Category Archives: Gaming

May 1, 2018 · 12:12

The Update

This is not about specifics; this is about the latest updates on a few sides. First we get back to ‘The successful and the less so‘ (at https://lawlordtobe.com/2018/04/26/the-successful-and-the-less-so/). We had the rundown on the Marvel movies and Spielberg’s Ready Player One. My view remains the same, the three movies were awesome and there is no denying that. What is however a shift is the impact that the Avengers: Infinity War had, I knew it was going to be big, but a 3 day global total up to April 29th of $640,000,000 (rounded down) is beyond what I would have ever expected (read: imagined). The total revenue of Ready Player One was surpassed in 3 days with 20% to boot. It will get worse (depending on your point of view). You see, I am hearing all around me that people want to see it again. There was so much to see. So not only will it surpass the one billion dollar marker in a 10 day stretch, the revenue of Infinity war on 4K and Blu-ray will surpass most records to date. It could even spell a drive for people to look for a 4K TV and a HD 4K player merely for this movie alone. So if there is a Christmas release planned, it will likely be a $999 deal for the 4K TV, the 4K Player and the movie, all neatly gift wrapped. Those who do not have a 4K TV at that time might leap at the option offered. Techspot gave us “the movie’s Sunday box office performance – Infinity War reportedly raked in a whopping $69.2 million, breaking yet another domestic record“, implying in part that the movie is set to break the records that the number 3 top placed movie has, as Infinity war is likely to surpass it. I don’t think that it will make the current number three sad, it took three years for a movie to do that and records were always meant to be broken at some point.

The second update is on ‘Flames of the blame game‘ (at https://lawlordtobe.com/2018/04/27/flames-of-the-blame-game/), you see, the Financial Times (at https://www.ft.com/content/c532579a-416d-11e8-803a-295c97e6fd0b) has an issue with data sharing and the Kensington and Chelsea council has been fined £120,000. Now we can have all kinds of thoughts yet the quote “the perception that a large number of properties were left unoccupied by wealthy foreign owners — provoked greater scrutiny of the borough’s housing situation amid calls for empty homes to be used to house evacuees, and criticism of the approach of the Conservative-run council to public housing provision and maintenance” implies that there is a much larger issue in Kensington and Chelsea and that certain steps are being taken. They got an opening to make a shift and the Grenfell disaster gave them an option. The interesting part is that this goes back to 2017. The Guardian (at https://www.theguardian.com/uk-news/2017/aug/02/revelations-about-empty-homes-in-grenfell-area-simply-unacceptable) reported “Labour has condemned as “simply unacceptable” the 1,652 unoccupied properties in the London borough where the Grenfell Tower fire took place, calling for government action to bring them back into use“, which is as I see it, hypocrisy at best. You see the previous Labour government under Tony Blair was very eager to call in the investors, yet down the line no one wants to pay for the fallout. This did not start recently, this has been going on since the late 90’s, the EU reported in a paper  (at http://ec.europa.eu/economy_finance/events/2003/workshop/woodetal.pdf) by Forrest Capie, Geoffrey Wood and Frank Sensenbrenner by the City University, London: “confirmation is provided by the complete absence from mainstream political discourse is the notion that “multinationals” have somehow taken over, or impeded the actions of, national government. All this exemplifies, we conjecture, the relaxed attitude of a major foreign investor. At least at present levels, no-one much worries about “who owns” British industry, so long as British residents have savings somewhere. Foreign ownership is a non-issue in Britain“, a non-issue? Really? This was given in February 2003, so this has been going on for a while and yes the short term gain was clearly seen, millions upon millions, yet the long term play starting 5 years ago, when we see that 1650 unoccupied properties in one council alone is costing the infrastructure, 1650 households not needing energy, not needing food, not needing services, so those services in place is one thing, the fact that this group should be supporting half a dozen shop chains is now off the table. The UK did this to them self when they forgot basic math. So when we learn the setting of ‘a man’s home is his castle‘ and ‘trespass is actionable per se’, we see that these people have painted themselves in a corner. So even when we saw last year “London’s mayor, Sadiq Khan, said he would make proposals this year to find a more effective way to tackle the issue” he basically doesn’t have a leg to stand on and now the council might have given it to the press, so that the journalists, in the light of the Grenfell disaster can up the ante by emotional reporting, and it only costs the council £120,000 to allegedly start using the press as a tool of convenience. This allegedly setting is seen in the Financial Times quote ““at the time of the security breach, the feeling of social inequality was running high in this wealthy borough. Such disclosures therefore required guidance and oversight,” the ICO said“, it seems to me that someone decided to play judge and jury on a setting that the government, especially the previous Labour government enabled in the first place. It is not a fluke; there is a whole range of insurances that are covering this. UKinsuranceNET is merely one of many examples. Most are immediately covered by ‘Owner is working away‘, ‘Non-UK residents are accepted‘ as well as:

  • Ensure that you have a friend or family member inspect the property regularly. A minor continual escape of water left for a period of months can devastate a property. This is why escape of water is not usually covered with unoccupied insurance policies without terms and conditions applying.
  • Home emergency cover, should a plumbing or electrical fault occur the person who is looking after your house will appreciate this. Remember standard home insurance will not provide cover as extensive as an unoccupied insurance policy.
  • Speak to your local council; you may be eligible for a reduction in your council tax.

So there is not just an issue, it is a much larger market, you see Huw Evans director general of the Association of British Insurers could have told them that when he had that large issue on the Grenfell building when he was talking about inadequate fire testing.

Yet in all this, these people will not learn. Now, I will accept that Mayor Sadiq Khan cannot be blamed in any way for the latest issue, oh yes, you see with: “London Mayor Sadiq Khan has already given his approval for the scheme“, yet the clarity (that in a very rare instance, the Sun brought), by giving us “Chelsea stadium plans hit by £1b sale of England home to Fulham and NFL owner Shahid Khan“, so even as we accept that ‘Shad Khan, is a Pakistani-American billionaire and business tycoon. He is the owner of the Jacksonville Jaguars of the National Football League‘, he is still a foreign investor and whatever happens next (besides the setting that if the sale goes through), billionaires tend to be modestly serious people and spending £1,000,000,000 on a building implies he can do with it what he wants. If he wants to turn it into a fabulous new Mosque (merely a speculative thought), there might be little to stop him. You can’t play your games on whining games regarding empty house penalties, whilst you are willingly, knowingly selling to a foreign investor. It seems that the slippery legislative slope they put themselves on could be the start of a lot more court proceedings and when you have a large number, followed by 9 zero’s and only after that a decimal point, you could hire 5 lawyers and give them one clear job description: ‘rain proceedings on these councils‘ and you’ll get £400 an hour for as long as you can do that. It could lock a council in legal proceedings for decades. Now that is merely my speculation, but there is a precedent. The ICBA reported a variant in 2016 with “Unlike the patent troll problem that ICBA fought all the way through Congress, however, this new crop of law firms is relying not on flimsy patent claims, but on detailed arguments that are already making headway in the courts“, when you consider that part, how vulnerable would any council or borough be? A dozen cases per council would lock up their legal division for up to two years at least. It ends up that close to nothing could be achieved. Now this is all merely speculation, but it is not that far-fetched with the Guardian reporting on “The number of solicitors qualified to work in England and Wales has rocketed over the past 30 years, according to new figures from the Law Society. The number holding certificates – which excludes retired lawyers and those no longer following a legal career – are at nearly 118,000“, so with 118,000 of them having hungry mouths to feed and the need to get revenue, do you still think that my view is far-fetched?

The Grenfell disaster is making all kinds of issues a lot more visible, one of them has been not to rely on foreign investors and their impact to such an extent, it has been an issue for close to well over a decade and not these birds have gone home (outside the UK) to roost, or is that to roast in the sunny sun at a tropical beach?

So in this, when I saw John Healey, Labour’s shadow housing minister state ““there were about 200,000 long-term vacant homes around the country, “including those bought and left empty by speculative investors”“, as well as “Labour would allow councils to charge a 300% empty-homes premium on properties that have been empty for more than a year and ask them to prepare empty-homes strategies to bring homes back into use in each area. We would also reverse the Conservatives’ weakening of councils’ powers to introduce empty dwelling management orders to bring homes back into use“, at what point would he also state that the previous government under Tony Blair got much (if not most) of  that damage done by opening the flood doors of foreign investors? In this, the end is nowhere in sight and even the councils realise that they are fighting an uphill battle against foundational legislation as the UK has had it for generations. It was part of the sales pitch that sold it so well, unravelling that would end up being devastating to the UK economy and these players know that (read: should truly be aware of the hazards) very well.

In finality there is the update on ‘Ferrari Mario (2018)‘ (at https://lawlordtobe.com/2018/04/28/ferrari-mario-2018/). This is a larger one, because Phil Spencer according to several sources is setting the stage that Microsoft is having its own JRPG on the Xbox One. This is not something to sneer at. In one set of minds it is almost ludicrous and suicidal to go that way, but it is not anyone making that play, this comes from Phil Spencer and he knows games. So there is a play and it is about to be made. Now JRPG games tend to be a real game changer, it is a niche market that has a massive following. If Microsoft pulls that off, it would be such a blow to gaming (to their benefit), one that no one saw coming to that degree, this is the kind of victory shot that Microsoft desperately needs and if they do pull it off it will be a massive one! With that one ‘rumour’, one that came in several ways from Phil Spencer, towards several medium we see that Microsoft is starting to fight back, they will still take massive damage over the coming year but as to the options that limits deadly damage to the Xbox console this is certainly one that will have a large positive impact for Microsoft. Now, I refuse to go into the ‘what if it is a bad game‘ shot, because in the first I haven’t seen it, we will in 5 weeks see either something playable or a serious trailer/teaser that could bring the house down. In the second because JRPG are a vast setting of options and they are not all alike, what is a given is that when it does come it needs to be on a level of excellence that the JRPG fan expects, in story, in user experience, in graphics and atmosphere, to pull it off outside of ‘excellence driven Japan‘ has never been seen as an option, so the pressure will be on for Microsoft. If they do, then it will be one of three essential niche victories they will need, not to stop Nintendo, because that is a lost race. What will matter that three to four of these games would allow Microsoft to optionally regain the number two spot in the future, yet my personal forecast (speculative prediction is more accurate) is that they will need 3-4 of these games to be released in the next 18 months to pull that off, if they haven’t started on the additional 2-3 games at present, they might be too late, but let’s wait to see what the E3 brings before locking that gate, it is only fair that Microsoft gets that option to present that to us.

Three updates that needed to be made as the issues I talked about earlier are getting more traction and they are showing us the change that will come, even as the hearing into Grenfell aren’t seen for close to a month, the media is looking at many sides, many issues and Grenfell will be pulled into every emotional issue these politicians need, Jeremy Corbyn seems to live off that vibe, even as his co-players are not that enthusiastic to mention the previous Labour blunders that caused some of the damage we are seeing now.

