there you see the unlocked weapon, there is the grand platinum (a 50% more expensive box) which is the only box that offers weapons for the CURRENT stage as well as another stage. The rest is the same, but at times having a better weapon in that stage is important and these boxes are earned by getting the scores in the game. Money has no value here (the dead never miss their coins). 

A new stage and one that could optionally lessen the Epic Game impact. If the developer gets the idea, they will be Abe to get more out of the game, especially when the stages double over time and the stage where the weapon is much more integral and more historically accurate is a stage we have almost never ever seen, making this a fun exercise. There are a few more ideas related to this, but I think some developers have to prove their worth first. Thee is only so much we can hand out for free, they have to show that they are vested in a solution first. 

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November 19, 2022 · 15:25

Correlating the mode

A weird term to say the least, but it will soon make sense. I was watching the Patriot today (the Mel Gibson version) which I had not seen in over a decade and something came over me. I suddenly wanted to play Assassins Creed 3 again.

One called or the other. I did not think it was a bad game, it had interesting elements and for one, the intro was brilliant. Yet the game had a missing part. It was a lot less AC then the previous ones and that is not bad, the game was not bad. It was merely less great. Yet one called for the other and I needed to recognise that. As such I wondered if BOTH directions work. You see the PS5 and Streamers (soon enough) have an optional additional side. To get there you need to answer a question. Have you ever watched a YouTube with cutscenes? What if there was another mode with more? To keep in the AC line, what if there wasn’t some DNA you were filling, but film reels? Consider any game, you have a main line and side lines (in RPG’s at least). So what happens when we find all the reels, more important when we find them all a new mode opens up that we can see at the end of the game. The movie! Not merely the cutscenes but a complete movie in 4K based on cutscenes with additional footage, footage that tells part of the story, but we never played that part of the story, it merely completes the entire storyline. Now consider that we play a game like Diablo 3, the cutscenes are fabulous, but what if the acts become additions to the movie and we have a wizard edition, a necromancer edition, a barbarian edition and so on. A game, nearly any game giving us a 4K movie to watch. Streamers are better equipped for it, but I am willing to bet that any Horizons Forbidden West gamer will go nuts when they complete the game and are then treated to the HFW movie. What surprises me is that this feature was never part of any game, why not? We can argue that previous editions weren’t ready for this, but these systems (Nintendo Switch gets an exemption) are and this option could be available in the next decent RPG game. 

I wonder who will bring us the most exciting game movie next. 

 

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August 9, 2022 · 18:45

Unification

It is a simple term, a simpler act, but when is it a good one? That is the question. We had the ghetto blasters that had cassettes, CD and radio and for a longer time it made sense, combined sound solution brought Lord Sugar the wealth and position he has now, yet it is not the only field where this is possible. I pleaded with Sony in the late 90’s to let go of this regional shit and create the console that played all region DVD’s. Sony Music would not hear of it and I believe they lost in the process by winning the argument, but that is not a given (I need numbers to prove that). Now we see more settings and stations of unification, but not all is a given solution. I believe that both Amazon and Google would win by setting a proper station with proper social networking. Social networking where the user is in charge, not the advertiser. It will be the new wave. Google and Amazon have the advantage, but it is not a setting where they are auto assumed to win. You see, Sony dropped the real social networking with the PS4 (not the pro) and as such they lost the field a little. But in streaming it becomes a larger stage and now we have a new contender, not Tencent, but Netflix. Their gaming is not going the direction it needs to, yet if they had proper social networking it could change the course of their future. In my blogs on augmented reality I clearly stated that the news wave of people is the one where we properly engage with the people, not assumed topics in Twitter, not the advertisement and flaming in Facebook, because that is growing thin on the people. You do remember that element, don’t you? People are the heart of social media and too many are forgetting that. trolls, politicians and anyone with a beef of a lost cause, all sending mails towards as many as possible, to grow a wave for them, but I see more and more that the people are sick and tired of becoming part of someone’s wave. The time is growing where proper social media makes a difference and as Twitter is losing that field, as Facebook is losing more and more (until Meta) we see the larger field become the one where the people decide what they are part of, they are part of self, they are part of their family. Facebook and Twitter seem to have forgotten that part, but there is a new station, the streaming consoles (consoles too), and those adhering to the people (not to self, or marketed budgets) they could stand to gain the larger field in this and with optional streaming wins as well. You see gaming markets is not what Ubisoft, Microsoft, Nintendo or Sony says they are, it is what the people decide on where they want to be, not by drowning them in suggested topics (Twitter please pay attention here), it is the ability for people to figure out where they are and leaving them in that setting, one of the few settings they are entitled to. 

