Tag Archives: streaming

Upgrade, next chapter

Yesterday I was thinking of a game I used to play and it left me a little underwhelmed. It was not the fault of the game maker, the game was awesome. It gave me the thought that I was in the deep with the dodo’s of the Kremlin, or the White House. The game did what they promised, but I was thinking what this game could do with current technology and settings of DMS and some LLM. There is also the thought that the game was originally a little 2D. It all fitted on an 800KB disk so I am not surprised. But consider the idea what the current settings allow for.

The idea that they had with the political tables of then (1987) and what Mindscape was able to achieve. It started as a game of geopolitics during the Cold War, created by Chris Crawford and published in 1985 on the Macintosh by Mindscape, followed by ports to a variety of platforms over the next two years and I got the AtariST version in 1987. And as sources reveal, takes the role of the President of the United States or General Secretary of the Soviet Union. The goal is to improve the player’s country’s standing in the world relative to the other superpower. During each yearly turn, random events occur that may have effects on the player’s international prestige. The player can choose to respond to these events in various ways, which may prompt a response from the other superpower. This creates brinkmanship situations between the two nations, potentially escalating to a nuclear war, which ends the game. It is my advice not to ‘antagonise’ the opponent in the Pink Kremlin, or the Black House to avoid the nuclear holocaust that follows. And why leave it there, the complications of a EU could be added, so you can see how likely little you can do as as King Gustav on charge of that small sided Sweden (population 10.5 million) and we can build on this, we can evolve this with corporate powers and the influence they hold with the likes of Strawberry, Hippolytics, Smallsoft, and a whole range of power players. See what happens when you tweak that power (or nationalise their goods) then we get to the impact of social media like SnoutTome, QuickOunce, MyTransistor, DingDong, Toucan, Connected, ScryingStone and a whole range of other groups. You could see the direct impact that trolls have when they are clearly exposed and optionally with scenarios to solve. I would recommend to leave the intelligence groups to a later date (or a DLC) to properly test the settings you have there. It could be the first simulator for audiences and students of geopolitics and social standings later. That is before you add the mess that (WatchMyGrey, AmiSix, and their offspring in France, Germany as well as Mossad does to the worlds chaos (under their tutelage) 

I wonder how no one enacted this setting, it seems to be a decently solid training and educational simulator giving students to study multidimensional settings that geopolitics present in todays industry. I’ll bet you you can’t fit that on a 800KB diskette, but there is every thought that it can be done, the social sciences tables still exist and they can vouch for the until recent messes and they are basically ready for deployment. And now that we see the world for what it is, we might also include global religion as an influence and show you why the Catholic Church doesn’t have as much as it used to be.

It is merely a small snag that escaped my brain this morning, but I reckon that the old software settings could still apply to settings of today, you merely have to upgrade the setting and there is plenty of options here and as they were solidly stated on those basic settings of Social sciences, in todays world they could be used through Deeper Machine Learning to a much more powerful extend. See what some see and what you are not supposed to know (sorry Blaise Metreweli) but that is also the next challenge. Instead of shouting at Toucan, you could investigate the trolls on Toucan and see what the expected result is and who the culprit behind these pretentious stages are, not to be coy, but using that Strawberry Studio to see it on the big screen, or even as a user of the Hippolytics Moon streaming service get a new lease of opportunity. An educational simulator for students and investigators of humbug gets a new side of life.

Well anyway, that was my thought I had this morning. And the names have been changed to avoid  the guilty and make me less liable, a decently appreciative setting

Have a great day. I wanted to take a nice walk, but it is 34 degrees celsius out there, bit much for a long walk. Oh and Strawberry, fix your DoDo Dos version Hawaii 26.1, when you switch off your router before you switch off your wireless, the wireless keeps on scanning the ether, even AFTER you switch of the WiFi. Sloppy programming. 