Leave a comment

Filed under Finance, Gaming, Media, Politics

Tagged as , , , , , , , , , , , , , , , , , , , , , , ,

April 28, 2018 · 11:39

Ferrari Mario (2018)

There is a new kind of race breed in the mix, it is not the fire coloured red that we expect, no it is the pink and blue that made Nintendo Switch the new hallmark console of choice. This thoroughbred game horse has shown to carry 18 million horses before the end of April 2018. Yes, in a little over a year the Nintendo Switch is now at 2/3rd of all life time Xbox sales. It is a massive achievement and we should stop and ponder just how amazing the achievement is. Even as Microsoft remains on its ‘most powerful console ever‘ horse, we need to take a step back, in the days of the initial Xbox, when Microsoft was a wannabe, they did bring us good games, no denying that, there was no keeping up with the PlayStation 2, but that was not an issue. Then we got introduced to the Nintendo GameCube. Even as some ignored it as it had no DVD, no high res graphics like either the Xbox or the PS2, the GameCube had learned from the initial PlayStation and started to market the family niche. It worked to some extent, but what worked even more was an amazing list of games, now like the PS2 it started meager with a mere 12 titles, but they included Luigi mansion (not great but original), Pikmin (awesome and addictive) as well as Star Wars Rogue Squadron II: Rogue Leader which brought the Star Wars fans across overnight. I did not join them in the first hour, even as I was impressed what Rogue Squadron offered (when thinking low graphics), just the one issue is that none of the other consoles offered any of that play levels, so there was an issue brewing. Less than a year later we got Mario Sunshine and a few months after that Metroid Prime. At that point the GameCube became a very serious console for gaming and in that neither Sony nor Microsoft would release anything near those games. Microsoft did make a decent attempt by taking the Pikmin idea and give the gamers Overlord, which was enough combination of tongue in cheek, mayhem and slashing to make it really worth it and double thumbs up to Microsoft for coming with that. Yet Nintendo was now an equal partner in the top gaming choices. They lost a little with the Wii, a lot more with the WiiU and that led to this point where the Switch is now racing towards the number two position at the speed surpassing a Ferrari and if sales go the way they are going now, they will get there in the coming fiscal year, December 2018 is optionally the price they could get, the moment when they surpass the current number 2 Microsoft, but I remain sceptic that it is unlikely to happen before January 2019. This is what Microsoft is fighting; the most powerful console to become merely the number 3 console in gaming and in 5 weeks, at the 2018 E3 Microsoft can no longer merely hold presentations, making vague references. They will either have to show something workable or they will end up driving sales for the Nintendo even further. The next few Sony releases show that they are still on the power slide to move forward more and more, it was never going to be about that, yet we do recognise that the next releases, if not met with enthusiasm by the Sony fans will also drive the Nintendo Switch forward, so Microsoft could get a double slam against them. What is shown that with what is coming for the Switch will be well received by the gamers and will drive sales for the Switch in stronger ways and it does not stop there, The Legend of Zelda: Breath of the Wild now has a lifetime sales on Switch of almost 8.5 million units. In addition we see Super Mario Odyssey with 10.41 million units. In addition 9.22 million units have been sold of Mario Kart 8 Deluxe, and 6.02 million units for the awesome Splatoon 2. So the president of Nintendo will be smiling with every trip he makes to the bank, I reckon it is a feeling the people at Microsoft have missed out on for a while.

And in answering some responses from the previous blogs on this, it is simple, this is not me hating Microsoft, this is not me lashing out against Microsoft, his is me holding them accountable for the amount of missed hits by them, when you are vying for the top console position, you need to bring more than your AAA-game and a smooth marketing machine, you need to bring home the bacon, the results and the drive to keep the gamers, all opportunities missed because there was another drive between all of this non-stop and Microsoft forgot the gamers are very serious when it comes to the quality of games and the comfort of gameplay. They forgot all that and they let marketing dictate the one part fact ‘welcome to the most powerful console in the world‘, it does not hold the bacon when good games are not that great, when comfort is at the behest of a company with a need to drive data to their cloud and slogans like “Build your gaming empire with Azure, Start scrappy and go global with the cloud” the gamer wants a product that works and does not rely on clouds, especially when internet services are spotty in some non-metropolitan areas. Now, we give exemption to early access games, that comes with a few issues and I am very cautious about that part, even as Subnautica should be regarded as one of the best survival RPG games of the decade! Microsoft dropped the ball three times and expects to remain in the race? Gamers are finicky at best and once truly disappointed they will not reconsider your console for at least 2-3 editions. So all this drives the Switch sales even further.

In addition, the revelation a mere 20.3 hours ago gave us “Nintendo revealed the first details about its E3 2018 plans, which largely focus around one intensely anticipated game: Super Smash Bros. for Nintendo Switch” which will get the people who caught the other games (close to 11 million of them) racing to the start lines to get that game, it has a massive following and could potentially imbue the first true damage to the networking capabilities of Nintendo when they all want to play this in multiplayer mode via the networks. The people seem to go nuts over a cartoon style of Tekken that is fun and keeps everyone challenging whether they win or lose. There is just too much fun to be had and it will spike the console for even more sales as newbies get the smash vibe, I have been there and it feels awesome.

That is what the current number two is up against and there is more than one indication that they are not ready for that fight and they have nothing to truly counter such a move. That in not the end though, there are a few more rumours, which I will not mention because there is no source that I found reliable enough and some of those reliable ones still hide behind ‘expected’ which is not my forte, or was that Forza? Forza 4 Horizons is expected at the E3 with a few announcements and in 4K, which is probably a good choice. It has a large following, and even as I am not that much of a race fan, there is no denying that Forza is an exquisite title to have and behold, but there is not much else, or more accurately stated, the lack of exclusive games does not make the Xbox as enticing as it should have been. There is however a distinction to be made, I never believed that it was merely about exclusive games, it needs to be about really great games and Sony has a collection of those and they are exclusive to the PlayStation, which hurts the Xbox too. So as some responses were about me hating Microsoft and some about that I was full of sh*t and that Xbox would be the number one station, it is nice to state that Forbes had quite literally this ‘The Xbox One X Is Literally No Threat To The PS4‘ to say and that was the previous E3, and since then the situation for Microsoft merely worsened. Microsoft knew what was coming, they knew what they were in for and as such they had a year to prepare and the Xbox fans got way too little on that. I do not believe that the backwards compatible games were the solution, they were a nice icing layer on the cake, but that cake was too small and not as exquisite in taste. So Sony went on its merry successful way and the failures gave Nintendo all they needed to catch up this year, optionally (yet unlikely), surpassing Microsoft by December 2018. Even then Forbes gave us “However, Sony needs to keep an eye on the Switch, as it may become an increasingly attractive system for publishers, as development budgets continue to rise across the board“, a truth, not a threat to Sony any day soon, because the environment has been created where the PS4 player happily has a Switch on the side and that is nothing either Sony or Nintendo opposes to, in the end the realm of gaming fun is served much better that way and even a Sony might lose some software sales, the big titles from Sony will be bought regardless, so there is no threat there. The only one hurting in that process will be Microsoft, it needed its exclusive big bangers to have avoided that, and it did not deliver.

So even as this is all about the Nintendo drive, we need to see that there is an impact on the first two consoles and there is where we see the difference, it seems that the Sony player likes co-existence a lot better than the Microsoft one. I have no rational explanation for that, some of them are kicking for the Switch on the side, the larger bulk is a ‘Xbox One’ only community, perfectly fine for that, but the gamer in them is hurting and Microsoft was not there to counter it. The better part of weird is that Xbox had at least two options for exclusive gaming, one that would have drawn in millions, but for some reason (reason unknown, and from a non-settled source) that path was not taken. In addition, the setting that the Xbox One has the ability to take on Mobile games and in addition more PC games was also left to the sides. Even as I have no idea where it fell (might have been outside of the grasp of Microsoft) the exclusive titles list could have been boosted. The idea that you might not have to buy an expensive PC rig to play Eve Online on the Xbox One is not that far-fetched and getting a boost to the 500K subscribers would not have been a small achievement for CCP games either. So why was it not done? That is unknown, perhaps it will happen, but so far we see nothing and that is extremely detrimental to the health of any console, it is also a path that the Switch would be unable to walk anyway. The remastered list of the Xbox is not that large, which is shame, especially when the Xbox could potentially get to PC games in the way the PlayStation cannot, an opportunity missed perhaps?

In all this, it does not stop Nintendo, but with titles like Eve Online it drives the ‘co-existence’ option that Microsoft desperately needs, because Microsoft has two issues, one is to stay ahead of Nintendo (an option no longer feasible), and in addition stopping people moving away from the Xbox One, which optionally could be averted top some extent. In finality, whatever Microsoft does, there is every chance that they too are driving the sales of the Switch and that is just fine by Nintendo. They merely wanted a console for real gamers, a promise they have been keeping ever since it launched and since it was revealed to the audience at the E3 2017, we will just have to wait what the Nintendo show has to give, which this year will be a pre-recorded video instead of a live broadcast, will air at 9 AM PT on June 12. That comes out to 12 PM in New York, 5 PM in London, and 2 AM, June 13th 2018 in Sydney. The wait is almost over!

Fingers crossed everyone!

 

 

1 Comment

Filed under Finance, Gaming, Media

Tagged as , , , , , , , , , , , ,

April 26, 2018 · 16:01

The successful and the less so

What makes success? We have always wondered that question, what makes ‘me’ a success? At times it is the drive that you have within yourself. Sometimes it is propagated through the outside factors like marketing and media. At times there is no control, it is imaging towards third parties and they make sure that you are the popular choice to make. I have been to the movies 3 times in the last two months. One I paid for, the other two was a free double pass that I converted into two tickets. So let’s take a look at the three movies. The first was Black Panther, it was awesome to watch, I was curious because it is one of the Marvel comics I never saw. I played him on Marvel: Ultimate Alliance on the Xbox 360, which was basically a comic book revamp of the legendary game Gauntlet, now with the option to evolve certain powers. Black Panther was unlocked by finding his 5 statues. So I knew that little on Black Panther and I was curious to see him in action (beside the scenes in Captain America: Civil War). It was an awesome movie and it was no surprise to see the movie become the 9th most successful movie on the planet reeling in well over a billion dollars. It is still grossing cash, so there is a chance for the movie to get to 8th place before the end of May (I reckon in 2-3 weeks). The movie has so far made $1,323,739,011. So with a budget of $200,000,000, it made well over a billion, it is making some serious real cash.

The second movie in this is Ready Player One, an absolute diamond by Steven Spielberg. It blew me away! I grew up in the world we see (partially) depicted, so every second I saw more and more references towards gaming, movies and even books. Some were clear references to other games (like JRPG) and some Manga characters I knew existed, but never watched the cartoon, so there were question marks for me in that regard. The movie had that approach that the movie Paul had (a Simon Pegg gem), part of the fun is seeing the references and I am certain that is what I will be doing for days after the Blue Ray and 4K edition is released. So here we have the legendary Steven Spielberg, who was born 36 weeks after the British government nationalised and took control of the Bank of England, after 252 years. It was in 1975 when he completed Jaws, the man became a revered god of cinema. His movies were a direct expectation of awesome film watching and his stature grew even more with the movie Close Encounters of the third kind, the movie that followed Jaws. The list would not stop for decades and he went all out in Ready Player One and it was awesome! He started the Jurassic Park, Jaws and the Indiana Jones franchise; he was involved as a producer/executive producer in so many other successes. So when I went to see Ready Player One (RP1), I expected to see a good movie and I was blown away, it was that perfect. Yet financially it merely made a little over half a billion. It surprised me that it had not caught on to such a degree. As we look at the $523,175,886 it made, we also need to realise that it merely made 25% from domestic US viewing, making it an interesting setting. The entire US culture of gaming and movies is a lot more appealing on the international field. When we consider that the production budget was $150,000,000, we see that the Domestic side does not make it a ‘success’, the international sales did that and it should be seen as a success as well.

Now, as per yesterday I saw the Avengers: Infinity War (my second free ticket), and again I was blown away, watching that movie was ‘perfection’. It was like watching a real life comic book with all the massive fights and superpowers in action. The Stan Lee medium of the now! For a second I was worried that so many super heroes and villains would clutter the screen, but it did not. Like watching a mix of goofy, cool and mental explode all at the same time worked, it made it a symphony of sorts. It gave the width of the Secret Wars (or Infinity Wars) comic books with the action of a level of heroes we have never seen before. It was overwhelming and absolutely amazing, with the mandatory extra scene at the very end that will make the people in the know (when it comes to comic books) go: ‘Are you fucking kidding me?‘ and that is how it felt, part one is a mega spectacle that is merely the introduction to the second part which will now expected to be even more overwhelming than the first part was. I have not felt that was since I had to wait for the second Lord of the rings movie (being a Tolkien fan for decades). Blown away three times in a row!