And those with peace of mind, in their little bubble will reach out and see what else there is, not having them pushed into a vat of bubbles like a vat of grapes. The people are seemingly sick of all the social BS that is thrust upon them and that is where the larger gains can be made, not by the “and that too” state of useless mind that boards of directors seem to have, but to leave the people in a state where they can decide what they are ready for, because a social network is depending on the people in it, not on the connections that players like Facebook states they are depending on. This stage is now more front and center than ever before and the streamers have another option they never considered, not for a long time and if they let the people, their users decide they could win a lot more than they think they do.

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July 8, 2022 · 18:06

A gamer darkly

That is what we are at times, a dark player in a field of poppies trying to remember where we were in the first place. It is not some riddle, at times most of us (including me) are clueless on where we go, yet we know we need to get there. It drove Ubisoft to fame, and even now as Ubisoft becomes less and less relevant to the gamers of today players like Guerrilla take over with their Horizon games. What was the world of Mass Effect and Assassins Creed became the world of Elden ring, Horizon and the heroin Eloy. Tomorrow it seems to be a stage of the last Horizon part, Hogwarts Legacy and Gotham Knights. And it is important that we address ‘seems to be’. You see, I have heralded moves to the streamers and there is every indication That they did not listen and Tencent did. You see, even as some state “Chinese tech giant Tencent is apparently planning to launch its own handheld gaming console, going by a patent spotted recently. (2021)” I do not think that people have any idea what gamers are about to get. You see this looks like a handheld Switch lookalike, but it isn’t. 

Jumping to the past
In 1989 Astral Software launched Archipelago. The game was decent enough, the graphics were not the greatest but with 1000 levels there was enough fun for everyone and in the end there was. Some called it ““one of the most original games I’ve seen, both in gameplay and in original concept”, with an “odd and eerie setting that works despite an eminently forgettable scenario”” Now consider that this was a game that was less than 1MB. Now reset that game with todays graphics, make it an offline game and when you consider that this was originally a 92% game, consider that this game (and well over a dozen others) could end up being 88%+ games. Now all the other streamers have a problem. They relied on ‘has-been’ Ubisoft to cater to their needs. A player that could not keep its eyes on the price and with what we were given this week

We now have two streamers that need to adjust image, adjust course on their streamers, or they will be surpassed by Tencent. Another field here China ends up getting the mustard (my 50 million console idea is still safe, I checked). And now that the facts are slowly seeping, I wonder what Netflix will do. Microsoft is not a player in this (merely a marketing idea), and if Tencent makes at least two steps in the direction I expect, before the end of this year Google Stadia will be a forgone lost solution to a direction gamers are not interested in, that leaves the Amazon Luna, it has options, but Tencent is seemingly directed into a field to capture the heart of gamers, something the others needed to have done long ago.

Even as Google is seemingly using the media to give us quotes like “After debuting to middling reviews, it had to suffer through a slowly growing library, a limited user base and the shuttering of its first-party studios. But Stadia is still alive and kicking, and Google intends to prove it next week.” They are in more trouble than they think, they relied on Ubisoft to solve their issue, but Ubisoft only tries to solve its own issues and now the earlier article makes more sense. Techspot gives us “In a nutshell: Ubisoft will decommission the servers of 15 games in the next two months, including some of the most popular entries in the Assassin’s Creed franchise. Most of these titles are about a decade old, so there are likely not that many people still playing the multiplayer components. However, users also won’t be able to download DLCs they previously bought for these games.” Gamers hate to loose parts, including DLC’s, and for the “so there are likely not that many people still playing the multiplayer components” could be translated into a stage where the 2-3 games per server idea was cast aside. Now, in many cases I do not care about the online parts, but Ubisoft made it part of the game (to embrace people), and now when revenue is king players are pushed out. Gamers will see this as a betrayal. In a time when Tencent is looking for gamers to push its IP forward, Ubisoft plays right into their hands and if they considered what I put online, gamers will get dozens of golden oldies. They will feel catered to and that seals the fate of Ubisoft and optionally Google too. They decided not to develop games and now that decision will bite them. 

We now get a new pool and the streamers (seemingly) are Amazon, Google, Microsoft, Netflix and Tencent. They will vie for a slice of the entire pie that includes Sony and Nintendo. These two will see the impact, but will not lose players, if anything these players will have a streamer on the side and that is where Tencent becomes really visible, over time they could get a much bigger slice of the $200,000,000,000 that is stated to be the pie of next year. Yes, we know that a lot of it will go to mobile games and that is exactly where Tencent will see the profit, catering to gamers, catering to online players, mobile gamers and their console can store it all, they played a beautiful hand. I personally hope that Amazon gets the push it needs, I do not care either way whether Tencent gets it, as long as Microsoft does not. There should not be any award for stupidity, should there be?