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Opportunity lost

That is the setting and not everyone agrees with me on this. Gaming has been accelerated like the  armistice race. Some people in gaming having no real gaming life and merely a setting in business intelligence are chasing the wrong niche in gaming. Gaming is so much more. And they are missing it. Yet the Arabic setting I considered might take it more seriously (and then there is Tencent) You see, gaming is seen in all walks and sizes and When you consider boardgames, that never left our minds. I got into boardgames at a very early age in the Netherlands. It was called “Mens erger je niet” in England it was called Ludo and based on the iIndian game Pachisi. 

And now it is almost forgotten, Facebook on a blue Monday set a few of these games on their servers, but overall, they didn’t last long. But take that setting and put it on a streaming console with options for single player (against the CPU), or even multiplayer with a setting for up to 4 players. Settings where you invite family, friends or even strangers. And this is merely one of many settings. Then there is the notion that some of these games have IP protection. It could optionally be averted if not digital settings exist, but when we go deeper, we see that there are dozens of these games that have no real ownership. So why did no one take up the baton to ‘revolutionize’ these games? Then there are dozen of MB games that could take a similar track and lets face it, the system that has the numbers of games has an advantage. So why did no one connect the dots?

Then we get the life long titles like Snake and Ladders and Clue (1943) so what stops these game makers from using a small team of programmers to bring forth one game a month, within two years there would be an abundance of these games. Kids playing with their parents, or even grandparents. Playing each other and so on. What baffles me is that these Business Intelligence people never figured that out, not in the last 4-5 years and when you take a longer look at this path you will agree that it is not a path that should be overlooked. Yes, we all love our times in the Wastelands when we play Horizon Zero Dawn or its sequel, but there are times when you and perhaps others might fancy a game of Snakes and ladders and a streaming system will easily do that. So why is it overlooked? Why are these dozens upon dozen of games ignored? Is it a mere IP thing? Doesn’t the programmer seem cool enough? Streaming systems have different metrics and they all seen to go over the amount of data passed, what it fails to look at is the joy it will bring, because joy is the true metric of a game and its gamers. 

We are all looking towards the new strides, but as I said more than once, when did you look behind you to see where the new course in front of you could be plotted. Have a great day today, Vancouver joined us in the present day as it is 4 am there now and I am 55 minutes away from Tuesday.

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Openings to your fortune

That was the thought I had. Well, it was part of this. You see last week I saw news in the Financial Review (at https://www.afr.com/companies/media-and-marketing/saudi-arabia-nears-deal-to-take-big-stake-in-foxtel-s-new-owner-dazn-20250115-p5l4gr) and people will think “You and how many more?” And that is a fair view. But think of this “When you are competing with an increasing amount of contenders and when that levy comes crashing down, do you care?” When we see the fires in California, can you afford to be coy or emotionally vested in the needs of others? Good business is where you find it, an old expressions that the crime lord Clarence Boddicker (Kurtwood Smith) threw in our faces in the movie Robocop (1987), but what you mis is that there is a lot of truth in that. When you are trying to make ends meet, does it matter how you got into a place? Does it yield more favor with anyone when the front door seems close and there are people waiting in line, is it that important to ‘join’ them when there is an open patio door to the same location? An entrance is an entrance. So as we see “Saudi Arabia’s sovereign wealth fund is in discussions to take a stake of up to 10 per cent in global streaming business DAZN, a deal that would hand the Persian Gulf kingdom an influential voice in Australian broadcaster Foxtel.” With the added “DAZN, which specialises in sports streaming, is controlled by British businessman Len Blavatnik and last month agreed to buy Foxtel from News Corp and Telstra in a deal it said valued the local group at $3.4 billion.” Now I can be certain that Len Blavatnik might not be interested in my script, but he knows people and the small herring you throw in the pool might get the attention of the big fish you want to come to your side, either as a supporting player, or even in opposition. The price? Optionally a lousy payday for the first script. But if that gives a decent guarantee that scripts 2,3, and 4 come with a (hopefully) decent payday. And now as California is a cinderblock, it also stands to reason that the pool of scripts suddenly falls (close to) dry. Bares thinking doesn’t it? Because as you are trying to make up your mind Canadians in movies are seeing their option clear to now harvest whatever can be harvested.