I expect that Infinity War will bring the profits in on a scale almost never seen before; it should have no issues surpassing Black Panther, upping the ante by a lot. The question is why does it matter? I never cared for how much a movie made, it was good enough that it made a real profit and since when is half a billion not a real profit? More important, both RP1 and Infinity war are extreme examples of excellence, entertainment and awesomeness. So why are we watching the numbers? I never cared for that in the past. I actually started watching that around the Dark Night. For some reason the passing of Heath Ledger, the most amazing Joker ever, made me wish that the Dark night would surpass the billion dollar mark and it did in the end, yet I am not getting any of those coins, so why would I care beside that it was a financial success? You see, why is it about the cash? For a part we know that when it is a success it will give us optionally a sequel, or optionally we will see those actors again, and whilst we know that there will be more marvel movies, Steven Spielberg is all about new and different. So why does it matter, because we know it does, we have seemingly become that Americanised. It is no longer about the art, it is about the return on investment, we set ourselves in that light, we are set upon KPI’s that demand we become a return on investment. When did we lose the need to be that awesome technical support agent, and moved into merely to become the most profitable one? Because being the most profitable one is not a scale of excellence, it is merely the rubber stamp that we are allowed in our workplace the next quarter. It is merely a sliding scale of monetary excellence. So even as we see that Avengers: Infinity War will be heading towards an easy $2 billion, optionally surpassing the present number 3, the 2015 movie Star Wars Ep. VII: The Force Awakens, who made $2,058,662,225 globally, should it not be about being the best and most awesome movie ever made? Because the RP1 results do not support that, even as it was as awesome as a movie could be, it was not heralded as such. Now we can blame that none of us are nerds, you merely have to see the 2.2 billion gamers many of them online, who could all identify the Planet doom scene, splattered with millions of avatars, groups all looking like the Master Sergeant of HALO, to see that we will identify. We will identify many characters and we should realise that they have references to the creative excellence of Atari Interactive, Bandai Namco Entertainment, Bethesda Softworks LLC, Blizzard Entertainment, Capcom , CBS Television Studios, Disney Enterprises, Electronic Arts, Gearbox Software, Hasbro, The Jim Henson Company, Kodansha, Konami Digital Entertainment, Mattel, Microsoft Corporation, Mifune Productions, Mojang AB, Nickelodeon & Viacom Media Networks, Paramount Pictures, Rare Ltd., Sanrio Company, SEGA Holdings Co., Sesame Workshop, Sony Pictures Entertainment and Columbia Pictures, Square Enix Holdings Co., Legend Pictures, Tatsunoko Production, Toho Company Limited, The Topps Company, Twentieth Century Fox Film Corporation, Valve Corporation and Wizards of the Coast. This is merely a grasp because there was so much more to see, so many more avatars and characters. A list this large and if you played anything even more than an hour, it is likely to be in the movie. A movie that is a three decade reference to gaming, gamers, movies and the buffs they have. The movie is sheer excellence and I wished everyone had watched it, merely because there is something in there for us to identify with, a mere moment when we were introduced to a moment of awesome, delight and/or amazement. So as we realise that the revenue does not reflect that, I started to wonder why that is.

One source told me that gamers do not care, but with 2.2 billion gamers and a fair amount deep into multi-player gaming, I am not able to accept that. I think we do care, we care a lot, we aren’t all into movies, so there is that, but I think that it has something to do with the marketing. Digg (at http://digg.com/2018/spielberg-carls-jr-ready-player-one-feud) gave their view and even as I have not been confronted with it, I am uncertain how it should be perceived. Yet, they are not the only source. Screen rant (at https://screenrant.com/ready-player-one-movie-trailer-marketing-wrong/) gives us “Warner Bros. Have Been Marketing Ready Player One All Wrong”, which shows it all a little better with “all set to a rousing cover of the classic song from Willy Wonka and the Chocolate Factory, “Pure Imagination.” It is, in no uncertain terms, a great trailer. Why hasn’t the marketing been like this so far?“, so did marketing create a $400 million plus shortfall? If that is so, I should have been in marketing and take 10% of the optionally delivered $400 million (it would solve a few problems for myself as well). with “Proof of this lies in the second trailer, which, while a significant improvement over the first, lacks the impact it could have had because of the damage done by the initial teaser“, that would be cruel and revealing all at the same time, so the excellence of Steven Spielberg got undone by the marketeers they trusted? That would be a new level of Cruel and it required some extra life option to reset that. It does add up as the trailers of Marvel have been utter perfection in many ways and all of us expecting and seeing Stan Lee, the generalissimo himself in a cameo moment is always good for a laugh and a check-mark to make when watching any Marvel movie. There is no denying this and the fact that the one expected line missing in the first movie is still hopefully made in the second movie. The moment that Iron Man (Robert Downey JR) and/or Dr Strange (Benedict Cumberbatch) state (optionally in unison) “No shit, Sherlock!” will certainly give cheers from the audience, that same audience when everyone in the cinema literally cheered when Thor entered the battle scene. People care that much, they are that connected to the movie, and as such I believe that people would be that connected to Ready Player One on near similar levels.

So ask yourself, when does the lack of revenue set the stage for ‘less successful’, it should not, but it does and that is literally a crying shame because Ready Player One is every bit a result of excellence as Black Panther is and Infinity War will prove itself to be. So I believe it should also be financially as successful (just go with it). I accept that my expectation is warped, but should it be? Art and excellence are their own platform, setting this scale to a metric dollar scale is dangerous, I accept that because true excellence is not set in $ signs, it is set in amazement, a currency of its own and we do not always get that currency depicted, it gets depicted less and less which is a shame, because we optionally deny ourselves access to truly great achievements.

That would be a much larger defeat than merely being seen as ‘less successful’.

 

1 Comment

Filed under Finance, Gaming, Media

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

April 23, 2018 · 12:15

The deceptive engine

We are all in anticipation of the E3, the one place where the game makers get to take the stage and either entice us for almost a year, or get completely destroyed. As we are 5 weeks away from the event, the game changes. It is all about creating hype, or creating optional falsehood. The false hype allegedly shows that the brand might still care to be inflated in perception value and regard. That is what I see when I look at the Daily Star, who gave us: “Microsoft games news: Has Xbox dealt ANOTHER KILLER BLOW to Sony and PlayStation in 2018?” That notion was so ridiculous that I decided to drill down a little. I have no idea who Dom Peppiatt is, but let’s drill down a little on the article (at https://www.dailystar.co.uk/tech/gaming/696572/Microsoft-games-news-Has-Xbox-dealt-ANOTHER-KILLER-BLOW-to-Sony-and-PlayStation-in-2018). So we start with “The company behind Xbox has recruited Darrell Gallagher to work on the Microsoft Studios Executive Leadership Team. Gallagher has a pretty significant history in gaming: he started as Head of Creative at Sony in 1997, then moved to Rockstar Games in 2004 to work as a lead artist. His next step was to become art director at THQ, before he joined Crystal Dynamics as art director in 2005“. This is fair enough, if Microsoft has acquired a titan like that, there will be optional forward momentum for Microsoft. I state optional, because we have seen that Microsoft tends to ignore its customer base and not listen to actual gamers, which tends to be a much larger issue. Then we get the not so nice parts “NEW Xbox One Games rumoured to be in development“, so the operative word is ‘rumoured‘, that was a first mistake, because we have seen that before, rumoured does not make it true and waiting for 5 weeks gives hype, yet in the same space gives massive amounts of resentment. With Rumoured we see references to ‘Perfect Dark’ and ‘Fable’ with old artwork and no evidence of any kind that it is true. Merely the ‘as leaked by Resetera user Klobrille‘ is given, like that ads any value to it all. The only one that is a decent given is a new (upgraded) Forza Horizons, it is the parade horse of Microsoft and it makes sense to make sure that it is there in all 4K glory. The second one is Age of Empires, it has been bled dry on the PC and it coming to Xbox One was merely a time setting. It was originally one of the better games they had, and if the interface is decently improved upon, it might be a niche market winner. So with 2 out of the 5 games that are ‘optionally’ games to come, what kind of ‘killer blow’ is that? It is not even close to a killer blow, so far they have not had any killer blows against Sony, and the Release of God of War last Friday is Sony showing all others that their games are of a massively higher plane of gamer satisfaction than anything Microsoft exclusively has to offer (at present), and they have close to nothing on the exclusive titles front. When we see “Microsoft and Xbox has acquired marketing rights on some massive upcoming games, including Borderlands 3, Cyberpunk 2077, Splinter Cell, Battlefield V, and Anthem“, we need to understand that ‘marketing rights’ does not make it an exclusive title. Another source had given us two weeks earlier “Borderlands 3 hasn’t been confirmed as being actively in development quite yet, Gearbox has unsurprisingly not given it a release date either“, with in addition “It’s likely to be released on PS4, Xbox One and PC“, so why acquire the marketing rights for a non-exclusive title? Seems a waste of money as I personally see it. Second is (from another source) “Ghost Recon Wildlands Splinter Cell DLC is getting a big reveal today. The Ubisoft content for the PS4, Xbox One and PC“, yet there is also mention that this is merely the setting for a new Splinter Cell and in that regard, there is every notion that Ubisoft, the people behind it will not be making it an exclusive title. The same is a given for the makers of Witcher 3, now prepping for Cyberpunk 2077, which leaves two titles none of these exclusives either. So as the article gives us “it’s important to note these are only rumours at the time of writing” in the end, the entire article was a waste of space for all gamers except for the need of Microsoft getting hypes out. The news that they have acquired Darrell Gallagher, which would be good news for Microsoft, yet to surround it with rumours, nothing to show and the fact that marketing exclusives were tailored whilst the games are not confirmed to be is merely a setting for failure, which we saw with the death blow against Microsoft with the release of God of War and actual exclusive title. It will only get harder for Microsoft; the consoles are set to 2.5:1 so for every Xbox One there are 2.5 PS4’s. There is not a game maker in the world that will not make for both if possible. The only option there is what Microsoft had exclusive and keep on converting the PC games that never made it to console. For Sony, it has its own worries. Both The Last of Us 2 and Death Stranding are exclusive titles, but these two players will not go to bed with anything but perfection and for both no official release dates are known, now that God of War delivered all it promised the hunger for these other two titles seems to be growing exponentially. And a gamer that gets too hungry for new games makes weird leaps, that has been proven in the past. So were the two titles just fabs? I am not certain there has been a massive desire to get the Fable line remastered (one, two and three) and the anniversary edition on the 360 only grew the fans of Fable. So getting them all three on the Xbox One remastered, not merely backwards compatible would be a real win for Microsoft, there is no denying it. It is not as clear with Perfect Dark, the heralded game just wasn’t the stuff of legends on the 360, so were some other games. Yet the fans will bow towards the Fable setting in a large way, in equal measure the Mass Effect rumours seem to resurface again and again, also in light of the Andromeda failure, that trilogy would be equally a win on the Xbox, anyone denying that is just utterly stupid. There are a few others, but they are in essence mere remastered games, not actual new games and that is what Microsoft desperately needs and so far they have too little, too few titles and no push towards exclusive wins.

It is in that regard that we see Forbes, who gives us “Sony And PS4 Are Beginning A Massive 2018 With ‘God Of War,’ And Microsoft Should Be Worried“. Yes, we all agree and even as actual numbers are not seen at present, we see in the UK “In terms of purely boxed units, it outsold God of War III by 35 per cent“, that is in merely 3 days, which is almost unheard of. The only title to ever pull that off was GTA5 in 2013. More good news is not console set, but for Ubisoft, it does not matter, Far Cry 5 broke the 100K boundary (on PS4) in Japan which should make the people at Ubisoft proud and happy and rightfully so, the fact that this will also benefit the Xbox One players is merely icing on the cake for Ubisoft and that is what counts. You see, actual gaming is never about the console itself, it is about the game and gaming. Even as God of War is ruling, Ubisoft is getting a nice global boost and with other Ubisoft titles ready to be released it will be a good thing. When it is about the gaming, we will not care, we only care about ‘gaming the play’, or was that ‘playing the game’? We tend to all get together I tend to burn whomever is trying to hand us hypes that are ridiculous, in that regard we have absolutely no regard for any hype bringer.

