Yup, we all face vindication at some point, it can be ‘I told you so’, it can be ‘Yup, I watched it and it went exactly as I expected’, and it can be ‘You should have listened to me’, To be honest, I hope at times it is almost never the third one, there will ALWAYS be an exception, but the third one is laced in arrogance and I personally think that it is laced to deeply in arrogance, as such I tend to side with the first two sentiments.
Now, this day started weird. I woke up from a slumber. We all have those moments at times, in this instance I had sort of waking dream, so I cannot say what kind of dream it was, it might be a movie script, yet the setting was a little too surreal. It was in the Netherlands, apparently the Dutch Military Police (they also guard the royal family) had set a parameter where the non used royal houses were used as stash locations. They were instructed to investigate a reporter who had found a snippet of that setting and they decided to smear his career in several ways as to take focus away from those locations. They involved the foreign office to muddy the waters. It was a small group of less than a dozen agents, but the stage was sullied by VEVAK as one of its agents performed a ‘service’ once and they had an inside scoop on technology that was stored in one of the locations. As the foreign office operative was smearing the reporter, VEVAK had altered the information to the smallest degree, but it woke up Mossad and as they started to look into the matters the reporter as well as well as the crooked military police agent were all in their alleged private hell and as Mossad as played in a few ways the criminal police officers had no place to go but towards handing over the technology to Iran. Anyway that is when I woke up, and I saw that I missed out on the first hour of the Game Awards 2020.
So why is this vindication? The Last of Us part 2 (7 wins), Ghosts of Tsushima (1 win), Final Fantasy 7 remake (1 win), 9 wins, all Sony exclusives, that is what I mean with Microsoft being off their game by a massive amount, there were more non-Microsoft wins (Animal Crossings) as such the weakest console got the award when the most powerful console did not. Microsoft did win the Sim/Strategy Game Award and the Flight Simulator that they have left no surprise, it is BEYOND amazing, fair is fair. But that is one title, in this game award show Microsoft was a larger absent force, to get to the top layer you have to up the game to a much larger degree, Sony did, Microsoft to a larger degree did not, the absence of Ubisoft needs to be noticed too, there is a larger stage and both Ubisoft and Microsoft are no longer in the centre of it, the fact that Microsoft got mentioned (in light of Sims) is fair but it is one in a stage where they used to be a contender to a much larger field, fo me this is an ‘I told you so’ event.
The exclusives matter, if they rock the field they rock gaming, and this year is a sore point for both Ubisoft and Microsoft. I wonder what will happen next year. CD Projekt Red has fixing to do, yet they could end up taking some of the awards, There are a few more players, but the stage is shifting and in this there is a larger push for Sony to rule the complete center stage. The 9 awards are a clear indication of that. It was always hard for any fight between two Sony titles, as such there is a little surprise that Ghosts of Tsushima only got one, but the competition was fierce and The Last of Us part 2 was a price fighter here. No matter who of the two won, the players and the gamers in the end they won, especially if they had both games. So as we are about to enter Saturday I will continue on the RPG I was working on, still haven’t worked out the new levelling system, well actually perhaps in part I have, but I need to think through whether it will not become too chaotic. In gaming chaos is fine, in programming a little less so, it allows for too many bugs and glitches to creep in. Innovation is cool, but the path towards it, often enough, less so.
Yup, rumours, we all see them, we all hear them and sometimes they are true. So as we consider the digital media need to get people to click, we see a tidal wave of PS5 issues all over the internet. Things like ‘Reports of PS5 ‘Stick Drift’ Surface Weeks After Launch’, ‘DualSense Controllers Are Already Suffering From Drift, Apparently’ and it goes on. Now, rumours are not new and perhaps they are true, in some cases. I had issues with my Switch controller after a year, it was the left one, but I am not a standard user. I agree that these things happen. I never had issues on my CBM64 (after I bought a proper stick), never had an issue on the PS2, PS3, GameCube, Xbox, Xbox 360 or Xbox One. Yet the proper gaming sites do not give me that news, Eurogamer did have in October ‘Class-action lawsuit against Microsoft for alleged Xbox One controller “stick drift” now includes the Elite Series 2’, in this case with Eurogamer I will give them the benefit of the doubt, they are a decent place for gaming news and ‘class action’ does not mean that there is larger validity, it is merely a legal setting and as I stated, none of my Xbox systems EVER had a controller problem. Like many I had the red rings of death, but Microsoft sorted it out in a decent way. Will the PS5 go that way? I have absolutely no way of knowing, but the controller is comfortable, it works well and it shines nicely. It might happen, it might not, but the sites making these proclamations are not sites I trust. They all want you to click on them, so I did and whilst some might have an optional case, the fact that they added ‘Apparently’ in the headline is some form of doubt on their part. So why is it a case? We seek out the positive and negative and the digital funds stations all love a ‘click bitch’, as such they flame and they exploit, and whilst some of the ACTUAL gaming sites give us plenty of goods, they also tend to give the bad news when it is out there and confirmable. I did notice that the day I set up the PS5, a controller driver was updated. Was that. Solution for an issue I never faced? Possible, we might never know, or I might see the same issue soon enough. The fact that a size 7 controller (Nintendo Switch) had an actual malfunction dealing with the stress factors of my size 11 hands is fair enough, the fact that it was able to keep up for a year is a good thing. In light of all that, will my PS5 hamper and give errors? Possible, but so far my PS1, PS2, PS3 and PS4pro never had issues, my PS4 did, but at my own silly stupid hands, not the fault of Sony. We all face these moments in time. My PS4 controller had an issue, but t my own hands, and only after 7 years of intensive use, and I mean INTENSIVE! As I see it Microsoft, Nintendo and Sony brought me controllers that for the most, outlived the console. This is worthy of mentioning. Now, I never got any of the Elite controllers, so I am reserving judgement, yet if that thing is anywhere near the other controllers, we are in good hands. So, back to the Eurogamer article (at