So why this path? 
Well for me there is a clear option, but there is more you see, as Foxtel changes hands to British businessman Len Blavatnik, we see more than a mere change, we also see opportunity. As Saudi Arabia is setting their hands to the sport section of Foxtel, there will be people who will look at whatever is there?

And now more eyes will be hopefully looking at my script ‘How to assassinate a politician’ (aka Essay), which was written for an Islamic population and now we are off to the races. How many Islamic laced scripts has Hollywood ever delivered? And now that Hollywood s partially out of business, we can hold our heads high and allow the opportunity to make a few coins.

Is it a guarantee? 
Of course it’s not, but until this happened there were little options outside of Dubai Media and Al Saudiya for me and now there is another doorway, hence the patio door will have to do for me (at present). The simplest setting that Kurtwood Smith was offering us, becomes a doorway where the optional coins reside for us. We found business by going via the side door and it might not work. Yet I feel certain that hungry revenue people will get to see it and that is exactly the door I needed. I might have to sacrifice one script for little to get the visibility to offer the other scripts for a nice fee. And the fun part is that Saudi Arabia has its media channels, but with Hollywood (partially) out of commission, they too needs their channels to produce and now they are handed another option to look at, will it work? Does it match the quality they need? Those are questions for tomorrow. Today we (or I) at least got my way onto the premises. And that was the direction of business I needed. 

And with the quote “DAZN has been expanded aggressively, not only agreeing to acquire Foxtel – along with its streaming platforms Binge and Kayo – but also paying $US1 billion to broadcast FIFA’s inaugural Club World Cup competition.” This is not my field, but they will need to fill up spaces and that will be done with reduced options and a cheap script will be exactly what they need, especially as they will need to fill time gaps for Al Saudiya. And if you think that the last paragraph was a negative one, you would be wrong. The article gives us “But Brian Han, an analyst at Morningstar, said he was not optimistic about Foxtel’s prospects. In a note to his clients last month, he said the broadcaster was “burdened with expensive sports rights and mired in the ever-competitive streaming space against the global digital behemoths”.” You see, he has a point if you think of the way everything has worked all this time. It might have BEEN about “expensive sports rights” but Saudi Arabia has between now and 2030 a massive caliber of options, and that is all Saudi terrain. Trojena will have its own ski slopes, skating rings and so much more, all Saudi. Then there is Sindalah for the water sports. And I cannot even begin to fill the idea of The Line and all will have thousands of people who need to be entertained. I think that a lot of people haven’t even begun to consider how big the transition to Saudi Arabia will be. As such getting in there first has an enormous amount of options for the eager person seeking transition. And for the ones who missed it, when you get access to one it should open up to both (via Saudi Arabia). And that is before you consider that Bangladesh has 150.36 million muslims. That is 4 times the size of the Saudi population. Do you think that Saudi Arabia isn’t looking to service their shows in Bengali? I saw that option years ago, now it is time to seek if it has options for me as well.

So whilst the rest of the world is seeking to unwind their hatred for President Trump, I’ll be seeking the options I can see for good business.

Have a sunny and wonderful day.

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As ideas go

I just had another idea hit me square in the face. I cannot tell if it is a good idea, but as the evolution of eCommerce is going, there is space for this idea. In this case it is fledged to the conscription of Al C. O’Holloway (aka alcohol) and I just had an idea. To see the idea, you need to consider the elements. There are 3.2 billion video gamers in the world, and 1.17 billion play online. Now the idea is not set to online gamers, merely gamers. You see, when you are gaming you get hit by hunger and thirst. I for one rely on coffee and fruit juices. But not all are like me (I do like a drink every now and then). As such I was considering the online options of getting what you need and I tend to not like this. Going through the lists, or offerings tend to make me not like the order. I like to be in a store seeing what gives and that applies to food and drink. Now consider a gamer where he can walk into a store. Any store that offers the option like Dan Murphy (Australia) or LCBO (Canada). Now the store could be specific (like a location) or generic. You walk the isle and you see the bottles (an in per Unreal Engine 5 created). No list, just you strolling the lanes for what you feel like is a good choice. And the mind (read: brain) will link this to your actual visit to these places. The brain has that ability, more so then going over a list in catalogue. 