In the end, will it help us the gamers? Hypes do not, it is an engine of deception to maximise the product, that is the focal point, in this in that regard that the moment the hype is proven wrong (in 5 weeks at the E3), when any of the Daily Star mentioned ‘rumoured to happen‘ it will lash out to the Microsoft community and they will hold Microsoft accountable. You see, when it suits Microsoft they are all over a publisher with falsehood, when it suits them, so either the rumours are true (and I will reports one it), or this was a false hype that has the potential to sway more XB1 owners to switch console, which is overall bad news for Microsoft when that happens. I they have only one advantage this month than it is the rare case where the Gold Live Free games in April are actually better than PS Plus offer for a change. With AC Syndicate and Dead Space 2 ruling the free games, they are giving a better value in an uncommon move.

When it comes to the deceptive engine, it will not stop, not for at least 4 weeks and it is not limited to the Xbox, there are plenty of ‘rumours’ on the PS4 and Switch field, which we find equally annoying, in addition, it is not just limited to some papers, even a site like Christian Today is all about those rumours, which is unsettling on a few levels.

When you consider that ‘Deception’ is act of propagating a belief that is not true, or is not the whole truth, you might understand why we despise it in gaming. So if we consider that the ‘pro’ Microsoft article was optionally propaganda, as well as distraction, or concealment. The gamer has to ask, what is Microsoft trying to conceal or distract from? We will know in 5 weeks when we get to see the E3 presentation.

 

Leave a comment

Filed under Gaming, IT, Media

Tagged as , , , , , , , , , , , , , , , , , , , , , ,

April 22, 2018 · 14:04

In awe of Ares

The independent is throwing its readers a curveball with ‘The survey comes after it was revealed that a new political party with access to up to £50m in funding has been secretly under development for more than a year‘, it is change, change of a kind that makes us wonder if politicians are getting there ‘inspiration’ form somewhere else. This is not about that, this is absolutely not about politics. This is about the curveball.

Santa Monica Studio, they awed us two years ago at the E3, where we were treated to a teaser, one that made our jaws drop and we were nowhere near ready to see the real deal. That happened 48 hours ago, 48 hours since we woke up, in optionally the most overwhelming way. If you missed it all, you missed a lot. For those not entirely aware, let me explain, let’s take you back to 2013, when the people on the PS3 were treated to ‘the Last of Us‘. It was a game that surpassed whatever came before, the end of a console treated to the diamond of diamonds. Now take that feeling, multiply that by 3 and that is what you will feel with the normal God of War 4 edition on a normal PS4, I haven’t even seen it on a Pro with 4K yet. The beginning is simple yet still overwhelming, the graphics are beyond awesome and the music and sound effects give it an entirely new dimension.

So here we are he who took the powers of Ares, god of war. Now we are in the setting of Norse mythology. The initial intro to the game, the movement, the draughr, Balder and a few others are just overwhelming. When we dig deeper into the game we get to certain points that this is still very much a God of War game, yet there is also evolution. even as button mashing got you most of the way previously, this time around you need to be a little clever, button mashing gets you killed again and again (and again). It has the chests and it has health parts, slightly different, but still in spirit basically the same. Some chests now come with puzzles and a few are a little trying. It is all a step forward. The graphics throughout the game remain overwhelming and are beyond awesome. The tactics are a little more essential, yet it remains a God of War game. Christopher Judge, the (in)famous Teal’c from Stargate takes the axe from the predecessors and gives Kratos soul in a way that is amazing, the deepness of voice and the entire embodiment of Kratos slayer of gods comes to life with Christopher Judge, a stellar performance.

There will always be issues with any videogame, so has this game its little snippets of frustration, but the overall impact of the game is what I would regard it a 97% game, Metacritic gave it a 95% rating, what means that it should be regarded as a must for any PS4 owner. Even as you play the game, you feel a little lost at times, wondering where to go next. It is not a bad feeling, you get a clear view of your surrounding and it is close to breathtaking. The people at Santa Monica really outdid themselves, and not just them. In equal measure Bear McCreary, famous for his soundtrack work on Battlestar Gallactica truly shines. His music adds to the game in several ways. I wonder if anyone would be able to play the game on a TV with a sound bar, the music is that amazing. I am actually listening to it on YouTube whilst writing this. I hope that it will be a download option soon enough (or a soundtrack for sale). So in nearly all matters the game shines. So why am I using ‘nearly’? Well in the beginning as you have the options to better your character with outfits and upgrades, you are a little in the dark and in the beginning of the game optionally accidently wasting resources on the wrong parts and it is a merely a small loss, yet it makes for a great replay. This is perhaps the only small flaw in all this and it is so small a flaw that not heeding my words in this is just fine. Yet as you play the game you are almost overwhelmed by what you see and when you think that you’ve seen it all, you get introduced to Alfheim. If you consider that Midgard is the forest in midwinter, then Alfheim is the forest in spring and everything is in full bloom, a second whiff over being overwhelmed and I haven’t even seen the subsequent parts yet. Whilst I have been upgrading my skills and my weapon, the monsters have been becoming a lot stronger too, so the opposition is not getting easier and you the player are forced to thinking a little more tactics and no mash buttons, it is essential to making it through. It is almost like Santa Monica Studio saw the setting of Dark Souls and borrowed an idea or two, which is not a bad thing at all. In this, I found that the avoidance by Kratos is not completely flawless and it makes for a more challenging fight, all defence and no offence being pointless in the end. It makes a lot of sense in the grand scheme of things and God of War is more than the jackpot. If the next Last of Us is anything to go by, we are witness to a new level of gameplay, one that the Xbox cannot match, because Ubisoft will not be able to match it. That is not an attack on Ubisoft, it truly is not! They have shown with AC Origin to up their game by a fair bit. Microsoft was just not ready (read: awake enough) to up the game for gamers other than their ‘most powerful console‘ statement. Now with the God of War first released, and the Last of Us 2 teasers making us desire more and that is whilst we know that there is every chance that Death Stranding will surpass them both, a Kojima special that does not ill to the other two titles, but we know that Sony is about to up the game for gamers a fair bit and that is merely the top of the 2018 iceberg.We have no idea what we will see in 7 weeks at the E3 2018.

That whilst Windows central ‘treats’ us to: “Ever since the Xbox One launched in 2013, Microsoft has revealed clothing items and other merchandise which were either E3 exclusives, competition rewards, or simply gifts for employees. Luckily, it seems like that’s about to change because a merchandise store is coming soon“, perhaps with a lack of exclusive games that is all they can offer?

Even as Bethesda has been giving us heaps of amazing options, the bulk of the gamer’s desires are set to Elder Scrolls 6 and an optional Fallout 5, and/or Fallout 4b. Bethesda is like Monica Studios and for the longest time they have delivered, even today Skyrim is still played, 6.5 year later, that is the trademark of the truly great and satisfying game and God of War 4 is a welcome addition. It is behind GTA5 the highest Metacritic rating ever and the people of Santa Monica Studio have all the rights, the reason and the ability to feel pride, be proud and enjoy the reverence they will receive for the rest of the year. In this they are sharing the warmth of reverence this year (optionally) with the makers of Spiderman for PS4, another exclusive title, which is now sold out on amazon. So the pre-orders of a game released in September 2018 are already sold out, so in that part Santa Monica Studios is just one player driving the Sony gaming force forward and the competitors have nothing even close to matching that.

Even as I am drawn to return to play God of War, I know that Santa Monica is likely to have a few interesting twists on their bow of confusion. So it will be essential to meet up with Morrighan, Crone of War. She can enlighten me to the opponents that Kratos may face. The Celts were always masters of the skull cleaver and I need to be alert and ready to whatever Santa Monica Studio will throw at me next. The life of a gamer, always trying to remain in synch with the game and with life to get the best results, only the truly great game makers allow us to do that.

When we consider the path that this game series has taken, the path seems obvious, but it is not, the upgrade and evolution of your weapon have options so it can enhance your strength or give power to the weaker side of you that in itself is also brilliant. If you are a range fighter of up close and personal, both have options to give you a much better chance of survival and in the end, you cannot really afford all the upgrades all the time, so choices must be made which makes the game even more challenging and rewarding when you get to the next point. That in itself is also a new victory for the series. The map reveals even more new sides, but I will steer away from that so you can experience that for yourself, making the impact even better.

In the end the God of War treated us to something special two years ago and now we are overwhelmed with what they have actually achieved, no small feat for any development studio, laurels well earned. Even if you are not into the hack and slash games, this game brings a new game, that overwhelms nearly all your senses that alone will be worth buying it for.

That is the curveball, the delivery of something special and again Santa Monica Studio surpassed our expectations, an art that politicians have been lacking for decades, perhaps they should actively listen to Kratos, Ares and Morrighan, nothing less will do at present.

There is one part that politicians can take away from all this. It is not the expected that makes you shine, it is the ability to exceed our expectations that truly matter, isn’t it funny that the one article that they looked down on for three decades (video games) have been able to deliver just that? I see it as the combination of art and imagination and God of War got it right on all counts.

 

Leave a comment

Filed under Gaming, IT, Media

Tagged as , , , , , , , , , , , , , , , , , , , , , ,

April 6, 2018 · 17:27

All eyes on Nintendo

We have 9 weeks left, 9 weeks until we are hopefully blown away by the 2018 E3 presentations. This year the stakes are very high. You see, the number one place in not up for grabs, it is there for Sony, there is no chance for anyone to catch up and the next 15 months will give Sony the boost of a lifetime, optionally the strongest boost in its existence. The games are just that impressive. The only worry is, will they all be on time and how long until the next one is released. That last question is actually more important than you’d imagine, and not for the reason you might think.

You see Microsoft fumbled, they dropped the ball and whilst too many are listening to their marketing ‘the Xbox One X is the most powerful gaming console ever made‘ these many are now seeing the negative sides, the flaws. Some are handed how components are held together by thermal paste (I cannot verify that validity), some state that bricking and hardware failures are too often heard (another thing I never heard myself). My issue remains that the entire design was flawed all the way back to the beginning of the Xbox One. Microsoft had the opportunity to fix their gigantic screw up with the release of the Xbox One X, but their ego got the better of them and it is about to cost them even more, more than they ever realised. It is not about the PlayStation, that ship has sailed and it is now almost half an ocean ahead of Microsoft. The setup for the upcoming releases of Sony PlayStation games is more than stellar; it is close to the best setting of amazing games since the release of the PS4 console itself. The only worry is will they all be on time? There are always the hazardous moments that gamers call ‘delays’.

This all matters as Microsoft is about to qualify for a very special award. One that would make Satya Narayana Nadella, Phil Spencer and Bill Gates proud (I guess). You see, Microsoft is about to qualify for the Wooden Spoon award, the award for being dead last. That is not a joke. We are closing in on the moment where the Nintendo Switch will surpass the Xbox One sales. In just over a year the Nintendo Switch got 50% of the total number of sales that the Xbox One had in its total lifetime. What I predicted last year is going to happen, it is still unlikely that it will happen in 2018, but in 2019 the goose of Microsoft will get cooked in the most entertaining way. Fun filled Nintendo does with glamour and joy what the Marketing department of Microsoft was unable deliver, an actual product that brought joy. And now the previous line ‘The only worry is, will they all be on time‘ becomes very much an issue. You see, more and more PlayStation players are moving into the line to get a Nintendo Switch on the side. And it actually works, because these two are in very different gaming lanes and whilst some always thought that having the Xbox One and the PS4 together was a good idea, the bungles of Microsoft is making these people reconsider and they will switch for a Nintendo Switch. I see it as a very good choice; Microsoft has been too stupid for far too long a time.

It is weird because even as Microsoft bungled their E3 in 2016, they actually hit the ball out of the ballpark in 2017. There was a glimmer of hope for Microsoft at that point. I was not convinced, even though I thought that the 2017 show was the best they had given in a very long time, the Xbox One flaws were too clear on the surface and they ignored it in the Xbox One X. So as we await what will happen in 9 weeks, we will realise that if Nintendo does another great show, the date of Nintendo overtaking Microsoft will move slowly and steadily towards the beginning of 2019 and perhaps even towards December 31st 2018, this year the thanksgiving and Christmas season will make all the difference, it will set the stage for the optional new number two console, the Nintendo Switch.