https://www.eurogamer.net/articles/2020-10-11-class-action-lawsuit-against-microsoft-for-alleged-xbox-one-controller-stick-drift-has-been-updated-to-include-the-elite-series-2) here we see “the updated paperwork now adds seven additional plaintiffs and asks that the case goes before a jury, as well as appending more detail about the alleged defect”, as such we are given “Microsoft does not disclose to consumers that the Xbox controllers are defective, causing the joystick component to fail. Members of the general public have the right to know the latent defects with the Xbox controller components”, so this might be the case, yet before I bash Microsoft (yet again), I feel that it is important to take notice of a few facts. It is a year old, pretty much sold out everywhere, and overall there were complaints to which Windows Central gave the consumers “Microsoft has acknowledged the problem and is investigating”, this does not invalidate the class action, the wording seems to imply that Microsoft made (yet again) a stupid mistake. The claimants might have something to complain about, yet the number of Elite 2 controllers is in the wind, so this impacts dozens of controllers out of a batch of thousands. As such Microsoft optionally faces a minor issue, but they face one non-the-less. This also impacts Sony, who seemingly sold 2 PS5’s for every Xbox, and a 2:1 stage is nice for Sony, who apparently is out of stock until the end of next month. That is a good setting to have, and one I expected. Microsoft is missing out yet again and they merely did this to themselves. Although, tactically, by buying Bethesda, they do have larger advantage, as the Bethesda fanbase is in the millions. Still, overall, as there are no new Bethesda games (at present), Microsoft will see an increase, will it meet the 3.3 million that Piers Morgan apparently stated is something I put a question mark to. I reckon that it barely will make the 3 million mark and when congestion hits (when, not if), the digital versions (both Sony and Microsoft) will hit a snag and in that Sony might overcome it a little faster, this is speculation, but the amount of system updates (between Sony and Microsoft) gives Sony the advantage. Microsoft had too many of them, and they had them too large (by my consideration).
Still, the systems are a decent match to one another, and yes, I am not ignoring the Verge who gave us ‘Why is the PS5 outperforming the ‘World’s mot powerful console’?’ (at https://www.theverge.com/21718936/xbox-series-x-ps5-performance-game-comparison). Here we see “With the Xbox Series X capable of 12 teraflops of GPU performance vs. 10.28 teraflops on the PS5, most onlookers expected there to be a small gap between the consoles. Microsoft’s next-gen Xbox also has higher levels of memory bandwidth and more compute units, but Sony offers developers less compute units running at a variable (and higher) clock rate to extract better performance out of the PS5”, as well as “the Xbox Series X version of Valhalla includes a lot of screen tearing and regular dips below 60fps. The PS5 version appears to run a lot more smoothly. Variable fresh rates do make up for this screen tearing on the Xbox Series X”, which I reckon when we see all the Xbox AC Valhalla advertisement, is funny as hell (or is that hela?) Anyway, the stage we see is littered with rumours and it is important for gamers that you check EVERYTHING you hear with a proper gaming site and for the most, if 2-3 decent gaming sites do not mention it, dump the gossip where it needs to be, in the trashcan. As such, when we consider everything, you can expect plenty of games having patch after patch after patch.
So feel free to get whatever console you want, but be certain to check decent gaming sites on the console you want, and ‘decent’ gaming sites exist, there are however less than a dozen really good ones.
It seems that I hate Bethesda, I do not, I am not happy that they are part of Microsoft now, but that was their right. It is Microsoft I do not trust. So as I was playing (yet again) Fallout Shelter, we need to see how close to perfect that game is and it is a free game. The optionally dropped the ball on two issues, maybe three if they played their cards right, but that was their choice, gamer ended up with a near perfect version of gaming and that is what we all wanted (even though I would have paid $5-$15 for the game). Yet the game is not new, it is innovative adjusted, the origins of this setting goes back to Dungeon Keeper (1997), we tend to forget these little details. And when I say ‘innovate’ Bethesda truly did that to the game and their game rocks.
It did however made me consider the stage and how it could be adapted. There was a Westworld edition, I had only heard about it, I never played it. The game was too much of a copy. Yet the setting of Dungeon keeper is one I tend to circle back to. It is the origin of that game that drives my thoughts. There is no advantage setting this to a larger Bethesda stage, Bethesda already owns it, but perhaps there are options in the Ultima stage (Richard Garriott), there could be a drive through Battlestar Galactica, Babylon 5, there are plenty of options, but it is the drive of creation, with a little grasp of pragmatism (perhaps 1-3 optional micro transactions) that would make it work. The first thing is not the game, it is understanding the drive of the gamer, from that point we can move on to see what optional franchise has the larger cluster. We can chose any game, but if it has only 20 fans, the drive to a population large enough to make it work is one that we have to surpass and greed driven people always want revenue now (not me though). There are the protected franchises (Star Trek, Star Wars, Lord of the Rings) that had its own barriers. There are less known franchises (Ultima) that has dedicated protectors, so we can align ourselves with a protector, or find IP that is no longer protected (which tends to take time). I stated it before and will do so again, on the Amiga Millennium 2.2 had close to all we need, so how to make that a success? To do that you need to understand the mechanics of the game. We can work with clocks, the free game only allows a clock speed of 4 and 5 skip days per day, when you buy anything, even once you get the option of clock speed 8 and that can be avoided by a one time payment of $4 giving you direct access to 16 times the speed and unlimited skips, considering that it takes up 235 days to fly to Uranus (I had to allow for that pun), we see a game that could show us optional revenue. Then there is the stage of the arcade, change your mobile into an arcade machine, play the old games for $0.99 and it will keep a track of up to 3 games, for $4 you can add 10 slots and every month another game is released, another of the classic games that can be played, the amounts of fathers that spend a fortune in quarters can now play their favourite game (optionally) for a mere $0.99, how is that not a guaranteed drive? And the nice part is that dozens of these games were never IP protected, it was not an issue in those days.
There is a whole world out there ready for the visionary programmer to dig into, covid be damned.