As we linger on the options, we get to add a certain bottle or brand to our Wishlist. I got this basic idea of the system (see below)

We have a walk through the booze browse place. We select items and we can then decide if it is an order, a consideration or a mere preferred drink (Wishlist). And as we walk and profile our drinking needs, we also get above the red line an update to our profile, more exact, it considers what you have placed in your profile any hidden traps. Perhaps you dislike beers, or wines and someone adding beer or wine will get red flagged and the fraud detection goes into high gear. This is not the final trigger, because you might order it for a guest. There is however a larger need to engage fraud detection in this day and age. As we keep on browsing we get to the end where the list is given and we decide making any item a Wishlist item, a preferred item or an actual purchase. The purchase is finalised and the delivery address is recorded (you might be gaming at a friends place) and the purchase is received and delivery is made through whatever option you like, possibly just an in-store pickup. Now you might want to think that there are other ways and you would be right. But eCommerce has its own grips on the matter and whatever the customer wants he or she can get. This way you are appealing to 3 billion gamers. That is not a simple Direct Marketing fling, that is a long term option and this market has been overlooked for too long. Optionally we see “They can get it in another way” vibe and that is not incorrect, but the sentiment in this day and age is just plain wrong. How long until this method is used for super markets? Consider that Dubai has a temperature of 33 degrees. Some like to go out and endure it, but as streaming systems evolve they want to walk around in their homes and see what gives at  Carrefour they have foods and fashion. And there is a larger need. It is obvious that the larger places will adapt to this first. But as this system evolves more will crowd the place. The idea that was started (to some extent) by Sony Home is now in a stage where a lot can opt to move in and it will go to a much larger place. You see 3 billion gamers are about 40% of the planet. I merely wonder why it has taken so long for others to adopt the idea.

And there is a secondary option. This might be easier way to stop fraud, because gamers will have profiles that have been around for years and these places will be able to find a lot more data on the transgressors of fraud as well as the stores trying a fast one on the customer, they are likely a lot easier to find, but that is merely a gut feeling of mine.

Have a great Saturday.

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Out of the blue

That is what happened. I had a stream of ideas out of the blue. I do not know what fuelled this. Was it reading about the failures of Ubisoft? Was it another setting? My mind went racing and I went back to 1995 and Tia Carrere. In that year she was part of The Daedalus Encounter. It was a fun game and I had fun laying it. But then a thought came to me. That game in 2024 could open other doors. Doors opened through machine learning and deeper machine learning (AI does not yet exist). The track my mind went through was interesting. You see, the movie world made rules for (what they call) AI. But this setting might not completely apply to games. 

Now consider the first stage of creating these kind of games using the technology complemented with Unreal Engine 5. We can make new versions of Rama, Infocom games, but now not as text games. More like Zork nemesis, with actors and actresses. Infocom created more than 20 games and they could now entice a much larger following. As the games develop new technology would also develop in creating games. The larger fun of this is that many more developers will get a handle on this form of game development. 

That brought me to the next level. In 1984 The Dallas Quest was developed. As such Datasoft created “one of the best games out on the CBM 64” and it held sway over pretty much the entire gaming community, even those who didn’t follow Dallas (example: me). We now have the technology for streaming systems to hold the sway of all who love this level of games. That wasn’t the only setting. You see players like Netflix could optionally create a new level of games using these technologies. The setting of of these new options could set in motion a new form of gaming. Consider what was. And now take another direction. Creation of these kind of games using TV series. Grimm, Babylon 5, Charmed, Buffy, Doll House and several other series that have been discontinued. Now consider the implementation of ChatGPT, and with a library for every character of that series. Now we get a new technology. A game where the player can be any character in that series and the interactions will shape the ‘episode’ of that game. That trend could be pushed forward. Now consider another venue of these games. Egyptian Musalsalat: A Social Construction of Reality has strength all over the Arabic world. Now take these elements and build the new template. An interactive game where the player decides on the route of the episode. In The Dallas Quest we needed to make choice, like finding the football tickets in the lobby, if not you get stuck in the game. Now machine learning will be able to avoid getting stuck. And the game can evolve even further. Consider the setting that Grimm has, millions of fans still love this series. Now they can continue their TV fling in this new direction. Consider the streaming solution and consider that I gave the option of 200 million consoles with the directions before I came up with this. Now it could become a whole new dimension of gaming. 