A stage I emphasised over two years ago and it is coming to fruition in the next 12 months. Although to be honest, I merely saw Microsoft as the loser and I did not see Tencent coming two years ago, now they are a much larger concern to the other players. But perhaps the Tencent console will be seen as spy equipment by the CIA, they still haven’t presented any real evidence on Huawei, so why should we expect to see any on Tencent?

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May 11, 2022 · 04:38

Changing the setting

To get to here, some need to read up. In the first there is ‘Recap to the intro’ (at https://lawlordtobe.com/2021/09/25/recap-to-the-intro/) which was written on September 25th. There was another story, but you will stumble upon it. You see my mind was remembering both Oblivion and Skyrim. So what happens when the unique items are not in the same place? What happens when we add a new layer of non-predictability? What happens when some treasures are part of the story of a book? So when we add a level of books named ‘First editions’ what else can we find? More importantly, these books are not in the same place. They are either in ‘important’ (read: expensive) houses, treasured items of a book store and in some book cases. More important what happens when these 20 or so books are scattered over the locations with EVERY new game? More important, what happens when two gamers get a different first game. Consider all the news that will stage the media, will stage the personal social media. Titles like ‘The bookshop at X had book titled Y’ will stage the larger stage. Because an RPG is about adventure and learning new things. And that is staged on what we experience, but help pages do not teach, it makes sheep out of gamers. So changing on how a unique weapon is gained becomes a test again. More importantly when every generation in the RPG has minimum achievements, the game changes by a fair bit. And that is what we need, new game changers, new games and more RPG, preferably RPG we had not seen before. In all this the storyteller becomes more important and the game becomes more engaging. 

But that is only one side of the story. You see, the larger station of to prevent predictability. It is hard, especially for me as I tend to take a shine to symmetry. So how do we change that?

We can alter the bad guys we face, not merely one ‘boss’ at the end, but a mix of simple and veterans throughout the location with a boss at the end, but what is the end? In a cave it might be the end, in a tower it might be on the highest point and in some cases, it could be in the beginning. Then there is the faded response we saw in other games to stealth players. I can guarantee you that when a body is found, or when too many people are missing, the rest will not relax and that was missing in too many stealth games. And you can hide the corpses, but in the end if you are in a house with 9 others and when you only see 2, you will get nervous. This is seen in two ways. In the first many NPC’s have a limit to where they can go, or how far they can go. In the second NPC’s are often limited to a level, but what happens to tactics when that changes? What happens when the NPC’s are there to make you fail? What happens when the guards are there to murder you? Tactics need to change. There comes a time when stealth does not always holds the candle, and neither does brazen bashing. Most games do not adjust for that, why not? OK, perhaps in the age of PS3 and Xbox360 there was a need to adjust to limitations, we all get that, but now, in the age of PS5 the stage has changed, the RPG games however do not seem to have this trait, and change is valuable, especially in RPG games. But how to go about it?

Well, in my universe, the first thing is to remove all limitations, to remove breaks and barriers. There will always a need to have some in play, but the larger reason for having them is removed by the coming of streaming systems and the PS5. This also sets the need of a safety zone. Most towns were safety zones, but in the wilderness it becomes important to have a safe place too. In the old days, the riffraff and animals were kept at bay with a fire, but not always and there we get a new setting. The ambush play. When have you faced an ambush in either Oblivion, Skyrim, Fallout 3, or Fallout 4? That is merely one of the changes that the new RPG games need to introduce. In the old days (1050-1850) there would be bands of brigands on the roads, travelling to ambush and these games did not really have these groups did they? A larger station of gaming that was missing and should not remain missing. With new hardware we need to change the setting of gaming. In my case RPG gaming because that is my passion and it would be the passion of any storyteller, but it is not the only stage where things need to change. I created the premise of half a dozen games, and the game makers went on the same track again and again. So let the smaller people hide behind ‘Microsoft Seemingly Confirms Ubisoft+ Will Soon Be Part of Xbox Game Pass’, to replay what was and doing that again and again is a waste of good gaming time, to set a new boundary is what keeps the players engaged. So whilst we see settings like ‘Skull & Bones Leaks In A Big Way’, the larger consideration is that this game was rebooted and delayed again and again, all whilst it took me a week to set the foundations of half a dozen games, all new, all having edges never seen before. And as you saw in the blogs, one totally new RPG set to a station no game has ever done. Do tell me how far behind Ubisoft and Microsoft are. Streaming old titles seems nice, but without a strong presentation of actual new games, the Microsoft streamer is nothing more than a history lesson and at $18 a month, Disney+ is a lot cheaper and more entertaining. You did figure that out, did you not?