And when we see that some older games are almost forgotten (Paradroid, Boulder Dash, Spy vs Spy, Joust, and not to forget Theme Hospital), we tend to think as what is old is useless, but there are real diamonds there. I still believe that a proper set Magic Carpet could do really well on consoles (no micro transactions), optionally mobiles could people forget their destinations when they get sucked into Populous, as such I wonder why the people at Electronic Arts are not awake. Another larger player used to be Epyx, and I cannot fathom why a game like Chip-bits, never was rereleased when the systems grew up, there are other players like Laser Squad, that might have gotten right what a legendary game like X-Com missed when they relaunched. And when the Rock (Dwayne Johnson) relaunched the game as a movie, no one considered that Arcade classic was fun to play and relaunching it might have been an option? I am not sure if there were IP’s in place and who owned it, but it seems that the owners did not move on the IP, as such I merely wonder why.
As for the number one question you all have, why am I not doing it? The answer is simple. I am not a programmer and I am ready with my IP, but those with the $$$ (or £££) haven’t reacted yet, but that does not stop my mind of remaining creative and if it is a win for the gamers, it is a win for all of us. Life at times is that simple. I know my strengths, I also know my weaknesses and limitations, the latter two you tend to avoid for obvious reasons. Well, it is time to fee the inner person with a shepherds pie, I am feeling peckish!
It is something we all face, we see what we had and we miss it. Consider NCIS, an awesome series, and when we were introduced to Agent Fornell, I remembered Joe Spano, he was young innocent, wearing a bowtie and being the psychiatrist at Hill Street blues station. I miss that series at times. I know time moves on and we got Blue Bloods now, yet Hill Street Blues struck a chord in 1981, others did less so, it is hard to explain, because it sounds negative on the series that are out now, but the reality is that something got lost in TV series in the last 10 years. There are series that spring outside the equation, series like NCIS, the Magicians, Lucifer, Fortitude, American Horror Story, but the equation is very unbalanced. When you are trying to figure out how that happened, do not worry, it is simple. In 2019, the number of original scripted television series in the United States hit 532. It is almost 450% up from 1981. Hollywood is so much towards creating amount and less about creating quality, which is why the series I mentioned and a few more stand out. I keep n hearing mentions of Game of Thrones, but not much more, one show takes the cake and that used to be different. Discussions were going on regarding Hill Street Blues, Dallas, Dynasty, Bergerac, Tatort, and a few more. Yet nowadays, the amount of series crossing our eyes increases, yet it seems that nothing between the ear sticks. That tends to be quality, not quantity. There is a reason why a series like NCIS has been around for 18 seasons. Yet at times I still think of the old Hill Street blues station. And each nation had its own quality shows. Germany brought us Tatort and Derrick, the UK gave us Bergerac, the Avengers, Hammer house of horrors, and the list from other nations goes on. But now it seemingly needs to be American, whilst overall (with a few exceptions) the quality is not fantastic, not bad, just not great. And I do believe it is not the cast, not the team and not the writers. It seems to be the pressures to create on too limited a schedule with repetitive ideas again and again.
Why is that? It is no secret, Hollywood is all about return on investment, but that circle becomes virtual and fictive when quality goes down. There is a need to make money and we get that, I am not against the idea of making money, but what do you think when 2019 had 532 series, all needing originality, all needing ideas and only so many writers with actual original ideas around. It didn’t require rocket science, it was a simple equation. So how long does it take for the Hollywoodians to figure out that there is a limit to quality series that can be produced? You might think that I am talking out of my (non-mouth), but the setting of Netflix handing over $18 billion in the last year for IP should get us to ask questions. Netflix’s 2019 costs to buy, produce and license content will be $15 billion. And when you considered they made a little over $20 billion in 2019, it seems that I am wrong, but am I? Consider how long this pattern can continue? No one denies that you have to spend to make money. Yet, how is the equation correct? And
Netflix is merely one of several stations, so when this model implodes, we will see Netflix, HBO, Stan, Apple, Amazon and Disney, all spending billions, all whilst the people will have to make choices and we get that, as such some will survive, some will not, we all get that. Yet at that point, what happens to HBO, Stan, Disney, Apple, Amazon and Netflix? Where will you be?
Differential I need to set a separation here, we have the money side and the creation side. Yet the money side will hinder, impair, and optionally drive the creation side, even though the negative sides are only looked at after things go wrong. I believe that continuation can only exist if the quality is of the highest caliber and I personally believe that this is not possible when you create 532 series in a year. At some point something has to give and that is before we consider that there are really good series out there and no one denies that they are good. Yet consider that in 2009 Joss Whedon created an amazing series called the Dollhouse, not merely a good series, it set the tone on serious matters and was cut off after two seasons. He also lost the tone on Firefly, yet that one is still around, after 17 years, now seen as a cult classic. Out of the 532 series, what else will we lose out on, because they are the silent victims, scrapped because the moment was wrong, the analyst did not get what mattered and as such the makers lose out. This setting is important, because with 532 titles that group will increase, too little time, too much to miss out on.