Oh, and whilst you contemplate how Ubisoft blew game after game and delay after delay I came up with this new idea (within two hours). Don’t get me wrong, this will be a complex undertaking and the idea to use the Infocom and the Dallas Quest first enables this technology to grow and to adapt to some sandbox approach. I believe this could entice millions more to the gaming population and it has options over time. There is even the idea that former adventures could be evolved into new versions on a new template in a new shape with new possibilities. What a difference a few hours make.

Have a great day.

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Co inky dink

Yup, my previous article on comic films preceded a BBC article. Or perhaps better stated I saw the article after I wrote my article. As coincidences, go a nice one. The BBC article (at https://www.bbc.com/news/articles/cj6er83ene6o) gives us ‘Hollywood’s big boom has gone bust’, I have some issues here. The first is seen with “the good times ground to a halt in May 2023, when Hollywood’s writers went on strike” I resent the implied status that this was up to the writers going on strike. And as we are given both “The actor and aerial cinematographer turned his hobby of flying drones into a profitable business in 2012 just as the streaming wars were taking off. For a decade, he was flying high above film sets, creating sleek aerial shots for movies and TV shows on Netflix, Amazon and Disney” and “But rather than roaring back, in the one year since the strikes ended, production has fizzled.” This story isn’t giving us the goods. You see there are a few elements. One is saturation of business. First there was Netflix, and not we have in addition Disney plus, Hulu, Paramount, YouTube TV, Sling, Fubo and Amazon prime. Several more to follow but these are the better ones. What was one is now eight and it doesn’t end there, there are all kinds of digital boxes who keep tabs on it all. The problem is that income levels are still the same as they were in December 2019, pretty much in synch with the first Covid setting. In 5 years most incomes are either the same or ridiculously close to that and in the meantime the cost of living has gone through the roof. Housing has been raised in many places by as much as 50%, that is hundreds of dollars a week. Food has risen by about 5% per year. There is the larger set that most people can at best afford 1 digital channel (if at all), as such all eight channels competed for the same customer at the same time. As such it isn’t merely that production fizzled, or that projects were cancelled. There is a dwindling population that cannot even afford one channel. And to relate that to the present, Disney projected it would spend between $8 billion-$9 billion on content for its premiere streaming service. Now see that investment all whilst less people could afford that TV channel. This isn’t merely America, this is a global problem. Hollywood has relied on the old Roman principle “Give the people bread and games” and now the people cannot afford the games and more and more of them are falling short for buying bread and this is happening all over the world. So whilst we get “Projects have been cancelled and production was cut across the city as jobs have dried up, with layoffs at many studios – most recently at Paramount. It had a second round of layoffs this week, as the storied movie company moves to cut 15% of its workforce ahead of a merger with the production company Skydance.” We see that there is a lull in the setting of projects and the attainment that people are in the mindset of “things will go better soon” but that is not the case. America and Europe wasted at least two years on their ego all whilst the ‘customers’ who had the cash have vacated to China. I saw this happen two years ago, which is why I created a script that could entertain the Muslim population. And I was right that SBA (Saudi Broadcasting Authority) and Dubai media are growing like crazy, all whilst the American players are merging and buying each other out. I saw the same happen in the IT in the early 90’s with a Dutch company called Infotheek. On the edge of bankruptcy, they bought the smaller players and take that revenue as your own. It didn’t work then, I doubt it will work now. And in that light America has a second problem. Many players will divert to Canada as it could be an option. Many actors and actresses are Canadian, so that works for some. Vancouver is a new powerhouse in this and the more the capture the smaller the American pie becomes. As such the article is right, Hollywood big boom has gone bust, as could be the case for Hollywood fairly soon. And there lies the problem, an over bubbled industry, A premise of channels that ned to invest billions, all whilst there is doubt that the revenue in 2026 could have diminished by 20% (at least), as such who gets the money? Then in the past 300% on investment was achievable, soon it will merely be between break even and perhaps 50%, so how many investors will leap the fence to optionally Arabic channels? I made it clear in 2020 that you cannot bite the hand that feeds you, but did the American defense industry listen? Nope and now the Chinese defense industry reports a growth of 25% year-on-year. That is money that is not going to America and now the streaming channels are optionally seeing a similar move towards Arabic nations and India. So how long until the boom turns into a gap that implodes implodes? 