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January 16, 2022 · 22:25

The images came

Yes, they came, the images. My mind played out the beginning of a new movie, one with Owen Wilson in the lead. I am not ready to tell that story yet. During that escape I also saw a few other things, it is there that we find ourselves. In the middle of a story not to be told, but with images that make sense in gaming. You see, in the early years (1993) Origin made a game that had potential, the game did not really exploit it, but it had created an optional new wave and even as the finale implied things in the end, they never came. Yet it is only one side. Games are always about options, but nothing ever comes from the tail side of that coin. What if choices are set upon us? More important what if the other side has equally strong negative sides? We can select the internet to do our work for us, or we can go forwards embracing the choices we have made. Too many games forget about that. I believe it was the wrong take to make on gaming. We grow and we get clever through adversarial settings. That as been proven for the longest time, yet we overlook it because it is not what the gaming community wants. By whose standards? Players like Ubisoft and Microsoft have no idea what gamers actually want and they have shown that lack over and over agains for at least 10 years. So let’s take this up a notch. You are at a shrine, there is a camera, a book and a potion. You can only select one, what do you take? When the clue is unfolded it makes sense to take one of them, yet each give a formidable advantage, yet you lose the other two. In the age of Gauntlet and Diablo based games we might take that part later, but what happens when the choice if final and the others are removed from choice? As I see it it enables replayability, it grows a much larger value in any game. You see a game that does everything will basically please no one. We forgot that the founders of gaming like Infocom with Zork enabled us to think things through, a side in gaming we tend to forget. And I did too, for the longest time I merely went from achievement to achievement. I forgot to have fun, I forgot what replayability enables, not the same track again, but another path towards the same destination. More to see, more to experience and more the encounter. Most game makers are about story experience and one story fits all, but that is seldom if ever the case. For the same reason two role playing gamers might select different races (orc, dwarf, human, elf). All part of the package, all part of 4 learning experiences. Yet most people stick with the one choice and work from there, yet I believe that they take the one path because no one explained that they can get more by taking another path the next time around. It does not fill the revenue bill and that is a shame, yet in the new stages, in streaming stages that option will become increasingly important. Streamers have a monthly fee, so if one game can be played 4 times the revenue meter fill up larger. More importantly the games would have to become a lot better, a lot more immersive and the stories would need to become a whole lot better. I do not believe this to be a bad thing, this is how evolution of gaming starts and it does need to start, you see fully deployed 5G is no more than 3 years away and at that point the console wars will go into a new dimension with the streamers (Google Stadia, Amazon Luna) will become fierce and a lot more decisive. I do not believe that they will replace the Nintendo Switch or the Sony PlayStation 5. Yet they will be next to a lot of these systems and that is where the $200,000,000,000 revenue ticket for 2022 is at, and with the Amazon Luna with an optional 50,000,000 more consoles that war takes a hard turn into better gaming and the ones not ready for upgrading gaming will lose out to a lot of revenue clambakes. It will not start drastically, it will be all nice, but it sets the stage for 2024 and there the numbers do add up to failure or success and none of the players are embracing failure, or so they seem to think, but which of these systems have truly embraced upgraded gaming?
Not many, I can tell you that much and that is merely the first wave, the second wave will add the previous revenue success to the next one and those who missed out on pile one, have little to no option for an increased pile two. That is where they all are, in denial. Phrases like ‘We are working on it’ or ‘this will sort itself out’ but behind the curtains they sweat, they have no idea where to take it next and I wrote about at least half a dozen options, and they all laughed, but in November 2023 they will stop laughing. They will face the shortcomings of choice and the lack of options they left their gaming community with, so these people will dump that system and cancel that prescription. So these people will face 2024 with limited revenue and no plan of implementation. That will be the losing streamer. The other one will take a bow and head for revenue piles two and three, at that point Sony will face a true contender for the first position in console wars, the field is wide open, but I believe that Microsoft has already lost, they did this to themselves. To be honest, as the information goes at present the Amazon Luna is the most likely winner in that direction, but I have no idea where Netflix is going, so there are options in a race where some horses cannot compete and some horses are unknown. In that race I see Nintendo in third position, with their gaming attitude they could go higher and they have what it takes, but they work on a formula that is almost guaranteed to keep them in the race, yet like any formula, it has limits and that is not a bad thing, it is what they chose and so far they kept 93,000,000 gamers happy with the Switch overtaking Microsoft by a lot, the weakest system defeated the strongest console in the world. Why is that? Technology? No, Nintendo listened to their gamers, gave their gamers what they needed. That was the simple truth since before the Switch arrived and when it did in 2017 the world saw a winner and Microsoft became the number one loser. This is about to happen again yet in 2023/2024 it will be the streamers who fight over the initial number three position, but some will have it within them to get to second place. And good games is where they get the winning positions, the better the games, the more the gamer wins and that is my stage,
I want gamers to win, because if they win, I win. I am after all a gamer.

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