Creation cut short for reasons not within the stage of an audience. Streaming makes this a much smaller factor, but it still will not make it zero. Yes streaming will be important to give good series a larger chance, but in all that the numbers are not adding up, not when you consider what Netflix as one provider sets their cost at and all the other streamers with their own costs as well. Soon it will change again, yet not for the reasons you considered before. You see streamers have one larger station, and internet congestion will hit them too, especially in light of the issues hitting the internet. And we will see places all over the world get a earful of fibre-to-the-node (FTTN) and fibre-to-the-premises (FTTP), and int he end we will rely on all kind of matters, but we forgot that streaming is not alone, there are PC’s for gaming, there are computers for FaceTime, there are computers for work from home, gamers and now with PS5 and the new Xbox it will increase, there are ‘digital editions’ consoles without 4K drives and they all have to download. And they will need to do so a lot more than before on the Xbox One and PS4. The stage is not on the gamers, but we have already seen the news on YouTube and Netflix throttling down, so how can the growth rate continue when the internet is clearly becoming the weakest chain in that link? In March the Guardian reported ‘Disney+ streaming service to launch in UK with lower bandwidth’, so there you are, your new 4K TV so that you can admire Baby Yoda in the Mandalorian, and the service can merely give you 1080 resolution. That is the reality and it is not getting any better until 2023, so can you consider the issues that streaming has and cannot deliver? It is not merely the amount of series, it is the stage where we cannot see their full potential and the UK is not alone, these elements are showing up all over the Commonwealth, al over the EU and the US is also not absent of issues. It was a stage I saw coming in 2018, yet they all declared me a fool, now they say it is a complex issue. Well it is not, it is the issue that was clearly out in the open, ignored by too many. Even now we see the blame game continue n other fields, how long has the PS5 been sold out? How long did we know that this was a setting of hundreds of thousands per nation and we get ‘The UK’s biggest game retailer blames PS5 size for launch delivery delays’, really? The size was known for months, the amount of systems were known for months. Too many people are reacting at the 11th hour, in systems, on the internet and with the ISP’s. Who will they blame when streaming is cut down again? When do the people get the next news from ISP’s that there are issues? Oh, wait, that moment passed already. When we are treated to “Possibly the most common form of buffering occurs when your internet speed is too slow to download the amount of data needed”, as well as “You need at least 25 Mbps for 4K streaming video on your computer or Ultra HD enabled devices”, yet on a global scale and especially outside of metropolitan area that issue is becoming an issue in streaming. So as Net Neutrality is back on the political table in the US, it becomes a massively larger issue to face. This all is not the fault of the streamers, lets be clear about that part, they are a factor, but not the cause, like the blame game couriers, here the ISP’s should have been ready to a much larger degree and we cannot blame them for the covid lockdowns, yet the setting of bandwidth limits has been known for some time, at least a year and that was also out in the open, as such the stage we see will be a larger issue and that I merely a fraction of the station that I see, the math does not add up, it was clear for a much longer time and so far too many parties are aligned to ignore that part. We see solution A, option B and everyone dances around the overwhelming lack of bandwidth.
Consider that Saudi Arabia has a 5G internet that is 750% faster than anything the US has, did anyone consider the weird setting in that regard? And the interesting part is that no one is asking the questions that matters, how come that Saudi Arabia of all places has an internet is so much faster? It is a much larger setting and the people are seemingly kept blind, which is fine by me, but when you lose out on HD episodes of NCIS, American Horror Show season 10, Superman & Lois (2021), or A Discovery of Witches season 2 (2021)? When the throttling continues or increases, what happens to streaming? What happens to net neutrality? Did anyone consider that part of the equation when they saw the $15,000,000,000 bill that Netflix had for 2019? There was a reason why sacking Huawei was a really bad idea and others will soon catch up on that idea. I have no issues with an alternative being found, but none have the capabilities at present and they are unlikely to have them until 2022, should you doubt that? Take a look at how abysmal the USA has its 5G at present, look at how fast streaming is in rural USA, you see the US is a lot more than the 25 large cities and plenty of people live outside these places, should they not be able to stream at the max? When we see that discrimination is the prejudicial treatment of different categories of people, as is the streaming of rural versus metropolitans discrimination or not? Consider that for a moment. So let’s not wait until the 11th hour, let’s make sure that the right people look to the right places quickly, the term sooner rather than later cannot apply, we are already 2 years too late for that. It is the technology side, with the finance and creativity, too many forgot about the technology side of it and now it starts calling foul, it cannot deliver more.
Yup, that was the question that came to mind, you see the so called free world is all about ‘Ballerina with Alzheimer’s returns to Swan Lake’ and ‘Telstra customers overcharged millions’, which is news, I do not deny that, yet as far as I can tell less than an hour ago, only 2 gave us ‘Several injured in explosion at Saudi Armistice Day event’, which comes from the Guardian, and ‘Several injured in ‘bomb attack’ on Armistice Day ceremony at Saudi cemetery’, which we get from France24. For the most I merely looked at it sideways, that is until I saw a small part I was actually unaware of. It is the quote “The annual ceremony commemorating the end of World War I at the non-Muslim cemetery in Jeddah, attended by several consulates, including that of France, was the target of an IED [improvised explosive device] attack this morning, which injured several people”, to be honest I was unaware that Saudi Arabia was active during WW1, and I found out that the two parties were the Idrisid Emirate of Asir and the Emirate of Nejd and Hasa, they would later become part of what is now the Kingdom of Saudi Arabia.
So the western media will rely on fake news to bash Saudi Arabia, yet a WW1 commemoration is seemingly off limits for a larger group of the media to comment on. Yes, that makes perfect sense, and you wonder why there is no action on fake news? From my speculative view it might be because the news itself is heralding fake news as means to set agenda’s. Off course I will admit to the fact that my view is speculative, but in light of what we are shown again and again, am I that far off?
The papers also give us “his country’s commitment to free speech, strict secular traditions and right to blasphemy, President Emmanuel Macron promised France would not “renounce caricatures””, I get it. I might not agree, but I get it, in part because the French Revolution was one bloody mosaic of blood and guts and lasted a fair bit, so they have a stage, yet the stage of blasphemy ‘the action or offence of speaking sacrilegiously about God or sacred things’ is a dangerous setting. The ‘freedom’ to attack any religion is something that never sat well with me. It always reminds me of this joke:
Reverend: We should unite and find harmony, we both worship our heavenly father Pastor: Indeed Reverend: You serve him your way Pastor: Correct Reverend: I serve him the way he prefers to be served Pastor: ….
Yes, being a christian is not an easy thing, and finding a safe course to guide any conversation on politics or religion tends to be one with dangerous waters. I admit to this, yet to openly confront islam by making caricatures of Mohammed and making it a larger freedom is a big issue. And I get the schools have an issue explaining freedom of speech, but the school teacher had dozens of options to show before he got to the drawing of Mohamed, history is filled with them. And when we remember the news in 2017 where we see ‘FRANCE IS BANNING COMPANIES FROM PHOTOSHOPPING IMAGES OF MODELS IN ADVERTS’, so where is the free speech, the secular need to blaspheme the human shape for the good of free speech? Isn’t a double standard nice to have? I am sort of wondering how “In a bid to tackle misleading promotions”, perhaps it is ‘you can be this thin, apply for a position in the Fritzl basement, you will end up 5 sizes smaller, we will fit you with ankle jewellery. Perhaps that was misleading?