All things that have been out in the open, but the BBC overlooked it. It is a good story and it gives some of the goods, but it overlooked the attached factors and these are a lot more disastrous. Well, that’s it for now. It is almost lunch time for me, have a great morning wherever you are.

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It was this simple

As I wrote 22 hours ago, I had an idea. To see this idea, I need to give you one of the few images I saw.

It is an image of Olympus. The intro of the game God of War 3 gives us a little more, as does the game. Yet in the intro stage my first thought (my day one of the game) how awesome it would be to actually walk there. So no doors, no hindrances just walking around Olympus like one of the servants, that sparked the idea. 

Now we get to the ‘now’. You are a greek in the Byzantium empire. I made mention of these places yesterday. The stage is not merely that you are a person. You are shaped by your house gods and the game starts with an old woman. She is travelling and she passes near the village where you live and she sees you. She is an oracle of Dodona and she beckons you over. Then you get the questions on ho the house gods are. This decides where you end up, that field is close to that town. She hands you an old heirloom, it was always meant for you (the key to the game) and she ALWAYS tell you to go in NW direction (and it always leads to a small cavern). As you enter the cavern, there is a small alcove that opens due to the heirloom (but it could look very different game to game). And in that small opened niche leads to a small bronze mirror. With the heirloom that mirror turns into a gateway straight into Olympus.

Now this is where things changes. That mirror is always in the same place. Some atrium for servants and beyond that it is all dark and silent. You can wonder for hours (Olympus is big) and you can start to make inventory of what you see and learn. 

The heirloom will only react to one place and that is where the first god comes in, one of the house gods. Male house gods will be seen through a ring or bracelet, female house gods through a necklace, bracelet or earring. It depends on the gender of the character you are playing. 

In that room you get the first steps. The waters will always run, but the place still has some kind of protection (against intruders), the place has oil reserves (for lighting) and over time as you get a better grip of the place, you will learn about how Olympus ticks. As the first stage is completed Olympus comes alive. You will get to learn how you how to re-engage automatons and as you activate more automatons they get back to the job of repairing, cleaning and adjusting. 

In the game you will learn about EVERY god on Olympus, but due to the house gods, not all paths are available to you. There is a Zeus, a Poseidon and a Hades part of Olympus. And the gods have chosen sides. There are fewer on the side of Hades, but he also adds additional parts to the game. In the game you will ‘recover’ art, you will recover books and writings and so on. It has RPG sides and a massive learning side. I am contemplating to add the setting of adding the ability to learn Ancient Greek in the game. When you consider all the elements you can dismiss it, or consider that this has never been done before. And with that we create history. The concept of learning through games is not new, but on this scale and in this way has never been attempted before. And consider that the God of War Franchise has sold over 66,000,000 copies. I feel certain that every gamer at some point considered walking on Olympus themselves. Now consider that we have one path, but when you finally get to Heaphestus you can unlock an additional path as well as the path to the sections of Hades and the gods aligned with him. I reckon it is meant for streaming systems, but I am not writing off the PS5. A game never seen before, would it work? Haters will say no and now considered how many new IP Microsoft made. I placed 3-4 in my blog, that is the second part of the equation. The haters and the pretenders all claim and do not deliver. I have been delivering ideas and concepts non-stop. Some will work, some will not, but the spark of creativity gave you all that was. What muses could they rely on? I am not sure which muse is watching over my back, but I will share what my mind sees. It is the only way to make progress. A lesson Microsoft never learned, that is why they will lose.