I have no doubt that Nintendo will take that spot, it is merely the fact that, at present, it will not happen before January 2019. That could still change if the Nintendo Show is stealing it this year at the E3 2018 whilst the Microsoft show drops the ball like it did in 2016 and 2017. There is supporting evidence. You see, when I read “While announcing its E3 2018 press conference date and change of venue, Microsoft has promised that the company’s E3 presence will be greater than ever before“, I personally did not see it as the spectacular option to make a change for the better. You see “This year the show will be held in the Microsoft Theater, a separate venue located across the street from the Los Angeles Convention Center” is the indication that once seen together, in the same place as the Nintendo and Sony, the people get to see that Microsoft is losing, losing faster and becomes increasingly less impressive.

That is the war and that is the stage where Microsoft marketing has no chance of staying afloat. Digital Trends gives us the final part with “As Microsoft becomes the latest major player to ditch the E3 mold, it will be interesting to see if other studios follow suit in the years to come. Microsoft will still be present at the convention center with a Mixer booth that will hold play and streaming sessions throughout E3“, you see if you have something truly spectacular, you want the others to stand next to you, fading away as you sparkly shine bright. I remember the ECTS in London (the UK version of the E3 in the 90’s) the year that SEGA had its Dreamcast on show, Sony was not a happy player that year. Microsoft is about to have the same issues and bailed ahead of that inescapable downturn. The E3 booth is as I see it merely for show and presence. The audience at large are all hoping and expecting to see The Last of Us: Part II, not merely a small demo, but a playable part and that is the first of several games that will blow Microsoft out of the water, they have nothing to counter with, they did this to themselves. Yet in all this the Nintendo games are still a little bit of a question mark. Some have been announced, most will be there, but in all, most are hoping to see the Pokémon Switch part as the rumours have been all and about. Others are still wondering if Metroid 4 will capture the awesomeness of the first two and some (including me) are hoping that the first two will make it to the Switch too. Some are all on the Skyrim Switch horse and those are equally ‘demanding’ that fallout will make the jump too. I am not convinced, you see, when you played this on XB1 and/or PS4, you know you will lose partly some of the power of the game, it just does not completely hold on the Switch, that is not bad for the switch, because the game was never designed as such, but those who play the whole part do not want to settle for something that is partial. Yet, that seems to be merely me and most are all on the Bethesda Switch horse, which is a growing community pushing the date of overtaking much closer to December 2018.

In this the 2018 E3 might be one of the most important E3’s that the NextGen consoles have ever faced. Even as Sony is in a happy all rosy setting at present, for Microsoft it will be a day where not one but two swords of Damocles are looming over the heads of these executives. One sword is linked to the failure of the Microsoft show; the second one is linked to the success of the Nintendo show. The most powerful console of the world is about to get bashed twice, once by their own ego, the second bashing will come through the actions of a smashing plumber named Mario, in this specific case in the shape of Super Smash Bros, the enduring agony of Microsoft will not be fixed in the short term, if they had only actually listened to gamers beforehand, their predicament wouldn’t have been anywhere near this bad.

So as we are now swamped by news on all levels on how “Microsoft’s E3 2018 plans will give the Xbox One a chance to shine away from the show floor”, with one source giving us “With the larger venue, Microsoft will be able to host more fans and partners at its press event than ever. Of course, it will all be for naught if Microsoft doesn’t have anything to show off, but the company knows that it is on shaky ground”. The source (@JacobSiegal) is right of course, but the fact remains that when it comes to exclusives at present, Microsoft is clearly a Far Cry behind Sony. Oh, no! Far Cry 5 is there for PS4 too, so there is that loss for them. Yet the pun was intentional. There is a clear visible case that the only reason that Microsoft remained in the game for so long at this speed was due to the unrelenting support from Ubisoft, without them there would be no Xbox One, or the One X at all. Ubisoft set the post high enough for that so called ‘most powerful system’ to be around at all. Even now, we see that as the Ubisoft listing is showing that their games are for both systems, they will also be releasing Switch titles. It is there that the Switch will gain even more momentum, whilst their dedication (Ubisoft) to all consoles give rise to the fact that the slowdown of Xbox One X consoles will remain minimised. So it is in that part that we will see that implied huge display from Microsoft in that place across the street from the E3 will be really heavy on Ubisoft presence, and in all honesty, plenty of Xbox gamers will love that, especially when they are treated to playable multi player parts of the Division 2 (speculation from my side). That is essential as we now see that several exclusive titles for the PS4 will never make it to the XB1x. It will be the other way round for some titles as well, but weirdly enough, none of those titles score anywhere near the excellence of the PS4 games. It seems that the most powerful system in the world gets to lag in more than one area, that whilst Switch is bringing their own remastered titles, like the Spyro trilogy (several sources), what is shown is pretty much amazing in quality, so it is there that my one warning to Sony is given, they were already worried that Nintendo was taking off in stellar ways, Sony will show another worry, not that Nintendo will catch up with them, but that software sales of Nintendo will make a huge leap, whilst the overall sales of PS4 games are extremely excellent, its top increase will merely lag by an optional 1%-2% as many consumers might buy one less game on the PS4 and will change that one title less bought for two Nintendo Switch titles instead, which would make perfect sense in several ways.

We will know a lot more (read: we can predict a few things better) in 9 weeks; I just can’t wait to voice the words ‘I told you so!‘ to Satya Narayana Nadella (apparently the CEO of Microsoft).

 

1 Comment

Filed under Gaming, Media

Tagged as , , , , , , , , , , , , , , , , , , ,

March 21, 2018 · 10:36

The Commanding Conquest

The NY Times gave us a view, some are laughing, some are looking forward, some are grasping at the past, but you and me? What will we do? What are our thoughts?

That is the view I am having when I see ‘A Glimpse of a Crown Prince’s Dream? Saudi Arabia Invades Iran in CGI‘ (at https://www.nytimes.com/2018/03/20/world/middleeast/saudi-arabia-iran-invasion-video.html). The video shown is not new, the article revealed that the movie was uploaded last December and has had 1.2 million views. That’s around 400,000 a month. We see the application of CGI and Command & Conquer intro movie style towards the games that Iran has been playing. So as we see “In scene after scene, he orders a succession of superior weapons systems to pulverize the enemy“, we see a setting, one that is changing. It is what I would optionally call the sabre rattling by Crown Prince Mohammed bin Salman, who according some of the sources is stated to be behind this all. I cannot tell, I do not know. But it is clear that Iran is also realising that everyone is looking at them now and none of the voices are telling Saudi Arabia to stop. Those voices will come too late and at that point, with the EU not willing to give an inch towards Iran, Iran will stand alone. Even Russia who has been their trade buddy for the longest of times is backing off a little, as they would endanger the foothold that they are growing in the Middle East via Syria. In addition, if there is a side, than Israel will never choose it will be the side of Iran, that ship has sailed and was burned down the moment it left the harbour of Jaffa.

One view given was “a Princeton professor who recently published a column explaining the challenges Prince Mohammed faces in the kingdom, suggested in an email that the Iranians themselves might have made the cartoon “to make the Saudis look silly”“, it is certainly one view, but when we consider Command & Conquer, is it as simple as Saudi Arabia v Iran, or is there a third player in town? The view that former CIA employee Bruce Riedel has differs as well. He of course has just published a new book based on 3 decades of experience and his view is “This represents how he sees himself, or what he would like to be, It suggests that at least some part of Mohammed bin Salman lives in a fantasy world, and if he really believes these things then we are on a course that could be extremely destructive“. It is not a view that I could state was incorrect due to lack of data, but if the Crown Prince has set this all in motion, is it in the end anything else than a creative presentation? Lets not forget, if we plough through the presentations of historical CIA, most of their directors would have ended up in prison, as would some members of congress and at least two former Presidents of the United States. So the view given here is not one that seems to be the pressure here. I actually like a later view in the article in the NY Times where we see “Other scholars suggested that one of the prince’s courtiers might have commissioned the video to flatter him“, that is one part that appeals, it would even be better if it was made by the courtiers son who has the dream of becoming the coolest game designer in Saudi Arabia, which is not a bad dream to pursue to begin with.

No matter who or what it is regarded to be. When we consider it from the distance, it is merely a presentation, one that took effort. My view on the third player is shown (in my humble opinion) by “The video was released almost simultaneously in Arabic and English, with subtitles in Farsi, Hebrew, Mandarin, Russian, Turkish and other languages, so its animators probably also had the help of a team of linguists“, you see no matter how they feel about Israel, Saudi Arabia would have been unlikely to have taken the effort, even when relying on Google Translate and even as we know that Israel will never be a friend of Iran, it is my personal view that Saudi Arabia would not have taken the effort to get the ‘Hebrew’ edition out there, giving rise to the third party. I would need to see the full list of subtitle editions, to learn how precise my prediction is, but I think that the players adding the Hebrew edition shot themselves in the foot.

Yet it does also give light to “Prince Mohammed is a long-time fan of animation and video games. His personal foundation set up a venture, Manga Productions, to produce Japanese-style animation about Saudi Arabia and its culture“. Did you know this? Many have been curious about Saudi Culture; many wonder just how warped the press had made certain settings of Saudi Culture. Now I know that it is not the culture, with all the options that Western Europe had, but that is their history, learning more about it will only make things better for both sides. So when we see “Japanese animation productions major Toei Animation is teaming up with Saudi Arabia’s Manga Productions to produce animation titles and films to be released in both countries. The new tie-up was unveiled Nov. 16. Manga Productions, which is affiliated with Saudi Crown Prince Mohammed bin Salman’s MiSK Foundation, focuses on producing animations and developing video games with creative and positive content targeting different local and international social groups. Bukhari Isam, CEO of Manga Productions, said that his company will do pre-production or prepare designing content to be produced in Japan. The productions will be internationally targeted”. Most forms of information that is linked to Japanese excellence tend to be very well received on a global scale. So in all this we would need to realise that the media has been keeping information from us all. Now, there is no way that everyone will suddenly become a ‘Saudi’s best buddy’, but the setting that we see almost no exposure to this and that in the age of learning and comprehension that is one view that we are filtered from is equally dangerous. There is no other way to see it other than that the Muslim way of life has a global impact on nearly all, even if it is often not visible. Is it so bad to learn more on something that has no Christian foundation? Are we so afraid for the switching of atheists and agnostics to state: “This sounds like a much better way“, is the often hidden setting that Christians filter what must not be seen that has been a hindrance for decades! Should you oppose that (which is perfectly fine), than take a look at Spotlight, a 2015 movie on an unfrocked priest accused of molesting more than 80 boys. This was based on the 2001 event where editor Marty Baron of The Boston Globe assigns a team of journalists to investigate allegations against John Geoghan, the fore mentioned unfrocked priest. The article became proof of the cover-up of sexual abuse within the Roman Catholic Church. An issue that still impacts people today. Less than a day ago we see ‘Cardinal George Pell could face fresh charges after new witness statement emerges‘. This is merely one of many issues that had been pushed to the hidden shadows of society. These events are still being shown to be an issue 15 years after the initial article got out, so we can state that there has never ever been an events where filtering based on religion gave us wisdom, the media is only finding this out because it ups the circulation of their papers. There is a hard lesson to be learned there.

So, as we take a look at the Crown Prince, and the video game intro movie? Perhaps we will learn the truth of whoever was really behind it and what the purpose was. Perhaps it will be as simple as a member of the Saudi royal family telling Iran that they need to stop playing their games, because some mind games tend to become realities with fatalities and in this a video game is merely the presentation of artistic design. We all need to realise that only in a videogame foundation can a 1.68m tall model wearing nothing but cargo pants and a tank top take out dozens properly clothed mercenaries armed to the teeth with a bow, a knife and an ice axe, because that is where our minds in video games tend to end. So will the intro movie become a reason for war? I very much doubt it, whilst we are looking at these events, most are now forgetting that both Iran and Turkey are isolating themselves more and more, Iran for fuelling the events in Yemen and Turkey for the actions in pretty much all the Kurdish regions. In the end they can merely depend on one another, which would be a clear ending to whatever economy they thought they had. As Iran is dealing with 25% youth unemployment and Turkey with 24.1%, they both have other immediate needs. So in the end, even as the Command and Conquer, Saudi edition looked cool, a mere presentation of how opening trade and growing other economic options is a solution to youth unemployment, it seems that both Iran and Turkey are far far away from learning that lesson for now.