What bothers me is that most events taking place in Saudi Arabia is either an attack on Saudi Arabia, or a misleading setting where the actions of Hezbollah and Iran are left out of the equation, and I believe it is time that we alter that need. It is time to openly demand the list of shareholders, stake holders and advertisers of anyone found complicit in this. I wonder how many links to power players we end up seeing.
And it is important, because when the equation changes, these same people will scream that they are not given a fair go, and as I personally see it, nothing will be farther from the truth. So when we are treated to “Zain KSA’s 5G services will certainly unlock new prospects for these regions, enabling us to provide residents and citizens with tools for innovation and development, and to support the wise leadership’s efforts aiming towards achieving economic diversification and increasing the competitiveness of the national economy.”Zain launched commercial 5G operations in Saudi Arabia in October 2019. In the initial deployment phase, the telco deployed 2,000 towers that covered an area of more than 20 cities across Saudi Arabia”, we are given a first direct setting where Saudi Arabia has an active business ability in designing and deploying 5G solutions. Yet only this year did we get “Verizon Communications (VZ), AT&T (T), and T-Mobile US (TMUS) have all begun rolling out next-generation 5G networks in markets across the U.S., promising faster speeds, greater capacity, and lower latency” in this we need to take particular notice of ‘have all begun rolling out’ and when we ask for tower information we get ‘a large amount of investment going toward 5G-ready cell sites’, clear English was never in the interest of the business spinner. It gets us towards comical when we consider VentureBeat giving us ‘The U.S. now has 4 live 5G networks, but good luck actually using them’, we see larger stage and the US is falling behind, it does so at an alarming rate, so whilst we take notice of “Just days after blasting rivals AT&T and Verizon for lying about their limited 5G offerings, T-Mobile commenced initial service on June 28, becoming the last U.S. national carrier to launch 5G”, they need an actual working stage for app developers to get their zoom spot on (or G-Spot), whatever floats their network. So when we got “Just like Verizon, which launched pre-standards 5G home broadband service in small parts of Los Angeles last year, T-Mobile’s current coverage appears to be sparing at best. Initial reports from a small group of testers suggest that the magenta brushstrokes in Manhattan are a bit too thick and numerous given actual 5G connectivity on the ground, and that’s the best of its six cities”, I knew that my IP had no business being in the US at the point and when we consider we got last July “The problem is that the width of the “lanes” used to transmit data at those frequencies are very narrow, which means that the speeds are not much different from 4G. That’s certainly not what we were led to believe 5G was going to be able to do”, with the emphasis on ‘the speeds are not much different from 4G’, which show us (in part) WHY 5G in Saudi Arabia is 750% faster. So when we look at all the spin, the spin I warned about in 2018, we see why anyone siding with the US is now in a stage that they are 3-5 years behind, and even more shameful on them, they are behind Saudi Arabia and China in this. So when you wonder where the new innovative 5G options come from, consider that they will less and less likely be coming from the USA.
In light of what might be seen as the betrayal of technology, how do you find your level of blasphemy to be when you are up against a Saudi Programmer who has an app that is 2-5 times faster? If speed is the determining factor in 4G and 5G, what else are you losing out on?
I stated it before, 4G was about ‘Where ever you are’, 5G will be about ‘Whenever you want it’, and my IP saw that benefit upfront, are you catching on yet? You see, if you were aware of all the news that we are not getting regarding the KSA and their options, we would be better prepared, but the is not the case and should the Virgin Hyperloop get that Saudi Contract, we will be falling behind even more. Gee, for those who care, the Xbox is out now, too bad the 75GB downloads are not on a 5G setting, are they? And d you have the bandwidth to get all that data across?
We all have ways to promote the thinking pattern within ourselves, we all have our way to get about it, I am no exception. Yet, today is a weird day, I am overwhelmed with a thought and a sensation from the 60s. I was a wee young lad (a little piss ant is more like it), I was never a saint, especially when I was young. And in all this we all had our own ways to deal with ourselves, again, I am not exception.
The sensation that bugs me today is something that has been in the back of my mind for a while. It is like a nuisance that keeps on bugging me and I do not exactly know why. It is a drink, in the Netherlands it was for a small time (in the 60s) decently wanted. The bottle was long and slim, with a light blue lid, it contained some form of a tangerine drink. That drink has been on my mind for a while now, and I miss it, but until recently it’s been nagging me and I do not know why. I looked up a few things and I noticed that there is no decent tangerine liquor. The drink I used to have was a lemonade, basically tangerine juice, settled with a third ingredient like water, still water. So why was it on my mind so strongly?
I had been considering a lot more from that era, mostly TV series, it was all before the house of Pong set up its shrine (a manhunter New York joke). And then it hit me, it was 1968, the Dutch TV series ‘De Fabeltjeskrant’ created by Leen Valkenier started, the UK got it later titled ‘The Daily Fable’, the setting had connections to the fables of Jean de La Fontaine, Aesop, and others. No matter how simple it was then, it was close to unequalled until it ended in 1989 after well over 1600 episodes, a gem too many had forgotten about, The adventures narrated by Mr Owl, with Miss Stork,
Mr. Cunningham the Fox, Mr. Crow, Boris the Wolf, Bert and Fred Beaver, Zippy the Hare,Shelly the Tortoise, Miss Ant, Gerald the Pigeon, Milord the Horse, Harold the, George the Guinea Pig in the British version, Mumbles the Mole, Myra the Hamster, Greta the Cow, and Zaza the Zebra. There were more characters, but I stopped watching when I grew a little older, yet consider the simple fact that this series ran for over 1600 episodes and consider all the old tales as well as the tales of Grimm and others, what a treasure trove it could be, even today, we are all looking at the hi-tech series, but there is a reason that Tim Burton struck gold with the Nightmare before Christmas, stop motion animation is still an art that can move all the senses we have and we forgot about that tiny detail. We seemingly forgot about the situation where what was is still good, but how to embrace it? The fair part is that children do not mind, they embrace the story, the interactions, the inclusion, it is the inclusion that tends to take the cake, but it is merely one of a few factors and to be around for 22 years, that matters, that shows that you have a winner. So can it be relaunched? That is the question we need to face. E can remaster it, it can be remade, but in the same way? It is like the original Mass Effect, these gems are close to timeless, in 15 years when we have the Playstation 6 and the Zbox (or XboxX), a game like Mass Effect will still have a value that equals its weight in gold, so TV series too will have their moment and the IP and its owner sees a new life where none was expected. It is the showing of a real visionary, a game like Mass Effect (the original trilogy) is truly one of those.