Enjoy the first day of the week, my second day is less than three hours away.

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No Permanent Commitment

Yup, it happens to us all. Yet in this case it is about a different kind of commitment, it is about gaming with the the capital gee. I raised the issue on June 10th (at https://lawlordtobe.com/2023/06/10/how-to-ping-a-delusional-mind/) where I gave light to a new approach and a different usage to IP that Vint Cerf created and in gaming it would allow for an innovation patent and it would give the maker an 8 year advantage. In addition to that, my mind started to elaborate on that idea and see a larger picture. As such we can take it to a new level. As we set the stage of a maximum of 25,000 NPC characters, we can include a little more.

Now consider:

Physical courage – Feeling fear yet choosing to act. 
Emotional courage – Following our heart.
Intellectual courage – Expanding our horizons, letting go of the familiar.
Social courage – To be ourself in the face of adversity.
Moral courage – Standing up for what is right.

Now, not all NPC characters will have all these traits, but when we add Situational phobia, Animal phobias and Phobias of the natural environment we get a whole new level of gaming. The idea that with EVERY game these traits are set to a certain level with EVERY NPC we get an entirely new level of gaming. Consider any NPC in any RPG, in a cave or a city. We could set intellectual courage to magic wielders only and set Phobias of the natural environment for them to zero as well, we get a new level of challenges. The other side is that grinding will also become a different entity. Consider the game Oblivion. Early in the game I would grind Rockmilk Cave to get the good stuff. Now that same consideration where the NPC characters would have different traits over the new crews inhabiting it, with the added new IP that Vint Cerf left us with, the game becomes a whole new challenge. As such the old text of ‘I must have imagined it’ will become a thing of the past and these two elements together will rock the solution towards real innovation in RPG. When we add the other IP parts I mentioned earlier we end up with an entirely now form of RPG gaming optionally blasting Bethesda and whatever else Microsoft will have coming. Indie developers would have a much larger stage of competitive RPG. 

All this adds up to two parts. The first is that innovation will drive gaming to new heights and that will be in the hand of streaming systems giving them more than a lease on life. It becomes the new setting that makes streamers real independent gaming systems. The second is that Microsoft fails yet again and that will make it a ninth time. All those billions and gaming IP ends up not being in their hands, but in Public Domain a new level of failure for Microsoft. All that because they wanted to invade the safe space of one gamer. What an expensive lesson to face.

Friday is 33% done for me, for others it is about to start, the race to the weekend is on.

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Without intro course

Yup, almost going there. You see I got to this station in a slightly unusual way. I think it all started about a week ago when I saw the mermaid show on YouTube, where a youthful young lady (looking a lot like a partial tuna) was swimming in the Dubai aquarium with the sharks around her. Then last night I had a dream where a woman looking remarkably like a young Kelly Lynch (Roadhouse, 1989) was getting eaten by a shark. The setting however was that is was orchestrated (read: murder). The culprit had overlaid the back of her tail section with red paint and waxed that. The red paint was a stage of aloe vera and fish blood, the wax took the smell away. And after a minute of swimming, the wax started to give way revealing the fish blood and that had the sharks attention (all of them) and human blood might not be their forte, fish blood woke them up and send them into a frenzy eating the badly tasting tuna and destroying the evidence in the process. 

There was no intro, this was a clear act and there was no culprit in sight. As such the dream did not make sense to me, other than a scene for a movie that was not yet made. But it was several hours later when that scene opened up doors to the stages of an RPG I have been writing here. You see, we think of small terms, but in the age of streaming this stage alters. And to prevent rehashing the same missions I am doing now in Skyrim (and enjoying every second of it). It dawned on me that a new kind of NPC hoodlum was required. Also the stages I am writing about take a different approach. So what if someone was ‘colouring’ the clothing of fishermen and when they go out, the dinner bell smells loudly in the waters? I had been tinkering with a new NPC approach where we could evolve NPC reactions and options, but we need a similar stage for the antagonists. And lets face it, murderers tend to swim alone. Like rogue males in a contested battle arena. As such I would need half a dozen storylines each with a mastermind, some henchmen and  a setting. Most work for money, but some have other drives and as such we create 6-12 storylines all with location settings and targets and the nice part is that with every new game these settings alter. So different locations and different people. Yes, the methods can be identified, but you will not play the same game. You still have to find out who is the one you need to kill as well as finding the henchmen in that caper. As such we get bandits, assassins, smugglers and revenge minded people. This is a stronger setting because smugglers and revenge minded people might not be acting legal, they might not be wrong, they might be good people upping the ante of the game and your game play. 