So as we end with two more parts from the NY Times. The first being: “The video appears to show an accurate reflection of the vast Saudi arsenal, with two exceptions. The tanks labelled in the video as Abrams M1s, the most advanced American model, look more like the outdated Patton M60s. And Saudi Arabia does not have the ships needed to transport them to Iran, said Douglas Barrie, a senior fellow at the International Institute for Strategic Studies in London“, which might be perfectly fine, so when we see the second part we see: ““The Saudis have a very limited amphibious capability,” Mr. Barrie said. “They do not have the platforms for a large-scale amphibious operation.”“, we might all agree, but these high paid people have taken the time to analyse a video game intro, so as the optional third player makes another movie, will they look at it again? When it comes in a box with image below, will we hear from these people about the substandard weapons that the French are using? #JustSaying

 

 

 

 

Leave a comment

Filed under Gaming, Media, Military, Politics, Religion

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , ,

March 12, 2018 · 12:07

That one place

There is a place where everyone is the same, where it does not matter what your convictions are, what your gender is or how you swing your love life. That is the one thing I always believed, I remain faithful to the notion that games and gaming is the one place where it does not matter what you are, who you are and how you are, as long as you are fine that is. I grew up with games, I reviewed and tested games for well over a decade and played them for additional decades beyond that. I was already a gamer when the term did not even exist.

I always believed that games had, in those days two distinct powers. One was to entertain the person playing; the other was to lower the threshold of using computers, I ended up being correct on both counts. I started my gaming life in 1982, almost 36 years ago. I started with a Commodore VIC-20, after that a Commodore 64 and after that I was off to the races. So, the VIC-20, CBM-64, Atari 2600, CD-32, Atari ST, Amiga 500, PC, MAC, Nintendo-64, Sega Megadrive, Sega Dreamcast, PlayStation 1, 2, 3, and 4, Xbox, Xbox360 and Xbox One. I had them all and played them all. I saw games evolve from blocks; I played Pong and many arcade games. I always hoped that the women would not keep on considering it ‘an act too nerdy’ and behold, in the beginning of the second millennia I saw more and more women taking up gaming to some extent. I always thought that gaming was a true equaliser and to some extent it became one, so I was a little upset to see ‘eSports analyst receives death threats after thanking men on women’s day‘ (at https://www.theguardian.com/sport/2018/mar/09/soembie-soe-gschwind-penski-overwatch-league), there she is on the article smiling and announcing the Blizzard event, looking like an overwatch player. Soe Gschwind-Penski was not the pesky Peski adversarial player that was up against people, she was hosting the event as the excellent eSports commentator she is regarded to be. So, the lady born in the land of Cheese and Chocolate gave the tweet: “It’s #InternationalWomensDay I’d like to give a special shoutout to all the men in our lives who have supported us, gave us a voice when we had none, fought for our cause and treated us the way we all ought to treat each other…like a fellow human being – no race, no gender.” as @Soembie she gave us all a nice tweet, all positive in every direction giving a voice to an international day. So for the utter life of me, I cannot comprehend the fact that people hand out responses that lead to: ““Ive gotten death threats and hundreds of hate messages the past 20 minutes because I thanked men for treating me as their equal, on a day which is all about womens struggle for equality,” Gschwind-Penski posted. “Hate, because I am grateful for the men in our lives who fight alongside us for our rights.”“, from my point of view that could not have been done by anyone who is an actual real gamer. I see it as actions from people pretending to be ‘gamers’; pretending to know anything at all. Like those people claiming that they finished ‘Dead Space in Impossible mode in two hours‘, or something as ridiculous like that. They tend to use cheats and god mode codes or alterations so that they can run through a game not getting hurt by anything, they are not and never will be players. I never had any regard or respect for them. So am I a great gamer? Nope! I am a good gamer and I like to enjoy games, so I will never run through an RPG. What is the purpose of running through Skyrim, or Fallout 4 and missing on the magnificent views the game offers? I even admire the fact that Fallout 4 can be played as a pacifist. I never did that, but the fact that it is there is just awesome, it makes for a gamer to be an actual gamer (cause for a golden Achievement; Hint, hint). I am not one for multiple shooting games. I used to like it, but Unreal Tournament spoiled that for me. All people hopping like kangaroos through the game, it was just too weird for me. Still, there is plenty of awesomeness in going down the throat of Diablo 3 with three other players. A game I loved since the very first Diablo and my team of 7 hardcore mode level 70 characters are decent evidence of that.

So in that setting the entire abuse of Soe Gschwind-Penski makes no sense at all. Even when we see: “The two-year-old OWL did make headlines last month when South Korean teenager Kim Se-yeon signed with the Shanghai Dragons to become the league’s first female player. But high-profile eSports competitions remain a male-dominated space: Gschwind-Penski is the only female member of OWL’s full-time commentary team.”

You see, for the most finding female gamers, serious gamers are still a rare thing. So even as there might be a case in regards to the fact that ‘Gschwind-Penski is the only female member of OWL’s full-time commentary team‘, we must equally realise that for the longest time, even today that a high estimate from my speculative view is that the women in gaming are set to a mere 10% at best (I apologise if I am wrong). So we are happy that people like Soe Gschwind-Penski, Aoife Wilson (@AoifeLockhart) from Eurogamer, Stephanie Claire Bendixsen (aka Hex), and Anita Sarkeesian. The list is way too short and we can point fingers at the reasons, but in the end I am not certain if there is an actual real culprit. If there is one than I might blame the makers of these review sites and channels as the culprit for not hiring more women, or is that actually the non-capability of finding more women?

You see, I started gaming in the age when nearly all women remained in enthusiastic denial of games for well over a decade. I know that because in those days woman in gaming was extremely rare. Roberta Williams was one of the very few. Jane Jensen would not appear until a decade later and the writing she did on EcoQuest and Police Quest 3 put her on the map (both excellent games). Yet the last two were two of a very small group of game designers, not game critics or reviewers (or hosts). Yet, I still believe that women are as welcome in the gaming industry and the gaming world as much as anyone else. Anyone who does not agree with that view is of course allowed to disagree, but he is not an actual gamer plain and simple!

You see, it truly does not matter what you are or who you are in gaming. It is merely the setting that you can hold your own in that virtual team, once you do you are in it for life! There are several women that I have met who can hold their own in Mass Effect 3 multiplayer on platinum level. That is all it requires and even as the settings change per game, they are all about being able to hold your own and strengthen the multiplayer (MP) team. So in all this I have absolutely no clue why anyone would give death threats to any female gamer and I feel certain that this was not dome by any real gamer, at best a wannabe, and optionally merely a game hater and we have no real use for each of these two groups.

It is my view that it needs to be dealt with. It is in that regard that I remember an article (and found it) which was from 2014. The Guardian gave us (at https://www.theguardian.com/culture/australia-culture-blog/2014/nov/28/alanah-pearce-tells-on-her-internet-trolls-to-their-mothers) , so when we read the tweet “Sometimes young boys on Facebook send me rape threats, so I’ve started telling their mothers“, most actual gamers would be laughing out loud and when we read the results “more than 11,000 users had retweeted her comment, and more than 20,000 had favourited it, eight hours after Pearce made her original post” game reviewer Alanah Pearce struck gold! Actually, in my view it does not really matter how young or old the person is, when it comes to the threats that Soe Gschwind-Penski was exposed to, it should be standard practise to tell on them to their mommy’s. For them to be exposed as the utter disappointment they show themselves to be to others might not be a bad thing. The wannabe’s will stop pretending to be gamers and hide in a corner, the rest will get a quick moral adjustment they desperately needed.

In my view gaming is for all and everyone. It does not matter what your gender, religion orientation or conviction is. The world of gaming is about the gaming world you enter, whether that is in the depths of a cathedral in Diablo, the house in Overwatch, the landing site on Mass Effect 3, or the power chamber in Unreal Tournament. You only have to hold your own. If you cannot do that, choose a lower level and get there, or get better. It is the one part that every player can do and that is why gaming will remain a world of inclusion, it is the only place where your inclusion only relies on you doing your part which is awesome in nearly everyone’s view. And the nicest part is that if you are not ready today, you can practice, get better and return, gender was never an issue.

Yet, there is still a long way to go, not because of gamers or gender, the fact that the President of the United States is still a few cans short of a six pack and that evidence is shown in light of “Donald Trump will host executives from the video game industry at the White House on Thursday, resurrecting a debate over the link between violent video games and gun-related deaths in the aftermath of the Parkland high school shooting“, so how long until women (and some men) will turn away from Overwatch out of fear for being seen as an aspiring psychopath?

Do you think I am kidding?

The foundation of all this is values and inherent choices. The choice an abuser makes is seen in two settings. Psychology Today gives us the 5 types of abuse:

– Emotional (killing pet, playing mind games)
– Verbal (calling names)
– Technological (GPS system /Face book sabotage)
– Sexual (forcing sex while sleep or based on the bible)
– Physical (killing, punching, choking)

The issue is seen in the first two, emotional, and then verbal after that we get the physical one. Yet in gaming this is all in a virtual setting and the gamer knows this. So they know that the person they fight with is a virtual person, and in games like Half-Life counter-strike we know that the opposing person is a virtual one too. The issue is that every psychopath might be a gamer to some extent, but that person will not be able to tell the virtual world and the real world apart. They merely want to hurt people, to actually abuse them, a gamer never does. It was that same article that gave me something that I did not know. Did you know that an actual abuser ‘Holds very rigid gender roles‘? So basically these threatening people might be actual abusers and reporting them becomes a duty for every gamer, not merely every women threatened. This person, usually a male regards himself as ‘King of the Castle’, it is her duty to cater (and service) him. As I am not like that, I had no idea, but that becomes a worry and Trump is not making it easier. If anything he is currently catering to abusers and psychopaths. This could be a comforting notion if the entire issue was not that worrying, but it actually is.

Then we get the worrying part, worrying because it is a dangerous step. As we see ‘Treatment for this population‘, we get to see “Group Therapy is important because it allows the batterer to be confronted by his peers on his behavior. I’ve facilitated groups with 16 men in the room at times it would become very confrontational but it was important for the men to be held accountable for their behavior by other men and group facilitators“ so this might translate into “making them a group of inclusion, allow and accept them in our midst and calling them openly out on every transgression they make“. I for one am happy to shun abusers and never letting them in our midst, but I recognise that I would make matters worse, in my defence, I feel more compelled to protect my fellow gamer, whether he is a man or a woman, because quality gamers are rare and I feel that their protection is more important than curing a non-gamer in the gaming world. This is merely my personal view.

In the end I would call to my fellow gamers to call out those who attack gamers like Soe Gschwind-Penski because our population of true gamers is not that large when we compare 2-3 million on a total of 8 billion. I would love for that number to double the next few years, so as we grow we will hopefully see more women join our ranks.