So whilst my mind focussed on a tangerine smell and a faint taste of what was, the reason was lingering in the back of my mind and the Daily Fable is not the only thing from those days. Netflix is investing a little over $17 billion in this year alone, but on how much actual IP? What if a fraction could get them several series that could give them a much larger offering of series? As the workflow comes back (after another lockdown), we see that there is a need for materials that will be there for the younger and the not so young viewers.
It is about series, games, streaming and non streaming. It is all directed via IP, but it is not the only option, there is a whole league of games that lost their IP protection years ago, the same for TV series and the clever mind is one that looks in the past and find the troves most forgot about. A setting we need to take another look at. So consider on what Netflix is spending and then add the billions that DisneyPlus is spending and see what some can get at a mere farthing per pound, a setting too enticing to ignore, but the will be the name of the game soon enough.
It links to an old joke, what is the difference between a bookkeeper and an accountant? A zookeeper has a $10 note and hands you 10 $1 coins, an accountant squeezes the $10 note until it gives up 11 $1 coins. We can laugh at the or realise that the Netflix has an optional $1,700,000,000 around, all because not the right accountant took a look at the $10 notes. We can laugh at the joke, or we can consider that there are parts none of them looked at, why is that? Or better stated, where are the gemstones? You already saw one, let me give you one more, it was a Swedish series called ‘Den vita stenen’, a series based on a 1965 award winning book. In a collection of nations, a mere 2 options and that is before you realise that France, Germany, Norway, Estonia, Netherlands, Belgium and Spain. They all have the gemstones no-one noticed or they forgot the impact they had focussing on a local market tends to have that impact and the time goes short, soon more than one will catch on and when they get it done it will be too late for them.
Such is life, as such, did you get to point D? If so, is it a square, a rectangle, a trapezium or a parallelogram? All options and none are the same.
Yup, it happens, it is not intentional and it will happen to us all. This started for me as I was listening to my iPod, I am enjoying a band called The Sweet, a British band I really liked in the 70’s. So listening to their greatest hits was something I had not done for a long time, yet for some reasons somewhere between Ballroom Blitz and Blockbuster cogs started to turn, it was that time of the day again as I was setting my creative cap on, you see, I had the idea for the MD net drive in the early 90’s when I saw one of the first Mini Disc drives. Consider that this small disk had the option to store an entire CD, in a time that a Bernoulli drive with a disc 20 times that size could only story up to 90 MB. I talked to Sony about it, but they waved the idea away, it would never catch on. Little did they realise just how long they ended up to be. Yet these idea’s are giving me the thought of a new generation of devices.
Consider the iPad, iPod, Mobile phone, they all have items that you use all over, they all have a setting that is almost transparent, perhaps even trans parent. Now consider that we might rely on the cloud in some cases, but that cloud will soon become less and less reliable. Even now, the last week I have had all kinds of congestion issues with YouTube, friends in the UK have had other data related items, nothing major, there was no loss, but there was also no clear connection, things went bump into the night (and next morning).
Now consider how small an NVME SSD drive is now, a 1 TB drive fit into my hand, so what happens when we look at the KingstonSSD drive that is a mere 42 mm large? They will get smaller, but for now it is small enough, and 240GB is small enough to be an ejectable drive tht can go from device to device. Your music inserted in whatever device you need it to be. Yes, the cloud does this too, but how long until the cloud costs more than you bargained for? What happens when the congestion increases, net neutrality is off the beaten track through Service Level Agreements that you either sign up for (for a fee) or lose?
Now is the time to have alternatives, if only to avoid the lack of 5G in France and Germany or perhaps the fact that 5G in the US is only 13% of the speed of 5G in Saudi Arabia, you think it will not hit you at some point? You’re dreaming, the question is will it affect you, for the most there is little doubt, it will not hinder you, but there is every chance that it will aggravate you, when the 3rd or 4th song stagnates, freezes or just stops, your mood is gone. This is what happened to you with CD’s and it will hit you again. Yet the setting is not so bad, we can void it all at the beginning of the station. What if these factors would never hit you?
There is no doubt that there will be an option to have a NVME port. Perhaps a MNVME (Mobile NVME) port, even now we see the Orico GV100 512GB NVMe Portable External SSD, which is the size of a USB stick, it is 3.78 inch long, but almost 1/3 is for the key holder, so that thing can already be smaller, and it is $179, in consideration a 2TB drive for the PS4 is $97, so there is room to manoeuvre and when these drives become popular, prices go down.
Yet the foundation is that we need all kinds of devices, that all link to one drive, a drive we have on us. Soon it will have crypto parts, biometrics data and we keep it on us, a validation for all kinds of matters. We have no option but to move in this direction, several factors will push us, some good, some required and some because it is just a form of laziness. Consider that the drive has the 2 Netflix movies you downloaded last night, so you can enjoy whatever you binge on the train to work? It is destined to happen, and some of the companies are most likely already looking into this, I predict ted in 2012 (after seeing a stack of patents by Samsung and Apple) that the stage of mobile devices was changing. The hardwire became more transparent and nondescript (fitting multiple directions), it was the software that was pushing a direction, yet in all this the data (your music, your movies, your games) remains open to direction and I reckon that the setting of mobile name will deal with that direction, some will be generic, some will be branded. It is the generic part that has the highest stage of usage, because people do not believe in one direction, they embrace the freedom of choice, there are plenty who all really on Apple, but Apple will take care of that part, it is portable and mobile data that will set in the third wave. Why?