Then we get to set out the bandits, they are clearly in one set minds (greed and lazy incomes). Yet as they are in different locations and in different locations per game that gameplay will alert you to unexpected sides as well. In some games we go to the same places, especially in the beginning of the second game you play. Yet what happens when you do that and you find a very different adversary, or none at all? You are merely off your game, you get to immerse yourself into the lore much more strongly and is that not the essence of any RPG? 

As such I have found another gimmick all in the new game, all options the RPG designers to the best of my knowledge never aimed for before, in the first it was not possible, but now we get to the stage where the consoles CAN offer this, but the stage is not explored. Or perhaps they are still working it out. But in all, this is where the streaming systems can evolve into the next console of choice. There is no intention to take out the PS5, but consider it net to your PS5 and Nintendo Switch. Sometimes you want to drown in RPG  for so many hours. It is good that there will be a system offering this to you. 

Consider that thought as you sleep through your weekend and thoroughly enjoy that sentiment.

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Evolution in gaming

That is the subject of today. As I wrote a few chapters in the past regarding that, some people had questions and questions are good. But to coin a phrase, I just got you an evolution here. This is merely a setting, merely an example and I believe it opens up the game stage for everyone involved (mostly for the Amazon Luna). 

The game I selected here was Crush, Crumble and Chomp by Epyx. A game I bought around 1986 as a CBM64 disc game. 

As we see the image above, we see the map as the CBM64 was able to manage with its 64Kb. It was a big thing in 1985, in 2023 not that much and in this case we see the first step of evolution, we use the map that was used in Watchdogs 2, which also plays in San Francisco. 

Like in the movie Rampage we start with three monsters. Godzilla, Dwayne Johnson (oops, I meant the giant Gorilla) and the wolf. What makes this different now is that this game has three game modes. In mode one we are the government side. We get to automate (to some degree) the police, the army and the fire brigades. As the game progresses we get to enhance the intelligence of the government sides and we get more hardware to do so. In the second mode we get to play the monster and we can have a free for all on the city of San Francisco. The more damage, the higher the score, and of course there will be options to have a snack in the shape of Malin Åkerman, its only fair as she played the Corporate B from hell. It is mode three that becomes the stage, we now get to ‘program’ the monster and we got through the motions to make it as smart and devastating as possible. More important when it gets to level 4 (my mind came up with 5 levels) you can put your monster online and see how it does as others try to play the game with YOUR monster and that gets you ‘international’ recognition. You see, as I personally see it, the game that Jon freeman and Jim Connelley designed deserves a second chance to life and I thought it was limited at the time, but that was due to the memory restraints on the CBM64, now we can turn it to something real with real sides. Of course Ubisoft would have a large advantage to produce it as they created the city, but that shouldn’t stop others. Ubisoft has more advantages, as it adds Chicago and London and more importantly, as they add New York the mayhem is close to complete. 

 I would like to try and find a way to incorporate the music used on the CBM64 which was Mussorgsky – Night On Bald Mountain, it set the tone nicely and was a great choice to have. This took less than an hour to create and the library for a dozen more games are coming to mind. A stage that would service the 50 million subscribers in one setting and optionally the Amazon Luna setting too and this was not the best game to begin with (compared to thousands of other games). For the GAAS environment enhancements are the future of gaming and when Amazon figures this out they will be off to the races leaving Microsoft far behind them, as they should have in the first year of operation against Microsoft. Microsoft can buy all the software houses they want, but those with a lack of imagination will hollow out Microsoft faster and faster. Creativity cannot be bought by those who embrace fake it till you make it. That is how I see it.

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