In opposition

There is however a part I need to mention. I never agreed with it, but it is a view we must not ignore. In 2013 (at https://www.newstatesman.com/if-you-love-games-you-are-not-a-gamer), in the New Statesman there was a piece. In its origin the New Statesman is a British political and cultural magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, so a magazine from before WW1, gave us “The idea of the ‘gaming community’ needs to die“, it is one view. You see, as gamers we segregate ourselves, I am happy to do just that because I am proud to be a gamer, I always have been. One quote applies to the origin of the gamers (in the 80’s). With: “gamers are depicted as the contemporary nerd group, a mildly downtrodden crowd, shunned by the jocks and achievers. Gamers are the losers who spend their days in darkened bedrooms furiously tapping on controllers or keyboards in a solitary pursuit that sits close to masturbation in the mind“, in the old days that was certainly true as the image presented of gamers as others saw them. Yet is that true now? Now the gaming industry is a $100+ billion a year. Now we see that people group and identify with the worlds of Skyrim, post-apocalyptic USA and as other groups are formed around successful games like GTA5, Far Cry, League of Legends and Overwatch that image is not only no longer true, it is in opposition of all those developers called by the need of $$$ (and their developing powers). So when we see “Within the next century ‘gamers’ will be a term that encompasses every gay and transgender person, every girl and woman, every politician in the cabinet, everyone with a title in the House of Lords, every teacher, nurse, banker, social worker, dustman and paedophile“, which is an unsettling truth. It is unsettling because even as we all want our fellow gamers to be merely gamers regardless of gender, we cannot (and perhaps should not) see what they are in real life. So it is not impossible that the serial killer hides in GTA5 multiplayer, killing whatever he/she can until the call for real blood is needed. So my view is in opposition of President Trump, he is stating that every rectangle is a square, whilst I identify that every square is a rectangle, as well as proving him wrong at the same time. It is not the same but there is a foundation and a foundation where a person can hide in anonymity. I belief it is a good thing, but it could be abused by those who have in ‘the core of the matter’ no business being there. In that part the Statesman does not make the case but the call for the cancellation of any community is not overtly evil. It is a non-invalid view, especially when we see “the urge to form groups with like-minded people is a universal one. But when that collective power is turned against those on the margins of the group“, so even as we are gamers, and we unite and think alike, but when that makes us a target, is the call valid to endanger some of us? I believe that when we unite we are more than ready for those attacking us, even if we merely start protecting our fellow gamers by calling the mommy and daddy of their attackers, no matter what age they have.

In the end I hope that people like Soe Gschwind-Penski realise that every real gamer is happy that she is around and that we have no qualms about her presence, even if she, in addition, defeats us in the most humiliating way. It merely ups the ante for us to get better, and that is in the core of multiplayer gaming, a drive to improve, a fellow gamer that makes any of us a better gamer, how great is such a life?

Live it to find out!

 

Leave a comment

Filed under Gaming, Law, Media, Politics

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

March 4, 2018 · 14:00

The red lights of death

It has been one year, one year since the doors opened to the consumers to become the owner of the Nintendo Switch. Nintendo has been a true gaming company that has focussed on gaming since the beginning of time. Even as we loved their journey and whilst we globally disliked the WiiU; that what followed is a machine that has been embraced by pretty much every gamer young and old. The numbers are giving a picture, one that is not yet complete, yet Nintendo has had one year, Sony and Microsoft have both had 6 years and the numbers are actually quite scary. The analytical site Statistica (at https://www.statista.com/statistics/687059/nintendo-switch-unit-sales-worldwide/) gives us that after a year, the Switch has now surpassed 14 million consoles sold, in one year it is close to 45% of the Xbox One lifetime sales over 6 years, and the Nintendo is still rising its sales numbers. Another source (VGChartz, at http://www.vgchartz.com/article/272742/ps4-vs-xbox-one-vs-switch-global-lifetime-salesjanuary-2018/) gives us more, the monthly numbers are that Nintendo has close to 225% of what Microsoft is doing and it is getting close to nipping the Sony sales numbers at the heels. Even as the PlayStation 4 is now set to 75 million gamers, the achievement of Nintendo is noticed. It is noticed to the extent that in the market share, the PlayStation 4 managed to achieve 48 percent. The Nintendo Switch accounted for 37 percent of the consoles sold, and the Xbox One 15 percent. So even as the total numbers are not yet equalled, Nintendo has defeated the Microsoft market share by well over 2:1, I predicted that Nintendo would surpass the total sales numbers, but the fact that the Microsoft share numbers would be outdone 2:1 in just one year is a little more positive than even I imagined.

So if the Xbox360 users might remember the red lights of death, we can now say that for Microsoft as a gaming provider, they too are now facing the red lights of death, because at present Microsoft will be surpassed by Nintendo well before December 2019, even Sony who is still ahead by 400K systems per month is feeling some pressure growing. As I stated in the past, Microsoft can pretend whatever they want to in the business world, gamers demand results and excellence and in that regard, both the Xbox One and Xbox One X have faltered the gamer at large. Did they actually think that hiding behind ‘the most powerful console‘ would help them? That system can store no more than at most 50% of a Nintendo Switch? Who were they kidding?

Forbes had a go at Microsoft on more than one occasion and their views are not good, even as they ‘hide’ it with ‘rough’ time, with “Sony is coming out swinging next year with games like Spider-Man, God of War, The Last of Us Part 2, Death Stranding, Days Gone and more. Exclusives remain Sony’s most important advantage over Microsoft, and the company’s 2018 line-up is one of its strongest yet” we see the first part, the second part was given by Forbes a month later with “I can’t really get into specifics because Microsoft no longer shares sales information on Xbox One consoles, but common estimates put it at about half of what the PS4 has sold, maybe around 30-35 million units. The Xbox One is not a failure, I don’t think anyone but Sony die-hards would say that, as we are miles past something like the scant 13 million sales of the Wii U, but it is clear that if we had to pick an odd man out in this current climate, it’s Microsoft“. Forbes is partially right. I see it in two parts; the first one is that the Xbox offers merely 80% of what the Xbox360 offered, which is a really bad thing. What is more important is that Microsoft refused to listen to the gamers and when they pretend that they did, they still harassed gamers to do what Microsoft wanted against the express desire of the gamer, so how long was that EVER going to work? Some took the $150 loss and traded in for the PS4Pro, others (like me) left to old Xbox to gather dust and played and enjoyed their PS4 and some their Switch on the side too. One console they could not keep up with, the other has surpassed them in market share and will within the next year also surpass their total console sales.

In this the only losers will be the independent game designers who will now have to see if Sony and Nintendo offer a better deal. Two of the most amazing ones have been Astroneer and Subnautica. Astroneer would be a great Switch addition and Subnautica might make it, If they can get this playable on Switch too, it is a long shot, but it would be a unique experience to say the least. And that also triggers another part. As independent designers are now looking if their game can be ported, Microsoft will be losing out in all three fields, meaning that the red lights of death for Microsoft in gaming would soon be heralded. That is the consequence of not listening to gamers and selling short what gamers need. You see, all that Microsoft Azure pep talk sounds nice, but there they have rough competition, to bank in that direction whilst short selling a $125 billion market was perhaps one of the most stupid acts that Microsoft could have tried, they tried and they are getting fried!

Even now, as we saw only a week ago (at https://www.windowscentral.com/new-xbox-one-preview-build-spring-update), on how there are improvements, we see “As with any pre-release update, expect bugs – a lot of them. Current known issues include black screens, update errors and various issues across the Xbox One experience. These will soon clear up in forthcoming builds, though caution should be taken, especially when installing on your daily driver“, so apart from non-stop updates, the fact that the largest console is 1TB, how much space will be wasted in that regard? In that side there is one issue that both Sony and Microsoft share, or is it? With ‘Fortnite’s new 60fps mode is the real deal‘ (at http://www.eurogamer.net/articles/digitalfoundry-2018-fortnites-new-patch-really-does-deliver-60fps), where we see “Now, we’ve seen a range of ‘performance’ modes in the past that target 60fps on Sony and Microsoft’s enhanced consoles, but generally, they fail to deliver. The good news here is that Epic’s work is the real deal – and it’s by no means exclusive to the more powerful consoles, with owners of the standard models getting an equally impressive boost“, so both PS4pro and Xbox One X have issues and as the most powerful system cannot deliver at present as implied by multiple parties, the issue remains why that was not properly addressed before launch? That is still a dangerous subject as several games (example Forza: Horizon) do promise to deliver 60fps, so there is still an issue there. Still as the Switch is showing more and more games that get a much larger appreciation than other consoles tend to have for titles give even more rise to the Switch, which Nintendo will see as a handsome extra to the setting as given at present.

So in how much death danger is Microsoft?

That is the whole picture and until the 12th-14th June 2018, when the E3 will explode in our faces there will be no way to tell. The Microsoft marketing engine will continue to boast and boost what it can, but the E3 will be the first true test where Microsoft is and if they have any serious intentions to listen to the gamers and please their needs to the minimum, which is at present essential for their survival, Sony learned that lesson in 2017 and their adjusted views are back on the positive side for the most (they had less issues to deal with), in addition, the new exclusive game line-up that Sony has for this year is much stronger than before, so they are likely to rule the show. Although, there is no saying what Bethesda hits us with and they are on all systems, so Microsoft will have a benefit there. I also predict that they will be more and more dependent on Ubisoft stealing the show (whilst including the Xbox One X as much as possible) , more than ever before, so there will be information coming from several sides in all this and that should not be ignored.

The one thing that is at present almost a given, that is that the tickets to the Nintendo E3 show might be the hottest tickets in town because whatever they bat out of the park is also the size of the market share that Microsoft could lose to Nintendo, a side they never had to fear before. The game of gaming changed and Microsoft missed at least two exits from that road to nowhere. The E3 which is of course still rumours for the most as it is 12 weeks away is still an issue as it also rumoured to include a new Pokémon, Kirby, Yoshi and Metroid Prime 4 on Switch, whilst the Xbox One has 3 titles at present (no exclusives rumoured or announced) but does include the long awaited Cyberpunk 2077 by the makers that gave us Witcher 3, so there is that to desire. Bethesda had a teaser with references to Elder scrolls, Fallout and Doom, so there is more behind that whilst Sony might be stealing the show in regards to exclusives and it includes a conformed The Last of Us Part II, so there is enough to see that the Xbox might need to be placed in the ICU sooner than thought. Yet, in that last part, it will be at least another 5-7 weeks until there is a stronger confirmed list of games and gamers. The one part that is missing for now is the list of indie developers, because they can actually change the landscape by a lot, so I wonder what we will see. what is now clear and what is being shown by data, by the evidence out in the field is that Microsoft has lost the benefits they had and unless there is a massive overhaul and a large course adjustment by the Microsoft board of directors it is not impossible that the E3 2019 is one that will happen without Microsoft, or with them not getting noticed at all. I wonder which they think will be worse, but hey, they have ‘the most powerful console’, so this speculation might just be me with no chance of this becoming a reality, or will it?

 

Leave a comment

Filed under Gaming, IT, Media

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

February 14, 2018 · 16:03

A flawed generation?

I was browsing the Guardian, more important the movie section. Then a thought came forth. It made me grab back to a Ted presentation, one of the most moving ones from 2006. Sir Ken Robinson treated us to comedy whilst underlining one of the most important issues, or so it should have been, watch it at https://www.ted.com/talks/ken_robinson_says_schools_kill_creativity, it will be the best 17 minutes of your week, so how did I get here?