Because the people think that others will take care of it, just like they did when Google created search (and they latched on for a free ride) and now they are all crying like little bitches: “boo hoo hoo, Google is so nasty”, to them I tell, go cry me a river, you get ahead of the curve or you stop being part of the process and when the data part is very soon coming up for debate, it is those who allow for larger portability that will get the podium, not some Azure service agent, giving you some version of “Get Started With Free Credit To Try Any Combination Of Azure Services. Build Your Next Idea”, yes but it is still set to the Azure Frame (Apple and Amazon having their standards), it is those who allow for a larger frame of open choice, they will win, because data requires open stages (a copy me, I want to travel) idea, whilst others have one system, one cloud and when you get conflicts these salespeople stop talking when you get to the part that is not inherently theirs, it makes them no money.
It is there where we see a the stage where a billion people will want to move and as some business types will sell their children for a slice of that cake, what do you think your value will be when you are the one holding that cake? And all that I even before governments get clued in on what data they are missing out of.
There will always be need of a cloud, there are however more and more moments when the cloud is overrated and more of a hindrance, that is where mobile data will become a key player in the hardware that people will buy. It will be a consumers market where the buyer decide where they want to go, not the seller telling the buyer where they need to go, that is the frame in 3-5 years.
I had a partial start on Bethesda’s Elder scrolls, but not one for their Fallout series. You see, you do have the right to sell your IP to a third party (Bethesda to Microsoft) and set the agenda of forcing a million dedicated players into the arms of what I personally see as a disreputable solution for gaming, but I am entitled to create IP free for Sony exclusive solutions that offers the people an alternative. The idea that I am handing out free dedicated IP for Sony developers was probably not in consideration for Microsoft (who paid $8,500,000,000 for Bethesda software), yet the idea of me handing out free lollies was not on their mind either, and PS5 directed IP even less so.
As such here I am watching Jason Bourne on Netflix whilst my brains is considering a larger stage for a radiated world to survive in. Yes, I can’t just be like any other normal guy enjoying porn, no my mind has to create puzzles and RPG settings, life can never be simple, can it?
Whilst I was starting all that, there was a larger (read: additional) stage I wanted to create. A longer stage. An idea to interact the PS5 with both (read: either) Android or iOS device, creating mini games that give an additional stages to the game. It can all be done on the PS5, but I considered that some games are interesting if an element gets added (for free), so here I am considering my old NBC knowledge the decontamination parts that were not really in the Bethesda games. Yet that part could be a stage in the game, finding the plans, creating the solution and managing it. Even if it is part of the game itself, management parts of that game can be set to automatic (after the elements are set), but if we create management apps, giving the player an added 30% return on doing so, we create interest, the need to participate.
The game needs an enticing environment, yet we have seen so many games in the US, What if the stage is not there, but the setting is Stockholm? It is relatively close to a lot of places and what if we use that setting to create a haven, not like in other games, but one that requires fresh water, fresh meat and of course a red wire collecting images of the Swedish bikini teams between 1975 and 2175, fair is fair, and if you play a girl, you get to find the collector cards of Swedish fireman and park rangers (fair is fair). We just know (read: assumption) how you ladies want to see images of Alexander Skarsgård and Peter Haber, fair is fair after all. Yet we need more than simple alternatives for snow globes or pip-boys, but the setting is one that needs adjusting. We need more than a race from item to item and that is not by creating places to are to, but by creating a narrative that goes beyond what w expect, that shows the larger stage of the repercussions of radiation, not by taking pieces away from the adventure, but by adding to it, by creating an additional awareness, one the previous games only hinted at. I am not blaming the games, they were and till are fine games, but I want to create something new, not by creating a copy, a copy is second rate, yet if we skate on the fringe, if we add to the narrative we et something new and that is the are for the gamer, that is the race for those who love to play games, to get more, not to merely get more of the same. The difference is distinct and gamers know this, I know this, so we get create more as we create something new, something that differs and is different.
That is the challenge, that is the perspective we require, one we have not faced before. It is how I got to think out the Palyar prerogative playing in Amsterdam, that is how I got the previous answer to a new IP, holding an answer to Bethesda and the Elder Scrolls and over the setting of Elder Scrolls VII: Restoration, which I came up with in the past. A setting to Watchdogs IV and a few more ideas, all new IP, all in advanced concept stages.
Life tends to be about new settings, for the most it is about adapting to them, for some it is about creating them.
Yup, another bout of insomnia, another idea in the IP range. I state this casually and carefully, because even if the stage is altered, there might be a setting where it in not entirely my IP. In the first I came up with a new Mass Effect Andromeda, I wrote about it previously and to make the story fit, the game would contain a remastered and rewritten part one (the bad version we saw in 2017), a lot would be used, but the game would be different, even if the planets are not. That was only part one, the stage of part two is in three parts, the Nexus, the missing ships and 5 additional planets. Also we would revisit the planets that were cleaned up with a lot of additional materials. Yet my mind kept on racing. It was the Prothean Vigil VI who gives us “They used the conduit to gain access, but the conduit is only a prototype. The portal only links in one direction, so they were trapped on the station. I do not know what became of them there, it is unlikely they found any food or water, they suffered a slow grim death”, the game is 13 years old, and I have lashed out to Microsoft on a number of occasions, but this one, this one they got right, and the second game was even better the the first one, optionally one of the best RPG games EVER produced.
So what happens when a group of people makes it to the Citadel, about 2 millennia after the reapers. The station cold dark and we get to see the restart of the station, the keepers are setting the parameters for races to come, yet what happens when teams Humans, Salarians, Drell, Turians, and Protheans make it to the Citadel? Not the original station as shown in the game, but the station in its complete complexity. Each race starts in the original building that was meant for them, as they could dock there, but after that, it becomes a chase, a challenge, of puzzles and wit to survive, to create the stations energy settings, the interactions that are required and not to mention as you play one race, all the others become NPC’s, with the option of a previous completed race to use your achievement as a template to equal. Something like that has as far as I can see never been done before and to that extent wasn’t even possible until the PS5 (and its Microsoft equivalent) were released. Not to mention there is every chance that the Google Stadia might keep up, so that is three, all whilst it would be possible to link a friend and set his milestones as one for one of the NPC’s.
You might wonder why that and not a new station, a new environment. Yes, that is true, but to create all the races and all the settings takes a lot more and these races have been clearly established, also there is a danger that we might inadvertently copy parts of another Citadel station (System Shock), as such I wanted to get head of the curve (as I am not getting any sleep)
It would still be a large undertaking, The idea was bugging me when I was redesigning MEA and MEA2 in one package, the setting of the size of the station was never that clearly represented, also the cryogenic unlocks made little sense, there was too little pro and con options. A setting where we see the plusses on one sided and we weigh that, all whilst the minus side was largely ignored. So as I went out to create a new version in my mind, I kept on looking at the larger stage, the larger needs and it kept on kicking me back to Citadel station, especially the parts we saw in ME1 and ME2, I thought it was time to kick it in another direction and this is what I came up with in a mere 2-3 hours.
Consider the screenshot, it is part of the citadel, 5 arms, one arm holding dozens upon dozens of skyscrapers, each building (or at least several of them) explorable, yet there is also the danger of that needle and haystack expression, there needs to be a clear directive on what is required, what are we seeking for, and not all are in the same arm, so paths are needed, airlocks, and larger cargo spaces so we can travel between the arms, yet the keepers (now under clear Reaper control) must also be avoided and changes need to be done whilst they are not looking. All whilst ever building is getting cleaned and sanitised by worker drones.
It becomes a much larger setting and it might be one that the explorers under us (Dora too) might like to get a handle on. And let’s not forget, there are 5 teams, optionally some with advanced knowledge. All this and the Andromeda challenge too? What a luxury! I would love to make it a Sony exclusive, but Microsoft already has the beat on the IP, so if there is exclusivity, it might be Xbox (something I really would not like).
Well, it is 2:14 now, I have no idea what I will come up with next, but I got roughly 4 hours until the sun comes up and I forgot my Maui Jim glasses.
Yup, consider that part and consider just how useless government oversight really is. To show this we get to the articles about three weeks ago, I noticed them, because I had the aggravated issue with deceptive conduct in advertisement for a while. Several sources give us ‘Ban for annoying puzzle ads which don’t represent the actual game’ (or a version thereof), with the sub-line “The Advertising Standards Authority has banned ads for Homescapes and Gardenscapes”. I have nothing against the game, but any match three game is rigged from the start, it is a clever way to get you to try and perhaps you will make a small purchase, and then she are caught in the addictive need, some just quit. I am ahead of the curve and I steer clear of all these match three games. Yet, The people behind these games (not just these two, others too), made an actual brilliant advertisement jab at the games giving us a DIFFERENT game where you have to select a solution, as such we see “Paid-for Facebook posts advertising games with puzzles – but which did not represent the vast majority of actual gameplay – have been banned by the Advertising Standards Authority (ASA)”, this is what got to me too and when I saw the news, I was happy. So what happened today? Gardenscapes advertisement (the bad one) now shows up in Fallout Shelter in the iOS version, as such it seems to be bloody pointless. Perhaps it is the price for $8.5 billion, perhaps it is the price of joining Microsoft, yet these so called banned advertisements are back, or they never left. Sometimes vacation does not end, it merely changes location.
This gets me to the Financial Times (at https://www.ft.com/content/8593c8b5-5a98-4002-ac5a-68b59fbb6463) which was given to us in May with the headline ‘Russian brothers behind ‘Gardenscapes’ emerge as lockdown winners’, and we also get “Two Russian brothers living in London have emerged among the big winners of the lockdown, with their mobile games Gardenscapes and Homescapes making $200m from in-app purchases in April alone”, which sets the station that when you are rich, the ASA might not do anything, OK that is just speculation, but the stage is clear, and nothing seems to be happening. Don’t get me wrong, I am happy for Igor and Dmitry Bukhman, 200 million in a lifetime is nothing to be sneered and they are making that each month, I merely wonder if the deceptive advertising was essential to make that much money.
So here we see the stage of pointless (having little or no sense) versus useless (not fulfilling or not expected to achieve the desired outcome). You might think it is the same, but it is not. The difference was seen in my Pencak Silat classes when I was a young lad (when I was 63.8% smaller roughly). Defensive systems (like Judo) are pointless, you are under attack, only countering doesn’t get the job done, there are pure attack based styles which are useless, if you are under attack, one needs defence, so the best martial art is one that decently covers attack and defence. Yes, we have seen all those movies on how great defence is, yet those grandmaster have been at it a decade or two and that tends to be far away from those starting some form of martial art. It now gives rise to the same setting with the ASA (Advertising Standards Authority), they can go after Facebook all they like, yet when the advertiser moves to advertise via Bethesda games (Fallout Shelter) how useful was the jab at Facebook?
And when the advertising server moves to the USA, or perhaps Canada, or Saudi Arabia, how will that affect the verdict? It seems to me that the leading man, Guy Parker who has been chief executive of the ASA (Advertising Standards Authority) since June 2009; living of £120,000 a year might be able to keep up his income and fruitless actions, yet I merely wonder at present what he achieves, do you not feel the same way? When I see advertisement (the deceptive kind) move from place to place, I wonder why we need a man making well over $250,000 a year, it seems a pointless action and a useless way to spend that much money. Feel free to disagree, but there is a massive digital failure in that regard and I reckon I am not the only one thinking that.
Lawrence van Rijn - Law Lord to be 