So, I was browsing articles, some I have already read like (at https://www.theguardian.com/film/2018/feb/05/the-cloverfield-paradox-review) ‘Netflix sequel is a monstrous mess‘. The few quotes that sprung out were: “disparate elements carelessly smashed together“, “most of them largely nonsensical“, and “the underseen ‘Life’ managed to combine thrills and ingenuity“. Yet this is not the only article. The second one is one that I had not looked at before (at https://www.theguardian.com/film/filmblog/2018/feb/05/black-panther-fought-off-a-toxic-ghostbusters-online-campaign-rotten-tomatoes), you see, I have mixed feelings on this movie. The trailer was awesome and I would love to see it, yet unlike the other ‘super heroes’, this is one comic I never read. Not intentionally mind you, you see whilst growing up in The Netherlands, the 70’s gave me some comics, but not all, so some franchises never made it across the Atlantic river. I did see the Black Panther as there was a guest appearance in like ‘Fantastic Four’, but that was pretty much it (besides Captain America Civil War). The other heroes are not a mystery and I had seen at least a few comics from each of them. So my mixed feelings are about not being able to relate it to the comics, so some of the background will be unknown to me. That’s all on that. The article became a larger issue when I saw “this attack was aimed at the most high-profile movie ever to feature a predominantly black cast felt racist” as well as “In an era when culture wars are predominantly fought on social media, this sort of down-voting can seem like an effective guerrilla tactic. Clicking on an angry red face or selecting zero stars is even easier than adding your name to an online petition“. It does not make sense to me to have hatred of a product you are utterly unfamiliar with; it counters art and creativity in almost every way as I personally see it. It goes on with the third article (at https://www.theguardian.com/film/filmblog/2018/feb/13/venom-trailer-tom-hardy-sony-spider-man), where you can read: “In recent years we’ve seen examples of movies that have triumphed at the box office almost entirely on the basis of snazzy advance publicity“, as well as: “fans were more interested in finding out what the new big screen version of Venom looks like than charting the next stage in Hardy’s career-long mission to channel the most eccentric human beings on the planet. And, on that count, they were left profoundly disappointed“. It was at that point that I remembered the Ted Talk with Sir Ken Robinson, the presentation that is still funny and legend after almost 12 years. What is more important that it is actually more to the point as an issue nowadays? When he states “Art, we get educated out of it!” he made a stronger point than even he might have envisioned. I think that this time was recently in the past and many of us have gone to a negative point past that. This could be considered on both side of the isle. The ‘haters‘ who seem to use whatever option they have to be toxic against whatever they want to be against using automated channels to ‘voice‘ it, or to merely spout their discriminatory bias. Yet on the other side, we see flaws too, with “Sony, of course, is facing a very different problem, in that its previous big screen incarnation of Venom was not beloved at all” we actually don’t get to see it, it is merely a reflection of a ‘failed’ movie, yet when you consider that they made $890,871,626 whilst the production costs were set at $258 million, I wonder what they are bitching about, because they took home a nice clean half a billion plus. So what gives? I think that Netflix, HBO and others are making the same mistake I accused Ubisoft of in the last few years. By relying on some business model with forecasting, a model set ‘to not get a failure‘ we are treated to the near impossibility of seeing an actual mind-blowing movie. If you are unwilling to move that could be a failure, you will in addition also miss out on making an exceptional win. It is like the line between genius and insanity, it is a very thin line and walking it is the only way to get something truly exceptional.

This is also seen in another way, most will not agree, or even be aware, but Ridley Scott is the person ending up making one of the most awesome and most amazing Crusader movies ever made. Kingdom of Heaven is seen as an utter failure to some, but the movie costing $130M still brought in a little over $211M worldwide. That’s still $80M in the pocket, I would instantly sign up for that. So as we see that ‘forecasting models‘ are becoming more and more the daily bacon of our lives, we are not moving towards better profits, we are moving away from exceptional achievements. There was a second reason to mention Kingdom of Heaven, you see, just like the Abyss, the trailers were actually bad, I consider them no reason to watch the movie, but the end result was in both cases spectacular. The dangers of marketing jives and kneejerk reactions to incomplete data, is that the studios seem to be overreacting. If it is not a positive Hype, it will not be a success. We see that danger to Venom, which would be somewhat of a risky choice no matter how you slice it, but in equal measure, the danger could to a much smaller extent also apply to Aquaman. It is a lot smaller, because Jason Momoa rocked it in Justice League, so he has created momentum. Another example will be seen when places like Netflix will grow the comic book Universe and add other characters, like for example Moon Knight, or more apt, as the New Mutants arrives in 2019, will the makers be willing to make Illyana Rasputin (aka Magik) dark enough? That is the question that the viewers/fans face. Even as the moviemakers are now direct enough (John Wick) and sexual tensioned enough (Spartacus, Game of Thrones) to take a leap to the edgy side, but when we see the absence of the edgy sides, was that truly the vision of the maker, or is that the forecasting model on how the prediction on what I regard to be unrealistic data to be setting the stage?

I cannot prove either part in this, but I am hopeful that outdated concepts are moving away further and further (John Wick is a nice example), but is it enough? You see, the more primal anything is, the more it links to our emotions and creativity (I personally believe that they tend to go hand in hand).

When it comes to the superheroes we tend to look at the legend Stan Lee and why not, he showed that creativity drives popularity and profit. The man has been around since 1922 and he was part of the creation of Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Daredevil, Black Panther, the X-Men, Ant-Man, Iron Man and Thor, representing well over $8 billion in movie revenue. So the larger bulk is all on him. Yet, I also want to see how this creativity is seen by the new makers like David Wohl, Marc Silvestri and Garth Ennis who created the Darkness. Can the dark view of Jackie Estacado, be created in the really dark way? As a videogame it was well received and ended up being an interesting setting, yet how would that work for the big screen? The problem is that the setting is now no more about the art (mainly), it is about the profit. Stan Lee had the benefit that the art stage was powerful enough and proven to be strong enough that most ‘forecasting models’ would remain obsolete, yet that path would be much less considered for anything new and unproven. We have seen How Azrael and Knightfall Batman were well received as comic books, but Azrael and the order of St Dumas, as a movie, or Netflix series, would it even survive if the character and acts were not dark enough? Will the ‘fan’ still embrace it when the forecasting models push the makers into making it into some Disney angora woolen soft product version, would it then instantly flop? I personally hope so!

The Main event

So as we saw some of the franchises evolve for the big screen, there seems to be a tactical and business side, but less of an artsy side to this. It is almost like we can no longer do that proving the point that Sir Ken Robinson made in 2006. As we look at how much coin we can get from a comic book transfer, we see a similar danger that it is merely the reutilisation of something already made, which in this light shows how rare the movie Life is (apart from the fact that Ryan Reynolds can make most movies watchable). Even as it seems to have been down written in reviews, I found it very enjoyable, in addition to that, the work of the other main cast members Jake Gyllenhaal, Rebecca Ferguson and Hiroyuki Sanada was excellent. The issue is not just what is original, but what could make it. To see that distinction, you only need step out of your comfort zone and take a look at the Japanese movie ‘the Audition‘ (there is only the Japanese edition with subtitles), so you can’t be dyslexic for this one, or you need to be fluent in Japanese. That is the nice part of primal sides in any movie. It is the dark and unsettling side. It is easy to get to the primal sides of lust, because sex sells, it tends to do so with the greatest of ease. It is the other side where we are bound through discomfort, where we see exceptional works rise, but these instances are extremely rare which is a shame. In comic book world the fans are hopeful that they will see a good version of the Sandman, but that is still the stuff of ‘questionable future events’. So how can we rely on creativity to bring us an exceptional original movie, that whilst there is growing evidence that creativity is moving out, out of nearly all our lives, how can we move forward? I actually do not know. I have tried my hand at creativity in many ways, but I was never a movie maker, a storyteller (like all others ‘working’ on my first novel, which is currently approaching 60,000 words).

Getting back to where we had it

So how can creativity be reintroduced to the people? Well starting to create something, or better start to create anything is always a first step. We tend to replicate, then emulate and after that create. It is these actions that drive movies, TV series and video games forward. For something to be better than a mix of two (like a Pokémon RPG), we need to see it where we create within ourselves. This is how I found an optional new way to sink an Iranian frigate, how I came up with the concept of the Elder Scrolls: Restoration (ES6) and how I got the idea on two different kinds of RPG, as well as a new solution to resolve the NHS issues in more than one nation. Yet, even as the ideas were seemingly easy to grow and adapt; how to get them into reality? I am not a programmer and equally limited in my drawing skills, hence I rely on storytelling.

We see part of this (at https://www.polygon.com/2018/1/31/16952652/david-brevik-it-lurks-below-announcement), where the maker of Diablo is now building something new. Even as it looks familiar and it has elements of Minecraft (or Blockheads), we see the growth of a new approach, just like I saw with Subnautica which is an awesome result to an entirely new approach on survival RPG. Even as David Brevik revamped the 1985 game Gauntlet, and added more famous characters to create ‘Marvel Heroes’, the span between the arcade machine and Marvel Heroes gave it not just a more fresh approach, it gave it a new dimension as you could grow different super powers/skills making the game very replayable. So, even as I came up with this ‘new’ RPG, I did remember my many hours in the 7 cities of gold game on the Amiga and that shaped some of my ideas. Even as some of these games have been forgotten, the Amiga was a leap forward in those days. It had hundreds of games that were innovative (for a system with a mere 64Kb), so the fact that some of these ideas have not been restarted and evolved is simply beyond me. Now, is that new and creative? That is a point of view, by altering and evolving a game, it becomes a different game, by adding to it, the game does not merely becomes bigger, it becomes more. Now even as some games are remastered and as such remain the great games they were (System Shock for example), yet some games were nice on the original system (example Escape from Hell, Masters of Orion, Battle Chess, Covert Action), nowadays, these games would be too small, too limited and too restrictive, no bang for the buck. This is what has forever fuelled my passion for RPG (and sandbox games), the idea and the actions to do what I want, where I want, and at times when I want. Yet, I also believe that there should be inhibitors, just getting every mission, every option makes even an RPG game grinding. With limitations, we make choices, opening some doors, shutting others. It is that part that makes a game replayable and more important, it gives a much longer lifespan to any game you get.

Yet as I see it, the game makers are getting more and more restrictive, it is either making us do a thousand things on the side (AC: Origin), which is still a good game that I enjoyed, or we get into the grinding mode (Monster Hunter), a part in gaming I really do not like. Even as the graphics are amazing, it is the grinding that gets to me (I played the game on the 3DS). In that regard, the makers aren’t really making it easy for us, with Horizon Zero Dawn being a novel exception. In 2018 a new look on Spiderman is keeping us interested, but the actual ‘new’ additions seems to be limited to Sea of thieves, God of War and Vampyr, these seem to be the only games that are actually new and God of War only makes that cut because it is in an entirely new setting with only the playable character remaining the same, whilst the game play has actually change (a lot) from the previous 3, making it basically a new game. So including Monster Hunter there are 5 new games, the others are pretty much franchises (I left PC games out of the consideration).

In the end

Even as it is most visible with games, there is also an issue with movies nowadays. I love to see something really new, I equally enjoy the DC and Marvel movies, but if we take these and the sequels out of the equation, I am saddened to see it boils down to Red Sparrow, Annihilation, and Ready Player One. The rest seems to be either sequel, remakes or an altered version for something we have seen before. That does not make them bad movies, it is merely not really new, which is the issue here, they come through creativity. Isn’t it sad that the innovative list of truly new works is not growing to the degree it is? Now, we can look beyond borders, yet the reality is in my personal view that we have become less and less creative and we are losing out in several ways. Even if we are not game makers, TV producers or movie makers, as an audience we are equally missing out and we need to find a way to repair that flaw. One of the psychology views is: “Creative individuals are remarkable for their ability to adapt to almost any situation and to make do with whatever is at hand to reach their goals. If I had to express in one word what makes their personalities different from others, its complexity. They show tendencies of thought and action that in most people are segregated“. Even as the shrink focusses on complexity, I do not adhere there, I believe that the creative mind becomes ever better in analysing complexity and simplifying it, and reducing complex matters it into something ‘manageable’. It is an ability every person can have, but I believe that as our creativity levels went down, we lost some of that. The ‘business results driven‘ educational world has done this to us. We see the results more and more around us. We are blindly relying on automation and process instead of common sense. I am not stating that we should not adhere to these elements. I merely believe that once an automation or process failed that it will take a lot longer for people to react and that is not a good thing. Westpac saw such a failure only last week. With: “The meteoric rise of automated credit card applications has been called into question after Westpac was forced to refund a total of $11.3 million to credit card customers. The refunds, which worked out as several thousand dollars per customer, were necessary because the bank’s online assessment process had failed to gather enough information about the customers’ financial situation“, when we consider “Corporate watchdog ASIC said the crux of the problem was that Westpac had relied on automated application processes” and “Westpac admitted that customers’ employment status and income may not have been “directly reconfirmed in the credit card credit limit increase application process”” could be seen as optional evidence that a more creative mind would have seen the flawed complexity and beyond that optionally saved their boss 11 million. That is merely my point of view, but I stand firm on our loss of creativity, it is all around me every day. It gives rise that we have become a flawed generation; we lost more than we bargained for. I reckon that the academics will state that this element was a separate question and they were not instructed to focus on that as they designed the education system of the 70’s and 80’s, we can go on that this flawed system is still in place today giving us the danger of a descending line of our creativity and actual new experiences in the arts, a frightening concept to say the least.

 

Leave a comment

Filed under Gaming, Politics, Science

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,